Three short works

God, whom I hate, has punished me indeed! But my soul is greater even than His wrath; in one deep sigh I could the whole world draw into my breast, where it would burn eternally, even as I.

When, Lord, shall thy great trumpet sound? Then a great harmony shall hover over sea and hill. Ah! would that I could suffer with humanity; their cries and sobs should drown the sound of mine!

[Innumerable skeletons, riding in chariots, advance at a rapid pace, with cries of joy and triumph. They drag broken branches and crowns of laurel, from which the dried and yellow leaves fall continually in the wind and the dust.]

Lo, a triumphal throng from Rome, the Eternal City! Her Coliseum and her Capitol are now two grains of sands that served once as a pedestal; but Death has swung his scythe: the monuments have fallen. Behold! At their head comes Nero, pride of my heart, the greatest poet earth has known!

[Nero advances in a chariot drawn by twelve skeleton horses. With the sceptre in his hand, he strikes the bony backs of his steeds. He stands erect, his shroud flapping behind him in billowy folds. He turns, as if upon a racecourse; his eyes are flaming and he cries loudly:]

NERO.

Quick! Quick! And faster still, until your feet dash fire from the flinty stones and your nostrils fleck your breasts with foam. What! do not the wheels smoke yet? Hear ye the fanfares, whose sound reached even to Ostia; the clapping of the hands, the cries of joy? See how the populace shower saffron on my head! See how my pathway is already damp with sprayed perfume! My chariot whirls on; the pace is swifter than the wind as I shake the golden reins! Faster and faster! The dust clouds rise; my mantle floats upon the breeze, which in my ears sings "Triumph! triumph!" Faster and faster! Hearken to the shouts of joy, list to the stamping feet and the plaudits of the multitude. Jupiter himself looks down on us from heaven. Faster! yea, faster still!

[Nero's chariot now seems to be drawn by demons: a black cloud of dust and smoke envelops him; in his erratic course he crashes into tombs, and the re-awakened corpses are crushed under the wheels of the chariot, which now turns, comes forward, and stops.]

NERO.

Now, let six hundred of my women dance the Grecian Dances silently before me, the while I lave myself with roses in a bath of porphyry. Then let them circle me, with interlacing arms, that I may see on all sides alabaster forms in graceful evolution, swaying like tall reeds bending over an amorous pool.

And I will give the empire and the sea, the Senate, the Olympus, the Capitol, to her who shall embrace me the most ardently; to her whose heart shall throb beneath my own; to her who shall enmesh me in her flowing hair, smile on me sweetest, and enfold me in the warmest clasp; to her who soothing me with songs of love shall waken me to joy and heights of rapture! Rome shall be still this night; no barque shall cleave the waters of the Tiber, since 'tis my wish to see the mirrored moon on its untroubled face and hear the voice of woman floating over it. Let perfumed breezes pass through all my draperies! Ah, I would die, voluptuously intoxicated.

Then, while I eat of some rare meat, that only I may taste, let some one sing, while damsels, lightly draped, serve me from plates of gold and watch my rest. One slave shall cut her sister's throat, because it is my pleasure – a favourite with the gods – to mingle the perfume of blood with that of food, and cries of victims soothe my nerves.

This night I shall burn Rome. The flames shall light up heaven, and Tiber shall roll in waves of fire!

Then, I shall build of aloes wood a stage to float upon the Italian sea, and the Roman populace shall throng thereto chanting my praise. Its draperies shall be of purple, and on it I shall have a bed of eagles' plumage. There I shall sit, and at my side shall be the loveliest woman in the empire, while all the universe applauds the achievements of a god! And though the tempest roar round me, its rage shall be extinguished 'neath my feet, and sounds of music shall o'ercome the clamor of the waves!

* * * * *

What didst thou say? Vindex revolts, my legions fly, my women flee in terror? Silence and tears alone remain, and I hear naught but the rolling of thunder. Must I die, now?

DEATH.

Instantly!

NERO.

Must I give up my days of feasting and delight, my spectacles, my triumphs, my chariots and the applause of multitudes?

DEATH.

All! All!

SATAN.

Haste, Master of the World! One comes – One who will put thee to the sword. An emperor knows how to die!

NERO.

