My Lord Duke

"Claude Lafont!" he read out. "Why, you don't ever mean – to tell me – that's you, old brusher?"

Claude smiled and coloured.

"You an author!" continued the Duke in a wide-eyed wonder. "And you never told me! Well, no wonder you can talk like a book when you can write one, too! So this is your latest, is it?"

"The limited large-paper edition," said Claude. "Only seventy-five copies printed, and I sign them all. How does it strike you – physically, I mean?"

"'Physically' is quite pleasing," murmured Stubbs; and Claude helped him to more whisky.

Jack looked at the book. The back was of a pale brown cardboard; the type had a curious, olden air about it; the paper was thick, and its edges elaborately ragged. The Duke asked if it was a new book. It looked to him a hundred years old, he said, and discovered that he had paid a pretty compliment unawares.

"There's one thing, however," he added: "we could chop leaves as well as that in the back-blocks!"

The Impressionist grinned; his friend drank deep, with a corrugated brow; the poet expounded the beauties of the rough edge, and Jack gave him back his book.

"I know nothing about it," said he; "but still, I'm proud of you, I am so. And I'm proud," he added, "to find myself in such company as yours, gentlemen; though I don't mind telling you, if I'd known I'd be the only plain man in the room I'd never have come upstairs!"

And the Duke sat down in a corner, with his knife, his tobacco, and his cutty-pipe, as shy as a great boy in a roomful of girls. Yet this wore off, for the conversation of the elect did not, after all, rarefy the atmosphere to oppression; indeed, that of the sensitised soul contained more oaths than Jack had heard from one mouth since he left the bush, and this alone was enough to put him at his ease. At the same time he was repelled, for it appeared to be a characteristic of the great Stubbs to turn up his nose at all men; and as that organ was retroussé to begin with, Jack was forcibly reminded of some ill-bred, snarling bulldog, and he marvelled at the hound's reputation. He put in no word, however, until the conversation turned on Claude's poems, and a particularly cool, coarse thing was said of one of them, and Claude only laughed. Then he did speak up.

"See here, mister," he blurted out from his corner. "Could you do as good?"

Stubbs stared at the Duke, and drained his glass.

"I shouldn't try," was his reply.

"I wouldn't," retorted Jack. "I just wouldn't, if I were you."

Stubbs could better have parried a less indelicate, a less childish thrust; as it was, he reached for his hat. Claude interfered at once.

"My dear old fellow," said he to Jack, "you mustn't mind what my friend Edmund says of my stuff. I like it. He is always right, for one thing; and then, only think of the privilege of having such a critic to tell one exactly what he thinks."

Jack looked from one man to the other. The sincerity of the last speech was not absolutely convincing, but that of Claude's feeling for his friend was obvious enough; and, with a laugh, the Duke put his back against the door. The apology which he delivered in that position was in all respects characteristic. It was unnecessarily full; it was informed alike by an extravagant good-will towards mankind, and an irritating personal humility; and it ended, somewhat to Claude's dismay, with a direct invitation to both his friends to spend a month at Maske Towers.

Perhaps these young men realised then, for the first time, who the rough fellow was, after all, with whom they had been thrown in contact. At all events the double invitation was accepted with alacrity; and no more hard things were said of Claude's lyrics. The flow of soul was henceforth as uninterrupted as that of the whisky down the visitors' throats. And no further hitch would have occurred had the Impressionist not made that surreptitious sketch of the Duke, which so delighted his friends.

"Oh, admirable!" cried Claude. "A most suggestive humouresque!"

"It'll do," said Stubbs, the oracle. "It mightn't appeal to the suburbs, damn them, but it does to us."

"Grant the convention, and the art is perfect," continued Claude, with the tail of his eye on Jack.

"It is the caricature that is more like than life," pursued Stubbs, with a sidelong glance in the same direction.

Jack saw these looks; but from his corner he could not see the sketch, nor had he any suspicion of its subject. All else that he noted was the flush of triumph, or it may have been whisky, or just possibly both, on the pale, fringed face of Impressionism. He held out his hand for the half-sheet of paper on which the sketch had been made.

"I hope it won't offend you," exclaimed the artist, hesitating.

"Offend me! Why should it? Let's have a look!"

And he looked for more than a minute at the five curves and a beard which had expressed to quicker eyes the quintessence of his own outward and visible personality. At first he could make nothing of them; even when an interpretation dawned upon him, his face was puzzled as he raised it to the trio hanging on his words.

"It won't do, mister," said the Duke reluctantly. "You'll never get saplings like them," tapping the five curves with his forefinger, "to hold a nest like that," putting his thumb on the beard, "and don't you believe it."

There was a moment's silence. Then the Impressionist said thickly:

"Give me that sketch."

Jack handed it back. In another moment it was littering the ground in four pieces, and the door had banged behind the indignant draftsman.

"What on earth have I done?" cried the Duke, aghast.

"You have offended Llewellyn," replied Claude shortly.

"How? By what I said? I'll run after him this minute and apologise. I never meant to hurt his feelings. Where's that stove-pipe hat?"

"Let me go," said Stubbs, getting up. "I understand the creative animal; it is thin-skinned; but I'll tell our friend what you say."

"I wish you would. Tell him I meant no harm. And fetch him down with you just whenever you can come."

"Thanks – that will be very pleasing. I daresay August will be our best time, but we shall let you know. I'll put it all right with Ivor; but these creative asses (saving your presence, Lafont) never can see a joke."

"A joke!" cried Jack, when he and Claude were alone.

"Stubbs is ironical," said Claude severely.

"Look here," said the Duke, "what are you givin' us, old boy? Seems to me you clever touchers have been getting at a cove between you. Where does this joke come in, eh?"

And his good faith was so obvious that Claude picked up the four quarters of torn paper, fitted them together, and entered upon yet another explanation. This one, however, was somewhat impatiently given and received. The Duke professed to think his likeness exceedingly unlike – when, indeed, he could be got to see his own outlines at all – and Claude disagreeing, a silence fell between the pair. Jack sought to break it by taking off his collar (which had made him miserable) and putting it in his pocket with a significant look; but the act provoked no comment. So the two men sat, the one smoking cigarettes, the other his cutty, but neither speaking, nor yet reading a line. And the endless roar of Piccadilly, reaching them through the open windows, emphasised their silence, until suddenly it sank beneath the midnight chimes of the city clocks. In another minute a tiny, tinkling echo came from Claude's chimney-piece, and the Duke put down his pipe and spoke.

"My first whole day in London – a goner," he said; "and a pretty full day it's been. Listen to this for one day's work," and as he rehearsed them, he ticked off the events on his great brown fingers. "Got run in – that's number one. Turned up among a lot of swells in my old duds – number two. Riled the cleverest man you know – number three – so that he nearly cleared out of your rooms; and, not content with that, hurt the feelings of the second cleverest (present company excepted) so that he did clear – which is number four. Worst of all, riled you, old man, and hurt your feelings too. That's the finisher. And see here, Claude, it isn't good enough and it won't do. I won't wash in London, and I'm full up of the hole; as for my own house, it gave me the fair hump the moment I put my nose inside; and I'd be on to make tracks up the bush any day you like – if it weren't for one thing."