Spanish Highways and Byways

"Go thou with God," was his answer.

Begging was a recognized and licensed industry in Madrid a year ago, though a bill of reform, whose fate I have failed to learn, was then under consideration. A mother would gather her brood about her and go forth for her day's work. They beg up and down their accustomed beat during the morning, eat as their gains allow, lie down in the dust together for the afternoon siesta, and rise to be diligent in business during the hours of fashionable promenade. They stop pedestrians, chase carriages, press into shops to torment the customers at the counter, and reach beseeching palms through the open windows of cafés. Gentlemen escorting ladies are their peculiar victims, for well they know that many a man who never gives under other circumstances is ashamed to seem ungenerous under survey of starry eyes.

There is only one phrase that will shake off the professional beggar, "May God aid you!" On hearing this he makes it a point of religious honor to fall back. But as I could not use that formula without feeling myself something between a shirk and a hypocrite, I had to get on as best I could with the ineffectual, "Pardon me, my brother," to which should properly be added Por Dios (for God's sake).

The Spanish mendicant knows nothing of the Anglo-Saxon feeling, "To beg I am ashamed." No Rare Ben Jonson has thundered in his ears: —

"Art thou a man? and sham'st thou not to beg?
To practise such a servile kind of life?
Why, were thy education ne'er so mean,
Having thy limbs, a thousand fairer courses
Offer themselves to thy election.
Either the wars might still supply thy wants
Or service of some virtuous gentleman,
Or honest labor: nay, what can I name,
But would become thee better than to beg?"

From the Spanish point of view, on the contrary, it is manual labor, not beggary, that stains the escutcheon. A German lady of my acquaintance said to a strongly built man who was pleading for alms, "If you will carry my bag up these stairs, I will gladly pay you." Deeply insulted, he folded his cloak about him with hidalgo dignity, saying, "Madame, I am a beggar, not a laborer." Certain monasteries send out brothers, with plates and bags, on a daily begging round – brothers who may belong to the first families of Spain. The Church is often cited as indorsing mendicancy. Extolling almsgiving as a prime virtue, and itself maintaining a vast number of charitable institutions, it has not yet assimilated modern methods of relief.

A favorite story for children, used as supplementary reading in the schools, is called "The Medal of the Virgin." This is, in fact, a Roman Catholic version of "Fortunatus's Purse." Its small heroine, Mary of the Angels, is an orphan, defrauded by a miser of her rich inheritance and treated with barbarity by the uncle and aunt for whom she is an uncomplaining drudge. But once, in festive hour, they give her five centimos, which this generous innocent promptly bestows on a beggar woman, who holds a baby in her ragged arms. In return, the beggar gives the child a queer, old-fashioned mite of a coin, which turns out to have the Wall Street quality of heaving up a little mountain of gold above itself every hour or two.

Mary of the Angels sallies forth for a tour of the country, pouring handfuls of gold into the laps of the beggars who sit at the church doors and city gates, until she is escorted wherever she goes by an army of the halt and blind singing her praises. At last, having given away such Pyrenees of gold that not a beggar could be found in all the land for a century to come, the footsore little philanthropist begs the Virgin to relieve her of the coin. The Madonna descends in a beam of light, the Christ Child smiling from her arms, yet in the radiant group Mary of the Angels recognizes the objects of her earliest charity. "For I," explains the Madonna, "am the holy beggar from heaven. The poor of the earth give me their tears and prayers, and for such alms do I hold out my hand to all the sorrowful."

Yet the progressive element in Spain is all the more ashamed of the beggars because they are not ashamed of themselves, and a few years may see Madrid swept as clear of mendicancy as is San Sebastian to-day.

