Children of the Tenements

The newsboys were crying their night extras when Undertaker Reardon's wagon jogged across the Bowery with Nigger Martha's body in it. She had given the doctors the slip, as she had the policeman many a time. A friend of hers, an Italian in The Bend, had hired the undertaker to "do it proper," and Nigger Martha was to have a funeral.

All the Bowery came to the wake. The all-nighters from Chatham Square to Bleecker Street trooped up to the top-floor flat in the Forsyth Street tenement where Nigger Martha was laid out. There they sat around, saying little and drinking much. It was not a cheery crowd.

The Bowery by night is not cheerful in the presence of The Mystery. Its one effort is to get away from it, to forget—the thing it can never do. When out of its sight it carouses boisterously, as children sing and shout in the dark to persuade themselves that they are not afraid. And some who hear think it happy.

Sheeny Rose was the master of ceremonies and kept the door. This for a purpose. In life Nigger Martha had one enemy whom she hated—cock-eyed Grace. Like all of her kind, Nigger Martha was superstitious. Grace's evil eye ever brought her bad luck when she crossed her path, and she shunned her as the pestilence. When inadvertently she came upon her, she turned as she passed and spat twice over her left shoulder. And Grace, with white malice in her wicked face, spurned her.

"I don't want," Nigger Martha had said one night in the hearing of Sheeny Rose—"I don't want that cock-eyed thing to look at my body when I am dead. She'll give me hard luck in the grave yet."

And Sheeny Rose was there to see that cock-eyed Grace didn't come to the wake.

She did come. She labored up the long stairs, and knocked, with no one will ever know what purpose in her heart. If it was a last glimmer of good, of forgiveness, it was promptly squelched. It was Sheeny Rose who opened the door.

"You can't come in here," she said curtly. "You know she hated you. She didn't want you to look at her stiff."

Cock-eyed Grace's face grew set with anger. Her curses were heard within. She threatened fight, but dropped it.

"All right," she said as she went down. "I'll fix you, Sheeny Rose!"

It was in the exact spot where Nigger Martha had sat and died that Grace met her enemy the night after the funeral. Lizzie La Blanche, the Marine's girl, was there; Elsie Specs, Little Mame, and Jack the Dog, toughest of all the girls, who for that reason had earned the name of "Mayor of the Bowery." She brooked no rivals. They were all within reach when the two enemies met under the arc light.

Cock-eyed Grace sounded the challenge.

"Now, you little Sheeny Rose," she said, "I'm goin' to do ye fer shuttin' of me out o' Nigger Martha's wake."

With that out came her hatpin, and she made a lunge at Sheeny Rose. The other was on her guard. Hatpin in hand, she parried the thrust and lunged back. In a moment the girls had made a ring about the two, shutting them out of sight. Within it the desperate women thrust and parried, backed and squared off, leaping like tigers when they saw an opening. Their hats had fallen off, their hair was down, and eager hate glittered in their eyes. It was a battle for life; for there is no dagger more deadly than the hatpin these women carry, chiefly as a weapon of defence in the hour of need.

They were evenly matched. Sheeny Rose made up in superior suppleness of limb for the pent-up malice of the other. Grace aimed her thrusts at her opponent's face. She tried to reach her eye. Once the sharp steel just pricked Sheeny Rose's cheek and drew blood. In the next turn Rose's hatpin passed within a quarter-inch of Grace's jugular.

But the blow nearly threw her off her feet, and she was at her enemy's mercy. With an evil oath the fiend thrust full at her face just as the policeman, who had come through the crowd unobserved, so intent was it upon the fight, knocked the steel from her hand.

At midnight two dishevelled hags with faces flattened against the bars of adjoining cells in the police station were hurling sidelong curses at each other and at the maddened doorman. Nigger Martha's wake had received its appropriate and foreordained ending.

WHAT THE CHRISTMAS SUN SAW IN THE TENEMENTS

The December sun shone clear and cold upon the city. It shone upon rich and poor alike. It shone into the homes of the wealthy on the avenues and in the up-town streets, and into courts and alleys hedged in by towering tenements down town. It shone upon throngs of busy holiday shoppers that went out and in at the big stores, carrying bundles big and small, all alike filled with Christmas cheer and kindly messages from Santa Claus.

