Naughty Paris

I nod. “Okay. It’ll be a fun souvenir to take home.”

He smiles, then drops the bombshell. Right into my lap.

“Bon. Good. You must pose in the nude.”

“Are you sure Madonna started like this?” I ask, holding on to my panties, pulling on the elastic waistband until it snaps against my bare skin. Ouch. I’ve already taken off my wet clothes and left them hanging on the tall black screen standing in the corner, along with my waist pack with my money and passport.

“Mademoiselle?”

“You know, the pop star? ‘Like a Virgin’?” I sway my hips like the superstar diva. Somehow it doesn’t have the same effect. The old artist shrugs.

“I don’t care if you’re a virgin—”

I’m not, but I smile anyway.

“—I wish to sketch you, mademoiselle, not make love to you.”

That did it. Can my ego get any flatter? Ever seen a used condom?

Well, here goes.

I wiggle my peppermint pink panties down over my thighs and let them drop onto the small platform. There. I’ve done it. I’m nude. No turning back, even if I haven’t shaved below my bikini line.

Vive la nue me.

I glance over at the old artist wiping down his posterboard with a damp cloth. The look on my face says, What do I do next?

He coughs, wipes beads of perspiration off his forehead, then points to my feet. I look down. I’m up to my ankles in pink nylon. I shift my weight from one foot to the other. The wooden platform creaks. Loudly. Urging me to hurry. Okay, okay. I scoot my panties off the platform with my bare toes. Wearing nothing but my sweat, I grin.

The old artist nods, picks up a Conté carré dessin, drawing charcoal, and waits for me to get into position. I hold my hand over my crotch. What a silly thing to do. I must relax. Relax. Keep up my courage. A chill slithers up the back of my neck, making my nipples harden and point straight out. I know now how guys feel when they get a hard-on in the middle of a heated business meeting. They can hide it behind this week’s market stats report. Me? I’m as naked as a low-carb burger going solo.

I know you’re sitting there all comfy in your sweats, shaking your head, pinching your thighs, wondering how a thirty-something woman could even think about taking her clothes off in front of anybody but her gyno. Brace yourself. It ain’t pretty. Here’s the skinny, which I’m not, so it’s even more outrageous.

I’m desperate for excitement, a cheap thrill, and if it cost me a new pair of La Perla panties, then let them fall. Nothing exciting ever happens in corporate real estate sales, though I keep hoping I’ll run into Donald Trump between bankruptcies and wives.

Unfortunately, time is running out for this apprentice wannabe. I’m thirty-four with more than a little tummy since David took off with my heart and my willpower stuffed into his back pocket. The idea of posing nude evokes a sexual charge in me, an irresistible allure of the forbidden without putting myself in danger or jeopardizing my corporate reputation, a unique twist to my personality I never dared explore.

Until now. This moment. My world is so frustratingly normal, so conservative in every way, that although I’m shocked at the artist’s request, I’m also terribly intrigued. It’s my nature.

Besides, I want to show my ex-fiancé I’m still hot stuff.

I grind my teeth. Just thinking about David makes me cringe. When I discovered he used me to get info on a major land development deal in Wyoming, I should have broken up with him then. But he was so convincing in his “I’m doing this for us” speech, I put aside my fears and didn’t protest when he proceeded to slide my panties down between my thighs and do more with his sexy mouth than give me spin.

Even my mother warned me about David, said he was looking for a hot body with a trust account, but I didn’t listen. She oughta know. My mother and her talking mirror just divorced their third husband.

I’m not in the mood for advice so I clicked off my cell phone. Mother drives me insane with her text messages that resemble the bottom-of-the-screen news headlines on CNN. Don’t get me wrong. I love my mother, even if she collects marriage licenses like some women clip grocery coupons.