Madrid is such an easy-going city that one hardly realizes at first how well it performs certain of its functions. Its water supply, for instance, is excellent, although when one sees the picturesque groups, with those same clay water-jars over which Rebecca smiled on Jacob, lingering about the gray stone fountains, one expects a patriarchal flavor in the liquid. The tramway service of Madrid, everything radiating from the Puerta del Sol, is most convenient, although electricity is a little slow in coming to the relief of horse-flesh. The shops, fairly well stocked, gild commerce with Spanish graces. You accept a chair, you pass the courtesies of the day, the gentleman who serves you, often with cigar in mouth, is seldom sure as to just what goods he has on hand, and is still more rarely dogmatic as to their price.

The tug of war, however, comes in getting them delivered. Ten days before quitting Madrid I bought at one of the best of the librerias a number of books, including several illustrated catalogues of the Velázquez sala. These last were pretty trifles bound in white parchment, and as I intended them for gifts, I wanted fresh copies. "You wish them clean, all of them?" asked the proprietor, with an accent of surprise. I replied that I did, and would moreover be obliged if he could fit them with envelopes ready for mailing. Envelopes he had none, but he promised to tie them up in separate parcels. "And books and bill will come without fail this afternoon?" He looked pained to the heart. "This very morning, señora. You will find them awaiting you on your return." On the third day I sent a note, and on the fifth a boy arrived with the bulk of my purchase, but no catalogues nor bill. I explained to the lad, who smilingly besought me to give myself no concern, that I was on the point of leaving the city for good, and preferred not to go away in debt; but the days passed, and my inability to extort that reckoning became the jest of the household. At last, driven to desperate measures, I went through noonday heat to the store, and actually found that procrastinating bookseller scattering cigar ashes over a little heap of catalogues, while he contemplated the pictures of each copy in turn. "Behold, señora," he exclaimed, as serenely as if not ten minutes had elapsed since our parting, "here I have for you immaculate booklets, stainless, faultless, such as will rejoice those fortunate friends to whom you have the amiability to send them. And I am this instant about to prepare them for the post with inviolate security."

I expressed my obligations, but entreated him to draw up the account and let me settle it then and there, as I was within twenty-four hours of departure. "And in travelling," I added apologetically, "it is difficult to send back money." At the obnoxious word he flung up hands and eyebrows. "Señora!" I left the shop, feeling vaguely that I had been guilty of a flagrant indelicacy, as well as black ingratitude. The catalogues, very slightly wrapped, arrived on the morrow, just in time to be thrust into my shawl strap, and I paid the bill amid the final agitation, so unfavorable to arithmetic, of porters and farewells.

I had worse fortune in trying to subscribe for a certain popular periodical. I went to the office in the designated business hours, to find that, of the three men who should have been there, one had already gone, one had not arrived, and the third had "stepped out for a little rest." The janitor left in charge, a sympathetic person who could not read nor write, thought if I would return on Sunday at my luncheon hour, there might be somebody there qualified to receive my subscription and address, but, he sagely added, "in this world we are sure of nothing."

Madrid possesses the Biblioteca Nacional with valuable manuscripts and something like one million books, handsomely housed, where arrangements are made for over three hundred readers, but here, as in the other Spanish cities, public libraries in the American sense of libraries largely used by the general public are practically non-existent. The bookstores, too, except for the latest Spanish publications, leave much to be desired. As a rule, one can get only the most meagre information concerning texts and editions of the national classics, and the supply of new French novels or new German plays is far less complete than the stock of Paris gloves and German cutlery. This last, so canny have the honest Teutons grown, is usually engraved Toledo.

In variety of weather, however, Madrid surpasses all expectations, furnishing the sultriest heat, the chilliest cold, the dustiest dust, and the most prodigious crashes of thunder and lumps of hail to be found in the meteorological market, and all these within a few hours of one another. But what with fans, braseros, balconies, horchaterias, an army of street waterers, and, most essential of all, an inexhaustible fund of good humor, the Madrileño contrives to live on friendly terms with his climate, although he dares not lay aside his cloak before "the fortieth of May."

