A History of Inventions, Discoveries, and Origins, Volume II (of 2)

LOTTERY. TONTINE

At present there are two kinds of lottery in Europe. One is called the Italian or Genoese lotto, or merely the lotto; the other is the common lottery well known in England. Of the former, which has been long proved to be attended with great deception, and must soon be universally acknowledged to be hurtful, I do not mean here to treat, but only of the latter, which at any rate may be honourable or harmless, if we do not take into account the delusion it occasions to credulous and ignorant people, by exciting hopes which have little probability in their favour. I however do not promise a complete history of this invention: it experienced so many changes before it acquired its present form, that to give a full account of them would be tiresome to me as well as to the reader.

I shall not either, as some have done, reckon among the first traces of lotteries every division of property made by lot, otherwise it might be said, that Joshua partitioned the promised land into lottery-prizes, before it was conquered. In my opinion the peculiarity of lotteries consists in this, that numbers are distributed gratuitously, or, as in our public lotteries, for a certain price, and it is then left to chance to determine what numbers are to obtain the prizes, the value of which is previously settled. The various conditions and changes invented by ingenuity to entice people to purchase shares, and to conceal and increase the gain of the undertakers, are not here taken into consideration, because they do not appear to be essential.

In the whole history of antiquity, I find nothing which has a greater resemblance to our lotteries than the congiaria of the Romans; and I am inclined to think that the latter furnished the first hint for the establishment of the former. Rich persons at Rome, as is well known, and particularly the emperors, when they wished to gain or to strengthen the attachment of the people, distributed among them presents, consisting of eatables and other expensive articles, which were named congiaria. In general, tokens or tickets called tesseræ[1023 - And in Greek σύμβολα.] were given out, and the possessors of these, on presenting them at the store or magazine of the donor, received those things which they announced. In many cases these tickets were distributed viritim, that is, to every person who applied for them; and in that case these donations had a resemblance to our distributions of bread, but not to our lotteries, in which chance must determine the number of those who are to participate in the things distributed.

But in the course of time it became customary to call the people together, and to throw among them, from a stage, the articles intended for distribution, in the same manner as money is scattered among the populace at the coronation of the emperor, and on other solemnities. Such things, in this case, were called missilia, and belonged to those who had the good fortune to catch them. But as oil, wine, corn and other articles of the like kind, could not be distributed by throwing them in this manner, and as some articles were so much injured by the too great eagerness of the people, that they could be of little or no use, tokens or tickets were thrown out in their stead. At first these were square pieces of wood or metal, but sometimes also balls of wood inscribed with the name of the article which the possessor was to receive from the magazine[1024 - Many have written at considerable length on the congiaria, yet the difference between the missilia and tesseræ has not been sufficiently explained. The first, or at least the best account, is in Turnebi Adversaria, xxix. 9, p. 637. In a passage in the Life of Nero by Suetonius, xi. 11, p. 21, the articles which were thrown among the people are called missilia; but in regard to corn, the term tesseræ is expressly named.The passages where a description is given of the manner in which the tesseræ were thrown out, are to be found in Dio Cassius. The wooden balls, like those of the Lotto, appear to have been hollow, and to have contained the ticket or written order. Those desirous of knowing how these tesseræ were formed, and of what they were made, may consult Hugo de Prima Scribendi Origine, Traj. 1738, 8vo, cap. 15, p. 229.]. Like bank-notes they were payable to the bearer; and those who had obtained tesseræ were allowed to transfer or to sell them to others. This is proved by a passage in Juvenal[1025 - Juven. Sat. vii. 174.], where allusion however is made only to the tesseræ frumentariæ, which were not thrown out, but distributed.

Imitations of these Roman congiaria, but indeed on a very reduced scale, have been employed in modern times by princes and princesses, in order to amuse themselves with distributing small presents to their courtiers. For this purpose various trinkets or toys are marked with numbers; these numbers are written upon separate tickets, which are rolled up and put into a small basket or basin. Each of the company then draws one out, and receives as a present the article marked with the same number. These small congiaria were formerly called in German glückstöpfe, or glückshäfen; and in the course of time the present lotteries took their rise from them.

In Italy, where commerce, as is well known, was first formed into a regular system, and where the principal mercantile establishments and useful regulations were invented, the merchants or shopkeepers, even in the middle ages, were accustomed, in order that they might sell their wares in a speedier manner and with more advantage, to convert their shops into a glücksbude, where each person for a small sum of money was allowed to draw a number from the glückstöpfe (jar of fortune), which entitled him to the article written upon it. At first governments gave themselves very little trouble about this mode of selling merchandise. But as the shopkeepers gained excessive profits, and cheated the credulous people by setting on their wares an extravagant price, which was concealed by the blanks, these glückshäfen were forbidden, or permitted only under strict inspection, and in the course of time on paying a certain sum to the poor, or to the sovereign. In Germany they are still retained at many of the annual fairs; but in most countries they are subject to many limitations.

