The event of the evening was yet to come, however. After resting for a moment, Mademoiselle Blanche seized the rope again, and, hand over hand, she climbed to the top of the building; there she sat on a beam, so far from the audience that she seemed much smaller than she really was. The ring-master, a greasy-looking Frenchman in evening dress, appeared in the arena and commanded silence.
"Mademoiselle Blanche must have perfect quiet," he cried, "in order to perform her great feat. The least noise might disturb her, and cause her death."
Jules smiled at this speech; it was very clever, he thought. Of course, it was made merely to impress the audience. He wondered how Mademoiselle Blanche felt at that moment, perched up there so quietly, ready to hurl herself into the air. He did not have time to think much about this, for as he strained his eyes toward her, the signal for the fall was given, the white figure plunged backward, spun to earth, landed with a tremendous thump in the padded net, bounded into the air again, and Mademoiselle Blanche was bowing and kissing her fingers.
For a moment not a sound was heard. Then the audience burst into applause, and Jules Le Baron breathed. He felt as if his heart had stopped beating. He had never seen such a thrilling exhibition before. All his old delight in the circus had come back to him. As he walked out with the crowd, he congratulated himself on not having gone with Dufresne and Leroux. He would not have missed his evening for a dozen balls in Montmartre!
At the door he met Roger Durand, dramatic critic of the Jour. He had known Durand as a boy, and they had continued on a footing of half-hostile friendship.
"So you've come to see the new sensation?" said the journalist, as they shook hands.
"Just by chance," Jules replied. "I've never been more surprised in my life. Who is she?"
"That's just what I haven't been able to find out. I've been talking about her tonight with old Réju – he's the man who makes the engagements – but he didn't seem to know much more about her than I did. He said he first heard of her in Bucharest. She made a hit there, too, some time last year."
"But she's French, isn't she? Parisian?"
"She's French, but Réju says she isn't Parisian – comes from the provinces somewhere. There's a woman goes about with her, her mother, I suppose. Réju says mamma keeps her down here," the journalist added with a smile, making a significant gesture with his thumb. "Mamma gets all the money, and Mademoiselle does all the work."
Jules shrugged his shoulders. "Going to your office?" he said. "You have to turn night into day, haven't you?"
"My dear fellow, night is the best part of life. Days were made for sleep. We've got mixed up, that's all, and only a few of us are clever enough to find it out. Come and have a glass of absinthe with me before I go back."
Jules shook his head.
"Some other time. A glass of absinthe would spoil me for to-morrow. Au revoir."
He was glad to be alone again so that he might think over the evening. The beautiful figure whirling through the air still haunted him. "Mademoiselle Blanche!" The name seemed to sing in his mind. He wondered what her real name was. So she had a mother who kept her under her thumb! Then he wondered what she was like out of the circus – ignorant and vulgar, probably, like the rest of them. Yet in her looks she was certainly different from the rest. At any rate, he must go and see her performance again. He would go several times.
III
When Jules arrived home he found supper on the table of his little dining-room. Madeleine, the old woman who had served his mother for years and remained with him after his mother's death, always left something for him at night. Now he turned away from it in disgust. His face was burning; he felt nervous, excited. After going to bed, he was unable to sleep. He kept seeing Mademoiselle Blanche tumbling through the air! He could not think of her except as in motion. He tried to recall her as she stood in the net, just before climbing the rope to the trapeze, but her figure was vague and shadowy. Then he tried to think out her features as he had observed them, and he found that he had quite forgotten her face; all that remained was an impression of sweetness, of a ravishing smile.
When, finally, he fell asleep, he dreamed of her, still flashing through the air, striking with a thud the padded net, and bouncing to her feet again. He woke several times and felt impatient with himself for not being able to drive the thought away; yet when he sank again into sleep, the dream came back persistently.
At half-past seven he rose, tired from his broken rest. He went at once to the long mirror that covered the door of his wardrobe, expecting to be confronted with the face of an invalid. His gray eyes were slightly inflamed and his cheeks had more than their usual color; otherwise his appearance was normal. For several moments he surveyed himself. As a rule he did not think much about his looks; he knew that he was considered handsome, and this gave him a half-unconscious gratification. When he wanted to please a woman he seldom failed. Now he had a distinct pleasure at the sight of the aristocratic curve of his nose, the strong outline of his chin, the full red lips under his thick brown moustache. Jules wished that he could keep from growing fat; but after all, he reflected philosophically, there was a difference in fatness; some men it made gross and vulgar; his own complexion, however, was so fair that he could never look gross. Even now there was a suggestion about him of the sleekness of a well-kept pigeon.
When he went out to breakfast he found Madeleine looking doleful. Madeleine had known Jules from birth and considered herself a second mother to him. She was short and stout, with a mouthful of very bad teeth, some of which rattled when she spoke, as if they were about to fall out.
"Monsieur Jules did not eat last night," she said as she poured his coffee and pushed his rolls into the centre of the little table.
"No, Madeleine, I wasn't hungry." Jules took up the Figaro that was lying on the table and began to look for a reference to Mademoiselle Blanche.
