Stingaree

"A bitter irony! But, I say, what's this? 'Under the distinguished patronage of Sir Julian Crum, Mus. Doc., D.C.L.' Who may he be?"

"Director of the Royal College of Music, in the old country," the girl answered with a sigh.

"Royal College of Music? That's something new, since my time," said the visitor, sighing also. "But what's a man like that doing out here?"

"He has a brother a squatter, the next station but one. Sir Julian's spending the English winter with him on account of his health."

"So you've seen something of him?"

"I wish we had."

"But Mrs. Clarkson has?"

"No – not yet."

"I see!" and an enlightened gleam shot through the eye-glass. "So this is her way of getting to know a poor overworked wreck who came out to patch his lungs in peace and quiet! And she's going to sing him one of his own songs; she's gone to Melbourne to dress the part; and you're not going to sing anything at all!"

Miss Bouverie refrained alike from comment and confirmation; but her silence was the less creditable in that her companion was now communing chiefly with himself. She felt, indeed, that she had already been guilty of a certain disloyalty to one to whom she owed some manner of allegiance; but that was the extent of Miss Bouverie's indiscretion in her own eyes. It caused her no qualms to entertain an anonymous gentleman whom she had never seen before. A colder course had commended itself to the young lady fresh from London; but to a Colonial girl, on a station where special provision was made for the entertaining of strange travellers, the situation was simply conventional. It might have been less onerous with host or hostess on the spot; but then the visitor would not have heard her sing, and he seemed to know what singing was.

Miss Bouverie watched him as he leant over the piano, looking through the songs which she had dared once more to bring forth from her room. She might well have taken a romantic interest in the dark and dapper man, with the military eye-glass and mustache, the spruce duck jacket and the spurred top-boots. It was her first meeting with such a type in the back-blocks of New South Wales. The gallant ease, the natural gayety, the charming manners that charmed no less for a clear trace of mannerism, were a peculiar refreshment after society racier of Riverina soil. Yet it was none of these things which attracted this woman to this man; for the susceptible girl was dead in her for the time being; but the desperate artist was alive again after many weeks, was panting for fresh life, was catching at a straw. He had heard her sing. It had brought him galloping off the track. He praised her voice; and he knew – he knew what singing was.

Who could he be? Not.. could that be possible?

"Sing me this," he said, suddenly, and, seating himself at the piano, played the opening bars of a vocal adaptation of Handel's Largo with a just, though unpractised, touch.

Nothing could have afforded a finer hearing of the quality and the compass of her voice, and she knew of old how well it suited her; yet at the outset, from the sheer excitement of her suspicion, Hilda Bouverie was shaky to the point of a pronounced tremolo. It wore off with the lengthening cadences, and in a minute the little building was bursting with her voice, while the pianist swayed and bent upon his stool with the exuberant sympathy of a brother in art. And when the last rich note had died away he wheeled about, and so sat silent for many moments, looking curiously on her flushed face and panting bosom.

"I can't place your voice," he said, at last. "It's both voices – the most wonderful compass in the world – and the world will tell you so, when you go back to it, as go back you must and shall. May I ask the name of your master?"

"My own name – Bouverie. It was my father. He is dead."

Her eyes glistened.

"You did not go to another?"

"I had no money. Besides, he had lived for what you say; when he died with his dream still a dream, I said I would do the same, and I came up here."

She had turned away. A less tactful interlocutor had sought plainer repudiation of the rash resolve; this one rose and buried himself in more songs.

"I have heard you in Grand Opera, and in something really grand," he said. "Now I want a song, the simpler the better."

Behind his back a daring light came into the moist eyes.

"There is one of Mrs. Clarkson's," she said. "She would never forgive me for singing it, but I have heard it from her so often, I know so well how it ought to go."

And, fetching the song from a cabinet, she thrust it boldly under his nose. It was called "The Unrealized Ideal," and was a setting of some words by a real poet then living, whose name caused this reader to murmur, "London Lyrics!" The composer was Sir Julian Crum. But his name was read without a word, or a movement of the strong shoulders and the tanned neck on which Miss Bouverie's eyes were fixed.

"You had better play this yourself," said he, after peering at the music through his glass. "It is rather too many for me."

And, strangely crestfallen, Miss Bouverie took his place.

"My only love is always near, —
In country or in town
I see her twinkling feet, I hear
The whisper of her gown.

"She foots it, ever fair and young,
Her locks are tied in haste,
And one is o'er her shoulder flung
And hangs below her waist."

For that was the immortal trifle. How much of its immortality it will owe to the setting of Sir Julian Crum is a matter of opinion, but here is an anonymous view.

"I like the words, Miss Bouverie, but the setting doesn't take me. It might with repetition. It seems lacking in go and simplicity; technically, I should say, a gem. But there can be no two opinions of your singing of such a song; that's the sort of arrow to go straight to the heart of the public – a world-wide public – and if I am the first to say it to you, I hope you will one day remember it in my favor. Meanwhile it is for me to thank you – from my heart – and to say good-by!"

He was holding out a sunburnt hand.

"Must you go?" she asked, withholding her own in frank disappointment.

"Unfortunately, yes; my man is waiting for me with both horses in the scrub. But before I go I want to ask a great favor of you. It is – not to tell a soul I have been here."

For a singer and a woman of temperament, Hilda Bouverie had a wonderfully level head. She inquired his reason in no promising tone.

"You will see at Mrs. Clarkson's concert."

Hilda started.

"You are coming to that?"

"Without fail – to hear Mrs. Clarkson sing five songs – your song among them!"

"But it's hers; it has been the other way about."

The gay smile broadened on the swarthy face; a very bright eye twinkled through the monocle into those of Miss Bouverie.

"Well, will you promise to say nothing about me? I have a reason which you will be the first to appreciate in due season."

Hilda hesitated, reasoned with herself, and finally gave her word. Their hands were joined an instant, as he thanked her with gallant smile and bow. Then he was gone. And as his spurs ceased jingling on the veranda outside, Hilda Bouverie glanced again at the song on the piano and clapped her hands with unreasonable pride.

"I do believe that I was right after all!" said she.

II

Mr. Clarkson and his young men sat at meat that evening with a Miss Bouverie hard to recognize as the apparently austere spinster who had hitherto been something of a skeleton at their board. Coldly handsome at her worst, a single day had brought her forth a radiant beauty wreathed in human smiles. Her clear skin had a tinge which at once suggested and dismissed the thought of rouge; but beyond all doubt she had done her hair with less reserve; and it was coppery hair of a volatile sort, that sprang into natural curls at the first relaxation of an undue discipline. Mr. Clarkson wondered whether his wife's departure had aught to do with the striking change in her companion; the two young men rested mutually assured that it had.

"The old girl keeps too close an eye on her," said little Mr. Hack, who kept the books and hailed from Middlesex. "Get her to yourself, Ted, and she's as larky as they're made."

Ted Radford, the station overseer, was a personage not to be dismissed in a relative clause. He was a typical back-blocker, dry and wiry, nasally cocksure, insolently cool, a fearless hand with horse, man, or woman. He was a good friend to Hack when there was no third person of his own kidney to appreciate the overseer's conception of friendly chaff. They were by themselves now, yet the last speech drew from Radford a sufficiently sardonic grin.