From these glückshäfen were produced our lotteries, when articles of merchandise were no longer employed as prizes, but certain sums of money, the value of which was determined by the amount of the money received, after the expenses and gain required by the undertakers were deducted, and when the tickets were publicly drawn by charity-boys blindfolded. As these lotteries could not be conducted without defrauding the adventurers, it was at first believed, through old-fashioned conscientiousness, that it was unlawful to take advantage of the folly and credulity of the people, but for pious or charitable purposes.

Lotteries were then established by private persons, and in the course of time even by governments; and the clear gain was applied to the purpose of portioning poor young women, of redeeming slaves, of forming funds for the indigent, and to other objects of beneficence. It was also hoped that these public games of hazard would banish other kinds still more dangerous; and no one suspected that the exposing of tickets for sale, and the division of them, so that one could purchase an eighth or even a smaller share, would maintain and diffuse the taste of the public for gambling. This, however, increased; and the profit of lotteries became so great, that princes and ministers were induced to employ them as an operation of finance, and to hold the bank which always enriched the undertakers. People were then forbidden to purchase tickets in foreign lotteries, that the money won from the adventurers might pass into the sovereign’s treasury, or at any rate be retained in the country; and in order that tickets might be disposed of sooner and with more certainty, many rulers were so shameless as to pay the salaries of their servants partly in tickets, and to compel guild companies and societies to expend in lotteries what money they had saved[1026 - This abuse of lotteries was mentioned by the states of Wirtemberg, in the year 1764, among the public grievances; and in 1770 the duke promised that it should be abolished. I must here mention, to the honour of our prince and government (the author alludes to Hanover), that since lotteries were found necessary in this country, not a farthing of the profit has gone to the treasury of the prince, but the whole has been employed for pious or charitable purposes.].

Of the oldest lotteries among the Italians I have not been able to find any account. Varchi, who wrote about the year 1537, relates that during a great scarcity of money at Florence in 1530, a lottery was established for the benefit of the state, and that the price of a ticket was a ducat. He however does not employ the term lottery, but uses the words un lotto, and calls a ticket polizza, a term which, as is well known, is generally used in regard to insurance. Le Bret says, that at Venice, in 1572, the inspection of lotteries was entrusted to the proveditori del commune; but as he does not mention the historian from whom this account is borrowed, the word which he translates lottery cannot be known. We nevertheless learn from his account, that this game was established at Venice in the middle of the sixteenth century, and placed under the inspection of the government.

It is certain that the chance game which gave rise to lotteries was brought from Italy to France under the name of blanque, a word formed from the Italian bianca. The greater part of the tickets drawn were always white paper, carta bianca, consequently blanks; and because that word occurred oftenest in drawing, it gave rise to the general appellation. Hence also is derived the phrase trouver blanque, to obtain nothing, to get a blank, or to lose. At the time Pasquier wrote[1027 - Recherches de la France. Paris, 1665, fol. viii. 49, p. 729.], that is, in the last half of the sixteenth century, the name numero was also usual, because the numbers of the tickets, which were then called devises, were announced in the time of drawing. This name, instead of nombre, confirms the Italian origin. As each person in the time of drawing was attentive to his number, the phrase entendre le numero was applied to those who knew or did not forget their numbers. Hence the expression, as Pasquier remarks, Il entend le numero, which is still said of those who know their own interest, or understand how to pursue it. Frisch and others, therefore, in their dictionaries have derived it improperly from the numbers with which merchants marked their goods.

In France also the first blanques (lotteries) had no other prizes than articles of merchandise; and on that account they were set on foot only by merchants. But in the year 1539 Francis I. endeavoured to turn them to his own advantage by imitating the public establishment of them usual at Venice, Florence, and Genoa. He permitted these games of chance under the inspection of certain members of the government, with a view, as was pretended, of banishing deceptive and pernicious games of chance, on condition that for every ticket, devise or mise[1028 - This word is still used in Germany by the writers on Tontines; such, for example, as Michelsen.], a teston de dix sols six deniers should be given to the king. But however small the sum required may have been, this blanque was not filled up in the course of two years, and the king was obliged to recommend it by an order issued in the month of February 1541; yet it is not known whether it was ever completed[1029 - Both the orders may be found in Traité de la Police, par De la Mare, Paris 1722, fol. i. pp. 502, 504.].