Die! I have scarce begun to live! Oh, what great deeds I should accomplish – deeds that should make Olympus tremble! I would fill up the bed of hoary ocean and speed across it in a triumphal car. I would still live – would see the sun once more, the Tiber, the Campagna, the Circus on the golden sands. Ah! let me live!

DEATH.

I will give thee a mantle for the tomb, and an eternal bed that shall be softer and more peaceful than the Imperial couch.

NERO.

Yet, I am loth to die.

DEATH.

Die, then!

[He gathers up the shroud, lying beside him on the ground, and bears away Nero – wrapped in its folds.]

THE LEGEND OF SAINT JULIAN THE HOSPITALLER

CHAPTER I

THE CURSE

Julian's father and mother dwelt in a castle built on the slope of a hill, in the heart of the woods.

The towers at its four corners had pointed roofs covered with leaden tiles, and the foundation rested upon solid rocks, which descended abruptly to the bottom of the moat.

In the courtyard, the stone flagging was as immaculate as the floor of a church. Long rain-spouts, representing dragons with yawning jaws, directed the water towards the cistern, and on each window-sill of the castle a basil or a heliotrope bush bloomed, in painted flower-pots.

A second enclosure, surrounded by a fence, comprised a fruit-orchard, a garden decorated with figures wrought in bright-hued flowers, an arbour with several bowers, and a mall for the diversion of the pages. On the other side were the kennel, the stables, the bakery, the wine-press and the barns. Around these spread a pasture, also enclosed by a strong hedge.

Peace had reigned so long that the portcullis was never lowered; the moats were filled with water; swallows built their nests in the cracks of the battlements, and as soon as the sun shone too strongly, the archer who all day long paced to and fro on the curtain, withdrew to the watch-tower and slept soundly.

Inside the castle, the locks on the doors shone brightly; costly tapestries hung in the apartments to keep out the cold; the closets overflowed with linen, the cellar was filled with casks of wine, and the oak chests fairly groaned under the weight of money-bags.

In the armoury could be seen, between banners and the heads of wild beasts, weapons of all nations and of all ages, from the slings of the Amalekites and the javelins of the Garamantes, to the broad-swords of the Saracens and the coats of mail of the Normans.

The largest spit in the kitchen could hold an ox; the chapel was as gorgeous as a king's oratory. There was even a Roman bath in a secluded part of the castle, though the good lord of the manor refrained from using it, as he deemed it a heathenish practice.

Wrapped always in a cape made of fox-skins, he wandered about the castle, rendered justice among his vassals and settled his neighbours' quarrels. In the winter, he gazed dreamily at the falling snow, or had stories read aloud to him. But as soon as the fine weather returned, he would mount his mule and sally forth into the country roads, edged with ripening wheat, to talk with the peasants, to whom he distributed advice. After a number of adventures he took unto himself a wife of high lineage.

She was pale and serious, and a trifle haughty. The horns of her head-dress touched the top of the doors and the hem of her gown trailed far behind her. She conducted her household like a cloister. Every morning she distributed work to the maids, supervised the making of preserves and unguents, and afterwards passed her time in spinning, or in embroidering altar-cloths. In response to her fervent prayers, God granted her a son!

Then there was great rejoicing; and they gave a feast which lasted three days and four nights, with illuminations and soft music. Chickens as large as sheep, and the rarest spices were served; for the entertainment of the guests, a dwarf crept out of a pie; and when the bowls were too few, for the crowd swelled continuously, the wine was drunk from helmets and hunting-horns.

The young mother did not appear at the feast. She was quietly resting in bed. One night she awoke, and beheld in a moonbeam that crept through the window something that looked like a moving shadow. It was an old man clad in sackcloth, who resembled a hermit. A rosary dangled at his side and he carried a beggar's sack on his shoulder. He approached the foot of the bed, and without opening his lips said: "Rejoice, O mother! Thy son shall be a saint."

She would have cried out, but the old man, gliding along the moonbeam, rose through the air and disappeared. The songs of the banqueters grew louder. She could hear angels' voices, and her head sank back on the pillow, which was surmounted by the bone of a martyr, framed in precious stones.

The following day, the servants, upon being questioned, declared, to a man, that they had seen no hermit. Then, whether dream or fact, this must certainly have been a communication from heaven; but she took care not to speak of it, lest she should be accused of presumption.