Night Of The Blackbird

“I don’t love you,” she called, turning around. “Make sure you get the check, and leave a decent tip.”

“You adore me!” he called after her.

At the door, she looked back. He was still wearing the same shit-eating grin. He arched a brow to her and started humming “Danny Boy.”

2

It had been a damned long day. Michael McLean took his work to heart, and he accomplished what he set out to do, whether it took diplomacy and tact or a dead-set determination and a few strong-arm techniques.

When the phone rang, Michael jumped. He’d been lying there, half asleep, and though his work meant that he got calls at all hours, he hadn’t been expecting the abrasive ring. He’d been traveling large expanses of the country—they had to be prepared for every contingency—and he was tired. For a moment the ringing was simply jarring, and he let it go on. Then he forced himself up, dragging his legs over the side of the bed, running his fingers through his hair. He started for his bedside phone, then realized that it was his cellular ringing. He rose, running his fingers through his hair, found his pants and dug out the phone.

He glanced at the caller ID. Moira.

“Hey, babe, what’s up? You’re all right, aren’t you? It’s late.”

“I know, I’m sorry. I should have called earlier.”

“You can call me any time, day or night. You know that.”

“Thanks,” she said, her voice soft.

There were lots of women in the world. He’d known his share. But the tenor of her voice slipped into him. There were others, yes. But none quite like her. He pictured her. Moira was a beauty, with her true deep red hair and blue-green eyes. Tall, elegant, with a natural sophistication and the ability to dirty her hands and nails, laugh at any obstacle and get involved with the most absurd situations. When he’d answered the ad for an associate producer and locations manager for KW Productions, he’d known her from seeing her on the air, having studied what tapes he could find before applying for the job. She was good on tape. She was even better in person. He hadn’t been ready for the excitement she could create or the emotion she could invoke. He wished she were there right now. Amazing what the sound of her voice could do to a man.

“I should have called you—could have called you—hours ago,” she went on, then halted suddenly. “You haven’t heard from Josh already, have you?”

“No.”

He heard her sigh. “Yeah, he would make me do this one myself. And it’s so late because I’ve been trying to get up the nerve to call you.”

He was about to assure her that she never needed nerve to call him when she rushed on.

“I know how much work you’ve already done—”

“You are the boss, you know.”

“Not really. Josh and I have always made decisions together, and since you’ve been with us, well, you’ve just been the perfect addition to the show…. Oh, Lord, Michael, I’m so sorry to be doing this, but…we’re making a sudden switch in plans.”

He’d been expecting this; still, he felt every muscle in his body tense. He knew what she was about to say.

“I know that you and Josh have made an incredible effort on the Orlando angle, that acquiring permits to tape has been a bitch…but we’re switching locations for Saint Patrick’s Day. I’m so sorry. I know—”

“Family pressure, eh?” he asked quietly.

“My father has to go in for tests next week. Nothing serious, Mum assures me, but I’m willing to bet he’s still working the pub himself until all hours of the night. Anyway, she made it sound as if I were punching the Easter Bunny or something, and I…I caved in.”

“Don’t worry,” he told her. “I’ve already looked into the Boston situation.”

“What?”

“Josh and I both kind of expected this,” he said.

She was silent.

“Moira, it’s all right. Hey, I’m going to love meeting your family. I’ll get to feel important, right? The man in your life, someone who means everything in the world to you, right?”

“You’re incredible, you know that?”

“Well, of course, you’d have nothing less, right?” he said.

“You know what?”

“What?”

“You sound so good.”

Her voice was almost like silk.

“I was just thinking the same about you.”

“They’re crazy, you know.”

“Who?”

“My folks.”

“Moira, you’ve hit the right guy here. My family is Irish, too. Okay, we don’t own a pub and no one runs around whistling ‘Danny Boy’ all day, but I can deal with the leprechaun and banshee stories. Don’t be so worried.”

She was still silent. Then she said, “Mine do.”

“What?”

“They run around whistling ‘Danny Boy’ all the time.”

He laughed. “I’ve got nothing against the song. Hey, Josh and I had a wager going, you know.”

“Who bet that I wouldn’t cave in to family pressure?”

“Neither of us. The wager was on the date you’d finally do it.”

“I can’t wait to see you,” she said. Once again, he pictured her. Not the woman on television. The one who should be here with him now. Softly scented, sleek and smooth, hair down and wild, naked as the day she was born. Maybe that was part of her allure. She could be so elegant and almost aloof in public, and so incredibly sensual and volatile in private.

“I don’t think there are any planes at this time of night,” he said regretfully. “Can’t even hop a train. I could rent a car…if you’re really needy.”

“You’re good. Very good.”

“No, what I am is—”

“Never mind,” she said, laughing again. “You know you can’t rent a car in Florida and be here that quickly. And I have to—have to—tie up a few things here tomorrow and then head up right after. That will give us a week before the actual big day. Time so I can see my folks and so we can give the Leisure Channel a really good show.”