In the years 1572 and 1588, Louis de Gonzague, duke de Nivernois and Rethelois, established a blanque at Paris, for the purpose of giving marriage portions to poor virtuous young women belonging to his estates. No lottery was ever drawn with so much ceremony and parade. Before the drawing, which began every year on Palm Sunday, mass was said; the servants employed were obliged to swear that they would act in a faithful and impartial manner; and even Sextus V. gave to those who should promote this good work remission of their sins. The prize tickets were inscribed as follows: Dieu vous a élue, or Dieu vous console. The former ensured to the young woman who drew it 500 francs, which were paid to her on her wedding-day; the latter was the inscription of blanks, but suggested the hope of being more fortunate the year following[1030 - The whole establishment is particularly described in Sauval, Histoire et Recherches des Antiquités de Paris, 1724, fol.].

This example induced ladies of quality from time to time to establish similar blanques (lotteries) for benevolent purposes. Some destined the profit to the building or repairing of certain churches and convents. Three ladies, whose names history has not thought proper to communicate, set on foot a lottery containing a certain number of tickets at forty sous each, and employed the gain in redeeming, by means of the Mathurines or Patres, as they were called, persons who had fallen into slavery among the Turks. On one occasion a blanque or lottery of a very singular nature was instituted by some ladies, in order to raise a fund for their spiritual guide or confessor, who had been chosen bishop, but had no property, that they might purchase for him a carriage and horses, with every thing necessary to support his ecclesiastical dignity. Each of these grateful ladies was obliged to procure or present to him the article announced by the ticket she had drawn, “pour le remercier, par cette petite largesse, pour le bon ordre qu’il avoit apporté à leurs consciences.”

But these games of chance occur much oftener in the French history, as the means employed to make valuable presents to ladies and other persons of distinction. The largest, in all probability, is that by which Cardinal Mazarine endeavoured to increase his splendour, and render himself more popular among the courtiers. The tickets were distributed as presents; each was a prize, and the prizes were rarities of various kinds, and of different values. This, says the historian, was perhaps the first time that fortune did good to all and hurt to no one[1031 - Sauval, pp. 71, 73, 76.].

That these games of chance became in the middle of the seventeenth century lotteries, in the proper sense of the word, is unanimously asserted by all the French historians who have touched on this subject, though in some circumstances they differ from each other. In the year 1644, Laurence Tonti came from Naples to Paris, and during a scarcity of money which then prevailed, proposed that kind of life-rents or annuities which at present are named after him Tontines, though they were used in Italy long before his time. But after tedious disputes in regard to his proposal, which was at length rejected, he gave in its stead a new plan for a large blanque, or lottery, which in 1656 obtained the royal approbation. It was to consist of 50,000 tickets, each at two Louis d’ors, so that the whole receipt would amount to 1,100,000 livres; but it is to be recollected that a Louis d’or at that time was only eleven livres. Of this sum 540,000 livres were to be deducted for building a stone bridge and an aqueduct. The expenses of the blanque were estimated at 60,000 livres, and the remaining 500,000 were to be divided into prizes, the highest of which was 30,000 livres. But this blanque royale, for so it was called, was never filled up, and consequently never drawn. On this account it was found necessary to construct a wooden bridge in the room of that which had been burnt. As complaints were often made by mercantile people in regard to the disposal of merchandise in this manner, which had been hitherto permitted, and as this practice had evidently injured the blanque royale, the former in the month of January 1658 was entirely forbidden.

In the year 1660, when the conclusion of peace and the marriage of Louis XIV. were celebrated, the first lottery on the plan of Tonti was set on foot at Paris. It was drawn publicly under the inspection of the police. A ticket cost only a Louis d’or, and the highest prize was 100,000 livres. This was won by the king himself; but he would not receive it, and left it to the next lottery in which he had no ticket[1032 - Dictionnaire de Commerce, par Savary. Art. Lotterie.]. This was soon followed by several others. On that account, in the year 1661, all private lotteries were expressly forbidden under severe penalties, and this prohibition was repeated in 1670, 1681, 1687, and 1700[1033 - All the orders here quoted may be found in De la Mare. Those desirous of being fully acquainted with the nature of the first Parisian lotteries, and the method of drawing them, may consult Histoire de la Ville de Paris, par Felibien. Paris, 1725, fol. ii. p. 1462.]. Since that time there have been no other lotteries but the loteries royales, the profits of which were, in general, applied to public buildings, as was the case in regard to the magnificent church of St. Sulpice, and on that account they met with great support.

Sauval, and some others, ascribe the introduction of lotteries to a person from Lyons, named De Chuyes, who by profession was a gold-beater, but had a great knowledge of trade. He afterwards undertook long sea voyages, and published a book entitled, La Guide des Chemins de Paris, redigée par ordre alphabetique. His name however does not occur in any of the king’s patents, but that only of Tonti.