For your information, I left her blissfully engaged in bringing down the French national debt single-handedly on the fashionable rue Saint-Honoré while I wandered around the Marais district. I was looking for a poster or painting to take home to add to my collection of lowbrow work by undiscovered artists, or to put it bluntly, cheap, when a summer storm hit. A refreshingly cool rain blew in from the west, twirling over the blue-tiled rooftops and pelting down the narrow alleyways. The raindrops fell in bunches and splatted on the stone streets like water balloons. I got drenched. Not a pretty sight. I took refuge in an art studio with faded lettering over the arched entryway: House of Morand.

House of Wax is more like it.

Looking around the studio, the place looks like something out of a scary movie. Dirtballs fill every corner, mustard-yellow newspapers sit piled up on chairs, and a bookcase filled with art books stands alongside a tall, ebony pearl-inlaid screen. A hotplate with dirty red pots sits atop a Chinese coffee table alongside paint brushes sitting in trays in a liquid that smells like turpentine.

I hear the old artist clear his throat.

“Are you ready, mademoiselle?”

I nod.

Wetness drips down the insides of my thighs, a wetness which makes me twitch when I see him smoking and humming to himself, waiting for me. I can’t back out now. I exhale deeply. This is it. My destiny on canvas. I’m hot, sweaty and perspiring.

I strike a pose.

Who knew standing still for twenty minutes would be so difficult, especially since I was trying hard not to concentrate my energy on my throbbing pubic area? Okay, my pussy. Yes, I’m embarrassed to admit it, but I got turned on posing nude. No, the old artist didn’t come on to me. He’s very professional.

It’s me.

I’m sexually frustrated, and not even a stiff neck—oh, for the delights of a stiff dick instead!—and achy back can stop me from daydreaming about moving my body in a brisk rhythm, my lover licking my clitoris, then the lips of my pussy, digging his tongue into me, and then back on my clit. Back and forth until I’m buzzing down there with an undulating energy that never stops…never stops…

Mmm…keep dreaming.

I take a break behind the screen to soothe my sore muscles and wipe off the sweat between my legs. That’s what it is, isn’t it? I smile, then sniff. Maybe not. Letting go of a sigh and a little gas—I couldn’t help it—I grab a faded smock off a coat hook. Gray-tinged and splattered with dried paint, it looks like it’s been hanging there since Paris was liberated but it’s dry. My clothes are still wet. Drip, drip. I tiptoe through puddles of water on the wooden floor. Or is there a leak in the roof?

I look up. Unlike the rest of the studio, the ceiling is a square skylight. High over my head rain beats down against square glass panes framed with lead, blocking out what little gray daylight can slide through the pelting drops. I shiver. It’s creepy back here. I wonder what the old artist is hiding under the black velvet drape covering the wall? Dorian Gray in his jockeys?

Before I can pull back the curtain to find out, I see an object that intrigues me. It’s about a foot high, battered bronze, and grimy looking: a statue wearing a feathered crown, carrying a flail, and with his erection protruding straight out in front of him.

Did I say erection? As in penis? A dick? Oh, yes, I did.

This is way better than any hotel souvenir. Oozing with curiosity, I reach down and wrap my fingers around the statue’s penis and continue to hold on to it. I have no idea why, I just can’t let it go. I smile. It’s been a while since I’ve held such a hard penis in my hand.

I peek over the screen and ask the old artist about the statue.

“You’re holding la gaule, the erection, of the Egyptian god Min,” he says, tapping his cigarette pack. It’s empty.

“He should be the poster boy for Viagra,” I say, trying to make light of my awkwardness. The statue’s kinda cute, if you dig a walking Egyptian with spiked hair.

“Min is the god of fertility, mademoiselle. His symbol is the thunderbolt.”

Thunder cracks. How apropos.

The old artist never misses a beat, as if he’s told this story a hundred times. “He has the power to grant youth and sexuality—” he pauses, then lowers his voice “—if you’re willing to pay the price.”

“Price, monsieur?”

“You must sell your soul, mademoiselle.”

I cock an eyebrow at him. “Sell my soul?”