Summer At Willow Tree Farm: The Perfect Romantic Escape

While he’d have been more than happy to hand the lot of it over to someone else and run like hell, no way could he hand the mess over to Dee’s daughter. As a teenager she’d hated this place with every fibre of her being.

While he might not have the right skills to manage the farm, he wasn’t going to let it be bludgeoned to death by a woman who would happily tap dance on its grave.

‘Don’t worry, I’ll figure out something useful for her to do while she’s here,’ he said wearily, hoping like hell Ellie wasn’t planning to stay for the whole summer.

Maybe Princess Drama could shovel the manure into biodegradable bags? Or collect eggs from Martha, their prime layer, who had a homicidal personality disorder that would rival Caligula? Or better yet, help Jacob set the rat traps in the back barn? If he remembered correctly from the summer he’d spent with Ellie, she had a pathological phobia of mice. And the rats in that barn were big enough to give the farm’s fifteen-pound ginger tom post-traumatic stress disorder.

The vice around Art’s ribs loosened as he imagined the many ways he could persuade Ellie Preston to bugger off back to her very successful event-planning business in America long before the summer was over.

‘I know you will.’ Dee placed her sun-spotted hand on Art’s forearm. ‘You always know what to do. You’re such a credit to us all.’ She gave his arm a reassuring squeeze, the gesture full of maternal affection. The way she’d begun doing nineteen years ago. The day her daughter Ellie had climbed into her father’s Mercedes and driven away.

He caught the comforting scent of vanilla essence and lavender while Dee nattered about all the exciting things she was going to do with the grandson she’d never met. And his spirits sank.

Bollocks. He wasn’t going to be able to torture Ellie into leaving without upsetting Dee. The headache at his temple hammered at the base of his skull.

Perhaps he’d be able to set Martha the psycho hen on Ellie, but locking her in the barn with the mutant killer rats was probably a non-starter.

‘That’s them.’ Dee’s remark cut into his thoughts.

He lifted his head as a red Ford Fiesta bounded into the yard, then stopped. A boy popped out. About Toto’s height. His short caramel-brown hair stuck up in a tuft at the crown. He wore high-top sneakers, a grey and blue New York Mets T-shirt, a baseball cap backwards and baggy cargo shorts that slouched on his hips but did nothing to hide his pronounced belly.

‘Hey, I’m Josh,’ he said in a broad US accent. He shuffled his hand in a half-hearted wave that was both eager and shy.

Dee rushed over to gather him close in a hug. ‘Josh, it’s so wonderful to meet you. I’m your Granny Dee.’

The boy smiled, his expression both curious and uncomplicated. And Art spotted the railroad-track braces on his teeth.

Ellie’s kid couldn’t have looked and sounded more like an all-American stereotype if he’d tried. He reminded Art of one of the characters from Recess, the cartoon Toto had devoured like kiddie crack a few years ago.

Ellie stepped out of the other side of the car and Art’s breathing stopped as he absorbed the short, sharp shock of recognition.

In a pair of faded Levi’s rolled up at the hem and a snug lacy vest top that emphasised her small frame, her wild strawberry blonde hair tied up in a haphazard knot to reveal dangly earrings, she looked summery and sexy and casual, and nothing like the pristine, polished, too perfect girl he remembered. But then Dee placed a hand on her daughter’s arm, and Ellie’s spine stiffened as if someone had shoved a rod up her arse.

Dee began introducing everyone, while the younger kids swarmed round Ellie’s son, who seemed astonished by the attention. Toto, like him though, held back.

Then it struck him, as he watched Toto watch the boy, that as the oldest kid here, a card-carrying tomboy and as good as a surrogate grandchild to Dee, his daughter might feel as uncomfortable about the new arrivals as he did. Maybe he should have spoken to Toto about Ellie and her son coming to visit? Was this one of those situations that required the sort of ‘parent–child’ conversation the two of them generally avoided? How was he supposed to know that?

But then Toto stopped watching and marched up to the boy, said something to him and grabbed his hand. The boy’s doughy face lit up as he nodded and allowed himself to be dragged off. Toto in the lead as always, like the Pied Piper.

Nope, we’re good.

Thank Christ. This situation was enough of a head-wreck already.

Give or take the odd drive-Dad-mad moment, Toto was a brilliant kid. Smart, independent, straightforward and unafraid. And, like him, she wasn’t the share-and-discuss type.