This De Chuyes, according to Sauval, first proposed the name lottery, then usual in Italy, which however the other persons concerned did not approve. In particular, the well-known De Vaugelas, who had been chosen director of the undertaking, and who thereby hoped to pay his debts, strongly opposed it, and recommended the title blanque royale, though, in consequence of the many deceptions practised in the old games of chance known under that name, it was not likely to become popular. This much is certain, that the name lottery was first used in France about the year 1658; for the order before-mentioned of 1656 has the name blanque, but in that of 1658, the word lottery occurs for the first time, and in that of 1661 we find espèce de blanque et loterie, and in that of 1670, loteries et blanques.

It is certain that the name was much earlier used in Italy and other countries, though Varchi employs only the word Lotto. I am acquainted with no older mention of the name Lottery than that in the passage quoted by Menage, from a letter of Christopher Longolius, or, as he is called by the French, Longueuil. It certainly seems to show that lotteries, in the first half of the sixteenth century, were new; but I doubt much whether it can be proved from it that the name is of French, and not Italian extraction, as Menage thinks, because Longolius generally gave himself out as a Frenchman, though he was born at Mechlin in 1490. As the name is much newer in France, and as the letter was written from Padua, where Longolius died in 1522, it is far more probable that the name had its origin in Italy[1034 - Christ. Longolii Epistolarum libri iv. Basiliæ, 1570, 8vo, iii. 33, p. 239. The letter is addressed to Octavius Grimoaldo, who lived, I think, at Venice, and had written, it seems, to Longolius, that he was unwilling to venture his money in the lottery. That Longolius had in his hands money belonging to Grimoaldo is proved by the letters iii. 3, iii. 7, 20. “That new kind of gambling is truly ours, and is called by us Loteria, as it were, a table-vessel (vasculia); doubtless from an arrangement of silver vessels appended to the gaming-table, which are distributed amongst those whose names are in the lottery, in such a manner that one vessel is assigned to each. But as you signify your disapproval of that kind of gaming, and do not think fit to expose my money to so much hazard, I acknowledge your prudence and kindness to me.” This derivation of the word Loteria is undoubtedly false, as Menage has already remarked, in his dictionary, art. Lot. He there says, “Je n’ay point lu ailleurs que lot signifiast de la vaiselle. Et je croy Longueuil s’est mal expliqué, et qu’il a voulu dire qu’on appelloit Loterie la vaiselle d’argent d’un buffet, parceque de son tems on mettoit ordinairement à la loterie la vaiselle d’argent d’un buffet.”].

In the last place, this letter was written a short time before Longolius’s death; for he mentions the election of pope Adrian, which took place the same year.

The name lottery has been used also by Simon Majolus, who describes the oldest manner in which it was conducted[1035 - Dier. Canicul. 1691, fol. tom. ii. colloq. 2.]; but I have not been able to find at what time this Italian ecclesiastic wrote, though in all probability about the end of the sixteenth century. However it is still doubtful whether he was the author of the portion of the work referred to; for it is known that the greater part of the Dies Caniculares, published under his name, was written by Petrus Draudius, who died in the year 1630.

The word Lot, in many ancient as well as modern languages, and particularly in the English, Swedish, Danish and Dutch, has the same signification as sors, and is evidently the lotto of the Italians, and the los or loos of the Germans; consequently there is no proof that the word lottery is of French extraction, as Menage has supposed[1036 - See Du Cange, art. Lot. Muratori, Antiquit. Ital. Medii Ævi, ii. p. 1240. Among the oldest German words in Lipsii Epistolæ ad Belgas, Cent. 3, 44, p. 49, stands Los, sors. The t is often changed into s. Thus nut in the English and Low German, noot in the Dutch, and nöt in the Swedish, are the same as the German nuss.].

