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Blood-Dark Track: A Family History

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2019
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We walked down the long corridor outside Mamie Dakad’s apartment. Ashtrays filled with sand were fixed to the walls, and dead, half-buried cigarettes protruded from the sand. The depot was half way down the corridor, next to the staircase that led to the roof of the hotel. From that scorching roof you saw, heaped on the northern horizon, the cool Taurus Mountains, whose name, spelled in phonetic Turkish, my grandfather Joseph gave to the hotel: the Toros Otel.

The depot was a stale, hot space overlooking the hotel’s oven-like internal yard. We found neat piles of sea-stained old paperbacks from the ’seventies; snorkels; junior-sized flippers; my mother’s schoolbooks and school reports. Then I noticed, on top of a trunk, some papers held together by a large, rusting safety-pin – sixty or so pages extracted from a ledger book, with columns for debits and credits and totting up. But if this was an accounting, it wasn’t of the financial kind. In place of figures, lines of elegant manuscript Turkish filled the pages.

Phaedon took a look while I peered over his shoulder. After a minute or so, he said that the writing had to be our grandfather’s. It was an account, Phaedon said slowly, of his arrest, in 1942, and his subsequent imprisonment. We looked at each other. We knew we were entering, maybe trespassing on, a dark corner of the family history. Then we read on. Flicking quickly through the pages, Phaedon reported the main features of the story as best as he could; he had difficulty in understanding the old-fashioned, Arabic-influenced Turkish.

What Phaedon said was this: in March 1942, my grandfather went to Palestine on a business trip. He spent some time in Jerusalem, where he associated with Palestinian Arabs and a female acquaintance. On his way home, he was arrested at the Turkish – Syrian border by the British. He was taken to Haifa and then to the British headquarters in Jerusalem, and then detained elsewhere for the rest of the war. Phaedon couldn’t figure out what the exact nature of the document was. ‘It seems to be addressed to the Turkish authorities,’ he said with a shrug.

By the time we returned to Mamie Dakad’s apartment, the hairdresser was clearing up and my mother was laying the table for lunch for twelve: chicken, stuffed peppers, tabbouleh, cucumber and watercress salad with a lemon dressing, beans, lentils with rice, yoghurt, bread. A rubble of watermelons, grapes and peaches was piled up in the kitchen. For my grandmother and the community she belonged to, nothing, not even cards, was of greater social importance than food.

When I broke the news of our scoop to my mother, she reacted in a curious way; that is, apart from a raising of her eyebrows, she did not react. Almost as if she hadn’t heard me, she continued to set out the forks and knives. Unabashed and excited, I turned to my grandmother and asked about the document. ‘Don’t speak about it,’ my mother said sharply to me in English, which was not one of Mamie Dakad’s languages, ‘it’ll upset her.’ It was too late. My grandmother was already in tears. ‘Le pauvre,’ she said, her face wrinkling and her hand raised in a distressed gesture of explanation, ‘le pauvre, il a beaucoup souffert.’

‘You see?’ my mother said. ‘You see what you’ve done?’

I returned the key to Mamie Dakad. Joseph Dakad’s papers were locked away once more, not to be seen again until years later.

My first moment of access to the life of my Irish grandfather, Jim O’Neill – and my first clue as to what may have formed his life’s hard, insubstantial heart – was also fortuitous. It took place in The Hague, the city where, in 1970, after series of migrations that had bounced us like a skipping roulette ball through South Africa, Mozambique, Syria, Turkey and Iran, my family came to a permanent halt. In the top shelf of the bookcase in the dining room was a hardback entitled Letters of Fyodor Dostoevsky. Although as a teenager I’d read most of my parents’ books, I’d never been enthused by this one. It had an uncompromising black cover and an unappetising introduction by one Avrahm Yarmalinsky, and Dostoevsky himself, the balding, anxious man in the jacket photograph, whose writing I had not read, did not look like a lot of fun. The Hague, however, is an uneventful place, and eventually I found myself idly leafing through the Letters; and I encountered, trapped in the book’s thick pages, two newspaper clips.

