American Thumb-prints

There “life is sweet, brother. There’s day and night, brother, both sweet things; sun and moon and stars, brother, all sweet things. There’s likewise a wind on the heath.”

They have most brilliant suns. They breathe sparkling, lambent ether. They look daily upon elm and osage orange, oaks and locusts in summer so weighted with leaves that no light plays within the recess of branches. All the night winds sough through these dusky trees, while slender voices, countless as the little peoples of the earth, murmur in antiphonal chorus.

And above are the patient stars and Milky Way dropping vast fleeces of light upon our earth awhirl in the dear God’s Arms.

The West is large. That which would be true of a university in one part of its broad expanse might not be true of another institution of like foundation some distance away. And what might be said of a college or university independent of politics, would in nowise be averable of one pretty well controlled by that perplexing monitor.

Again, a fact which might be asserted of a college built up by some religious denomination might be radically false if claimed for one supported by the taxpayers of a great commonwealth, and hedged by sentiment and statute from the predominance of any ecclesiasticism.

You speak of the general characteristics of the University of Michigan, but these characteristics are not true of the little college down in Missouri, or Kentucky, or Ohio. Neither would the facts of life in some institutions in Chicago be at one with those of a thriving school where conditions are markedly kleinstädtisch.

In speaking of the West we must realize its vast territory and the varying characteristics of its people. Of what is here set down I am positive of its entire truth only so far as one institution is concerned, namely, the titulary—that is, the University of Hesperus—which recalleth the city bespoken in the Gospel according to Matthew—that it is set upon a hill and cannot be hid.

TWO NEIGHBORS OF ST. LOUIS

There was never in any age more money stirring, nor never more stir to get money.

    The Great Frost of January, 1608”

Women have seldom sufficient serious employment to silence their feelings: a round of little cares, or vain pursuits, frittering away all strength of mind and organs, they become naturally only objects of sense.

    Mary Wollstonecraft

You have too much respect upon the world:
They lose it that do buy it with much care.

    Shakespeare

TWO NEIGHBORS OF ST. LOUIS

The Big Muddy built the fertile regions near its course. Dropping in warm low tides mellow soil gathered from upper lands, it pushed the flood of the sea farther and farther to the south. Non palma sine pulvere has been the song of its waters—no green will grow here without my mould.

It was at its wonder-work those millions of suns ago when the tiny three-toed horse browsed among the grasses of what is now Kansas. Its great years can be measured only by the dial of God. All the monstrosities of the eld of its birth it has survived, and like a knowing, sentient thing—a thinking, feeling thing—it has been expanding and contracting, doubling up and straightening out its tawny body, each one of its numberless centuries pushing its uncounted mouths farther toward the submerged mountains of the Antilles.

In its thaumaturgy it formed vast prairies and rolling lands. Upon its gently-packed earth forests shot up. Subterranean streams jetted limpid springs, which joined and grew to rivers open to the light of day. Above the heavens were broad and the horizon far away—as far as you outlook at sea when sky and earth melt to a gray, and you stand wondering where the bar of heaven begins and where the restless waters below.

Indians, autochthons, or, perchance, wanderers from Iberia, or Babylon, were here. Then white men came to the flat brown lands, and that they brought wives showed they meant to stay and build a commonwealth. The two raised hearthstones for their family, and barns for herds and flocks. They marked off fields and knotted them with fruit trees, and blanketed them with growing wheat, and embossed them in days of ripeness with haystacks such as the race of giants long since foregone might have built. In their rich cornfields they set up shocks which leaned wearily with their weight of golden kernels, or stood torn and troubled by cattle nosing for the sugary pulp. Such works their heaven saw and to-day sees, their air above entirely bright, beading and sparkling in its inverted cup through every moment of sunshine.

Over this land and its constant people icy northers, victorious in elemental conflicts far above the Rockies, rush swirling and sweeping. They snap tense, sapless branches and roll dried leaves and other ghosts of dead summer before their force. They pile their snows in the angles of the rail fence and upon the southern banks of ravines, and whistle for warmth through the key-holes and under the shrunken doors of farm-houses.

But winds and snows disappear, and again life leaps into pasture-land. A yellow light glowing between branches foreruns the green on brown stalk and tree. The meadow-lark lifts his buoyant note in the air, and the farmer clears his field and manures his furrow with sleepy bonfires and the ashes of dead stalks. Earth springs to vital show in slender grasses and rose-red verbena, and the pale canary of the bastard indigo.