In England the first lottery was proposed in the years 1567 and 1568, and, as the historian says, held at the west door of St. Paul’s Cathedral, and was drawn day and night[1037 - The convenient machine and apparatus, by which the drawing is much forwarded at present, were not then known. A description of them may be found in Savary’s Diction. de Commerce.], from the 11th of January 1569, to the 6th of May the same year. It contained 400,000 tickets, at ten shillings each. The prizes consisted partly in money, and partly of silver plate and other articles. The net profit was to be employed in improving the English harbours. The Antiquarian Society of London have still in their possession the original scheme, as it was then printed[1038 - Gent. Mag. xlviii. an. 1778, p. 470, from which I shall also transcribe the whole title of the scheme: – “A proposal for a very rich lottery general, without blanks, contayning a great number of good prizes, as well as of redy money as of plate, and certain sorts of merchandises, having been valued and prized by the commandment of the queen’s most excellent majesties order, to the intent that such commodities as may chance to arise thereof, after the charges borne, may be converted towards the reperations of the havens and strength of the realme, and towards such other public good workes. The number of lotts shall be foure hundred thousand, and no more; and every lott shall be the sum of tenne shillings sterling, and no more. To be filled by the feast of St. Bartholomew. The show of prises are to be seen in Cheapside, at the sign of the Queene’s Armes, the house of Mr. Dericke, goldsmith, servant to the queene, 1567, 8vo. Printed by Hen. Bynneman.” See also Maitland’s History of London, 1756, fol. i. p. 257. – Northouck’s History of London. Lond. 1773, 4to, p. 257.]; from which it appears that the name lottery was at that time used in England. [In the year 1612 a lottery was drawn for the benefit of the English colonies in Virginia; permission was granted by special favour of king James I.; the largest prize in which, being silver-plate to the value of 4000 crowns, fell to the share of a tailor. In 1620 lotteries were suspended, in consequence of a representation from the House of Commons that they were prejudicial to the morals of the nation; but one was afterwards permitted in 1630, by a special license from king Charles I., in aid of the expenses of a project for conveying water to London; and Anderson[1039 - Hist. of Commerce.] says that this is the first time that lotteries are mentioned either in the Fœdera or Statutes.

In the reign of Charles II., one of the methods resorted to by that monarch to reward the officers who had remained faithful to his cause, was to give them grants of plate and other valuables, with permission to dispose of them by a lottery. This gave rise to various schemes, under the titles of royal-oak and twelve-penny lotteries, &c.; which were sanctioned by government, as we learn by the following advertisement, which appeared soon after the Restoration: – “This is to give notice, that any persons who are desirous to farm any of the counties within the kingdom of England or dominion of Wales, in order to the setting up of a plate lottery, or any other lottery whatsoever, may repair to the lottery-office in Mermaid-court, over against the mews, where they may contract with the trustees commissioned by his majesty’s letters patent for the management of the said patent, on behalf of the truly loyal indigent officers.”

In 1694, a loan of a million was raised by the sale of tickets at £10 each, the prizes in which were funded at the rate of 4 per cent. for sixteen years certain. In the reign of queen Anne lotteries were forbidden as hurtful, but soon after they were again permitted under a variety of conditions, and were commonly for terminable annuities, to which both blanks and prizes became entitled at different rates; thus in 1710, the lottery consisted of 150,000 tickets, valued at £10 each; every ticket being entitled to an annuity for thirty-two years, the blanks at 14s. per annum, and the prizes to various annuities, from £5 to £1000. Tickets appear to have been first divided into shares during the administration of Sir Robert Walpole.

In 1746, a loan of three millions was raised on 4 per cent. annuities, and a lottery of 50,000 tickets at £10 each; and in 1747, one million was raised by the sale of 100,000 tickets, the prizes in which were founded in perpetual annuities, at the rate of 4 per cent. per annum. During the same century government constantly availed itself of this means to raise money for various public works, of which the British Museum and Westminster-bridge are well-known examples.

Probably the last occasion on which this taste for gambling was thus made use of occurred in 1780, when every subscriber of £1000 towards a loan of twelve millions, at 4 per cent., received a bonus of four lottery tickets, the intrinsic value of each of which was £10.

In 1778 an act was passed obliging every person who kept a lottery-office to take out an annual license, and to pay £50 for the same, a measure which reduced the number of lottery-offices from 400 to 51.

In 1823, however, the last act sanctioned by parliament for the sale of lottery tickets, contained provisions for putting down all state and private lotteries, and for rendering illegal the sale, in this kingdom, of all tickets or shares of tickets in any foreign lottery.]

A lottery was drawn at Amsterdam in 1549, the profit of which was employed in building a church steeple[1040 - Commelin’s Amsterdam, i. p. 440. In the year 1561 the profit on a lottery was employed for enlarging the Orphan House. See Pontani Rerum Amst. Hist. 1611, fol. lib. ii. c. 2.]; and another was drawn at Delft in 1595. I was informed by Professor Fiorillo that there is still preserved at Amsterdam, in the hospital for old men, oude mannen huys, a beautiful painting by David Vinckenbooms, eight feet in height and fourteen in breadth, which represents the drawing of a lottery in the night-time. The artist is said to have been born in the year 1578.