The first read as follows:

O’NEILL (Cork and Ardkitt, Enniskean) – On September 6, 1973, at the South Infirmary, James, beloved husband of Eileen (née Lynch), Dún Ard, Southlodge, Browningstown Park (1st. Batt., First Cork Brigade, I.R.A.). Deeply regretted by his loving wife and family. Funeral on today (Saturday) after 2.30 o’clock Mass at our Lady of Lourdes Church, Ballinlough, to St Michael’s Cemetery, Blackrock.

The second cutting was an article headed Around the G.A.A. Clubs.

St Vincents. It was with the deepest regret that we learned of the passing away of our esteemed member, Mr. Jim O’Neill, during the past week. Beannacht De ar a anam.

For many years Jim had been a staunch worker in our club. He held many positions over the years, but for him no job was too big or menial where St. Vincents was concerned. He was behind much of our early plan making, nevertheless when those plans dictated the arduous work it took to fulfil them, Jim was oft times only too willing to undertake that work. Over a period of 22 years in which I knew him, he proved to be a true Gael. Ever mindful of our beautiful Gaelic culture, he had a life-time dedication to the cause of one united Ireland. In character he was straight and true. I remember 12 years ago being in employment with Jim. I happened one day to remark to him the briskness and dedication he put to his work. He replied that he was morally bound to give a just return for his pay. This was the honesty and directness I learned to expect always from him. Four of his sons, Brendan, Padraig, Kevin and Terry, have been stalwart members of our club down through the years. On behalf of St. Vincents I tender to his wife and family our sincere deepest sympathy.

The sudden palpability of my grandfather, of whom I knew and remembered next to nothing, caused in me a lurch of proud affiliation. First Battalion, First Cork Brigade, IRA. There was something appealing about this simple and assured assertion of his soldiership, and there was poetic force in the phrase a true Gael. To me these were glamorous texts, calls from a gritty world of hurling and revolution that was thrillingly distant from the bourgeois, entirely agreeable environment of The Hague. My vague imagining of my grandfather’s rebel world was in terms of the jacket illustration for Guerrilla Days in Ireland by Tom Barry, a tatty paperback memoir that had always occupied an incongruous niche between my mother’s multilingual dictionaries and volumes of French literature. The illustration is of an IRA ambush at dusk on a deserted country road in West Cork, the sky burgundy, the sunken day a low-lying mass of yellow. A convoy of trucks is turning into view, and waiting to jump them are a smart officer in a blue jacket and a tie, who is holding a pistol, and two sturdy, rifle-toting fellows in rough shirts. It is a colourful, quasi-fictional scene in the style of a boys’ comic, and speaks of cold, adventurous nights and clean-cut valour.

Hurling, on the other hand, I knew something about. Hurling was the fastest field sport in the world and required great skill and guts from its players. It was a wild, precise game in which the ball was kicked and fisted and swiped with flattened hockey sticks, the object being to score in goals that combined rugby uprights and soccer nets. It was gorgeous mayhem. My father, Kevin O’Neill, had played top-class hurling for his club, St Vincents, and county, Cork, losing half a mouthful of teeth and gaining a network of forehead scars in the process. I had played the game myself in the field behind my grandmother’s house, and knew the pleasure of juggling the ball on the hurley and skimming it through the air with a cack-handed thwack. The O’Neills were crazy about sports. They played Gaelic football – at which my father had also fleetingly represented Cork – golf, athletics and, in the case of my younger uncles, the English games of soccer and rugby. Grandma O’Neill’s house, the detached house where she has lived since the ’sixties, was full of the prizes her seven sons had won; entering her dining room felt like entering the trophy room of Real Madrid or Manchester United, the walls densely hung with ribbons and medals, the fireplace loaded with pewter cups on which silvery hurlers and footballers teetered.

