Born to Dance

“So, what do you think?” said Miss Lucas.

I promised that I would ask Mum. “I’ll see what she says.”

This time I waited for a good moment. Mum had taken her last class of the day and was back home, with a glass of wine and her feet up. Sean wasn’t there cos he was at the theatre, and Dad was on his way to New York to mount a production of ZigZag, one of his most popular works, for the New York City Ballet. I had Mum all to myself. I just wanted her to agree that it wouldn’t be sensible for me to take on any more work. Dancing work.

“Cos, you know, having to do all the choreography … I couldn’t properly give it my full attention.”

“Why not?” said Mum. I said, “Well, I mean …” I waved a hand. “What with classes and everything.”

“What’s everything?” said Mum.

“Practising.Ports de bras, like you said! And schoolwork. I have to do some schoolwork.”

Mum said, “Maddy, you have the very minimum amount of schoolwork. It’s one of the reasons we sent you there, so you’d have plenty of time for your dancing.”

“But classes!” I wailed.

“Two a week plus Saturday mornings? That’s nothing! When I was your age,” said Mum, “I was leaving home for a seven o’clock class every morning.”

“Not when you were eleven,” I said.

“I would have done,” said Mum, “if it had been asked of me.”

“Well, anyway.” I flopped down at the far end of the sofa. Mum hastily transferred her glass from one hand to the other.

“Just watch what you’re doing, Maddy! You’re supposed to be a dancer … Gracious. Poised.Not hurling yourself about like a baby elephant.”

“Sorry.” I could already sense that this was not going to go well. “Thing is—” I picked at a bit of sofa which seemed to be coming loose. “Thing is, it’s a really soppy storyline! I just don’t know what I’m supposed to do with it. It’s about this—”

“Stop!” Mum held up a hand. She never has much patience with what she calls “moaning and carrying on”. “Whatever it’s about I’m sure you’ll find a way to deal with it. It’ll be good experience for you.”

“It might be,” I said, “if I wanted to be a choreographer. But I don’t!”

“Do you think your dad knew that that’s what he wanted at your age?”

I frowned. What did Dad have to do with it?

“You just never know,” said Mum. “And think how happy it will make Miss Lucas!”

I plucked some more at the sofa. “It won’t make her happy if I’m just, like, totally uninspired.”

“I should certainly hope you won’t be totally uninspired!”

“But I don’t know how long she wants it to be! I don’t even have any music! I—”

“So find some,” snapped Mum “Heaven knows your dad has a large enough collection. And stop pulling the furniture to pieces!”

I said, “Sorry! But honestly I can’t see there’s any point in having a dance interlude.”

“Why not?” said Mum. “If that’s what Miss Lucas wants … It’s her show. And you are a dancer, so why not make use of you?”

“But Mum, she wants me to be a fairy!” I said.

“So? What’s wrong with that? I’ll have you know,” said Mum, “that the Lilac Fairy was one of my very first solo roles!”

I said, “That’s different. That’s in Sleeping Beauty. That’s a classic! This is just soppy.”

“It doesn’t have to be,” said Mum. “You’re the one doing the choreography; it’s up to you. You can’t have it both ways! You complain when you’re asked to do it yourself and you complain when Miss Lucas does it for you. All that fuss last year at having to do that pathetic little dance she’d made up!”

I said, “Yes, cos it was tacky. You said so.”

“Well, all right, it was. But Miss Lucas is not a professional dancer: you are. Or at least you’re aiming to be. I would expect you to do a bit better than Miss Lucas. This is an opportunity, Maddy! Make the most of it. You could start by finding some suitable music. That’s always your dad’s way in. Find the music and let it inspire you.”

I heaved a sigh. I had so wanted, this one time, to have a proper speaking part! Just to show what I could do. Everybody knew I could dance. I wanted to show them I could act as well!

“Music!” said Mum.

I said, “Yes. All right.”

I supposed it would have to be something slow and mournful. I would obviously have to waft about the stage looking pathetic, with lyrical arm movements and maybe the occasional arabesque. Nothing in the least bit exciting. Certainly no fouettés or pirouettes. Just boring adage.Slow, slow, slow. Exactly what I am least good at!

I went through Dad’s music collection and found some slow, sad music and waited for it to inspire me. But it didn’t! There are some dancers who are just naturally gifted at adage. They have beautiful lines and what Mum calls “poise and serenity”. Then there are others – like me – who shine at allegro. We leap, we spin, we turn, we dazzle. But how could a broken-down fairy do any of that?

And then, as I sat on the floor, brooding over the slow, sad music and waiting for inspiration, I remembered something Miss Lucas had said. She’d remember the old days, when she was young … She might even do a few steps, trying to recapture the magic of her youth.

Yesss! I sprang up, suddenly excited. That would be my way in! The fairy leaping and spinning, just as she had when she was young. Now I was inspired! All I had to do was find some music. Something fast and zingy. Of course it would only be a dream. An old, tired fairy wouldn’t really have the energy to perform fouettées and entrechats and grands jetés all over the place. But that was all right: she would be remembering.It would be a dream sequence. Dad had a dream sequence in one of his ballets; there wasn’t anything wrong with it. It wouldn’t be showing off. It wouldn’t be cheating. It would show the audience what the fairy had once been capable of. And, of course, to show them what I was capable of. Why not? I was the choreographer!

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Now that I’d decided what to do I found myself fizzing with enthusiasm. I wondered if this was how Dad felt when he began working on a new ballet. It was exciting! Especially once I’d found the right music, all zippy and fast-moving, with sudden trumpet blasts and spiky rhythms. Mum was right: music was the starting point! My head was a whirl of steps and sequences; I just needed space to try them out.

I did consider asking Mum if I could borrow one of her studios, but then I thought maybe that wasn’t such a good idea. Mum would always be looking in on me to see how I was getting on and to offer advice. I didn’t want that! This was going to be my choreography, done entirely by me.So then I had the much better idea of asking Miss Lucas if I could use the gym.

She was delighted. I knew she would be!

“Maddy,” she said, “I’m so happy that you’re doing this! By all means use the gym. Do you want it before school or after?”

I said that it would have to be before cos of after-school lessons with Mum.

“But if I could come in really early in the morning? Like half past seven maybe?”

“No problem,” said Miss Lucas. “There’s always someone around. I’ll arrange it with Mrs Betts. Just remember to sign in at the Office so we know you’re here.”

Mum was quite impressed when I told her I’d need to be leaving an hour earlier every morning. She even said she’d give me a lift.

“I don’t mind getting to the studio a bit earlier. It’ll give me a chance to catch up with myself.”

School was very strange and deserted so early in the morning, though Mrs Betts was there, and some of the teachers. I could also see a group of Year Twelves practising on the netball court and hear the tinkling of someone having a piano lesson in one of the music rooms. I was already wearing my leotard and tights under my coat, so I went straight up to the gym with my shoes and a couple of CDs I’d brought with me. One of them was my lovely zingy music, the other was a CD Mum had put together for workouts. My plan was to work out for fifteen minutes then spend the rest of the time getting the jumble of steps out of my brain and into my feet. I was itching to try them out!