In this great folkland of the Big Muddy, which is beyond praise in the ordinary phrase of men, there live alongside many other types, a peculiar man and woman. They are—to repeat, for clearness’ sake—only two of many types there indwelling, for it is true of these parts as was said of England in 1755: “You see more people in the roads than in all Europe, and more uneasy countenances than are to be found in the world besides.”

The man is seen in all our longitudes; the woman is rarely in any other milieu. She is a product of her city and town. The women of the country have ever before them queryings of the facts of life, the great lessons and slow processes of nature, the depth and feeling of country dwelling. But this city-woman suffers from shallowness and warp through her unknowledge of nature and the unsympathy with fellow humans that protection in bourgeois comfort engenders. She is inexperienced in the instructive adventure of the rich and the instructive suffering of the poor. The basis of her life is conventional.

The dollar to her eyes is apt to measure every value. Let us not forget that in the history of the world this is no new estimate. It was the ancient Sabine poet who advised “make money—honestly if we can, if not, dishonestly—only, make money.” “This is the money-got mechanic age,” cried Ben Jonson in Elizabeth’s day. And the poet of the “Elegy written in a Country Church-Yard” more than one hundred and fifty years ago wrote to his friend Wharton: “It is a foolish Thing that one can’t only not live as one pleases, but where and with whom one pleases, without Money.... Money is Liberty, and I fear money is Friendship too and Society, and almost every external Blessing.”

Lacking simplicity this woman is submerged in artificiality and false conceptions of life values. Her hair, often blondined and curled in fluffy ringlets, is filleted with gold-mounted combs above a countenance fine-featured and a trifle hardened. Her well-formed hands, even in daily comings and goings, are flashing with rings. She loves to turn the precious stones and watch them divide the light. These jewels are her first expression of accumulating wealth—these and the pelts of animals difficult to capture, and therefore costly. After obtaining these insignia of opulence she begins to long for a third—the gentle, inept riot and solitary Phorcides’s eye for seeing life which she calls “society.”

The voice is an unconscious index of one’s spiritual tone; hers is metallic. At times it is deep, with a masculine note and force. The gift of flexible English speech, belonging to her by the right of inheritance of every American—she is at times of the old American stock, but more often of foreign-born parents,—she is apt to wrap in stereotyped phrases or newspaper slang. In her bustling life, formed, stamped, and endowed in spirit by an iron-grooved, commercial world, she gives little consideration to use of the greatest of all instruments and the mightiest of all arts. She has not the instinct of attention to her mother tongue which marks women of fine breeding.

The best thing made by man—good books—she has little love for. The newspaper and to-day’s flimsy novel of adventure stand in their stead. There were times when her reading had the illuminating calm of Milton’s “Penseroso” and the buoyant freshness of Shakespeare’s comedies. But that was when the rosy morning of her life stood on the mountain-top of school-girl idealism and looked not at things near by, but afar—a period not long when compared to the jaded vacuity of later years.

To this shapely woman a writer is presented as “the highest paid lady-writer in the world.” The highest paid! Where, then, is literature, O Milton, with thy ten pounds for “Paradise Lost,” and eight more from Printer Simmons to thy widow! Where, O immortal writer of the simplicities of Wakefield, apprenticed in thy poverty to Publisher Newberry! Where, then, singer and gauger Robert Burns! “Learning,” says Thomas Fuller, in his “Holy States,” “learning hath gained most by those books by which the printers have lost.”

This woman is fair and seemly. When you look upon her you think how full of strength and well-knit is her body. You foresee her the mother of strong and supple children. She is graceful as she moves—a result of her freedom and a sign of her strength—and she is mistress of the occasion always. In this domination (the right of the domina) she has, even when unmarried and as early as in her teens, the poise and solidity of the matron. She scorns your supposition that she is not informed in every worldly line, and that the wavering hesitancy of the one who does not know could be hers. She rarely blushes, and is therefore a negative witness to Swift’s hard-cut apophthegm—

“A virtue but at second-hand;
They blush because they understand.”

Although conventional, she is often uninstructed in petty distinctions and laws which of late more and more growingly have manacled the hands, fettered the feet, and dwarfed the folk of our democracy; and which threaten that plasticity which, it is claimed, is the great characteristic of life. “It is quite possible,” says Clifford in his “Conditions of Mental Development,” “for conventional rules of action and conventional habits of thought to get such power that progress is impossible.... In the face of such danger it is not right to be proper.”

Secretly our St. Louis neighbor, like most women, subjects herself to

“the chill dread sneer
Conventional, the abject fear
Of form-transgressing freedom.”