Their love of games apart, I knew little about the O’Neills. By contrast with Mersin, where I had spent practically every summer of my life, I had only visited Cork intermittently. My father had nine brothers and sisters (in order of seniority: Jim, Brendan, Padraig, Terry, Ann, Declan, Angela, Marian, Fergus) who between them had nine spouses and more than thirty children, and keeping track of them all from Holland was a tall order. I knew my uncle Brendan and his family, but after that it became trickier. My aunts and uncles were warm but inevitably distant older figures, my cousins youngsters and elusive; at any rate, more elusive than my Turkish cousins, whom I saw most summers and whose itineraries as students of medicine, economics, dentistry and computer studies fitted easily into the professional grid with which I was brought up to view the world. And whereas Dakads were to be found in Paris, Nice, Lausanne, Istanbul, Lyon and San Francisco, the strewage of work and study and marriage, the O’Neills stayed put in Cork.

A decade or so later, I re-opened Dostoevsky’s Letters. The death notices were still there. No doubt my father had received the cuttings from his mother, who snips out and files newspaper articles that catch her interest. Often, these have to do with her grandchildren – the musical exploits of Seán, who was briefly a rock star, the swimming results of Ciaran, the picture of Deirdre at the pony club, the mention of Clodagh in her school magazine – but just as often they have to do with politics. You’ll find reports on the jailing of uncle Brendan for refusal to pay services charges imposed by Cork City Corporation (‘Union Chief Jailed’, Cork Examiner); on the welfare of the South Yorkshire miners during the year-long British miners’ strike (‘A Conquered People’, Irish Times); on the decision of the Irish government to inform the British government of IRA plans to mount a military campaign in Northern Ireland (‘A People Betrayed’, Irish Republican Bulletin, 1957); on the life and death of Mairead Farrell, the IRA volunteer killed by British forces in Gibraltar (‘From Teenage Recruit to Prison Leader’, Irish Times).

There is a pronounced, almost comical, contrast between, on the one hand, Grandma’s appearance and civilian goodness and, on the other hand, her militaristic political stance. To appreciate the contrariety, you have to understand that Grandma is five foot nothing and a wonder of friendliness. She has curly white hair, clear blue eyes and a girlish, irresistible chortle. Aside from occasional attacks of sciatica, she is a model of health and energy which, even in her late eighties, she devotes to organizing meals on wheels for the elderly, going to Mass, promoting raffles and lotteries in good causes, visiting the sick, and saying rosaries for friends and family in need. All day she receives a stream of visitors – neighbours, children, old pals – in her kitchen, fixing them up with snacks and cups of milky tea. She remembers every birthday of her ten children and thirty-six grandchildren and ever-multiplying great-grandchildren, and she remembers every person who has lived on her street and every disease that has afflicted them. She is unflinching in her love of her family and, remarkably, is somehow able to care for all of us deeply and appropriately. She follows all major international events at which Ireland is represented, from the Eurovision Song Festival to the soccer World Cup to the women’s 5000 metres in the Olympic Games. She is an honorary member of British National Union of Miners, South Wales Area (in 1984, she put up striking miners in her home for months). She boycotts retailers such as Dunnes Stores for breaking the South African trade embargo and mistreating their employees. She is an unblinking supporter of the cause of a united Ireland. She is a veteran of Cumann na mBan, the women’s republican organization. She has given shelter to the most wanted men in the country. She has stored guns under the floorboards.

By the time I went back to the newspaper cuttings about Jim O’Neill, I had already started to mull over my grandfathers’ double troubles. This led me turn to the actual contents of the Letters of Dostoevsky and to read Mr Yarmolinsky’s introduction: hadn’t Dostoevsky himself been in a political jam of some kind? I still barely knew anything about Fyodor Dostoevsky. I certainly didn’t know until Mr Yarmolinsky told me about it that, in April 1849, Dostoevsky was arrested and imprisoned in Petropaulovsky Fortress, accused of ‘having taken part in conversations about the severity of the Censorship; of having read, at a meeting in March 1849, Bielinsky’s revolutionary letter to Gogol; of having read it at Dourov’s rooms, and of having given it to Monbelli to copy; of having listened at Dourov’s to the reading of various articles’. In December 1849, when he was twenty-eight years old, Dostoevsky received the death sentence – which, luckily for him, was commuted moments before he was due to be shot; less luckily, the commutation was to four years’ hard labour in Siberia.