It shone down so gayly and altogether cheerily there, that wraps and overcoats were unbuttoned for the north wind to toy with. "My, isn't it a nice day?" said one young lady in a fur shoulder cape to a friend, pausing to kiss and compare lists of Christmas gifts.

"Most too hot," was the reply, and the friends passed on. There was warmth within and without. Life was very pleasant under the Christmas sun up on the avenue.

Down in Cherry Street the rays of the sun climbed over a row of tall tenements with an effort that seemed to exhaust all the life that was in them, and fell into a dirty block, half choked with trucks, with ash barrels and rubbish of all sorts, among which the dust was whirled in clouds upon fitful, shivering blasts that searched every nook and cranny of the big barracks. They fell upon a little girl, barefooted and in rags, who struggled out of an alley with a broken pitcher in her grimy fist, against the wind that set down the narrow slit like the draught through a big factory chimney. Just at the mouth of the alley it took her with a sudden whirl, a cyclone of dust and drifting ashes, tossed her fairly off her feet, tore from her grip the threadbare shawl she clutched at her throat, and set her down at the saloon door breathless and half smothered. She had just time to dodge through the storm-doors before another whirlwind swept whistling down the street.

"My, but isn't it cold?" she said, as she shook the dust out of her shawl and set the pitcher down on the bar. "Gimme a pint," laying down a few pennies that had been wrapped in a corner of the shawl, "and mamma says make it good and full."

"All'us the way with youse kids—want a barrel when yees pays fer a pint," growled the bartender. "There, run along, and don't ye hang around that stove no more. We ain't a steam-heatin' the block fer nothin'."

The little girl clutched her shawl and the pitcher, and slipped out into the street where the wind lay in ambush and promptly bore down on her in pillars of whirling dust as soon as she appeared. But the sun that pitied her bare feet and little frozen hands played a trick on old Boreas—it showed her a way between the pillars, and only just her skirt was caught by one and whirled over her head as she dodged into her alley. It peeped after her halfway down its dark depths, where it seemed colder even than in the bleak street, but there it had to leave her.

It did not see her dive through the doorless opening into a hall where no sun-ray had ever entered. It could not have found its way in there had it tried. But up the narrow, squeaking stairs the girl with the pitcher was climbing. Up one flight of stairs, over a knot of children, half babies, pitching pennies on the landing, over wash-tubs and bedsteads that encumbered the next—house-cleaning going on in that "flat"; that is to say, the surplus of bugs was being turned out with petroleum and a feather—up still another, past a half-open door through which came the noise of brawling and curses. She dodged and quickened her step a little until she stood panting before a door on the fourth landing that opened readily as she pushed it with her bare foot.

A room almost devoid of stick or rag one might dignify with the name of furniture. Two chairs, one with a broken back, the other on three legs, beside a rickety table that stood upright only by leaning against the wall. On the unwashed floor a heap of straw covered with dirty bedtick for a bed; a foul-smelling slop-pail in the middle of the room; a crazy stove, and back of it a door or gap opening upon darkness. There was something in there, but what it was could only be surmised from a heavy snore that rose and fell regularly. It was the bedroom of the apartment, windowless, airless, and sunless, but rented at a price a millionnaire would denounce as robbery.

"That you, Liza?" said a voice that discovered a woman bending over the stove. "Run 'n' get the childer. Dinner's ready."

The winter sun glancing down the wall of the opposite tenement, with a hopeless effort to cheer the back yard, might have peeped through the one window of the room in Mrs. McGroarty's "flat," had that window not been coated with the dust of ages, and discovered that dinner party in action. It might have found a score like it in the alley. Four unkempt children, copies each in his or her way of Liza and their mother, Mrs. McGroarty, who "did washing" for a living. A meat bone, a "cut" from the butcher's at four cents a pound, green pickles, stale bread and beer. Beer for the four, a sup all round, the baby included. Why not? It was the one relish the searching ray would have found there. Potatoes were there, too—potatoes and meat! Say not the poor in the tenements are starving. In New York only those starve who cannot get work and have not the courage to beg. Fifty thousand always out of a job, say those who pretend to know. A round half-million asking and getting charity in eight years, say the statisticians of the Charity Organization. Any one can go round and see for himself that no one need starve in New York.