So yeah, it was all good. No feelings talk required.

Ellie’s body remained rigid as she chatted to her mother, while Mike Peveney and Rob Jackson – who had both bought into the Project with their young families a couple of years ago – set about unpacking her car. A few minutes later, they had disgorged enough bags from the two-door compact to spend six months on safari in Kenya rather than a few weeks in Wiltshire.

Digging his fists into the pockets of his work overalls, Art strolled towards the dwindling welcoming party, prepared to follow through on his promise to Dee.

There was no reason why Ellie and he couldn’t be civil to each other. She might not even remember him. Much.

But then his gaze snagged on her strappy top and the way the thin cotton stretched tight across her breasts. The firm nubs of her nipples stood out against the fabric.

He heard a cough, and lifted his gaze. A pair of grass-green eyes glared at him. The flush burned the back of his neck, at the thought that he’d just been caught checking her out before he’d even said hello. But then the intriguing tilt at the edges of her eyes went squinty and he noticed the bluish hollows of fatigue underneath.

She looked exhausted.

Her lips pursed and the puddle of pity dried up. The tight smile was as unconvincing as the one nineteen years ago.

‘Hello, Arthur,’ she said, using the name he hated except when Dee used it. ‘You’re still here then.’

It wasn’t a question, more like a declaration of war.

CHAPTER TWO (#ulink_e4d341b4-d01b-5b78-a004-6cd6860714ca)

Bollocks on toast.

Art Dalton was still here. And still hot. And most definitely still an arsehole, if the insolent way he’d been inspecting her boobs was anything to go by.

‘Yup,’ he said, in the gruff tone that had always unnerved her when they were teenagers. As if there were a million things he could say, but wasn’t going to.

The nervous tension that had been sitting in her gut during the flight over and the drive here, snaked up Ellie’s torso to wrap around her ribs like an anaconda.

Stop freaking out, you ninny. He’ll think it’s on account of him.

She took two calming breaths, drowning out her mother’s information about sleeping arrangements, and took a moment to glance around the yard. Studiously ignoring the man in front of her.

The pungent smell of wet earth and manure hadn’t changed, but everything else had. The place didn’t look like the site of a recent zombie apocalypse any more. There were no rusting vans and trucks propped up on breeze blocks, no broken furniture lying about. Just a carefully segmented vegetable garden, laid out in rows with a section under glass. There were geese and ducks poking around, but no pack of wild dogs or wild children, just two well-dressed toddlers and a skinny little boy about Josh’s age who had taken him off somewhere.

She would check on her son in a minute, after three hours in a car he could do with a run about, but she was reserving judgement on the motives of that skinny boy.

The barn behind the two-storey stone farmhouse had a new roof, the corrugated iron gleaming silver in the sunlight. Even the mud looked industrious. And all three of the men she’d been introduced to had seemed young and ordinary, instead of old and weird. Not a nose ring or multicoloured Mohican in sight.

The anaconda released its stranglehold on her ribs. The place didn’t feel as hostile any more.

‘Exactly how long are you planning to stay?’

Art’s dry enquiry interrupted her mum’s running commentary on how pleased she was to meet Josh.

Not hostile – except for Prince Not Charming.

‘Because that’s a ton of stuff,’ he added, the rasp suggesting how much of an effort it was for him to put a whole sentence together.

In worn boots and oil-stained overalls, Art Dalton looked as intimidating as ever – the strong, silent, stroppy type. His tall, whipcord-lean build had a solid strength, accentuated by the workman’s biceps that moulded the rolled-up sleeves of his overalls. The old tattoo caught her eye, the once blood-red lines having faded to a dusky pink against sun-browned skin. She dragged her gaze away, before she got fixated. His dark messy hair matched black brows, permanently lowered over his prominent aquiline nose. Sensual lips twisted in a cynical attempt at a smile. At fifteen he’d been the ultimate rebel without a cause, the original Lord of the Flies – both terrifying and exciting.

Not a good combination for a fourteen-year-old girl in the grip of rioting hormones, who missed her friends terribly and had about as much common sense as Daffy Duck. Luckily, she’d kicked Daffy to the kerb nineteen years ago – give or take the odd ill-advised marriage – after Art had rejected her the first time. So it really didn’t matter now that he looked like the walking embodiment of ‘a bit of rough’. Or exuded the earthy eroticism of Lady Chatterley’s Lover.