I felt a tingle: there was synchrony in the cuttings being lodged in a book that touched on political radicalism and the loss of freedom. I turned to a letter Dostoevsky wrote to his brother Michael on 22 February 1854, when he had finally served his sentence and was able to write for the first time in years. In the letter – a lengthy and somewhat frazzled dispatch, voicing a jumble of anxieties and needs – Dostoevsky outlined the conditions of his imprisonment and the tribulations he had undergone. In its jittery and unstyled way, the outline was deeply affecting and for a moment plunged me into the cold pool of my grandfathers’ imprisonment. For the first time, albeit for only an instant, I was alerted to how forsaken they must have felt; for the first time, and with a shock, I sympathized with them.

I am not sure why it took a stranger’s letter, and one written in the middle of the last century, to stir my compassion (or, indeed, whether such a roundabout stirring is perverse or heartless); but a clue to this aloofness, may, I think, also be found in Dostoevsky’s letter to his brother.

One midwinter night on the way to Siberia, the horses and sledges transporting Dostoevsky to his exile became stuck in the snow. This happened in the Urals, and as the prisoner waited in the snowstorm for the horses to struggle free, he was struck by the melancholy realization that ahead lay only Asia, and that Europe and his whole past – his whole existence, by implication – were now behind him. Dostoevsky never lost this feeling of disconnection and isolation, which engendered in him the particular fear that he had lost his brother’s love. To combat this fear, he asserted the contrary in his letter (‘I know that you love me, and keep me in kindly remembrance’); but a telling moment of uncertainty arrived when, having furiously criticized Michael for not writing to him in the prison camp, he begged for news:

Write and answer me as quickly as possible; write, without awaiting an opportunity, officially, and be as explicit and detailed as you possibly can. I am like a slice cut from a loaf nowadays; I long to grow back, but can’t. Les absents ont toujours tort. Is that saying to come true of us two?

The lingering phrase, here, is the one in French: ‘les absents ont toujours tort’. As it happens, the use to which it is put is ambiguous: one cannot be sure whether Michael is the absent wrongdoer, or Fyodor. Either way, the saying resonates in the context of my grandfathers.

An element of the taut silences that enclosed Joseph and Jim – surrounded them almost completely, like seas around peninsulas – was that of condemnation. Normally, we may count on an afterlife as a mouthful of stories, but for Joseph and Jim it had not worked out that way. It could be said that there is nothing unusual or wrong about this. If we are lucky, we have better and more urgent things to do than indulge in the regressive business of dwelling on the dead – children to raise, homes to keep up, work problems to figure out, spouses to love. My parents, for example, have been this lucky. However, I had always felt, growing up, that there was more to their silence than distraction or coyness. Nor was it the case that my grandfathers’ absence was due to my grandmothers’ engulfing presences. No, the silence meant more than that. It meant, I sensed, that Joseph and Jim were each in some way in the wrong. Les absents ont toujours tort.

But I didn’t know this for a fact. Actually, I knew just about nothing for a fact – nothing about these men, and very little about the historical circumstances of their lives.

Some might consider ignorance a virtuous trait in an inquirer, a clean slate on which evidence may impartially be inscribed. But it doesn’t work like that, at least it did not in my case. I was, of course, prejudiced; and, like most prejudices, mine found an infantile manifestation. It was not simply that my grandfathers stood accused in my mind of offences that I had not even formulated: it was that I didn’t like their faces. I didn’t like Jim’s face – there was something frightening about his handsome, tooth-baring smile – and I didn’t like the face of Joseph either, in particular the black moustache that made me think of Adolf Hitler.

What had they done wrong, though? Was it connected to their imprisonment? What were the facts?

