A Modern Aladdin

"Then I will go," said he.

The marquis opened his arms. "Embrace me, Oliver," he cried.

Oliver yielded himself to the caress, but he wished the marquis to the devil.

ACT III. – Paris

Scene First. —Madame de Pompadour's salon

Some dozen courtiers, male and female, are gathered in a group at a little distance, but not too far away, from a sofa standing by an open window, just where the breeze comes in pleasantly from without. A lady dressed in negligee robe de chambre of blue satin lies upon the sofa, propped up with pillows. She is slowly fanning herself with a very charmingly painted fan, listening the while impassively to the subdued talk, and the occasional ripple of laughter that follows some more than usually apt observation or repartee. She does not talk or smile herself, but only continues fanning herself with slow impassiveness. She is still beautiful, but she is somewhat haggard and worn, and even the powder and rouge, and an occasional patch here and there, cannot altogether hide the leaden pallor of ill health. It is Madame de Pompadour, and it is one of the days in which she feels more than usually unwell.

The conversation of those around chiefly concerns two lovers, whom all Paris is just now petting and caressing, the young and charming Monsieur de Monnière-Croix and his fiancée Mademoiselle de Flourens. The match is altogether a singular and remarkable one. Those who have seen the young man report him very handsome, but it is whispered that he is of obscure origin. Were it not for his stupendous wealth, the story of which is very well authenticated, it would have been a dreadful misalliance. As it is, that wealth is so great as to level all distinctions, and the world has not only forgiven the match, but has been vastly interested in the love affair. The talk of it has reached even Madame de Pompadour's ears, and she has been pleased to express a desire to have them presented to her. The day and the time for that presentation has arrived, and that perhaps is why the conversation just now concerns the lovers.

Madame de Berry protests that they are the handsomest couple that she has ever seen; their love so innocent, so deliciously childlike. They are a new Corydon and Phyllis – Cupidon and Psyche. In them Arcadia is come again. It is the prettiest thing in the world to see their uneasiness when separated, their fond glances when together.

Monsieur de Gontat had heard the Duchesse de Choiseul speak of them the other day. She declares them her latest passion, and says that they are like that which the poets describe, and which nobody ever saw before. She loves to have them near her – the dear Duchesse – and says that they make her feel that life is not altogether like the new screen that Monsieur Watteau has just finished for her, not altogether flat, not altogether surface, not all pretended simplicity in powder and patches, and with painted fan to hide a painted blush; she says they make her have a better opinion of herself. So the buzz of talk goes on, and Madame de Pompadour fans herself and listens impassively.

Then the talk suddenly turns to the Count de St. Germaine, who has grown such a favorite, not only with Madame de Pompadour, but of late with his Majesty himself.

Monsieur de Gontat tells of the last wonder relating to him. Yesterday his Majesty sent for him.

"Monsieur Count," said he, "they say that you can remove flaws from a diamond. Is it so?"

"Yes, sire," answered the count.

"Then here is a diamond that would be worth fifty thousand livres except for this flaw; it is not worth five thousand now. Can you remedy it?"

"I can try, sire," answers the count, and he slips it into his waistcoat.

Would you believe it? He brings it in this morning sound and whole and without flaw.

"I myself," says Monsieur de Gontat, "was present when the jeweller appraised it. His Majesty said that he would keep it as one of the greatest curiosities of his cabinet."

Monsieur de Gontat had hardly ended his story when Oliver and Céleste were announced.

Madame de Pompadour ceased her fanning and turned her head languidly as they were ushered across the room and presented.

The Marquis de Flourens, who had come with them, was also presented. He paid his respects, and then immediately withdrew to one side, and was absorbed in the little group of those in waiting.

Madame reached out her hand to Céleste. "Come hither, my child, and let me look at you," said she.

Céleste came timidly forward, and Madame de Pompadour took her by the hand. She drew her down until the girl kneeled upon the floor beside the sofa. The poor sick woman looked long and earnestly into her young face.

"You are beautiful, you are young, you are happy," she murmured. "You are happy, are you not?"

"Yes," answered Céleste, in a whisper.

"And you love Monsieur de Monnière-Croix?"

"Yes," whispered Céleste again, and her voice thrilled.

Madame de Pompadour fetched a little half-sigh, which faded to a smile before it had left her lips. "Ah!" said she, "it is the young who are happy." Then, after a moment's pause, "Will you kiss me, child?"

Céleste bent forward, and her fresh young innocent lips met those others – so soiled, so wan and faded. It was all as effectively done as anything upon the boards of the Comédie Française.

Madame de Pompadour turned with a smile, and beckoned to Oliver.

"Come, Monsieur Count," said she, "your place should be here beside your lady;" and she motioned to him to kneel beside Céleste.

Oliver saw the ladies and gentlemen who stood around smile. He was embarrassed; he blushed like a school-boy; but there was nothing for him to do but to kneel. Céleste saw his confusion, and furtively reached out her little hand and gave his an encouraging squeeze. Madame de Pompadour saw it and smiled. Yes, it certainly was Arcadian.

At that moment another arrival was announced, "Monsieur the Count de St. Germaine!"