From across the yard the sunbeam, as it crept up the wall, fell slantingly through the attic window whence issued the sound of hammer-blows. A man with a hard face stood in its light, driving nails into the lid of a soap box that was partly filled with straw. Something else was there; as he shifted the lid that didn't fit, the glimpse of sunshine fell across it; it was a dead child, a little baby in a white slip, bedded in straw in a soap box for a coffin. The man was hammering down the lid to take it to the Potter's Field. At the bed knelt the mother, dry-eyed, delirious from starvation that had killed her child. Five hungry, frightened children cowered in the corner, hardly daring to whisper as they looked from the father to the mother in terror.

There was a knock on the door that was drowned once, twice, in the noise of the hammer on the little coffin. Then it was opened gently, and a young woman came in with a basket. A little silver cross shone upon her breast. She went to the poor mother, and, putting her hand soothingly on her head, knelt by her with gentle and loving words. The half-crazed woman listened with averted face, then suddenly burst into tears and hid her throbbing head in the other's lap.

The man stopped hammering and stared fixedly upon the two; the children gathered around with devouring looks as the visitor took from her basket bread, meat, and tea. Just then, with a parting wistful look into the bare attic room, the sun-ray slipped away, lingered for a moment about the coping outside, and fled over the housetops.

As it sped on its winter-day journey, did it shine into any cabin in an Irish bog more desolate than these Cherry Street "homes"? An army of thousands, whose one bright and wholesome memory, only tradition of home, is that poverty-stricken cabin in the desolate bog, are herded in such barracks to-day in New York. Potatoes they have; yes, and meat at four cents—even seven. Beer for a relish—never without beer. But home? The home that was home, even in a bog, with the love of it that has made Ireland immortal and a tower of strength in the midst of her suffering—what of that? There are no homes in New York's poor tenements.

Down the crooked path of the Mulberry Street Bend the sunlight slanted into the heart of New York's Italy. It shone upon bandannas and yellow neckerchiefs; upon swarthy faces and corduroy breeches; upon black-haired girls—mothers at thirteen; upon hosts of bow-legged children rolling in the dirt; upon pedlers' carts and rag-pickers staggering under burdens that threatened to crush them at every step. Shone upon unnumbered Pasquales dwelling, working, idling, and gambling there. Shone upon the filthiest and foulest of New York's tenements, upon Bandit's Roost, upon Bottle Alley, upon the hidden byways that lead to the tramps' burrows. Shone upon the scene of annual infant slaughter. Shone into the foul core of New York's slums that was at last to go to the realm of bad memories because civilized man might not look upon it and live without blushing.

It glanced past the rag-shop in the cellar, whence welled up stenches to poison the town, into an apartment three flights up that held two women, one young, the other old and bent. The young one had a baby at her breast. She was rocking it tenderly in her arms, singing in the soft Italian tongue a lullaby, while the old granny listened eagerly, her elbows on her knees, and a stumpy clay pipe, blackened with age, between her teeth. Her eyes were set on the wall, on which the musty paper hung in tatters, fit frame for the wretched, poverty-stricken room, but they saw neither poverty nor want; her aged limbs felt not the cold draught from without, in which they shivered; she looked far over the seas to sunny Italy, whose music was in her ears.

"O dolce Napoli," she mumbled between her toothless jaws, "O suol beato—"

The song ended in a burst of passionate grief. The old granny and the baby woke up at once. They were not in sunny Italy; not under southern, cloudless skies. They were in "The Bend," in Mulberry Street, and the wintry wind rattled the door as if it would say, in the language of their new home, the land of the free: "Less music! More work! Root, hog, or die!"

Around the corner the sunbeam danced with the wind into Mott Street, lifted the blouse of a Chinaman and made it play tag with his pigtail. It used him so roughly that he was glad to skip from it down a cellar-way that gave out fumes of opium strong enough to scare even the north wind from its purpose. The soles of his felt shoes showed as he disappeared down the ladder that passed for cellar steps. Down there, where daylight never came, a group of yellow, almond-eyed men were bending over a table playing fan-tan. Their very souls were in the game, every faculty of the mind bent on the issue and the stake. The one blouse that was indifferent to what went on was stretched on a mat in a corner. One end of a clumsy pipe was in his mouth, the other held over a little spirit-lamp on the divan on which he lay. Something fluttered in the flame with a pungent, unpleasant smell. The smoker took a long draught, inhaling the white smoke, then sank back on his couch in senseless content.