It so happens that I am, by my professional training, supposed to be equipped as anybody to answer these sorts of questions and set to one side the kind of prejudice I have mentioned. I am a lawyer; more precisely, since lawyers are varietal as butterflies, I am a barrister working mainly in business law. It is a charmless but profitable field. There are countless commercial transactions effected every day, and they give rise to countless disputes. Were the goods defective? Did the surveyor give the bank negligent advice as to the value of a property development? Was there a material non-disclosure entitling the insurer to avoid the policy? For much of my working life I have gone into my chambers, pulled out ring binders from my shelves and tried to get to the bottom of these sorts of hard-boiled questions. After I have gone through hundreds of pages of correspondence, pleadings, affidavits and attendance notes, and sifted the relevant from the discardable, there are further, more finicky sub-questions. What was said in the telephone conversation of 14 February 1998? When did the cracks first appear in the wall? Who is Mr MacDougal? Often, meetings with the client are required to fill in the gaps or to quiz him closely to make sure nothing of significance has been left out. What one learns, pretty quickly, is that frequently the truth remains anybody’s guess – even after all the documents have been scrutinized, all the witnesses have been grilled, and all the solicitors, juniors, silks and experts, racking up fees of hundreds of thousands of pounds, have trained their searchlights into the factual darkness.

Sometimes, however, something is illumined that is strange and unlooked-for and that, although perhaps not decisive of the hard-boiled question, twists the case and gives it a new meaning. This is, in a sense, what transpired after I began to look into the unknown lives of Joseph and Jim, following the narrow beam of their coincidental imprisonment. It led to times and places in which politics might have dramatic and personal consequences; in which people might be impelled to act or acquiesce in the face of evil and embark on journeys of the body and spirit that to many of us, living in the democratic west at the beginning of the new century, may seem fantastical; and in which people might through political action or inaction discover boundaries in themselves – good and bad – that we, casting our vote twice a decade, or losing our temper at the dinner table, or shunning the wines and cheeses of France, maybe cannot hope to know. Maybe. It may be, in fact, that our lives are thrown into greater ethical relief than we suspect. We may be judged strenuously by our descendants, who will perceive distinct rights and wrongs, shadows and crests, that we failed to notice. In part, my grandfathers’ predicaments stemmed from what they saw or did not see around them. To this extent, they stand as paradigms of political and moral visions of different sorts, the blind eye and the dazzled eye, each with its own compensations and each with its own price.

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… the old post cards do not depict Maurilia as it was, but a different city which, by chance, was called Maurilia, like this one.

– Italo Calvino, Invisible Cities

I was born on 23 February 1964 in the Bon Secours Hospital, Cork. The following day my father flew into Cork and went directly from the airport to the nursery ward, where to everybody’s amazement he unhesitatingly picked me out from the sixteen newborn babies lying anonymously in their cots. Then he walked quickly to the maternity ward to see my mother. She was in bed, and my father sat down on the rim of the bed. He took her hand. He had been abroad working, and it was their first meeting for over a week. ‘Your father has died,’ he said. My mother began to weep, and so did my father.

Born the day after his death, I was given my grandfather’s name – Joseph.

He died on a rain-blurred day in Istanbul. At some point in the afternoon, Pierre, my mother’s brother, sat grieving alone in an Istanbul café. A concerned stranger approached the tearful young man and gently asked him what his trouble was. ‘My father has died,’ Oncle Pierre said. The stranger took hold of Pierre by the shoulders and looked him in the eyes. ‘See to your mother,’ he said.

Joseph had for years been troubled by a heart problem that necessitated trips to Istanbul for treatment; and in 1961, he suffered a heart attack that brought Oncle Pierre, who was in Lyon studying law and economics, back to Mersin to help his father with the completion of the new Toros Hotel building. Joseph’s condition worsened. In January 1964, when Fonda Tahintzi went to ask for the hand of my aunt Amy, he found Joseph in bed, dressed in his bathrobe and too weak to rise. In February, X-rays of my grandfather’s heart were taken; these were, according to the Mersin doctors, inconclusive. Joseph appealed for help to Muzaffer Ersoy, his former personal physician, in whom he had great faith. Dr Ersoy, who had moved his practice to Istanbul and was on his way to substantial professional fame, requested that the X-rays be sent to him. Once he’d seen them, he responded immediately. The Mersin doctors had misread the X-rays: far from being inconclusive, they showed that the patient’s heart had suddenly enlarged; it was vital that he go to Istanbul immediately for further treatment and tests. Joseph’s worst fears were confirmed: for days, now, he had been vomiting in the mornings, grimly muttering, ‘J’aime pas ça.’ So, wearing a hat placed on his head by Amy, Joseph caught a flight at Adana. It was his first experience of aviation, the death of a friend in an air crash having previously scared him off. On this occasion, though, getting on board the aeroplane truly was a matter of living or dying. Dr Ersoy said that the next three days would be decisive; either the patient would perish or the crisis would pass. Joseph said to his wife, Georgette, ‘I promise that if I survive I’ll buy you a fur coat. I’ll buy one for you and one for the wife of Muzaffer Ersoy.’

