The Lion of Saint Mark: A Story of Venice in the Fourteenth Century

"What is she like, Giuseppi?"

"She belongs to a man out at Lido. She was built for the race two years ago, but her owner fell sick and was unable to start. He has not got strong again, and wants to sell his boat, which is far too light for ordinary work. They say she is almost like an eggshell, and you and I will be able to send her along grandly. She cost four ducats, but he will sell her for two."

"That is capital, Giuseppi. This gondola is all well enough for my father, but she is very heavy. This evening we will row over to Lido and look at her."

A few minutes later Mr. Hammond came down. Beppo and his son took off their jackets, and in their snow white shirts and black trousers, set off by the red scarf and a red ribbon round their broad hats, took their places on the bow and stern. Mr. Hammond sat down on the cushions in the middle of the boat, and with an easy, noiseless motion the gondola glided away from the stairs. Francis, with a little sigh, turned away and strolled off for a couple of hours' work with the preceptor, with whom he had continued his studies since he came to Venice.

This work consisted chiefly of learning various languages, for in those days there was little else to learn. Latin was almost universally spoken by educated men in southern Europe, and Greeks, Italians, Spaniards, and Frenchmen were able to converse in this common medium. French Francis understood, for it was the language in use in the court and among the upper classes in England. Italian he picked up naturally during his residence, and spoke it with the facility of a native. He could now converse freely in Latin, and had some knowledge of German. At the same school were many lads of good Venetian families, and it was here that he had first made the acquaintance of Matteo Giustiniani, who was now his most intimate friend.

Matteo, like all the young nobles of Venice, was anxious to excel in military exercises, but he had none of the ardour for really hard work which distinguished his friend. He admired the latter's strength and activity, but could not bring himself to imitate him, in the exercises by which that strength was attained, and had often remonstrated with him upon his fondness for rowing.

"It is not seemly, Francisco, for a gentleman to be labouring like a common gondolier. These men are paid for doing it; but what pleasure there can be in standing up working that oar, till you are drenched with perspiration, I cannot understand. I don't mind getting hot in the School of Arms, because one cannot learn to use the sword and dagger without it, but that's quite another thing from tugging at an oar."

"But I like it, Matteo; and see how strong it has made my muscles, not of the arm only, but the leg and back. You often say you envy me my strength, but you might be just as strong if you chose to work as I do. Besides, it is delightful, when you are accustomed to it, to feel the gondola flying away under your stroke."

"I prefer feeling it fly away under some one else's stroke, Francisco. That is pleasant enough, I grant; but the very thought of working as you do throws me into a perspiration. I should like to be as strong as you are, but to work as a gondolier is too high a price to pay for it."

That evening, Francis crossed the lagoon in the gondola with Giuseppi, to inspect the boat he had heard of. It was just what he wanted. In appearance it differed in no way from an ordinary gondola, but it was a mere shell. The timbers and planking were extremely light, and the weight of the boat was little more than a third of that of other craft. She had been built like a working gondola, instead of in the form of those mostly used for racing, because her owner had intended, after the race was over, to plank her inside and strengthen her for everyday work. But the race had never come off, and the boat lay just as she had come from the hands of her builder, except that she had been painted black, like other gondolas, to prevent her planks from opening. When her owner had determined to part with her he had given her a fresh coat of paint, and had put her in the water, that her seams might close up.

"I don't like parting with her," the young fisherman to whom she belonged said. "I tried her once or twice, and she went like the wind, but I got fever in my bones and I am unlikely to race again, and the times are hard, and I must part with her."

Francis and Giuseppi gave her a trial, and were delighted with the speed and ease with which she flew through the water. On their return Francis at once paid the price asked for her. His father made him a handsome allowance, in order that he might be able to mix, without discomfort, with the lads of good family whom he met at his preceptor's and at the schools of arms. But Francis did not care for strolling in the Piazza, or sitting for hours sipping liquors. Still less did he care for dress or finery. Consequently he had always plenty of money to indulge in his own special fancies.

As soon as the bargain was completed, Giuseppi took his place in the old gondola, while Francis took the oar in his new acquisition, and found to his satisfaction that with scarcely an effort he could dart ahead of his companion and leave him far behind. By nightfall the two gondolas were fastened, side by side, behind the gaily painted posts which, in almost all Venetian houses, are driven into the canal close to the steps, and behind which the gondolas belonging to the house lie safe from injury by passing craft.

"I have bought another gondola, father," Francis said the next morning. "She is a very light, fast craft, and I got her cheap."

"I don't see what you wanted another gondola for, Francis. I do not use mine very much, and you are always welcome to take it when I do not want it."

"Yes, father, but you often use it in the evening, and that is just the time when one wants to go out. You very often only take Beppo with you, when you do not go on business, and I often want a boat that I could take with Giuseppi. Besides, your gondola is a very solid one, and I like passing people."

"Young people always want to go fast," Mr. Hammond said. "Why, I can't make out. However, Francis, I am not sorry that you have got a boat of your own, for it has happened several times lately, that when in the evening I have gone down intending to row round to the Piazzetta, I have found the boat gone, and have had to walk. Now I shall be able to rely on finding Beppo asleep in the boat at the steps. In future, since you have a boat of your own, I shall not be so particular as to your being in at ten. I do not so much mind your being out on the water, only you must promise me that you will not be in the streets after that hour. There are frequent broils as the evening gets on, not to mention the danger of cutthroats in unfrequented lanes; but if you will promise me that you will never be about the streets after half past nine, I will give you leave to stay out on the water till a later hour; but when you come in late be careful always to close and bar the door, and do not make more noise than you can help in coming up to your room."