Openly she often passes it by and remarks, rocking her chair a trifle uneasily, that she is as good as anybody else. For some unspoken reason you never ask her if every one else is as good as she. You recall what de Tocqueville wrote eighty years ago: “If I were asked to what the singular prosperity and growing strength of that [American] people ought mainly to be attributed, I should reply—to the superiority of their women.”

Of all so-called civilized women, she makes the greatest variation in her treatment of those of her own and those of the other sex. Toward women she is apt to be dull, splenetic, outspoken about what she esteems the faults of others. Even the weaknesses of her husband she analyzes to their friends—herein is a fertile source of divorce. Toward women, you observe, she is apt to be metallic, rattling, and uncharitable, or possibly over-social, relieving the peccant humors of her mind and attitudinizing upon what she esteems a man’s estimate of women—to please the sex she is not of. To men she is pert, flippant, witty, caustic, rapid, graceful, and gay. At times she amuses them and herself by slurring upon other women. She seems to leave it to the man to establish the spirit upon which the two shall meet; and by deft hand and turn and movement she is constantly suggesting her eternal variation from him. The woman is always chaste. It follows that marriages are many.

A not uncommon fruit of marriage vows is an application for divorce, which she estimates with such levity and mental smack that you would hesitate to bring a young girl to her presence.

“Has she applied, do you know?”

“Oh! they’ve separated.”

“On what grounds is she going to get it?”

“If she isn’t careful she’ll lose her case by seeing him too often.”

These are a few of many such sentences heard from her lips in public places.

Nothing higher than what an ordinary civil contract seeks seems to be sought in her marital affairs. She undoes the decree of old Pope Innocent III., to whom is ascribed the ordination of marriage as a function of his church and the claim of its sanctified indissolubility. In the light of her action marriage is truly and purely a civil contract, and devoid of that grace, resignation, forbearance, patience, tenderness, sweetness, and calm which make it truly religious.

She is strong, she is hopeful, she is ardent. She knows herself and her power—that it is of the flesh which aims at prettiness. The divine beauty of spirit in the countenance she does not know. In her midst Fra Angelico would find few sitters. Her religion, commonly that which in other ages passed from a propulsive, burning spirit to frozen formalism, is the crystallized precept of theologue and priest, the fundamental ecstasy and informing soul having long since departed. If she had a real religion she could not be what she is.

Those questions of our day that shove their gaunt visages into sympathetic minds she has little knowledge of, and little of that curiosity which leads to knowledge. The fashion of her gown and the weekly relays at the theatre are nearer to her heart, and to her thinking touch her more personally, than the moral miasmata and physical typhoids of her neighboring Poverty Flat. Both pests the adjustment of her household relations brings within her door. For her dwelling is commonly domesticked by dusky shapes upon whom also the real things of life sit lightly, to whom permanence and serious thought and work are rare. Their engagement is by the week, like that of pitiful vaudeville associates, and their performance as surpassingly shallow. They come upon their stage of work, veneer their little task with clever sleight of hand, and roll off to the supine inertness and inanity of their cabin.

This woman has therefore in her hands no feeling of the real relation and friendship that grow between mistress and maid who live the joys and sorrows of years together. By the less fortunate themselves, as well as by her own shallow skimming, her sympathies with the less fortunate are dwarfed. She looks upon her domestic as a serving sub-human animal, infinitely below herself, tolerated because of its menial performance, and barely possessed of the soul which her ecclesiastical tradition says is in every human form. In this deflection of her moral sense, can the hand of secular justice be punishing the wrong-doing of past centuries—the bringing in putrid slave-ships the captured, dazed, Eden-minded, animal-man—“the blameless Ethiopian”—to our shores?

She is born of fine material. When her nature is awry it is because of lack of right incentive. Old measures and life estimates are absurd to her quick senses, and none of the best of our modern values are put in their place. Her creed is wholly at variance with the facts of life to-day. If substantial instruction had entered the formative period of her life, there would have been no substance to project the darker parts of her shadow. Her nature is now ill-formed because of the misdirection of its elemental forces. She knows the tenor of her empire, and in truth and secretly she wonders how long her reign will endure.

“And therefore,” says Aristotle, in his Politics, “women and children must be trained by education with an eye to the state, if the virtues of either of them are supposed to make any difference in the virtue of the state. And they must make a difference, for children grow up to be citizens, and half the persons in a state are women.”

Abiding beside this overdressed woman is an underdressed man. His first striking quality is a certain sweet-natured patience—a result of his optimistic dwelling in the future. Not content with the present, and having forgotten the values of present-day simple life, he lives in a future of fictitious money values. “All human power,” he thinks, with Balzac, “is a compound of time and patience. Powerful beings will and wait.” He knows his power and he waits.