Apart from bull-fights and riots, those rages of excitement that seem to indicate a periodical fevering of the southern blood, the Madrileño takes his pleasures with a dignified simplicity. The city is exceedingly rich in open squares, well-shaded parks, and long reaches of green promenade, and here, with several dozen cigarettes and a few coppers for water and agráz, he wiles the hours away, chatting with friends and admiring the ladies who roll past in spruce landaus. Over the gate of the social paradise of Madrid it must be written, "No admittance except in coaches," for a carriage seems essential to high life. Liveried coachman, rather than powdered butler, is the sine qua non. During the hot season this outdoor parade is in gay career at midnight, and whole families, babies and nurses included, may be seen gathered in festive knots around small refreshment tables, within sound of fountain spray and garden music. There are open-air concerts, and concerts in smoke-beclouded halls, greensward dances, and dances stepped on café tables among disordered clusters of bottles and glasses, and there is always the theatre, on which your Spaniard dotes.

In the winter season there is opportunity to enjoy classic drama at the Teatro Español, where the Bernhardt of Spain, "La Guerrero," supported by her grandee husband, Mendoza, holds sway. When I saw them they were using short farces of Cervantes and Lope de Rueda for curtain raisers to a romantic drama by Tirso de Molina and a modern society play by Echegaray. I saw them, too, in Zorrilla's singular dramatic version of "Don Juan," the only play allowed in Spanish theatres on the night of All Saints.

From March to November, however, the Teatro Español is closed, and there is little doing at the Teatro Real, an aristocratic temple of Italian opera. During the summer season the theatrical opportunities of Madrid are mainly limited to the popular zarzuelas, or operettas, four of which are usually given in an evening. Each theatre offers a new programme of these every night, but there is little of literary interest except, now and then, a taking trifle from the pen of Hartzenbusch or Echegaray.

The Madrid theatre recks naught of early risers. The opening vaudeville is seldom under way before nine o'clock; the house is cleared after each performance, and often the encores and repetitions prolong a popular zarzuela quite beyond the hour limit. On the other hand, if the audience is small, the opening piece may be cut down to the merest outline. I remember one such occasion when the boxes were so empty and the farce so familiar that the orchestra fairly chaffed the actors off the stage. "Enough, enough! Thou mayst withdraw!" chanted the lyric lover to an intruding servant. "And so mayst thou," called out a voice from among the violins. "I've told my passion to the stars," continued the actor in his most mellifluous tenor, making the distant love of the Spanish stage to a lady who was smiling frankly on the audacious fiddler. "Poor stars!" interpolated this worthy so sympathetically that everybody laughed, the singer wound up his transports in the shortest possible order, and the remaining scenes were hardly more than pantomime. But such was the universal good nature and indifference to business exactitudes, that neither artists nor ticket-holders took this curtailment of their rights in umbrage.

Among the excellences of Madrid must be counted her museos. The Armería, with its plumed and steel-clad warriors, all at tourney, is no mere lumber room of wicked old iron, as might have been expected, but a new canto of the "Faery Queene." The Museo Naval still smells of the boundless brine and Isles of Spicery. The Museo Arqueológico Nacional sweeps one, as on the magic carpet of Alhambra legend, through the entire tragedy of Spain. Here are the successive leaves of her strange picture-book – scratched, prehistoric flints, grass-woven Iberian sandals, rudely sculptured shapes in sandstone grasping wine cups that suggest whole Rubaiyats, Phœnician anchors, bronze tables of Roman laws, Moorish arabesques, mediæval altars, modern wares and fineries, while barbaric spoils of Peruvian idols, Mexican feather-shields, sacrificial stones, and figures of forest lords speak to the imagination of that vast colonial empire which rose out of a dream to melt again like very dreamstuff, leaving "not a rack behind." These I have seen, but there are twice as many more Madrid museums which I had not time to see, and which, I am told, are no less rich in rarities and no less effective in pictorial beauty of arrangement.