Nobody got a fur coat. On the third day of his hospitalization, Joseph died; but not before he had seduced my grandmother one last time. Lying on his bed, he asked her forgiveness for all the harm he’d caused her: ‘Pardonne moi pour tout le mal que je t’ai fait.’ Mamie Dakad replied, ‘I am very happy with what I have had.’ My grandfather closed his eyes. For a long time he had worried terribly about dying, but now he was surprisingly and suddenly at peace. ‘Comme c’est bon,’ he said, and he squeezed his wife’s hand; whereupon he died.

My grandmother attached great weight to these dramatic gestures and would occasionally tell the story of her husband’s last moments to her daughters. It was, in her eyes, a kind of happy ending, and one which decisively vindicated the steadfast and exclusive love she had borne my grandfather for over thirty years. My mother said to me, ‘Because of what he said in the hospital, Maman always kept a good memory of Papa.’

A van came down overnight from Istanbul with the body. The journey was not easy. Snow was falling as the van crossed the Anatolian plateau, a near-desert of desolate, immeasurable darkness. The van slowly made its way through the snowstorm, the flakes falling without cease and still falling hours later as the vehicle slowly climbed the Taurus mountains, where, at the village of Pozanti, Fonda and Amy escorted it for the remainder of the journey. The convoy proceeded through forests and along terrifying precipices towards a narrow chasm known as the Cilician Gate, through which the army of Alexander the Great and the crusaders of the Holy Roman Emperor, Frederick Barbarossa, once passed. Eventually the snow and the mountains gave way to heavy rain and foothills, and finally to drizzle and the maritime plain of Çukurova, which is still referred to by westerners as Cilicia, after the Roman province (briefly governed by Cicero) of which the plain formed part. My grandfather’s body was driven through Tarsus, the birthplace of St Paul, where a still-visible hole in the ground is alleged to be the well in which the evangelist hid from his pursuers. Legend also sticks to Tarsus’ river, the Cydnus, on whose then navigable waters Cleopatra sailed her barge to meet Mark Antony. The convoy continued south-westward for about thirty kilometres, coming to a place that according to one conjecture is the location of Eden, a theory that, however crazy, is consistent with the remarkable fertility of the local earth, in which superb fruits and vegetables grow, and also with archaeological evidence (produced by the excavations of an English Hittitologist, John Garstang) which suggests that the area – that is, the area now occupied by the city of Mersin – is one of the oldest continuously inhabited spots on the planet.

The van followed Fonda’s car along an avenue of eucalyptus trees. This was the eastern road into Mersin. On they went: past the railway line that reaches a charming terminus at Mersin’s old railway station, past the courthouse, past the prison, past what used to be known as the Maronite quarter, past the Catholic church, past the old Greek quarter. They entered a town which I imagine I just about remember, a quiet port of white-stoned villas and lush gardens, of untidy shacks and donkeys loaded with panniers leaking peaches, of card-games and tittle-tattle in multiple languages – a town reeking, in the springtime, of orange blossom. There was practically no motorized traffic as the convoy proceeded up the main street, Atatürk Çaddesi, and drove by the Toros Hotel, whose transformation – two large old limestone houses knocked down and replaced by a single, brand-new, four-storey building with fifty-three rooms – Joseph Dakad had only recently completed. The only other vehicles of any size on the street were cabs, which is to say, red-spoked carriages drawn by two blinkered horses whipped into exhaustion.

