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Summer At Willow Tree Farm: The Perfect Romantic Escape

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2018
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‘A brave fat kid you mean,’ she said, unable to let go of her resentment completely. And unsettled at the realisation that Art’s compliment meant something. Why should she care what he thought of her son?

‘I never said he was fat. I said he thinks he’s fat.’ His head dipped to one side, the patient perusal sending heat into her face. ‘There’s a difference.’

The husky tone wrong-footed her, because it made the frank assessment sound like a compliment, too. Almost.

‘No need to apologise to Toto,’ he added. ‘Your freak out might teach her to dial down on the drama.’

His gaze skimmed back over her, and her misguided belly dissolved into a warm fuzzy puddle of need. Annoyingly.

Clearly being starved of male attention – because she’d had little enough from Dan in recent years – had the potential to make her delusional.

Then her belly added insult to insanity by rumbling loudly enough to be heard in Dorset.

Art’s lips kicked up on one side. The tiny suggestion of a smile on his hard, taciturn face made her lungs seize – which only served to remind her she had several bruised ribs.

She hauled in a painful breath as he left the room and captured a lungful of his scent – soap, sweat and motor oil. The warm fuzzy delusion in the pit of her empty stomach returned.

She dragged herself out of the bed and headed to the door Art had come out of, to find a newly painted en suite bathroom, complete with light blue enamelled tiling and a pile of brand-new extra-fluffy towels.

Staring at her smudged face in the mirror above the sink, she splashed cold water on her cheeks.

Step away from the edge, Princess Drama. One almost compliment and an overdue apology does not make Art Dalton less of a dick.

Hearing the click of the bedroom door, she switched off the tap and returned to the bedroom with a towel in her hands.

‘Ellie, should you be out of bed?’ Her mother placed a dinner tray laden with food, a pitcher of lemonade and a small vase with a bunch of wild flowers on the dresser.

Ellie’s stomach growled again, the sight of the wild flowers making her want to weep.

What are you doing, Mum? We missed the chance for our big mother–daughter moment nineteen years ago?

‘I’m fine,’ she said.

Dee simply smiled. ‘OK, but you should eat.’ She took the plate of food off the tray. The delicious aroma of roasted garlic had Ellie’s stomach protesting even more. ‘And then get some rest.’

Ellie dumped the towel on the bed. ‘That looks delicious, but I need to go check on Josh first.’ And make sure Art’s daughter wasn’t busy encouraging her son into any other near-death experiences.

‘Josh is fine.’ Dee placed cutlery beside Ellie’s plate and a folded napkin. ‘He’s downstairs having supper — fielding lots of questions from Toto about his favourite TV shows. I can make sure he gets showered and into bed, if you want? I’ve done up the room next to mine for him,’ she continued, pouring a glass of the lemonade.

The tentative request made Ellie feel like a toad. ‘OK. I’m sure he’s loving all the attention.’ Even if she wasn’t.

‘That’s all settled then.’ Her mother smiled at the modest concession as if Ellie had just announced Rod Stewart was coming by to serenade her. ‘Now sit down and eat. Have a shower if you want.’

‘Thanks, Mum.’ Ellie took a gulp of lemonade to ease the new blockage in her throat.

‘Josh said he’s finished school for the summer, does that mean you can stay?’

Ellie still wasn’t convinced that was a great idea, but thinking of all the effort Dee had put into redecorating their bedrooms, she couldn’t quite bring herself to say no, outright.

‘I haven’t booked the return flights yet, so why don’t we see how it goes.’ She was in no hurry to return to New York, but having an exit strategy made sense.

‘That sounds like a plan,’ Dee said, seeming happy with the concession. ‘Leave the tray outside when you’re finished and I’ll pick it up later. I have to run our stall at the Artisan Market in Salisbury tomorrow, so if I’m not here when you wake up just help yourself to breakfast. Maddy and Jacob will be about if you need anything. And Art, obviously.’

Obviously.

‘But what about everyone else, don’t they live on the commune too?’ Ellie said.

‘They live in their own homes, which are dotted around the seventy acres we have here. Strictly speaking, we stopped being a commune a long time ago. We became a co-housing project about five years back.’

‘What’s the difference?’ Ellie asked. Was this the first rebranding project she’d ever encountered that actually meant something had changed for the better?

‘Each family or individual leases a plot of land from us to build their home on. But instead of paying for the leases they help out on the farm – and we all share the surplus. Rob runs the dairy herd, Mike manages the produce side of things and Art contributes his skills, too.’

What skills would those be? How to look hot in overalls?

‘Who’s “we”?’ Forget about Art and his overalls.

‘Pam left the farm to me in her will,’ Dee said. ‘But I gave a half-share to Art, when he agreed to manage things. I’m not good with paperwork.’

And Art was? Hadn’t Laura always boasted her son was too cool for school?

And now Art owned half the farm. This probably wasn’t good. Especially if… ‘Does Art have his own place too?’ she asked, hopefully.

‘No, his room is two doors down.’

Fantastic! The one person she least wanted to be bumping into in the dead of night lived down the hall.

‘He works full time on the farm,’ Dee continued. ‘And so do Mike and Rob, but everyone else has a day job, mostly in Gratesbury, or further afield. Annie and Tess, Rob and Mike’s wives, were both in Gratesbury today, which is why you didn’t meet them earlier.’

So there was no one staying in the farmhouse to run interference between her and Art except Dee and the children and the canoodling couple she’d met earlier. Super fantastic.

‘But isn’t the whole purpose of the exercise to escape the real world?’ Ellie said.

‘Not any more.’ Dee looked pensive. ‘Nowadays we run it like a proper business. The original plan was to have everyone who lived here working here, but it was never viable, so we had to compromise.’ Her mother headed to the door. ‘By the way, Josh asked if he could come to Salisbury with me and Toto tomorrow to help on the stall if he wakes up in time. Would that be OK?’

‘Yes, of course,’ she said, then had a thought. ‘Could I come and help out on the stall too?’ It would be a way of paying her mother back for all her hard work in getting the rooms ready.

‘You don’t need to do that,’ Dee said. ‘You’re a guest here.’

‘I know, but I’d like to.’ Having her mother pamper her to within an inch of her life already felt awkward. And keeping busy was also a great way of avoiding the stuff she didn’t want to think about, like Dan and the divorce and her failed business… Not to mention Art Dalton and his unsettling effect on her.

‘Then, I’d love to have you there,’ her mother said. ‘If you’re sure?’

Ellie nodded. ‘Absolutely sure.’

After her mother had left the room, Ellie sat at the dresser to tuck into the plate of roasted vegetables and feta and aubergine lasagne. The salty cheese melted on her tongue.

Despite her face-plant in the woods, and the awkwardness with her mother, and Art, the nightmare she’d been fretting about on the journey here hadn’t completely materialised. Because Willow Tree Organic Farm and Co-Operative Housing Project was the polar opposite of the Rainbow Commune – give or take the odd death-trap treehouse.
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