Francis was much pleased with this concession, for the obligation to return at ten o'clock, just when the temperature was most delightful and the Grand Canal at its gayest, had been very irksome to him. As to the prohibition against being in the streets of Venice after half past nine, he felt that no hardship whatever, as he found no amusement in strolling in the crowded Piazza.

Chapter 2: A Conspiracy

"Who are those ladies, Matteo?" Francis asked his friend one evening, as the latter, who was sitting with him in his gondola, while Giuseppi rowed them along the Grand Canal, half rose and saluted two girls in a passing gondola.

"They are distant cousins of mine, Maria and Giulia Polani. They only returned a short time since from Corfu. Their father is one of the richest merchants of our city. He has for the last three years been living in Corfu, which is the headquarters of his trade. The family is an old one, and has given doges to Venice. They are two of our richest heiresses, for they have no brothers. Their mother died soon after the birth of Giulia."

"They both look very young," Francis said.

"Maria is about sixteen, her sister two years younger. There will be no lack of suitors for their hands, for although the family is not politically powerful, as it used to be, their wealth would cause them to be gladly received in our very first families."

"Who was the middle-aged lady sitting between them?"

"She is only their duenna," Matteo said carelessly. "She has been with them since they were children, and their father places great confidence in her. And he had need to, for Maria will ere long be receiving bouquets and perfumed notes from many a young gallant."

"I can quite fancy that," Francis said, "for she is very pretty as well as very rich, and, as far as I have observed, the two things do not go very often together. However, no doubt by this time her father has pretty well arranged in his mind whom she is to marry."

"I expect so," agreed Matteo.

"That is the worst of being born of good family. You have got to marry some one of your father's choice, not your own, and that choice is determined simply by the desire to add to the political influence of the family, to strengthen distant ties, or to obtain powerful connections. I suppose it is the same everywhere, Matteo, but I do think that a man or woman ought to have some voice in a matter of such importance to them."

"I think so, too, at the present time," Matteo laughed; "but I don't suppose that I shall be of that opinion when I have a family of sons and daughters to marry.

"This gondola of yours must be a fast one indeed, Francisco, for with only one rower she keeps up with almost all the pair oared boats, and your boy is not exerting himself to the utmost, either."

"She can fly along, I can tell you, Matteo. You shall come out in her some evening when Giuseppi and I both take oars. I have had her ten days now, and we have not come across anything that can hold her for a moment."

"It is always useful," Matteo said, "to have a fast boat. It is invaluable in case you have been getting into a scrape, and have one of the boats of the city watch in chase of you."

"I hope I sha'n't want it for any purpose of that sort," Francis answered, laughing. "I do not think I am likely to give cause to the city watch to chase me."

"I don't think you are, Francisco, but there is never any saying."

"At any rate it is always useful to be able to go fast if necessary, and if we did want to get away, I do not think there are many pair-oared gondolas afloat that would overtake us, though a good four oar might do so. Giuseppi and I are so accustomed to each other's stroke now, that though in a heavy boat we might not be a match for two men, in a light craft like this, where weight does not count for so much, we would not mind entering her for a race against the two best gondoliers on the canals, in an ordinary boat."

A few evenings later, Francis was returning homewards at about half past ten, when, in passing along a quiet canal, the boat was hailed from the shore.

"Shall we take him, Messer Francisco?" Giuseppi asked in a low voice; for more than once they had late in the evening taken a fare.

Francis rowed, like Giuseppi, in his shirt, and in the darkness they were often taken for a pair-oared gondola on the lookout for a fare. Francis had sometimes accepted the offer, because it was an amusement to see where the passenger wished to go–to guess whether he was a lover hastening to keep an appointment, a gambler on a visit to some quiet locality, where high play went on unknown to the authorities, or simply one who had by some error missed his own gondola, and was anxious to return home. It made no difference to him which way he rowed. It was always possible that some adventure was to be met with, and the fare paid was a not unwelcome addition to Giuseppi's funds.

"Yes, we may as well take him," he replied to Giuseppi's question.

"You are in no hurry to get to bed, I suppose?" the man who had hailed them said as the boat drew up against the wall of the canal.

"It does not make much difference to us, if we are well paid, to keep awake," Giuseppi said.

Upon such occasions he was always the spokesman.

"You know San Nicolo?"

"Yes, I know it," Giuseppi said; "but it is a long row–six miles, if it's a foot."

"You will have to wait there for an hour or two, but I will give you half a ducat for your night's work."

"What do you say, partner?" Giuseppi asked Francis.

"We may as well go," the lad replied after a moment's pause.

The row was certainly a long one, but the night was delightful, and the half ducat was a prize for Giuseppi; but what influenced Francis principally in accepting was curiosity. San Nicolo was a little sandy islet lying quite on the outside of the group of islands. It was inhabited only by a few fishermen; and Francis wondered that a man, evidently by his voice and manner of address belonging to the upper class, should want to go to such a place as this at this hour of the night. Certainly no ordinary motives could actuate him.

As the stranger took his place in the boat, Francis saw by the light of the stars that he was masked; but there was nothing very unusual in this, as masks were not unfrequently worn at night by young gallants, when engaged on any frolic in which they wished their identity to be unrecognized. Still it added to the interest of the trip; and dipping his oar in the water he set out at a slow, steady stroke well within his power. He adopted this partly in view of the length of the row before them, partly because the idea struck him that it might be as well that their passenger should not suspect that the boat was other than an ordinary gondola. The passenger, however, was well satisfied with the speed, for they passed two or three other gondolas before issuing from the narrow canals, and starting across the broad stretch of the lagoon.

Not a word was spoken until the gondola neared its destination. Then the passenger said: