A Servant of the Public

Behind the man's restrained bearing lay a sense of triumph. He had carried out his little campaign well. He did not look ahead, the success of the hour served. No doubt after that Sunday other things would happen again, and might even be of importance; meanwhile except that Sunday there was nothing. Merely that she came was not all – with her was not even very much. But he knew that her heart was eager to come, and that the Sunday was a joy to her also.

"It's dinner-time," she said, springing up. "Go away, Mr. Mead."

He was as obedient as Bowdon had been; enough had been done for to-day. But a farewell may be said in many ways.

"Sunday, then," he said, taking both her hands which she had held out to him in her cordial fashion. Lady Kilnorton said that Ora always seemed to expect to be kissed. "Just manner, of course," she would add, since Ora was her friend.

"Yes, Sunday – unless I change my mind. I often do."

"You won't this time." The assertion had not a shred of question about it; it was positive and confident.

She looked up in his face, laughing.

"Good-bye," she said.

Bowdon had kissed her hand, but Ashley did not follow that example. They enjoyed another laugh together, and he was laughing still as he left her and took his way downstairs.

"Oh, dear!" she said, passing her hand over her eyes, as she went to get ready for dinner. She felt a reaction from some kind of excitement; yet what reason for excitement had there been?

With regard to the theatre the Muddock family displayed a variety of practice. Sir James never went; Bob frequented with assiduity those houses where the lighter forms of the drama were presented; Lady Muddock and Alice were occasional visitors at the highest class of entertainment. Neither cared much about evenings so spent as a rule; but Lady Muddock, having entertained Miss Pinsent, was eager to see her act. Ora was the only member of her profession whom Lady Muddock had met; to be acquainted with one of the performers added a new flavour. Lady Muddock felt an increased importance in herself as she looked round the house; there must be a great many people there who knew nobody on the stage; she knew Miss Pinsent; she would have liked the fact mentioned, or at any rate to have it get about in some unobtrusive way. Before the first act was over she had fully persuaded herself that Ora had noticed her presence; she had looked twice quite directly at the box! The little woman, flattered by this wholly fictitious recognition, decided audaciously that Sir James' attitude towards the stage was old-fashioned and rather uncharitable; everybody was not bad on the stage; she felt sure that there were exceptions. Anyhow it was nice to know somebody; it gave one a feeling of what Bob called – she smiled shyly to herself – "being in it." She was very careful never to talk slang herself, but sometimes it expressed just what she wanted to say. She pulled out her pink silk sleeves to their fullest volume (sleeves were large then) and leant forward in the box.

Between the acts Babba Flint came in. He was a club acquaintance of Bob's, and had met the ladies of the family at a charity bazaar. It was a slender basis for friendship, but Babba was not ceremonious. Nobody knew why he was called Babba (which was not his name), but he always was. He was a small fair man, very smartly dressed; he seldom stopped talking and was generally considered agreeable. He talked now, and, seeing the bent of Lady Muddock's interest, he made Ora his theme. Lady Muddock was a little vexed to find that Babba also knew Ora, and most of her colleagues besides; but there was recompense in his string of anecdotes. Alice was silent, looking and wondering at Babba – strange to be such a person! – and yet listening to what he was saying. Babba lisped a little; at least when he said "Miss Pinsent," the S's were blurred and indistinct. He had met her husband once a long while ago; "a fellow named Denning, no, Fenning; a good-looking fellow." "A gentleman?" Babba supposed so, but deuced hard-up and not very fond of work. She led him no end of a life, Babba had heard; so at last he bolted to America or somewhere. Babba expressed some surprise that Mr. Fenning did not now return – he knew the amount of Ora's salary and mentioned it by way of enforcing this point – and declared that he himself would put up with a good deal at the hands of a lady so prepossessing as Miss Pinsent. Then Lady Muddock asked whether Miss Pinsent were really nice, and Babba said that she wasn't a bad sort to meet about the place but (Here he broke into a quotation from a song popular in its day), "You never know what happens downstairs." Lady Muddock tried to look as though she had received information, and Babba withdrew, in order to refresh himself before the rise of the curtain.

Ora played well that night, indeed played Mr. Hazlewood off the stage, according to his own confession and phraseology. There was a ring in her laugh, a rush in her passion, a triumph in her very walk. Alice found herself wondering whether what happened to the woman herself had much effect on her acting, how complete or incomplete the duality of person was, how much was put on and put off with the stage dresses and the stage paint. But, after all, the woman herself must be there before them, the real creature, full of life and yet straining her great gift of it to the full. Alice had heard men described as "living hard." That phrase generally meant something foolish or disreputable; but you could live hard without dissipation or folly, at least in the ordinary sense of those words. You could take all there was in every hour out of it, put all there was of you into every hour, taste everything, try everything, feel everything, always be doing or suffering, blot out the uneventful stretches of flat country so wide in most lives, for ever be going up or down, breasting hills or rattling over the slopes. It must be strange to be like that and to live like that. Was it also sweet? Or very sweet when not too bitter? And when it was very bitter, what came of it? Surely the mightiest temptation to lay it all aside and go to sleep? Alice drew back with a sudden sense of repulsion, as though there were no health or sanity in such lives and such people. Then she looked again at the beautiful face, now strained in sorrow, with hands stretched out in such marvellous appeal, the whole body a prayer. Her heart went out in pity, and, with a sudden impulse, cried to go out in love. But she could come to no final conclusion about Ora Pinsent, and, vexed at her failure, was thinking when the curtain fell, "What does it matter to me?"

The arrangement for a Sunday in the country, had she known of it, might have made the question seem less simple to answer.

CHAPTER IV

BY WAY OF PRECAUTION

For some days back Irene Kilnorton had been finding it difficult to have amiable thoughts about Ora. That they are attractive, that they make a change where they come, that they are apt to upset what seemed to be settling itself very comfortably before their arrival, are not things which can reasonably be imputed as faults to the persons to whom they are attached as incidents; but neither do they at all times commend them. It could not be denied – at this moment Irene at least could not deny – that there was a wantonness about Ora's intrusions; she went where she might have known it was better that she should stay away, and pursued acquaintances which were clearly safer left in an undeveloped state. She was irresponsible, Lady Kilnorton complained; the grievance was not unnatural in her since she felt that she was paying part of the bill; it was Ora's debt really, but Ora was morally insolvent, and made her friends unwilling guarantors. The pleasant confidence with which she had awaited Bowdon's approaches and received his attentions was shaken; she found that she had wanted him more than she had thought, that she was less sure of getting him than she had supposed. He had been to see her two or three times; there was no falling off in his courtesies, no abrupt break in his assiduity. But a cloud hung about him. Being there, he seemed half somewhere else; she suspected where the absent half of his thoughts might be found. He wore an air almost remorseful and certainly rather apologetic; Lady Kilnorton did not wish to be courted by way of apology. She knew it was all Ora Pinsent, and, although she was quite aware that there was a good deal to be pleaded on Ora's side of the question, she itched to say something – no matter what, provided it were pointed and unpleasant – about Jack Fenning. Babba Flint, with whom she was acquainted, had once described some young lady to her as his "second-best girl." Babba was deplorable, most deplorable; yet her anger borrowed from his strange vocabulary. She did not want to be anybody's "second-best girl." "Not," she added, "that I'm a girl at all. No more is Ora, for that matter." The pleasure of the hit at Ora outweighed the regret in her admission about herself.

With regard to Ashley Mead her mood was much lighter, and, as a consequence, much less repressed. Since she did not care greatly whether he came or not, she reproached him bitterly for not coming; being tolerably indifferent as to how he managed his life, she exhorted him not to be silly; having no concern in the disposal of his affections, she gave him the best possible advice as to where he should bestow them. This conversation happened at Mrs. Pocklington's, where everybody was, and it seemed to amuse Ashley Mead very much. But it was Friday night and Sunday was near, so that everything seemed to amuse and please him. She told him that Alice Muddock was somewhere in the rooms; he said that he had already paid his respects to Alice. Irene's glance charged him with the blindest folly. "How women are always trying to give one another away!" he exclaimed. "Oh, if you won't see, you won't," she answered huffishly and leant back in her chair. The baffled mentor harboured a grievance! He looked at her for a moment, smiled, and passed on.

Presently Minna Soames came and sat down by her. Minna was one of those girls to whom it is impossible to deny prettiness and impossible to ascribe beauty; she sang very well and lived very comfortably by her concerts; she might, of course (or so she said), have made more on the stage, but then there was the atmosphere. Irene did not like her much and was inclined to think her silly. What matter? She began to exercise a circumscribed power of sarcasm on Ora Pinsent; in spite of a secret sense of shame, Irene became more and more gracious. Praise be to those who abuse whom we would abuse but cannot with propriety!

"I was quite surprised to see her at Lady Muddock's," observed Miss Soames with prim maliciousness.

Irene cast a glance at her companion; the remark was evidently innocent, so far as she was concerned; the malice was purely for Ora, not for her. Miss Soames was not aware how Ora had come to be at the Muddocks'! Irene reached the depths of self-contempt when, after ten minutes, Minna Soames went away still in ignorance of this simple fact. "I'm a mean wretch," Irene Kilnorton thought; and so at the moment she was – as the best of us at certain moments are.

These same moments, in which we see ourselves as we are most careful that others shall not see us, are not so pleasant that we seek to prolong them. Irene plunged into the moving throng with the idea of finding somebody to talk to her and take her to supper. With some surprise, some pleasure, and more excitement than she was willing to admit, she chanced to meet Bowdon almost immediately. Her temper rose to the encounter as though to a challenge. She suggested supper. She began to find herself in high spirits. The idea was in her that she would not surrender, would not give up the game, would not make Ora irresistible by shirking a fight with her. When they had secured a little table and sat down she began to talk her best; in this she was helped by the consciousness of looking her best; she did not fear to pin his eyes to her with keenest attention. But the expression of the watching eyes puzzled and annoyed her; they were eager and yet doubtful, appreciative but wistful. Was he trying to think her all he had been on the point of thinking her, still to see in her all that he wanted? Was he unhappy because he could not so think and so see? He almost gave her that impression. She was very gay and felt herself now almost brilliant; her contest was with that most gay and brilliant shape which came between his eyes and what she offered for their allurement. People passing by, in the usual ignorance and the usual confidence of passers-by, summed up the situation in a moment; Bowdon was only waiting for her leave to speak, she was absolutely confident of him. They envied her and said that she should not parade her captive quite so openly. She guessed what they thought; she was glad and was fired to new efforts. She alone would know how incomplete was the victory; for all the world she would be triumphant. Even Ora might think herself defeated! But why was he changed, why was she less charming to him, why must she strive and toil and force? In the midst of her raillery and gaiety she could have put her hands before her face, and hidden tears.

He was almost persuaded, he was eager to be persuaded. At this moment she seemed all he wanted; he told himself angrily and persistently that she was all that any man could or ought to want, that she stood for the best and most reasonable thing, for sure happiness and stable content. If he left her, for what would he leave her? For utter folly and worse. She would be a wife to be proud of; there would be no need to apologise for her. Even had there been no Jack Fenning, he knew that a marriage with Ora Pinsent would seem even to himself to need some apology, that he would fear to see smiles mingled with the congratulations, and to hear a sunken murmur of sneers and laughter among the polite applause. He cursed himself for a fool because he did not on that very instant claim her for his. Why, the other woman would not even let him make love to her! He smiled bitterly as he recollected that it was not open to him to make a fool of himself, even if he would. He wanted the bad and could not have it, but because he wanted it vainly, now he was refusing the good. No raw boy could have sailed further in folly. Coming to that conclusion he declared he would take a firm hold on himself. Failing that, his danger was imminent.

They went up together from the supper-room. Now she was set to win or for ever to lose; she could not play such a game twice. "Don't leave me," she said, boldly and directly. "Everybody here is so tiresome. Let's go to the little room at the end, it's generally empty." He appeared to obey her readily, even eagerly, indeed to be grateful for her invitation; it shewed that he had not betrayed himself. The little room was empty and they sat down together. Now he was inclined to silence and seemed thoughtful. Irene, in inward tumult, was outwardly no more than excited to an unusual brightness. After one swift searching glance at him, she faced the guns and hazarded her assault against the full force of the enemy. She began to speak of Ora, dragging her name into the conversation and keeping it there, in spite of his evident desire to avoid the topic. Of Ora her friend she said nothing untrue, nothing scandalous, nothing malicious; she watched her tongue with a jealous care; conscience was awake in her; she would have no backbiting to charge herself with. But she did not see why she should not speak the truth; so she told herself; both the general truths that everybody knew and the special truths which intimacy with Ora Pinsent had revealed to her. Ora spoke plainly, even recklessly, of others; why should she not be spoken about plainly, not recklessly, in her turn? And, no, she said nothing untrue, nothing that she would not have said to Ora's face, in the very, or almost the very, same words.

"Yes, she's a strange creature," assented Bowdon.

"Now Ashley Mead's mad about her! But of course he's only one of a dozen."

Here was dangerous ground; she might have stirred a jealousy which would have undone all that was begun; with many men this result would have been almost certain. But with Bowdon there was wisdom in her line of attack; she roused pride in him, the haughtiness which was in his heart though never in his bearing, the instinct of exclusiveness, the quiet feeling of born superiority to the crowd, the innate dislike of being one of a dozen, of scrambling for a prize instead of reaching out to accept a proffered gift. Ashley Mead, the secretary of his Commission, his protégé– and a dozen more! The memory of his confidence to Ashley became very bitter; if Ashley were favoured, he would laugh over the recollection of that talk! He felt eager to shew Ashley that it was all no more than a whim, hardly more than a joke. Well, there was a ready way to shew Ashley that – and, he told himself, to shew it to himself too, to convince himself of it, at least to put it out of his own power henceforth to question it by word or deed. The great and the little, the conviction of his mind and the prick of his vanity, worked together in him.

He was persuaded now that to go forward on this path would be wise, would make for the worthiness and dignity of his life, save him from unbecoming follies, and intrench him from dangers. If only he could again come to feel the thing sweet as well as wise! There was much to help him – his old impulses which now revived, her unusual brilliancy, the way in which she seemed to draw to him, to delight in talking to him, to make of him a friend more intimate than she had allowed him to consider himself before. He had meant the thing so definitely a few weeks ago; it seemed absurd not to mean it now, not to suppose it would be as pleasant and satisfactory now as it had seemed then. He had been in a delusion of feeling; here was sanity coming back again. He caught at it with an eager, detaining hand.

Suddenly Irene felt that the battle was won; she knew it clearly in an instant. There was a change in his manner, his tones, his eyes, his smile. Now he was making love to her and no longer thinking whether he should make love to her; and to her he could make love thus plainly with one purpose only, and only to one end. She had what she had striven for, in a very little while now it would be offered to her explicitly. For an instant she shrank back from plucking the fruit, now that she had bent the bough down within her reach. There was a revulsion to shame because she had tried, had fought, had set her teeth and struggled till she won. What she had said of Ora Pinsent rose up against her, declaring that its truth was no honest truth since it was not spoken honestly. Babba Flint and his horrible phrase wormed their way back into her mind. But she rose above these falterings; she would not go back now that she had won – had won that triumph which all the world would suppose to be so complete, and had avoided that defeat the thought of whose bitterness had armed her for battle and sustained her in the conflict. In view of Bowdon's former readiness it would be grossly unfair, surely, to speak of hers as the common case of a woman leading a man on; his implied offer had never been withdrawn; she chose now to accept it; that was the whole truth about the matter.