Of the art galleries, who can say enough? The supreme Museo del Prado so magnetizes pilgrim feet that it is hard to spare even a few hours for the Académia de Bellas Artes, with its grand Murillos and calm Zurbaráns, or the Museo de Arte Moderno, with its succession of canvases depicting scene upon scene of death, decay, murder, execution, starvation, battle, torture, frenzy. Whatever is most horrible in the story of the Peninsula – Juana the Mad staring at her husband's coffin, the bloody fall of the betrayed Torrijos and his band, the nobles of Portugal doing shuddering homage to the exhumed corpse of Inez de Castro, all that moves disgust, distress, dismay, seems flaunted here. The technique is French, but the subjects are Spanish. Many of the pictures have historical dignity and faithfulness, a few reproduce the modern national types, with a preference for bull-fighters and anarchists over fishermen and peasants, but one misses the spiritual beauty that went hand in hand with the spiritual terror of the older art. Do the Spanish painters of to-day derive only from Goya and Ribera?

The old-time popular ceremonies are fast fading out of Europeanized Madrid. Even the Christmas mirth is waning, though still on Noche Buena the Plaza Mayor is close set with booths, and the Infanta Isabel, muy Madrileña that she is, makes a point of driving through and heaping her carriage with fairings. On Twelfth Night, too, there are a few small boys to be seen scampering about the streets, looking for the arrival of the Magi. Every year drops something of the mediæval heritage, and it has fallen to my lot to chronicle the passing of one of Madrid's most ancient and comfortable rites. The principal saint days of June, July, and August are preceded by verbenas, or evening fairs, chief among these being the Verbena de San Juan, on Midsummer Night. Many a baby has a grand frolic this evening, rocked back and forth on his mamma's knees, laughing eyes to laughing eyes, while she dips her head to his and tickles his little neck with kisses in time to the ancient ditty: —

"Recotín, recotón!
The bells of St. John!
There's a festival on.
Recotín, recotín, recotón!"

Far along the Prado gleam the busy fires over which are merrily bubbling the oiliest and brownest of buñuelos. The rows of lighted stalls, which have sprung up like mushrooms on either side of the promenade, present to the revelling, roving, shifting throng an amazing variety of tawdry knickknacks, ingeniously devised to meet no human want. As we drove slowly up and down, enjoying the scene, while beggars ran beside the carriage and hawkers darted out upon us with shrill cries, the "American girl" of our little group strove earnestly to find "something to buy."

The most useful and convenient article for a traveller that could be discovered was a pasteboard bull's head on a long stick, but her chaperon, mindful of trunk dimensions, discouraged this purchase so effectively that Little Boston gracefully made herself amends by presenting us all with images of St. John. These scandalously represented the Baptist as a ballet girl in short cotton-wool skirts and gilt ribbons, waving a banner with one hand and leading a two-legged lamb with the other.

As midnight drew near, carriages and foot-folk all pressed toward the stately Cybele fountain. It seems that there was once, in the Puerta del Sol, a magic spring whose waters, sprinkled at Midsummer Midnight on the most unlikely head, insured a wedding within the year. Trams and cabs, riots and bloodshed, drove the precious charm away to the Prado, even to this same Cybele fountain, which for many generations has continued to work bridal miracles. So recently as 1898, as soon as the clock in the tower of the stately Bank of Spain struck midnight, with wedding cadences lingering in its peal, eager feet went splashing through the broad marble basin, and the enchanted water, thrown by handfuls and cupfuls far out over the crowd, sparkled even on bald pates and wigs.

But alas for Madrid and her Midsummer Night's Dream! Some prosaic person got wet and tattled to the Alcalde. So when in natural agitation, on our only Verbena of St. John, we had persuaded the compassionate coachman to drive as close as close might be to the fountain, we encountered a bristling, unromantic railing, and outside of this a grim circle of police, frowning menace on that disconcerted host. Every moment more carriages, with veiled ladies and rheumatic gentlemen, dashed up, and the indignant crowd surged forward to the very buttons of authority. But midnight chimed in vain. One desperate graybeard vaulted over the railing, only to be hustled back with contumely. In general, however, that great press of people remained as meek as the lions of Cybele's chariot – a lack of spirit only to be accounted for by remembering that this midnight company was made up of the shamefaced and rejected, such an assemblage of blighted beings as, now that the last spell is snapped, earth will never see again. Even the decorous Cybele laughed in her marble sleeve.

