Betrayal of Trust

I put the rope in the Bankers Box I had brought up from the car to use in gathering evidence. Then I looked at the bed. It wasn’t made, but I guessed that was an unusual occurrence. What appeared to be a bedspread was neatly folded on the floor. I wanted to look under the bed, so I picked up the mattress and box spring and peered down at the floor through the bed frame. Nothing. Not even a respectable collection of dust bunnies on the hardwood floor underneath.

Then, as I was putting the mattress and box spring back in place, I happened to think to look between them. What I saw hidden there was enough to make me feel sick at heart. It was a scarf, a blue silk scarf I was pretty sure I had seen before—wrapped around the throat of an unidentified dying girl in an iPhone video.

“Uh-oh,” I said, leaving the mattress crooked enough that the scarf still showed. “Bad news. You’d better bring that camera over here.”

Mel turned away from the wall. “What?” she asked.

“Come take a look.”

Mel retrieved her camera and came over to where I was standing. As soon as she saw the scarf she raised the camera and began photographing the bed.

“Give me your keys,” I said.

“Why?”

“By the time we pack up the computer and the artwork, we’re going to need that spare evidence box you’ve been carrying around in the back of the Cayman.”

I managed to limp down the two flights of stairs, but on my way back up, my knees were screaming at me. When I finally reached the top floor, I had broken out in a cold sweat. I paused in the hallway outside Josh’s bedroom door long enough to wipe the moisture off my forehead with the sleeve of my jacket. I had told Dr. Bliss about how bad my knees were, but somehow I hadn’t mentioned it to Mel.

Back in the room I discovered that Mel had finished taking pictures of the scarf and had returned to collecting the drawings. I began dismantling Josh’s computer system—a PC laptop and a tiny printer—into the Bankers Box I had dragged up from the car. Each time I added an item to the box I noted it on the evidence inventory form waiting there. Once I tore the two-page form apart, I’d have an original as well as a copy.

One at a time, I went through every drawer—every exceptionally neat drawer—in the desk. I expected to find some kind of camera or video equipment there, but I didn’t.

We were almost finished when I heard footsteps on the stairs. Mel and I both turned to the door, expecting to have our first glimpse of Josh Deeson. Instead, Marsha Longmire stood in the doorway. She looked at the scarred and empty walls and shook her head.

“I wanted to let you know that class is getting out. He’ll be here soon,” she said.

I walked over to where she was standing. “Until this morning, you had no idea, did you?”

She shook her head. “None at all.”

I took her arm and led her over to the desk where the Bankers Box was still sitting open. “You need to prepare yourself,” I warned. “This is bad.”

I reached into the box and pulled out the clear bag in which we had placed the now-folded scarf. Worried about preserving trace evidence, we had handled it as little as possible. Through the plastic it was apparent that the bag contained a swatch of material of some kind—light blue material. Marsha knew what it was without a moment’s hesitation.

She gasped and sank almost to the floor and knelt there with her face buried in her hands. “It’s the scarf,” she murmured. “It’s the damned scarf!”

I reached out to help her up, but she waved aside my hand and rose from her kneeling position without any help from me. Preoccupied with Marsha, neither of us heard the sound of other feet on the stairs or on the worn rug in the hallway.

“Who are you and what are you doing in my room?” Josh Deeson demanded from the doorway. “And what have you done with my artwork? Those pictures are mine. Give them back.”

He was a tall, scrawny, blond blue-eyed kid with spiked hair and a terminal case of acne. He looked more like a geek than a Goth. No black clothing. No visible piercings. His pants—ordinary jeans—were belted around his waist, not worn gangbanger style, riding down somewhere near the bottom of the butt. He wasn’t wearing an oversize hoodie or sweatshirt as some kids do regardless of the weather. He wore a light blue short-sleeved buttoned shirt; ready-made and most likely from somewhere like Nordy’s. It was exactly the kind of shirt I had always lusted after back when my mother was making mine.

He wore no jewelry of any kind, including that Seiko his grandfather had given him.

With his hands outstretched, he lunged toward Mel, probably intent on grabbing the artwork out of her hand. I leaped forward and cut him off.

“We’re police officers,” I told him. “We have a search warrant.”

Bristling with anger, he stopped a foot or so away from me and gave me a cold stare. He was tall enough that he nearly looked me in the eye. For a moment he glanced around the room, looking first at the bed with its displaced mattress and then at the desk.

“Where’s my computer?” he wanted to know. “Where’s my printer?”

“They’re in an evidence box,” I explained. “You’ll have a receipt for everything we take with us. As I said, we have a search warrant as well as your grandmother’s permission. That document applies to your room here as well as to both your computer and your cell phone.”

“She’s not my grandmother!” Josh Deeson said. He spat out the words with enough venom that it was instantly clear there was no love lost between him and the governor, not in either direction.

Marsha seemed to have recovered her equilibrium. “These are police officers, Josh. They’re investigating a homicide. You need to let them continue searching your room. Come downstairs with me. I’ll call an attorney.”

“I’m not going downstairs,” Josh declared. “And I don’t need an attorney.”

“Yes, you do,” Marsha insisted. “You can’t stay in the same room with these people, Josh. You mustn’t talk to them.”

“Sure,” Josh said. “Like I can’t talk to them without an attorney present, the way they say on TV. Give me a break.”

I waited to see if he would crack and do as he was told. If he played to type, I knew for sure his teenage resentment and arrogance would work against him just as it would work in our favor. For the space of almost a minute no one moved in the room and no one spoke.

Marsha was the one who finally broke the long silence. “Are you coming or not?”

“Not,” he said.

“Very well,” she said. “I’m going to have to go tell your grandfather what’s going on.”

“Right,” Josh said. “Go ahead. Tell him. What’s he going to do about it? Come dragging his sorry ass all the way up here in his wheelchair? Like that’s gonna happen!”

“Josh,” Marsha said, “I order you—”

“You can’t give me orders. I don’t work for you.” He sneered. “I’m not one of your so-called civil servants. I don’t have to jump just because Governor Longmire tells me to.”

Ever since Josh entered the room, Marsha had been holding the evidence bag with the scarf in it. Tightening her lips and handing me the bag, she started to say something, then stopped. When she did speak it was with the forced calmness of someone who has carefully stifled a sharp remark.

“You don’t understand,” she said. “This is a homicide investigation. Whatever you say can be used against you.”

“I get it,” Josh replied, mocking her. “One of those Miranda warnings. Big deal.”

“All right,” Marsha said. “Suit yourself.”

Closing the door with what I considered to be remarkable restraint, she left the room.

“She’s right, you know,” I told Josh. “You probably shouldn’t talk to us.”

“I don’t care,” he said. “That witch doesn’t give a damn about me. I’ll talk to you if I want to.”

There are times in this business when teenage rebellion and bravado can be very good things. Apparently this was one of those times.

If Josh Deeson chose to be stupid rather than smart, it was his problem, not ours.

CHAPTER 5