Upstairs tiptoed the noiseless felt shoes, bent on some house errand, to the "household" floors above, where young white girls from the tenements of The Bend and the East Side live in slavery worse, if not more galling, than any of the galley with ball and chain—the slavery of the pipe. Four, eight, sixteen, twenty odd such "homes" in this tenement, disgracing the very name of home and family, for marriage and troth are not in the bargain.

In one room, between the half-drawn curtains of which the sunbeam works its way in, three girls are lying on as many bunks, smoking all. They are very young, "under age," though each and every one would glibly swear in court to the satisfaction of the police that she is sixteen, and therefore free to make her own bad choice. Of these, one was brought up among the rugged hills of Maine; the other two are from the tenement crowds, hardly missed there. But their companion? She is twirling the sticky brown pill over the lamp, preparing to fill the bowl of her pipe with it. As she does so, the sunbeam dances across the bed, kisses the red spot on her cheek that betrays the secret her tyrant long has known,—though to her it is hidden yet,—that the pipe has claimed its victim and soon will pass it on to the Potter's Field.

"Nell," says one of her chums in the other bunk, something stirred within her by the flash, "Nell, did you hear from the old farm to home since you come here?"

Nell turns half around, with the toasting-stick in her hand, an ugly look on her wasted features, a vile oath on her lips.

"To hell with the old farm," she says, and putting the pipe to her mouth inhales it all, every bit, in one long breath, then falls back on her pillow in drunken stupor.

That is what the sun of a winter day saw and heard in Mott Street.

It had travelled far toward the west, searching many dark corners and vainly seeking entry to others; had gilded with equal impartiality the spires of five hundred churches and the tin cornices of thirty thousand tenements, with their million tenants and more; had smiled courage and cheer to patient mothers trying to make the most of life in the teeming crowds, that had too little sunshine by far; hope to toiling fathers striving early and late for bread to fill the many mouths clamoring to be fed.

The brief December day was far spent. Now its rays fell across the North River and lighted up the windows of the tenements in Hell's Kitchen and Poverty Gap. In the Gap especially they made a brave show; the windows of the crazy old frame-house under the big tree that sat back from the street looked as if they were made of beaten gold. But the glory did not cross the threshold. Within it was dark and dreary and cold. The room at the foot of the rickety, patched stairs was empty. The last tenant was beaten to death by her husband in his drunken fury. The sun's rays shunned the spot ever after, though it was long since it could have made out the red daub from the mould on the rotten floor.

Upstairs, in the cold attic, where the wind wailed mournfully through every open crack, a little girl sat sobbing as if her heart would break. She hugged an old doll to her breast. The paint was gone from its face; the yellow hair was in a tangle; its clothes hung in rags. But she only hugged it closer. It was her doll. They had been friends so long, shared hunger and hardship together, and now—

Her tears fell faster. One drop trembled upon the wan cheek of the doll. The last sunbeam shot athwart it and made it glisten like a priceless jewel. Its glory grew and filled the room. Gone were the black walls, the darkness, and the cold. There was warmth and light and joy. Merry voices and glad faces were all about. A flock of children danced with gleeful shouts about a great Christmas tree in the middle of the floor. Upon its branches hung drums and trumpets and toys, and countless candles gleamed like beautiful stars. Farthest up, at the very top, her doll, her very own, with arms outstretched, as if appealing to be taken down and hugged. She knew it, knew the mission-school that had seen her first and only real Christmas, knew the gentle face of her teacher, and the writing on the wall she had taught her to spell out: "In His name." His name, who, she had said, was all little children's friend. Was He also her dolly's friend, and would He know it among the strange people?

The light went out; the glory faded. The bare room, only colder and more cheerless than before, was left. The child shivered. Only that morning the doctor had told her mother that she must have medicine and food and warmth, or she must go to the great hospital where papa had gone before, when their money was all spent. Sorrow and want had laid the mother upon the bed he had barely left. Every stick of furniture, every stitch of clothing on which money could be borrowed, had gone to the pawnbroker. Last of all, she had carried mamma's wedding-ring to pay the druggist. Now there was no more left, and they had nothing to eat. In a little while mamma would wake up, hungry.

The little girl smothered a last sob and rose quickly. She wrapped the doll in a threadbare shawl as well as she could, tiptoed to the door, and listened a moment to the feeble breathing of the sick mother within. Then she went out, shutting the door softly behind her, lest she wake her.