The Unholy

“Just drive, my friend, drive,” Sean said.

Eddie nodded and focused his gaze on the road ahead and the insanity of LAX. “Thank you for coming,” he said.

“Ah, Eddie, you knew I’d come if you called me.”

Sean glanced at Eddie, who looked drawn and haggard, a lot older than his years. That was natural under the circumstances.

“You’re sure you’re okay, Eddie? Okay to be driving around?”

Eddie nodded gravely. “I wouldn’t risk your life—or my own. Alistair needs me. I’m strong. I know my son is innocent, and it has to be proven.”

Eddie did seem rational and in control, driving like an expert as he maneuvered the complicated airport exit and the California highway system.

“From special effects to the FBI?” Eddie asked. He tried to smile. “I still marvel at that. I was in shock when you told me. Guess it must be your ability to create giant man-eating rats against a green background.”

“Hey, now,” Sean said, trying to speak lightly. “They didn’t just pluck me out of the studio, you know. All right, well, they did at first, but you remember I’d done some work with Texas law enforcement groups. And now we’ve gone through the training system at Quantico. My team and I, that is,” he added. “None of us was FBI when we formed. But you must know something about my team, Eddie—besides the little we’ve exchanged in phone conversations. Because I got the call from our team leader not long after I talked to you.”

Eddie nodded. “Ever since I was informed that my son was in a jail cell, covered in blood, I’ve done nothing except rack my brains to figure out how we can prove that Alistair didn’t do this—that he couldn’t have done it. I thought about you instantly, and the fact that you’ve become part of an elite unit.”

“I’m not so sure they call us elite,” Sean murmured.

“Sean, the cops have gone through the security tapes. There was no one in or out of the cinema or the studio, other than Alistair and Jenny Henderson. There were no cameras running in the museum. It was closed. The whole thing is impossible. I know Alistair didn’t do it. My attorney is suggesting we consider an insanity plea…but Alistair isn’t crazy. He didn’t do it.”

Sean studied Eddie as he drove. The man was a father, desperate to save his son. Sean groaned inwardly; he hoped Eddie hadn’t wanted the Krewe involved because he believed he had an old protégé working with a group that was part of the federal government. Did he figure Sean might help with an insanity plea? It seemed to him that a good defense attorney could get a person off on insanity in a dozen different ways. The television made me do it. The voices in my head made me do it. A video game made me do it, a book made me do it. The ghosts living in the old Black Box Cinema did it, not me. And if you imagined that a ghost did it—or made you do it—was that as good as actual insanity?

“Eddie, a ghost—or a creature—didn’t kill the girl. I mean, if you’re hoping we can come up with the spirit of a dead noir actor, it’s not going to fly.”

Eddie looked at him, frowning. “Sean, I…I know that. I don’t believe a ghost killed anyone, either. Can ghosts kill someone? Or if a ghost ever did kill anyone, wouldn’t it be that guilt or fear or terror simply overwhelmed that person? Sean, trust me, I don’t think a ghost killed Jenny Henderson. But someone did,” he said grimly. “Someone who knows the studio. Whether it’s someone working there now or not, I have no idea. The police checked out the security footage and said, Hey, cut and dried, no one in there that night except for the security guard—who never moved. The guy didn’t even take a piss until Alistair came running in to get him. Someone else was in that studio, Sean, and you know as well as anyone that what we see isn’t always real, and that what looks real can be illusion.”

“Of course, Eddie,” Sean said, feeling a little foolish. Was he a bit testy about being part of a unit that many questioned? The Ghostbusters of the FBI? They were still a new unit, and they’d met all the members of the original Krewe, so they knew what they were up against. He’d been involved in the case that had put this second group together, and it had been unusual, to say the least. But like most evil, it had come down to human greed and the horrible twists and turns the mind could take.

But…

He’d also learned that there were others like himself and his cousin Kelsey. Those who could hear voices and see visions of people who’d departed the physical realm.

He’d also gone through rigorous training. He was an excellent shot, should the need occur, even if he’d always planned on living his life creating fantasy for entertainment purposes.

On both fronts, he’d learned that perception was everything. They were dealing with a locked-room mystery, he thought. A classic puzzle, and every puzzle had a solution.

And Eddie had seen this, the key to vindicating his son.

“I haven’t been in the studio in years, Eddie,” Sean reminded him.

“Yeah, I figured that, and some things have changed. Some storage has been moved around, but most of the structure is the same. Climate control or cold room, sewing section, construction—those areas are all the same. Anyway, I’ve asked one of my top young protégées to be your guide. She’ll take you through the studio, answer any of your questions. She’s the perfect assistant for you right now.”

“Oh? Why is she so perfect?”

Eddie glanced his way before looking back at the road, somber and thoughtful.