As recently as the early ’seventies these squeaking, rocking contraptions were Mersin’s main form of taxi transport, and I often boarded them with my tiny, hunchbacked great-aunt, Tante Isabelle, to go from the hotel to the little stone house she shared with her tiny, hunchbacked sister, Tante Alexandra. Shaded by the cab’s tassel-fringed bonnet, mesmerized by the carriage’s brassy curves and the horses’ flying red pom-poms, surrounded by the odours of dung and Tante Isabelle’s Turkish eau-de-Cologne, I settled back in the scarlet leather seat like a pocket pasha and waited for the jolt that signalled the start of a ride of heavenly unsteadiness. We took the route taken by the convoy six or so years earlier, past rows of splendid palm trees that seemed to stand to attention, the whitewashed bases of their trunks smart as the spats worn by the Turkish soldiers who, to my delight, seemed constantly to march and parade on the streets of Mersin, often with glorious rockets and artillery on display. ‘Dooma, dooma, doom,’ I chanted from my great-aunts’ balcony in imitation of the drums. I loved the invasion of Cyprus in the summer of 1974, when Mersin was filled with troops and there was a blackout in case the Greeks bombed the town.

We clip-clopped past the official house of the Vali (the provincial governor), past the monumental Halkevi (the House of the People) and its seaward-gazing statue of Atatürk, and then past the Greek Orthodox Church. At the rear of the church was the priest’s house. It overlooked an open-air cinema where shadows of bats flitted across the screen. I could not follow the films – I half-remember tragic melodrama involving disastrous migrations from country to city – or why the paying public, massed amongst winking red cigarette tips, intermittently snapped into fierce, sudden applause, the men rising from blue wooden chairs to clap with frowning, emotional faces. Peering through the rear window with my great-aunt and the priest’s family, I looked out on a world full of stories I did not understand.

After the Greek Orthodox Church, the carriage jingled past big merchants’ houses, some semi-abandoned, most in disrepair. In the top corner of each, it seemed, lived an old lady whom one knew – Madame Dora, Madame Rita, Madame Fifi, Madame Juliette, Madame Virginie. It was a leafy street, and turtle doves purred in the trees. On we went, hoofbeats clacking, the gentle stink of horseshit wafting up from the street, until we came to Camlibel (pronounced Chumleybell), a small oval park surrounded by villas with gardens that overran with fruit trees and bougainvillaea. At the far end of Camlibel was the Dakad residence, a large, cool, rented apartment on the first floor of a villa. Tante Isabelle’s place was only a little further on, just before the military barracks at the edge of the town. That was the long and the short of Mersin in those days: a quarter-hour ride in a carriage, or a five minute drive for a slow-moving car such as the van transporting the body of Joseph Dakad to Camlibel.

If you drove out west of Mersin, you travelled along a beautiful coastline. Once you had passed through the avenue of palm trees by the barracks, crossed the dry riverbed and gone past the stadium of Mersin Idmanyurdu (the football team that has always yo-yoed between Turkey’s first and second divisions), in a deafening roar of frogs you came upon mile after mile of orange groves and lemon groves planted, at their perimeters, with pomegranate, grapefruit, tangerine, and medlar trees. Then came the villages of Mezitli and Elvanli and Erdemli, the Taurus foothills meanwhile getting closer and closer until, after you’d motored for the best part of an hour, the farmland expired and the road was hemmed in by, on the left, the sea – which indented the land with bays that flared turquoise at their confluence with freshwater streams – and, on the right, rocks covered with wild olive trees, sarcophagi, basilica, aqueducts, castles, arches, mosaics, ruined temples and ghost villages. You drove on until you came to Kizkalesi, an island fortress wondrously afloat three hundred yards offshore that is a relic of the medieval kingdom of Lesser Armenia, and you got out of the car and went swimming in hot, lucid waters. There was nobody else around except for the occasional camel or shy children hoping to be photographed.