"The coffee will grow cold, Monsieur Jules."
Jules did not hear her. When preoccupied, he had a habit of ignoring Madeleine. Yet, in his way, he liked her; he often wondered what he would do without her; she was docile and attentive to his wants as his mother had been, and she was very inexpensive. For five minutes he read; then, when he found no reference to the acrobat, he threw down the paper with an exclamation of impatience, and seized his cup and sipped his coffee.
"It's cold!" he cried.
Madeleine's look of distress deepened.
"Let me take that away," she said. "I'll get another cup."
When she brought the cup and poured some of the hot coffee into it, Jules drained it, and pushed his chair away from the table.
"But you have eaten nothing, Monsieur Jules!"
"I'm not hungry this morning."
"And you didn't eat anything last night," the old woman repeated, following him with her eyes. "Are you sick?"
"No, no!" Jules replied, impatiently. "I don't feel like eating, that's all. Give me my hat and coat, Madeleine; I shall be late if I don't hurry."
"Monsieur Jules doesn't look well," said Madeleine timidly, as she helped him on with his coat.
"Oh, don't worry about me." At the door Jules turned. "I shall be out late again to-night, Madeleine. You needn't leave the light burning."
The wool-house of Ballou, Mercier & Co., where Jules worked, was only ten minutes' walk from the rue de Lisbonne. On his way there, Jules resolved to say nothing to the twins about Mademoiselle Blanche. Of course, Leroux would ask him about the evening, and he would say simply that he had been rather bored. He wanted to keep Mademoiselle Blanche to himself. He even hoped that her performance would not be noised abroad, that she would not become one of those women whom all Paris went to see and every one talked glibly about. But she must be well-known already; it was evidently her performance that had crowded the Circus.
At the office the twins had a great deal to say about the masked ball of the previous night, but Jules hardly heard them. He was still so haunted by the thought of Mademoiselle Blanche that he made several mistakes in his letters; since his return from America he had been placed in charge of all the English correspondence, and it was important that he should be exact. The day had never seemed so long to him, nor his work, in which he usually took pride, so dull. He was impatient for the evening. When six o'clock came, he hurried away without bidding the twins good-night.
Jules walked toward the little restaurant in the Boulevard where he had dined the night before. He wanted to see André again, to talk over Mademoiselle Blanche with him. He felt almost a personal affection for André now. The little garçon was bewildered by Jules' affability, and overcome by the generous tip which he received as Jules left the place. Indeed, freed from the labors of the day, Jules felt buoyant and happy. But when he reached the Circus, his spirits sank; he had forgotten that Mademoiselle Blanche did not appear till nearly eleven. He would have to wait for her at least three hours!
He felt so vexed that he turned away from the theatre and walked along the Boulevard. It was late in October, and a light rain was falling, mixed with snow. The Boulevard was crowded with people, hurrying under umbrellas. Jules turned up the collar of his overcoat, and shivered. What was he to do till eleven? He might go to one of the theatres, but he would not enjoy it. When he reached the Opéra, he had not made up his mind what to do, and he walked on as far as the Madeleine. He entered a café opposite the church, and called for a bock and one of the illustrated papers. For an hour he sat there, sipping the beer and pretending to read. The jokes, however, which he usually enjoyed, seemed to him vulgar. He was thinking of the figure in white silk tights, shooting through the air. A score of times he called himself a fool for not being able to put that thought out of his mind; yet he felt nervous and irritable, simply because he was impatient to see the spectacle again. At last he became so uneasy that he looked for the waiter to pay his bill and leave. Then he felt a slap on the shoulder, and Durand's smiling face confronted him.
There was no reason why Jules should have been displeased at seeing Durand; yet at that moment he felt resentful. The journalist was small and dapper, with the ends of his black moustache carefully waxed. His little black eyes were always sparkling with humor, and when he smiled he showed two rows of regular white teeth. Yet, in spite of the care of himself which he seemed to take, he never looked quite clean; his thick black hair was always dusty with dandruff, which fell on the shoulders of his coat. He spoke in a high thin voice and with a patronizing air that exasperated Jules.
"I thought I recognized your back," he said, when Jules had turned his face toward him.
Jules grunted and pointed to a chair at the little table. He wanted to show by his manner that he didn't like that familiar slap. Durand, however, was unruffled.
"What are you doing here, anyway? Why aren't you at the theatre or one of the cafés chantants?"
Jules took a puff of his cigarette, and then looked down at the little figure.
"I might ask you the same question."
"Oh, I'm working. This is a busy night for me." Then Durand's face lighted. "What do you suppose I've got to do to-night?"
Jules knocked the ashes of his cigarette against the edge of the table. "Now, do you mean? I can't imagine. You're always doing impossible things."
"I'm going to interview the little acrobat."
Jules came very near jumping. He controlled himself, however, and carelessly lifted the cigarette to his lips again.
"What little acrobat?" he asked, screwing his eyes.
"The one you saw last night – at the Cirque– the Cirque Parisien."