“Because she’s a lot like you. She’s quiet, doesn’t say much about anything that affects her, but…well, she’s either certifiable, crazy as a loon, or just like you. She talks to the dead.”

2

Los Angeles County was known for its smog, but this afternoon was worse than usual. When Madison stepped outside to wait for Eddie Archer, she felt as though the day itself was in mourning for Jenny Henderson and the Archer family.

It was just the beginning of summer, and in the past few days the sky had been powder-blue with wonderful puffs of snow-white clouds; today, a fog had rolled in from somewhere and joined with the pollution of the massively populated area. She almost expected to hear crows caw in warning while bats took flight across a darkening sky. Like something of a ’50s horror movie…

Eddie Archer’s little hybrid car pulling up in front of her place brought her back to reality.

Eddie pulled to the curb. A man slid out of the passenger seat watching her as she approached. He seemed to fit right in to the California scene. He was tall, wearing dark glasses, and appeared to be fit and athletic, with a lean muscled frame. She slipped her own sunglasses on; sunglasses camouflaged a multitude of sins, or so they said—and allowed one to hide one’s emotions.

As she reached the car, he extended a hand. “Sean Cameron, Ms. Darvil. Please, take the front. I’ll get in behind you.” He had a low, smooth, throaty voice that suited his physique. Bogie, she thought, would label him “a man’s man.” There was a quality about him that conveyed an inner easy confidence. She sensed his compelling masculinity and realized that meeting him, just feeling his handshake, made her want to know him. She lowered her head for a swift moment, willing herself not to flush.

Why on earth was she instantly attracted to a man she’d barely met?

She steeled herself mentally, disturbed and annoyed with her own thoughts. Eddie was troubled. Alistair was in a grave situation. A beautiful young woman had been murdered. She was here to escort this man around the studio today, and that was it.

“After you,” he said.

She wasn’t short, but neither was she exceptionally tall, at five-eight.

“No, no—you take the front.” She managed a casual grimace. “Since I’m staring up at you, it’s obvious you have much longer legs.” He had to be six-three or six-four, she estimated. She felt she should tell him it was a pleasure to meet him, except that seemed kind of ridiculous at the moment. “I’m glad you’re here for Eddie,” she said instead.

He gave her a tight-lipped smile and a nod. “I’ll say the same,” he told her huskily. “Please, take the seat next to Eddie. There’s plenty of legroom in the back. Humor me—it’s a Texas thing.”

Madison decided she wasn’t going to wage a war over a car seat and got in.

When she was seated, Eddie turned to her. “Thanks, Maddie,” he said quietly. “Thank you, sincerely.”

“You’re welcome, Eddie.”

“So, the police still have the museum area—the tunnel—cordoned off. Naturally, Sean has jurisdiction anywhere, but I’d like you to show him the studio. You can answer any questions he might have.” Eddie’s voice grew emotional as he added, “I’m going to abandon you two and get back to the hospital to see Alistair. I don’t like leaving him alone. I don’t mean alone—I mean, without seeing me as much as possible.”

“I understand, Eddie,” Madison said quietly. Alistair—assuming he was innocent—definitely needed family support at a time like this.

But he had a stepmother, too, although it was true that Alistair had never called his father’s wives “Mother.” But he seemed to have a friendly relationship with Helena LaRoux, and as far as she could tell, Helena liked Alistair. Alistair was happy if his father was happy, and he found it amusing that Helena had made no bones about the fact that she’d loved Eddie and wanted to be Mrs. Eddie Archer. She claimed to love Eddie and maybe she did. It was a nice bonus that he was as powerful as he was—and Helena never pretended that she wasn’t eager to be rich and famous on her own. It seemed, however, that she was happy to share her journey with Eddie’s son.

Appearances, Madison thought. Hollywood was all smoke and mirrors.

“He’s got family there now,” Eddie told her. “Helena is with him. But we’ve only been married a year, and although she and Alistair get along fine, she’s not his real mom, and certainly not his dad, you know?” he ended hoarsely.

“No one else is you, Eddie.”

She noticed that Sean Cameron reached over from the backseat, placed a hand on Eddie’s shoulder and squeezed.

She’d heard about Cameron before; she knew his name, and that he’d worked at the studio. Now that she was with him, she realized she’d even seen pictures of him with past creatures created at the studio and at industry parties. Once she’d actually wondered about him and joked with Carla, a seamstress, about him. Why didn’t he still work there, huh? she’d asked. She often worked a double shift, seventy to eighty hours, with a group that was seventy to eighty percent male. All those hours and all those men, and they were like fathers, uncles, little brothers or obnoxious cousins. Or uninterested in the opposite sex.

Carla had reminded her that she dressed some of the hottest actors in the business, and she’d been asked out often enough.