So passes the old Madrid; but there is a new Madrid, of which a word still waits to be said.

XIV

A STUDY IN CONTRASTS

"Here you have them, the two Spains, unlike, antagonistic, squared for conflict."

– Vida Nueva.

The world-old struggle between conservatism and advance is at its most dramatic point in Spain. The united forces of clericalism and militarism work for the continuance of ancient institutions, methods, ideas, and those leaders who do battle in the name of liberalism are too often nothing more than selfish politicians. But with all these odds against progress, it is making way. The mass of the people, kept so long in the darkness of ignorance and superstition, are looking toward the light. During my last week in Madrid I chanced upon two extreme expressions of these warring principles. The first was a royal and religious ceremony, the second a monster mass meeting, – the one intent on cherishing the past, the other clamoring at the gates of the future.

I was looking over the Imparcial as I took my coffee one morning, when my eye fell on an item to the effect that there would be capilla publica en Palacio at ten o'clock. A traveller learns to jump at opportunity. Public service in the royal chapel promised to be of interest, and half-past nine found me waiting, with a miscellaneous company of gentles and tatterdemalions, natives and foreigners, on the palace side of the Plaza de Armas, the expectant throng streaming far down the paved and covered way. We were well marshalled by soldiers, who kept the crowd in form of a long troop, and banded this by military lines, with gleaming bayonets. These bands, but a few feet apart, were effectual in preventing crowding and disorder, and when at last the doors were thrown open, a double rank of soldiers closed in before the portal as often as the entering file showed any tendency to press and hurry, and thus passed us through by small divisions, so that there was no unseemly struggling on the succession of bare, plain stairways that led to the upper galleries.

For "public service in the royal chapel," I was now to discover, does not mean that the public is admitted to the chapel itself. This is small, but very Spanish, with profusion of gilding, imposing altar, and frescoed saints, the characteristic splendor being tempered with a no less characteristic gloom, an effect enhanced by austere columns of gray marble. On days of public service, which are usually high feast days, three long galleries, forming three sides of a great quadrangle, are traversed by the court in passing from the royal rooms to the chapel door, and it is to these galleries only that the public is admitted. On such occasions the gallery walls are hung with richly colored tapestries from the magnificent collection of eight hundred pieces that enriches the royal Tapiceria.

The instant I crossed the threshold these tapestries blazed upon the eye, so dazzling in their beauty that it was difficult to grasp the general situation. Civil Guards, in gala uniform, each armed with a pike taller than himself, were stationed at intervals of about six feet all along these tapestried walls, holding the carpeted way open for the passage of the royal and ecclesiastical party. The public hastened to fill in the spaces left between the guards, so that when the dignitaries paced the length of the three galleries, they walked between continuous human lines of mingled soldiery and spectators. We were of various ages, sizes, colors, and quite as picturesque, take it all in all, as the slowly stepping group on which our eyes were focussed.

A division of the royal escort, marching with drawn swords, preceded the Queen Regent, a slight and elegant figure in white and heliotrope, her mantilla pinned with diamonds. She walked in royal solitude, with a bearing of majesty and grace, but her face had a hard and almost sour look, which of itself might account for her unpopularity. The King and the younger Infanta did not take part in the day's ceremony, but the Princess of Asturias followed her mother, a fresh-faced girl, charmingly dressed in white and blue, with pearls and turquoises. A respectful step or two in the rear of her niece, yet at her side rather than behind, came in rich green silk adorned with emeralds the stout, gray-puffed, easy-going Infanta Isabel, her broad, florid face beaming with affability. The guards had passed stern word down the line for all hats to be off, but there was no sign of greeting, so far as I saw, from the spectators to the royal party, except as now and then some happy Spaniard bowed him to the dust in acknowledgment of a nod, as familiar as a wink, from this popular Infanta.