In the last twenty years, the beach holiday has arrived in Turkey. Nowadays Kizkalesi is a swollen, chaotic resort crowded by tourists from Adana and the landlocked east. The roadside antiquities are dwarfed by advertising hoardings, pansiyons and summer homes, the inlets and creeks are covered by a mess of unplanned structures, the citrus groves have been razed to make way for holiday complexes and towering, gloomy suburbs. The belching frogs have gone (some, decades ago, packed in ice and shipped by Oncle Pierre to the tables of France), and an hour’s drive will barely take you clear of Mersin’s concrete outskirts and the moan of cement-mixers and the fog of building dust.

In Mersin itself, a huge boulevard now swings along the seafront. Countless young palm trees spring from the pavements, new stoplights regulate the chaos at junctions, traffic islands are dense with flowering laurels, and block after block after block of bone-white apartments take shape from grey hulks. Hooting minibuses race through the streets three abreast, residential complexes multiply along the coast, the minarets of enormous new mosques make their way skywards in packs. In the final thirty years of the last century, the population, swollen by a massive influx from the east, much of it Kurdish, has multiplied sixfold to around six hundred thousand. It’s a boomtown. The port, with its officially designated Free Trade Zone, ships’ commodities worldwide in unprecedented quantities: pumice-stones from Nevsehir to Savannah and Casablanca; pulses from Gaziantep to Colombo, Karachi, Chittagong, Doha and Valencia; apple concentrate from Niğde to New York and Ravenna; TV parts from Izmir to Felixstowe and Rotterdam; insulation material from Tarsus to Alexandria and Abu Dhabi; dried apricots from Malatya to Antwerp (and thence Germany and France); Iranian pistachios to Haifa (in secret shipments, to save political embarrassment); Russian cotton to Djakarta and Keelung; citrus fruit from Mersin to Hamburg and Taganrog; synthetic yarn from Adana to Norfolk and Alexandria; carpets from Kayseri to Oslo and to Jeddah. Just along from the new marina, you’ll find a Mersin Hilton and luxury seaside condominiums; and in the unremarkable interior of the city, the gigantic Mersin Metropol Tower (popularly known as the dick of Mersin) lays claim to the title of ‘the tallest building between Frankfurt and Singapore’. On the streets, young women are turned out in European trends, teenagers smooch, and male students at the new Mersin University amble along Atatürk Çaddesi, Mersin’s first pedestrianized street, with long hair and clean-shaven faces.

Of course, some things never change. Sailors still sport snowy flares. Men wear vests under their shirts in the clammy August heat, and moustaches, and old-fashioned trousers with a smart crease leading down to the inevitable dainty loafer. You’ll still see vendors pushing carts loaded with pistachios, grapes, or prickly pears; corn on the cob (grilled or boiled) is sold at street corners; and shoeblacks grow old behind their brassy boxes. The old vegetable and meat and fish market has kept going, and the pleasant little Catholic Church of Mersin where my parents were married and which I have intermittently attended over the years is the same. As ever, a fountain spurts a loop of water in the church’s small, leafy courtyard, and Sunday Mass attracts adherents to all six Catholic rites – Roman, Syrian, Chaldaean, Maronite, Armenian, and Greek. It’s a varied congregation. You’ll see ageing westernized Christians in drab urban clothes, enthusiastic children packed in scrums into the front pews (boys right of the aisle, girls left), and a big turn-out of worshippers vividly dressed in shawls and baggy pants; these last are Chaldaeans from the mountains in the extreme south-east of Turkey. Not all Mersin Christians are rich.

But old Mersin – the Mersin to which my grandfather’s body returned, a town of verandas, gardens and large stone houses – has largely disappeared. One by one, the villas have been sold, knocked down and replaced by tower blocks. The last surviving villa of the Naders, my grandmother’s family, is in Camlibel. The fate of this elegant building, which until only a few years ago was occupied by my mother’s cousin Yuki Nader and his Alexandrian wife, Paula, is not atypical. Surrounded on all sides by tower blocks whose occupants bombard it with junk, it is boarded up and empty – awaiting the bulldozer or, I’ve heard it rumoured, conversion to a bank – its avocado trees, shutters, gates, even its footpath stones, ripped out by persons unknown. Nobody seems to notice or, more precisely, attach significance to this spectacle.
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