Now and then the name of the Count de St. Germaine, and the story of his strange doings, reached even to the paradise of the lovers. Occasionally Oliver heard a breath of these things, and when he heard it he trembled – the breath was sinister and smelt from the pit. But he was not troubled for long at a time; his cockle floated gayly along the stream of fateful happiness; he was too absorbed in his love-dreams to burden his thoughts with the fear of being overwhelmed in the dark waters upon which that cockle swam. Nevertheless, the name, falling so unexpectedly upon Oliver's ears, came with a certain shock of dread. He bent his head as he kneeled, and for a time did not dare to look around. The new-comer came forward with the well-assured air of a favorite. Oliver could feel him coming nearer and nearer.

"Rise, my children," said Madame de Pompadour. And as they obeyed, she presented Oliver to the other. "Monsieur de St. Germaine," said she, "let me present to you Monsieur de Monnière-Croix."

Oliver slowly raised his eyes, and then his heart crumbled away within him. It was the master!

It seemed to Oliver as though the room darkened around him, and he saw but one thing – that cold, handsome face. His ears rang as though with a chime of bells. The floor seemed to rock beneath his feet, for he knew what to expect when those thin lips parted – he would be denounced, exposed, here before Madame de Pompadour and her court. His heart shrunk together, but he steeled himself to face the coming blow.

But he was mistaken. The thin lips parted, the face lit up with a smile. "Ah," cried the well-known voice, "it is Oliver; it is the little Oliver! You do not remember me. No? Oh, well, it is not likely you would; and yet I was the dearest friend that your poor uncle, who is now in Paradise, had in the world." He turned to the others who stood there, still holding Oliver by the hand, which he had taken when he first began speaking. "The world," said he, "does not yet know half the romance connected with this young man. His uncle Henri, Chevalier de Monnière-Croix, was one of the richest men in France. Poor soul! he is dead now, but when he lived he was the owner of one of the largest diamond mines in Brazil. Diamonds! The world has never seen the like of the Chevalier de Monnière-Croix's diamonds! And now this young man has been left heir to them all. Henri de Monnière-Croix and I were in Brazil together, and it was with him that I gained what little knowledge I possess concerning precious stones; I may say, indeed, that he was my teacher in that knowledge. I was intimately acquainted with his affairs, and know that Oliver, as is reputed of him, is one of the richest men in Europe."

All who were present listened to the count's speech with breathless interest and in dead silence. But to Oliver the words he heard spoken lifted him at a bound from the gulf of despair into which he was falling. The master did not mean to ruin him just then. The rebound from the tensity of the strain was too great for him to bear. The ground beneath his feet heaved and rocked, the room spun around and around. He heard some one, he knew not whom, give a sharp exclamation; he felt a strong, sinewy arm clasp him about the body; he knew it was the master's arm, and then – nothing.

Scene Second. —A room in the Hôtel de Flourens, whither Oliver has been removed after having fainted in madame's salon

It is the next day, and Oliver is discovered lying upon a sofa, limp, heart-sick, overshadowed by the looming of coming misfortune. The ladies have sent many inquiries as to his health, and two little notes from Céleste are lying upon the table at his elbow. Enter suddenly Henri, who is in attendance upon him.

"A gentleman to see monsieur," said the valet, and almost instantly another voice, speaking from behind him, said:

"It is I, Oliver. I have taken the liberty of an old friend of your dear uncle; I was anxious concerning your health, and so followed immediately. You need not wait, Henri" – to the valet.

He entered as he spoke, and waiting for a moment to make sure that Henri had gone, then closed the door and turned to Oliver, who now sat speechless, motionless, fascinated, with eyes fixed, and a face as white as wax. He drew forward a chair, and placing it close to Oliver, sat for a long time looking fixedly and intently at him. At last, without removing his eyes, he drew out his snuffbox – the famous snuffbox that Madame de Pompadour had given him with her own hands – and took a pinch of snuff with a deal of gusto.

"Well," said he, "have you nothing to say to me?"

"I thought," said Oliver, dully, "that it was you who had, perhaps, something to say to me."

The Count de St. Germaine laughed. "Something to say to you?" said he. "Oh! You mean, perhaps, about that looking-glass of mine, upon which you drew that accursed sign with one of those very diamonds that I had taught you to make? Perhaps you thought that by doing so you would prevent my following your motions for the future. Well, as far as the mirror is concerned, you were right; you have spoiled it for me. You, who are generally so dull, sometimes surprise one with sudden gleams of your bucolic cunning. I confess that you did most effectually what you intended; you ruined that looking-glass forever. So far as I am concerned, I can never see anything in it again. Are you not deserving of punishment for that?"

Oliver strove to speak, but his white lips uttered no sound.

"Again," said the Count de St. Germaine, "I commanded you when we parted that you should never return to Paris; I forbade you imperatively, absolutely, from coming. I unbosomed myself to you and told you all; I confessed to you that I feared your influence upon my destiny. What has resulted? You, knowing that you have taken away all my means of following your movements, did return here against those express commands that I had laid upon you, braving all my threats of punishment. Should you not be punished for that?"

"I could not help it," said Oliver, hoarsely; "the marquis compelled me to come."

Once more the other laughed. "I know nothing of that," said he. "I only know that you are here. Why you are here concerns yourself, and not me. Now what do you think that I am about to do to you, Oliver?"