He asked her to be his wife with the fire and spirit of a passion seemingly sincere; she turned to him in a temporary fit of joy, which made her forget the road by which she had travelled to her end. Her low-voiced confession of love made him very glad that he had spoken, very glad for her sake as well as for his own; it was a great thing to make her so happy. If he had refrained, and then found out the anticipations he had raised in her and how he had taught her to build on him, he must have acknowledged a grave infraction of his code. She was, after the first outburst of fearful delight, very gentle and seemed to plead with him; he answered the pleading, half unconsciously, by telling her that he had been so long in finding words because she had encouraged him so little and kept him in such uncertainty. When she heard this she turned her face up to his again with a curiously timid deprecatory affection.

He was for announcing the engagement then and there, as publicly as possible. His avowed motive was his pride; a desire to commit himself beyond recall, to establish the fact and make it impregnable, was the secret spring. Irene would not face the whole assembly, but agreed that the news should be whispered to chosen friends.

"It'll come to the same thing in a very little while," he said with a relieved laugh.

Before the evening ended, the tidings thus disseminated reached Ashley Mead, and he hastened to Irene. Bowdon had left her for the moment, and he detached her easily from the grasp of a casual bore. His felicitations lacked nothing in heartiness.

"But it's no surprise," he laughed. "I was only wondering how long you'd put it off. I mean 'you' in the singular number."

That was pleasant to hear, just what she wanted to hear, just what she wished all the world to say. But she burned to ask him whether he had continued in the same state of anticipation during the last week or two. Suddenly he smiled in a meditative way.

"What's amusing you?" she demanded rather sharply.

"Nothing," he answered. He had been thinking of Bowdon's midnight confidence. He reflected how very different men were. Some day, no doubt, he himself would make a proper and reasonable choice; but he could not have gone so straight from the idea (however foolish the idea) of Ora Pinsent to the fact of Irene Kilnorton. It was to lay aside a rapturous lyric and take up a pleasantly written tale. He found several other such similes for it, the shadow of Sunday being over his mind. He was in great spirits and began to talk merrily and volubly, making fun of his companion, of love, of engaged folk, and so on. She listened very contentedly for awhile, but then began to wonder why Bowdon did not come back to her; she would have risked absurdity to be sure that he could not keep away. She knew men hated that risk above all; but surely he could come back now and talk to her again? She looked round and saw him standing alone; then he wanted to come. With her eyes she gave him a glad invitation; but as he approached there was a sort of embarrassment in his manner, a shamefacedness; he was too much a man of the world to wear that look simply because he had become a declared lover. And although Ashley was both cordial and sufficiently respectful there was a distant twinkle in his eye, as if he were enjoying some joke. Her apprehensions and her knowledge of the nature of her triumph made her almost unnaturally acute to detect the slightest shade of manner in either of the men. Men knew things about one another which were kept from women; had Ashley a knowledge which she lacked? Did it make her triumph seem to him not incomplete perhaps, but very strange? The glow of victory even so soon began to give place to discomfort and restlessness.

Ashley looked at his watch.

"I shall go," he announced. "I've been betrayed." He spoke with a burlesque despair. "A certain lady – you can't monopolise the tender affections, Lady Kilnorton – told me she would be here – late. It's late, in fact very late, and she's not here."

"Who was she?" asked Irene.

"Can you doubt? But I suppose she felt lazy after the theatre."

"Oh, Ora?"

"Of course," said Ashley.

"How silly you are! Isn't he?" She turned to Bowdon.

"He's very young," said Bowdon, with a smile. "When he comes to my age – "

"You can't say much to-night anyhow, can you?" laughed Ashley.

"Ora never comes when she says she will."

"Oh, yes, she does sometimes," Ashley insisted, thinking of his Sunday.

"You have to go and drag her!"

"That's just what I should do."