Games with the Dead: A PC Donal Lynch Thriller

Denial leaves town without packing. Anger stares at the number, wanting to call this fucker up, have it out. My forefinger quivers over the green button. Hang on, I tell myself, I need to be smarter than this. I jot down the number, cross-reference it with the contacts in my phone. Nothing. I check Zoe’s calls and texts records, in and out. No sign of Charles. Then I notice how scant these records are. She’s already been busy deleting.

Anger hatches a plan. I deposit her phone discreetly behind the empty flower vase, taking considerably more care to hide it than philandering Zoe. I don’t want her to have any inkling that I know. I need to spring it on her in the morning, catch her cold, so that I can read her eyes.

I sit there stewing, unable to stop speculating: who is Charles? How long has this been going on? What have they done together? Who else knows about it? The thing that really bamboozles me; where has she found the time or the energy?

Hang on a minute, I remind myself, she goes out two nights a week. It was her childless former work colleagues who persuaded her to resume her pre-Matt social life.

‘I want to get back to my old self,’ she’d announced. Not as badly as me, so I agreed to babysit a couple of nights a week, hoping that ‘the girls’ could do something I clearly couldn’t – make Zoe happy again.

I went out with them once, watched them guzzle bone-dry Chardonnay by the half-pint and become feral, so I fled. I now call them the WWF, the White Wine Fiends, and sit in quivering dread of her return, just like we used to with Da.

She always thunders in with the Chardonnay rage, ranting and raving about how shit her life is and the inherent injustices of motherhood.

The mornings are worse, when she’s gripped by hungover paranoia about what she may or may not have said or done during those alarming blanks in her memory. But even this fails to poop her party lust; she wouldn’t miss her ‘girls’ nights out’ for the world. Now I’m beginning to suspect why.

Suddenly, another terrifying thought strikes – who else knows about this? Has she told her best friend? Could Sophie be trusted to keep her mouth shut? Of course not! What if everyone knows? How can I look them in the face again? How can she humiliate me like this?

Matt’s even more unsettled than usual tonight. It’s almost like he knows something is wrong. Eight or nine times I fail to placate him. It’s as if we’re both being tormented by the same quandary: How can she do this to him?

By dawn, the anger has morphed into a sick sort of satisfaction. For months, she’s been guilt-tripping me about my unsuitability for fatherhood. The Bad Dada Intifada always starts and ends with my drinking. In between that dual denunciation, she takes a tortuous route through my other myriad failings: working all the time; messiness; chronic insomnia. The irony of the latter complaint stings: guess who does the night feeds?

I’m stockpiling self-righteous claims as a Doomsday believer might tinned tuna. I can’t wait to cut her down to size. I’ll use my most patronising voice: It’s not about whether I can forgive you, Zoe, it’s whether Matt can forgive you. Dr Kübler-Ross is good. By the time Matt cries out at 6.10am, I’ve moved through Denial and Anger, and am well up for a good old Bargain.

You see, in the martyr barter that is our relationship, I’d rarely seized – let alone held – that key strategic piece of ground known as High Moral. I feel unassailable, statesman-like. Nobly, I elect to spare our confrontation until Matt goes down for his mid-morning sleep. I don’t want him to hear us rowing and be traumatised in any way. To be fair, neither would she. Despite everything, we both love that boy with all we have.

‘So,’ I say breezily as she tackles the dishwasher, ‘who is Charles?’

I’m expecting a smashed plate, a torrent of Data Protection Act-based indignation: How dare you spy on me. What I’m not expecting is a flat, emotionally detached weather report, as she focusses chiefly on installing the dishes in the right places.

The relationship has just started. Charles is no one I know. This, for reasons I don’t fully understand, provides enormous relief. She then says the things I need her to say; the things I need to hear. It’s all been a dreadful mistake. She’ll finish it with Charles, in her own time. Her saying his name aloud staggers me – the gall. But, for some reason, I find myself believing every word coming out of her lying, cheating mouth. I need to believe every word. She will end it, for sure, I conclude – if only for Matt’s sake.