This game of chance must have been known also at an early period in Germany; for, in the year 1521, a lottery was established by the council at Osnaburg, and is mentioned in a work published in 1582; but the prizes consisted only in articles of merchandise. The citizens of Hamburg having proposed a lottery, according to the Dutch manner, for the purpose of building a house of correction, the magistrates gave their approbation in the month of November 1611, and in 1615 it was drawn. At Nuremberg the first lottery seems to have been drawn in the year 1715. At any rate, Von Murr, in his Description of the remarkable things in that city, mentions an engraving with the following title: “Representation of the Lotto publico, which was drawn in the large hall of the council-house, at Nuremberg, anno 1715.” It is certain that we are not here to understand the so-called Italian lotto, but a common lottery, as the former was not introduced into Germany till a much later period. At Berlin the first lottery was drawn in the month of July 1740. It consisted only of one class of prizes, as was probably the case with all lotteries at first. It contained 20,000 tickets, each of which cost five dollars; so that the whole income amounted to 100,000 dollars. There were 4028 prizes, the largest of which was a house worth 24,000 dollars.

The ill-famed Italian or Genoese lottery was, as its name shows, an invention of the Genoese[1041 - [Lotto does not consist, like the lottery, of a fixed number of tickets and a certain number of specified prizes, but is, in fact, a mere game of chance, at which the stakes are indefinite, and is thus played. A given quantity of numbers are placed together, of which a few are only to be drawn: the adventurers then select any one or more, on which they bet any sum they think proper; and, should they prove successful, they draw so much more than their stake, in a settled proportion, according as their risk was increased by the quantity of numbers which they named together. Thus the usual quantity is ninety numbers, from one upwards, and five only of these are drawn: if the adventurer chooses but one number out of the 90, and that it be one of those drawn, his stake is returned fifteen fold; if two, he receives, if they be drawn, 270 times the stake; if three, 5500 times; if four, 75,000 times; and should he name the entire five, in the exact order in which they happen to be drawn, he is entitled to 1,000,000 times more than the stake he ventured. These chances are all calculated largely in favour of the banker or holder of the lotto, and there is no instance upon public record of any person having named the five numbers in regular succession; but three have been frequently fixed upon, and even four have been sometimes, though rarely, attained: by the latter chance, the lotto established in 1774 at Neufchatel was ruined.]], and arose from the mode in which the members of the senate were elected; for when that republic existed in a state of freedom, the names of the eligible candidates were thrown into a vessel called seminario, or, in modern times, into a wheel of fortune; and during the drawing of them it was customary for people to lay bets in regard to those who might be successful. That is to say, one chose the names of two or three nobili, for these only could be elected, and ventured upon them, according to pleasure, a piece of money; while, on the other hand, the opposite party, or the undertaker of the bank, who had the means of forming a pretty accurate conjecture in regard to the names that would be drawn, doubled the stakes several times. Afterwards the state itself undertook the bank for these bets, which was attended with so much advantage; and the drawing of the names was performed with great ceremony. The venerabile was exposed, and high mass was celebrated, at which all the candidates were obliged to be present.

A member of the senate, named Benedetto Gentile, is said to have first introduced this lottery, in the year 1620; and it is added, that the name of Gentile having never been drawn, the people took it into their heads that he and his names had been carried away by the devil, in the same manner as Schwartz, the inventor of gunpowder, as a punishment for this unfortunate invention. But at length, the wheel being taken to pieces in order to be mended, the name, which by some accident had never been drawn, was found concealed in it. Hence it may be easily seen how this game of chance was formed, by introducing numbers instead of the names of the nobility.

However, if I am not mistaken, it continued to be peculiar to the Genoese till nearly the middle of the eighteenth century. But as all travellers spoke of this lotto di Genoa, and many wished to try their fortune in it, the Genoese, for their own benefit, established in many large towns commissioners, whose business was to dispose of tickets, and to pay the prizes to those who had been fortunate.

As an immoderate spirit of gambling was thus excited at Rome, Pope Benedict XIII., who sat on the papal throne from 1724 to 1730, forbade the Genoese lottery, under the pain of banishment to those who gambled in it, and to those who received the money. As this threat however did not remove the evil, the succeeding pope, Clement XII., who died in 1740, followed the example of our German princes, and caused a lottery to be established even at Rome. Since that time, permission for the same purpose has been renewed from year to year.

It was not till a much later period that the Genoese lottery was introduced into Germany. According to the account of J. A. Kalzabigi, who had made himself known in Italy by many projects, and was appointed a Prussian privy-counsellor of commerce and finance, the first was drawn at Berlin on the 31st of August 1763. In 1769, one was established in the principality of Anspach and Bayreuth, where it was continued till the year 1788. In 1774, a person named Wenceslaus Maurer came to Neufchatel, with permission from the king, and established a Lotto there much against the will of the prudent inhabitants; but some one having won a capital prize, for which the undertakers ought to have paid 30,000 francs, after procrastinating as long as they could, under various pretences, they at length became bankrupts, and made their escape from the country.

