The Killing Edge

She watched his feet moving stealthily across the floor and into the bathroom.

He would find her there beneath the bed. He was bound to.

Knowing she had no choice, she rolled out from beneath the bed, and carefully, silently, on bare feet, hurried to the door to the hallway. She looked out and saw no one, so she slipped out, hoping to find someone else alive, hoping to find something with which to save herself.

Nothing. No one. She raced along the hall to the stairway. Ochre light filled the living room at the foot of the grand stairway.

Red spilled out across the marble there, too.

Red spelled a message on the wall.

Death to defilers!

There was a picture in red, as well… .

A strangely shaped hand drawn in blood.

She sensed movement behind her and turned to look. Brad Angsley, Victoria’s college-age cousin, was staggering out from one of the other bedrooms, holding his head. She rushed toward him.

“He’s right behind us!” he cried.

“Move!” she insisted, and helped him stagger down the stairs. As they reached the great entry with its double doors, she dared a quick look back.

Someone was coming after them, another man in black, with some kind of knapsack or canvas bag over his shoulder.

Which killer was he?

Were there more ahead? What would happen when she opened the door? Would another killer be waiting there?

She had no choice but to find out. She struggled briefly with the lock, then threw open the doors and raced out, with Brad clinging to her shoulder. They made it down the long gravel path to the driveway and had almost lost themselves amidst the collection of BMWs, Audis and beat-up cars that belonged to the average kids who had made their way here.

Behind them, closing in on them, she could hear pounding footsteps.

They turned together, and she could see the knife gleaming in the moonlight, the blade dripping blood.

She leaned Brad against a car and grabbed a statue of Poseidon. It was heavy, but she barely noticed its weight as she wrenched it from the ground and swung it with both arms.

She caught their pursuer on the side of the head. He staggered back, and she let out a scream that seemed to last forever, until she realized that Brad had broken into the car, setting off its alarm.

Lights suddenly blazed, illuminating the driveway. Chloe saw Victoria stagger from the trees bordering the drive, holding tight to Jared Walker, who appeared to be unharmed, though his face was ashen.

Victoria was waving a cell phone as she yelled, “Hang on! Help is coming!”

Thank God for technology, Chloe thought.

The lights were coming from the cop cars that were swarming onto the property.

Chloe stared at her attacker, praying that he would fall, that he wouldn’t come after them again before the cops could take aim and fire.

The man stared back at her, his mask torn where the statue had caught it, and she felt as if she was staring into the face of pure evil.

Her heart stopped, and she prayed.

But he didn’t come closer; instead, he took one look at the approaching cops, then turned and ran.

As if on cue, the moon slipped behind a cloud, and the killer was lost in the deep shadows beside the house.

Cops and paramedics began rushing onto the property. Someone took Brad; someone else grabbed Chloe, and she opened her mouth to scream.

“It’s all right,” a man’s voice assured her, and she found herself staring at a policeman. “You’re hurt. You need help.”

“I’m not hurt,” she said, then lifted her hands and realized that they were bathed in blood.

Crimson with blood.

Red-shot darkness descended on her, and she slipped into oblivion.

It was over, and yet not over.

In the days and months that followed, she saw them all again. Her friends, with their good traits and their bad, who never had a chance to mature and become good people or selfish assholes.

They haunted her dreams.

She saw them dead, where they had lain on the floor in spreading pools of red.

Yes, she saw them in her dreams. Or were they dreams? She would simply open her eyes to see them there, surrounding her bed, looking at her.

Asking her for help. Begging her for help.

“How can I help you …? Tell me,” she asked aloud more than once.

But they never answered.

Of course not. They weren’t real. They were symptoms of her own psychological stress and trauma.

They were dreams. Bad dreams. Nightmares.

And in the therapy that followed, she was convinced at last that she didn’t see them, that they were symptoms of survivor’s guilt that haunted her heart and soul, and that only time could ever begin to heal such a wound.

Finally, like mist, silver and gray, they slipped away, and she learned to live.

ONE

Ten years later

The old Branoff mansion on the beach was exquisite. Built at the dawn of the area’s first age of sophistication, it was over eighty years old and elegant in the Mediterranean-slash-Spanish style of the mid-1920s. It wasn’t far from a similar house where, not so many years before, Gianni Versace had been gunned down, and tourists often passed on their way to gawk at the murder scene, establishing their right to say they had been there.

The less notorious mansion, now the local HQ and informal models’ dorm for the famed Bryson Agency, sat on an acre of land, with a formidable front lawn, now alight in a rainbow of colors. The gardens and walks were elegant, and the ornate iron gates that controlled access past the ten-foot stone wall that surrounded the villa weren’t locked this evening. But access still wasn’t easy. The beautiful people were entering tonight for the latest agency party. Mainly beautiful women. The kind of women who, if they didn’t already personify absolute perfection, could be airbrushed to get there.