I swallow hard on the gutful of questions I want to spew. Have they had sex? How many times? Where? When? Is he better than me? Bigger than me? Does she call out his name? Does she love him? In my heart, I know the one question I’m too scared to ask: Why?

‘Please stop staring at me like that, Donal,’ she says firmly. ‘I’ve promised to end it. Can we just leave it at that?’

Later, while she’s taking a shower, I get hold of her phone again to find out more. It’s locked. I try both her email accounts; she’s changed the passwords so, just like that, I’m frozen out of her life and powerless.

Chapter 9 (#ulink_3fd6306e-7bf2-53c5-afde-30aa5b8bfa30)

Green Lanes, North London

Friday, June 17, 1994; 12.00

My eyes feel dryer than old grapes and my head thumps like Christmas afternoon. I make for our bedroom but can’t feel the floor beneath my feet. I must still be in adrenalised shock at Zoe’s admission of infidelity.

My temples buzz intermittently, my vision shuddering and dimming in time, obeying the sporadic white noise soundtrack. It’s like I’ve just walked under the world’s biggest electricity pylon. Something’s interfering with transmission.

Then I remember. I’d been standing next to Julie Draper’s dead body less than twenty-four hours ago and she’s got my subconscious on repeat dial. She’s desperate to connect to me. I must sleep so Julie can get through.

I lie down, eyes closed, exhausted brain agape; come on in, Ms Draper, the water’s toasty.

Random phrases echo and overlap:

Failed relationship … the wink-and-elbow language of cruel-girl delight …

The love peters out, the sex peters out, so you might as well be with someone who’s loaded …

Once you’ve had twenty-five, you don’t want less …

There’s Sinead O’Connor at the end of the bed, tears rolling down her porcelain white face. She’s smiling at the same time, holding a photo close to her chest. I see it’s Zoe, Matt and me on Brighton Beach last summer. Her mouth sneers and that photo rips right down the middle, as if by magic. Dolores O’Riordan of The Cranberries is beside her, drinking a pint of white wine and loving every second.

Jesus, ladies, what is your problem? Why do you hate men so much?

What’s that they’re singing?

Na na na na

Na na na na

Hey Hey

Goodbye

Oh and here’s Julie Draper now, bald as a coot, singing her little heart out in that pink-striped blanket, giving it all Alison Moyet, thinking she’s the bee’s knees. What is this, ladies, Fun Girl Three?

Behind them, in black and white, Zoe is bowed and shuffling away at speed, dragging a reluctant little boy in shorts alongside her. Matt turns and smiles and waves. He’s oblivious to the masked black figure in front of them, which, at that instant, spins and re-shapes into a perfectly ordinary shadow. They continue to march onwards and into that black shadow …

I follow and the black figure reconfigures between us. He starts to turn. I will him; turn … turn … make yourself known! A shape is forming. I know that profile from somewhere. I know this man. He wants to make himself known to me. He’s turning to me … coming to me. Keep turning!

He freezes, spooked by a shrill, repetitive tone. I recognise that din. My brain clicks; it’s my mobile. He flicks off like a puppet shadow. Damn! One more second and Julie’s killer would have revealed himself.

What the hell was all that about? Why the cameo appearances by those self-styled Banshees of rage, Sinead and Dolores? And why was Julie Draper’s killer stalking Zoe and Matt, then luring them into some sort of darkness? It’s got to be cross-pollination of my current dual traumas – the death of Julie and the prospect of losing the people that I love. That can be the only explanation.

I’m stunned to see it’s gone 4pm Why do I always sleep better after bad news? Maybe its pessimistic relief; the worst has happened, so you can quit your fretting now and relax.

I pick up. ‘Fintan?’

‘You still good for the Archway Tavern?’

‘What?’

‘What do you mean, what? It’s Friday the 17th. The World Cup finals kick off in less than one hour! That’s where we always watch the games. Is she letting you out? Because you know it’s Ireland–Italy tomorrow night. If you’ve only got the one pink pass for the weekend …’

‘I don’t need her permission,’ I announce, thinking if only he knew why.

‘Good man. That’s the spirit. Right so, I’ll pick you up in twenty. Is she there?’

‘Yeah.’