These pernicious lotteries continued till the end of the eighteenth century, when they were almost everywhere abolished and forbidden. They are now permitted only in a very few states, which are not able to give up the paltry income derived from them. To the honour of the Hanoverian government, no Lotto was ever introduced into it, though many foreigners have offered large sums for permission to cheat the people in this manner. Those who wish to see the prohibitions issued against the Lotto, after making a great part of the people lazy, indigent and thievish, may find them by the help of the index in Schlötzer’s Staats-Anzeigen.

Si son exécrable mémoire
Parvient à la posterité,
C’est que le crime, aussi bien que la gloire,
Conduit à l’immortalité.

[The only lottery at present existing in England under the sanction of the government is the art-union of London. The first institution of this kind in Great Britain originated at Edinburgh in 1836, from the models existing in Prussia, formed under the patronage of the king and his minister Von Humboldt, about the year 1825. The money annually subscribed is expended in pictures, sculptures, &c. It is divided by the committee into several portions or prizes, from £10 to £400, and on a certain day the prizes are distributed among the subscribers in the ordinary way. The prize-holders are then allowed to select works of art to the value of their respective prizes from any of the five annual exhibitions of works of art in the metropolis for the current year. A portion of the total sum subscribed is set aside and applied to the purpose of engraving and printing some work of art, a copy of which is given to each subscriber. Hence, by the combination of a very large number of persons to subscribe for this one work of art, and the avoidance of risk, incidental expenses, and publisher’s profits, the print, though at least equal to what would be charged a guinea (the amount of subscription) in the ordinary course of trade, is supplied to the subscribers at so small a cost as to leave by far the greater part of the subscribed sum as a fund applicable to the purchase of prizes. Several similar associations have been since formed on a smaller scale in other parts of Great Britain.]

BOLOGNA STONE

The Bologna stone, in consequence of its property of shining in the dark, which was observed by accident, has given rise to many laborious researches and experiments, and to writings almost without number, which have not so much enlarged our knowledge of light, as proved that all the hypotheses hitherto offered by philosophers for explaining it, if not entirely false, are at least insufficient and uncertain. The history of this stone, therefore, though not unknown, deserves to be here repeated, especially as many parts of it require to be rectified.

As a complete description of it would be superfluous to mineralogists, it may be sufficient to remark, that this kind of stone is found in plates or single pieces, which in general are more or less of a conical form, have a dirty white or semi-transparent water-colour, and a foliaceous structure, which is observed on its being broken, though the stone, considered in another direction, appears to be fibrous. The surface of single pieces is uneven. But what distinguishes this species from the gypseous spars, to which it bears the greatest resemblance, is its extraordinary weight; and this it has in common with all the varieties of heavy spar, to which, according to its component parts, it belongs.

This stone is found on different eminences around Bologna, and particularly on the hill of Paderno, which is situated at the distance of about a German mile from the city, loose, and scattered about between gypseous stones, in a marly earth, some of which is still seen adhering to pieces in my possession. It is found most readily after heavy rains, particularly in the streams which run down the sides of the hill; and it is there collected by persons who sell it at Bologna. In the year 1730, when Keysler was there, a pound of it could be purchased for a paolo[1042 - [Several localities are now known for this peculiar variety of heavy spar; among others we may mention Amberg in the Upper Palatinate, and near Osterode in the Harz mountains.]].

I shall take this opportunity of remarking, that the Bologna stone, according to its external characteristics, heaviness and hardness excepted, has a great similarity to those gypseous spars or selenites which were first described by Lehman[1043 - Geschichte von Flötz-Gebürgen. Berl. 1756, 8vo.], and at the time perhaps by him alone; according to whose account, it is mentioned also by Vogel[1044 - Mineral System. Leip. 1762, 8vo.] and by Wallerius[1045 - Syst. Mineral. 1772, 8vo, i. p. 162.], under the name of Selenites globosus: on the other hand, it has not been mentioned by modern mineralogists under any particular appellation. In the county of Mansfeld it is found in detached masses or single pieces, more or less conical; and, to judge from the earth purposely left on the specimens in my possession, which were picked up in the neighbourhood of Sangershausen, in a yellowish-red sandy clay. The pieces, many of which are round balls, two or three inches in diameter, and others longish rolls, have, externally as well as internally, a grayish colour, appear foliated on the fracture, or seem to consist of cuneiform radii, which meet in the centre of the ball. Many are hollow in the inside; and in this case the ends of the cunei or needles, which have between them a granulated gypsum mixed with a little clay, project into the cavity. Lehman says that the leaves, when placed in a heated stove, emit a hesperus, that is, shine; and this circumstance made Wallerius doubtful whether this selenite did not belong to the fluor-spars; but it is undoubtedly a sulphate of baryta. When the crude stone is put into acids, a very faint effervescence is sometimes observed, arising from foreign matters; but when burnt pieces are employed, this effect is much stronger. It does not crack or break in the fire; but if exposed only a short time to a red heat, it becomes totally opake, whiter, and void of all lustre; it is also more friable, and crumbles to dust in water, exactly in the same manner as bastard lapis specularis. The luminous appearance in a warm stove I did not observe in the few pieces which I subjected to experiment. I was desirous to make this remark, because the mineralogists before-mentioned place globular selenite along with the Bologna stone, to which however it does not belong.

