The Temptation of St. Antony; Or, A Revelation of the Soul

The Encratites– "The Gospel of Thomas!"

The Cainites– "The Gospel of Judas!"

Basilides– "The treatise of the spirit that has come!"

Manes– "The prophecy of Barcouf!"

Antony makes a struggle and escapes them, and he perceives, in a corner filled with shadows, the old Ebionites, dried up like mummies, their glances dull, their eyebrows white.

They speak in a quavering tone:

"We have known, we ourselves have known, the carpenter's son. We were of his own age; we lived in his street. He used to amuse himself by modelling little birds with mud; without being afraid of cutting the benches, he assisted his father in his work, or rolled up, for his mother, balls of dyed wool. Then he made a journey into Egypt, whence he brought back wonderful secrets. We were in Jericho when he discovered the eater of grasshoppers. They talked together in a low tone, without anyone being able to hear them. But it was since that occurrence that he made a noise in Galilee and that many stories have been circulated concerning him."

They repeat, tremulously:

"We have known, we ourselves; we have known him."

Antony– "One moment! Tell me! pray tell me, what was his face like?"

Tertullian– "Fierce and repulsive in its aspect; for he was laden with all the crimes, all the sorrows, and all the deformities of the world."

Antony– "Oh! no! no! I imagine, on the contrary, that there was about his entire person a superhuman beauty."

Eusebius of Cæsarea– "There is at Paneadæ, close to an old ruin, in the midst of a rank growth of weeds, a statue of stone, raised, as it is pretended, by the woman with the issue of blood. But time has gnawed away the face, and the rain has obliterated the inscription."

A woman comes forth from the group of Carpocratians.

Marcellina– "I was formerly a deaconess in a little church at Rome, where I used to show the faithful images, in silver, of St. Paul, Homer, Pythagoras and Jesus Christ.

"I have kept only his."

She draws aside the folds of her cloak.

"Do you wish it?"

A voice– "He reappears himself when we invoke him. It is the hour. Come!"

And Antony feels a brutal hand laid on him, which drags him along.

He ascends a staircase in complete darkness, and, after proceeding for some time, arrives in front of a door. Then his guide (is it Hilarion? he cannot tell) says in the ear of a third person, "The Lord is about to come," – and they are introduced into an apartment with a low ceiling and no furniture. What strikes him at first is, opposite him, a long chrysalis of the colour of blood, with a man's head, from which rays escape, and the word Knouphis written in Greek all around. It rises above a shaft of a column placed in the midst of a pedestal. On the other walls of the apartment, medallions of polished brass represent heads of animals – that of an ox, of a lion, of an eagle, of a dog, and again, an ass's head! The argil lamps, suspended below these images, shed a flickering light. Antony, through a hole in the wall, perceives the moon, which shines far away on the waves, and he can even distinguish their monotonous ripple, with the dull sound of a ship's keel striking against the stones of a pier.

Men, squatting on the ground, their faces hidden beneath their cloaks, give vent at intervals to a kind of stifled barking. Women are sleeping, with their foreheads clasped by both arms, which are supported by their knees, so completely shrouded by their veils that one would say they were heaps of clothes arranged along the wall. Beside them, children, half-naked, and half devoured with vermin, watch the lamps burning, with an idiotic air; – and they are doing nothing; they are awaiting something.

They speak in low voices about their families, or communicate to one another remedies for their diseases. Many of them are going to embark at the end of the day, the persecution having become too severe. The Pagans, however, are not hard to deceive. "They believe, the fools, that we adore Knouphis!"

But one of the brethren, suddenly inspired, places himself in front of the column, where they have laid a loaf of bread, which is on the top of a basket full of fennel and hartwort.

The others have taken their places, forming, as they stand, three parallel lines.

The inspired one unrolls a paper covered with cylinders joined together, and then begins:

"Upon the darkness the ray of the Word descended, and a violent cry burst forth, which seemed like the voice of light."

All responding, while they sway their bodies to and fro:

"Kyrie eleison!"

The inspired one– "Man, then, was created by the infamous God of Israel, with the assistance of those here," – pointing towards the medallions – "Aristophaios, Oraios, Sabaoth, Adonai, Eloi and Iaô!

"And he lay on the mud, hideous, feeble, shapeless, without the power of thought."

All, in a plaintive tone:

"Kyrie eleison!"

The inspired one– "But Sophia, taking pity on him, quickened him with a portion of her spirit. Then, seeing man so beautiful, God was seized with anger, and imprisoned him in His kingdom, interdicting him from the tree of knowledge. Still, once more, the other one came to his aid. She sent the serpent, who, with its sinuous advances, prevailed on him to disobey this law of hate. And man, when he had tasted knowledge, understood heavenly matters."

All, with energy:

"Kyrie eleison!"

The inspired one– "But Jaldalaoth, in order to be revenged, plunged man into matter, and the serpent along with him!"

All, in very low tones:

"Kyrie eleison!"

They close their mouths and then become silent.

The odours of the harbour mingle in the warm air with the smoke of the lamps. Their wicks, spluttering, are on the point of being extinguished, and long mosquitoes flutter around them. Antony gasps with anguish. He has the feeling that some monstrosity is floating around him – the horror of a crime about to be perpetrated.

But the inspired one, stamping with his feet, snapping his fingers, tossing his head, sings a psalm, with a wild refrain, to the sound of cymbals and of a shrill flute:

"Come! come! come! come forth from thy cavern!

"Swift One, that runs without feet, captor that takes without hands! Sinuous as the waves, round as the sun, darkened with spots of gold; like the firmament, strewn with stars! like the twistings of the vine-tree and the windings of entrails!

"Unbegotten! earth-devourer! ever young! perspicacious! honoured at Epidaurus! good for men! who cured King Ptolemy, the soldiers of Moses, and Glaucus, son of Minos!

"Come! come! come! come forth from thy cavern!"

All repeat:

"Come! come! come! come forth from thy cavern!"

However, there is no manifestation.

"Why, what is the matter with him?"