To render it capable of shining in the dark, a piece particularly heavy, foliaceous and pure, must be selected[1046 - [In preparing solar phosphorus from the Bolognian stone, it should be carefully separated from any contamination of iron or other heavy metals, formed into a paste as above-described, and exposed to the heat of a wind-furnace for an hour or two.]]. After being made red-hot, it is pounded and reduced to a fine powder, which, by means of a solution of gum-tragacanth, is converted into a kind of paste, and formed into small cakes. When these are dried, they are brought to a state of ignition between coals, and then suffered to cool; after which they are preserved from the air and moisture in a close vessel. If one of these cakes be exposed a few minutes to the light, and then carried into a dark place, it will shine like a burning coal. It appears therefore to attract the light, or to be as it were a light-magnet. This power of emitting light becomes lost in the course of time; but it may be restored at first by heating, and afterwards by exposure again to ignition. I shall pass over the rules necessary to be observed in the numerous experiments made with this stone, as well as the consequences deduced from them. The former may be found in works on chemistry, and the latter in those on natural philosophy.

All the Italian writers who first describe this remarkable phænomenon give the following account of the discovery. At the beginning of the seventeenth century there was at Bologna a shoemaker, who, having quitted his trade, applied himself to chemical labours, and particularly to the art of gold-making. I do not know whether those who have made the very just remark, that many shoemakers go beyond their last into the province of other arts or sciences, have mentioned among the already numerous instances this shoemaker of Bologna, whose name was Vincentius Casciorolus; but he certainly deserves a niche in the temple of fame, because it may with truth be said of him, that he kindled up a light to the learned; whereas the shoemaker of Görlitz, Jacob Behmen, darkened or extinguished the existing light to the learned as well as the unlearned, so that the minds of many are still left in obscurity.

In the year 1602 Casciorolus came to Scipio Begatello of Bologna, who at that time was particularly well known by his attachment to the art of gold-making, and showed him this stone, under the mystical name of lapis solaris, which, on account of its weight and the sulphur it contained, as well as of its attracting the golden light of the sun, seemed to be fit for converting the more ignoble metals into gold, the sol of the alchemists. He showed it also to J. A. Maginus, the professor of mathematics; and the latter, who in all probability was no adept, sent both the natural and prepared stones to princes and learned men, and perhaps contributed more than any other person to make known this singular discovery[1047 - Fortunii Liceti Litheosphorus, sive de lapide Bononiensi. Utini 1640, 4to, p. 13. He calls the shoemaker Casciorolus, which seems to be wrong, as Lemery and others write his name Cascariolo. Licetus refers to the letters of Ovidio Montalbani. Epist. var. ad Eruditos viros de Rebus in Bononiensi tractu indigenus, ut est lapis Illuminabilis et lapis specularis, calamonastos, &c., Bonon. 1634, 4to. Among the oldest accounts are those in Petri Poterii Pharmacopœia spagyrica, ii. 27, in Opera, Fran. 1698, 4to. In this work the alchemist is called Scipio Bagatellus, a name which does not occur in Fantuzzi, Notizie degli scrittori Bolognesi.].

It however appears as if the Italian chemists concealed the preparation of this stone, or were not all acquainted with it. It was always said to be a secret known only to a few individuals in Bologna. Misson, who was there in the year 1690, asserts that Bartholomew Zanichelli was the only person at that time in possession of it. In 1666 it was announced in the Philosophical Transactions[1048 - An. 1666, n. 21, p. 375.], that a clergyman, who exclusively possessed the art, had died, without communicating it to any one. Niceron[1049 - Mémoires des Hommes Illustres.], Lemery[1050 - Cours de Chymie. Dresd. 1734, 8vo.], and many others say, that Homberg, during his residence at Bologna, had again discovered it, after many experiments; and that Lemery learned it from him and made it publicly known.