The occasion of this stately function was the elevation of the Papal Nuncio to the rank of cardinal. He passed in all priestly magnificence of vestments and jewels, his red hat borne before him on a cushion. He was attended by the chief clerics of Court and capital, but even these gorgeous personages were outshone by the military and naval officers, whose breasts were a mosaic of medals, and whose headgear such erections of vainglory as to hush the crested cockatoo with shame. The Gentlemen of the Palace, too, were such peacocks in their glittering coats of many colors, their plumes and sashes, gold lace and silver lace, that the plump Ladies in Waiting, for all their pride of velvet, satin, and brocade, looked like mere hens in the wake of strutting chanticleers.

The American mind is ill prepared to do homage to the dress parades of European courts, and I laid by the memory to laugh over when I should have reached a place and hour where laughter would be inoffensive. As the Diplomatic Corps, in its varied costumes, came trooping on, twice a whisper ran along the gazing lines. "The Turk!" and the traditional enemy of Spain limped smilingly past, a bent, shrewd-faced old Mussulman, whose Oriental finery was topped by the red fez. "The Yankee!" and Spain's latest adversary strode by in the person of the newly arrived United States Minister, decorously arrayed in dress suit and a Catholic expression.

The chapel doors closed on this haughty train, and we, the invited public, cheerily proceeded to pass a social hour or two in chat and promenade and in contemplation of the tapestries. Even the Civil Guards unbent, dancing their babies, lending their pikes to delighted urchins, and raising forbidden curtains to give their womenkind furtive peeps into the royal apartments. Most astonishing was the maltreatment of those priceless tapestries. Small boys, unrebuked, played at hide and seek under the heavy folds, old men traced the patterns with horny fingers, and the roughest fellows from the streets lounged stupidly against them, rubbing dirty-jacketed shoulders over the superb coloring. The most splendid series displayed was from a master-loom of the Netherlands, illustrating the conquest of Tunis by Charles V – marvellously vivid scenes, where one beholds the spread of mighty camps, the battle shock of great armies and navies, and, like shrill chords of pain in some wild harmony, the countless individual tragedies of war. The scimitar of the Turk flashes down on the Spanish neck, while the upturned eyes are still too fierce for terror; the turbaned chief leans from his gold-wrought saddle to scan the severed heads that two blood-stained sons of the prophet are emulously holding up to his survey, hoping to recognize in those ghastly faces enemies of rank; white-robed women on the strand, their little ones clinging to their knees, reach arms of helpless anguish toward the smitten galley of their lords, who are leaping into the waves for refuge from the Christian cannonade.

I wondered how the Turkish Minister liked those tapestries, as his stooped-back Excellency passed in conference with a Chinese mandarin, who must have studied his costume from a teacup. For we had all been hustled into rows again to make that human lane through which the Royalties and the Reverends returned from their devotions. I was facing a quaint old tapestry of Christ enthroned in glory, with the beasts of the Apocalypse climbing over Him like pet kittens, and this so distracted my attention that I omitted to ask the amiable Infanta Isabel, who would, I am sure, have told anybody anything, what had taken place. But I read it all in the Epocha that evening – how her Majesty with her own august hands had fitted the red hat to the Nuncio's tonsured head, and how the new-made cardinal had addressed her in a grateful oration, praising her virtues as manifested in "the double character of queen and mother, an example rich in those peculiar gifts by which your Royal Grace has won the veneration and love of the noble and chivalrous Spanish people, the especial affection of the Father of the Faithful, and the respect and sympathy of all the world." For her and for the youthful monarch of Spain he invoked the favor of Heaven, and uttered a fervent hope that the cup of bitterness which this most Catholic nation had bowed herself to drink might be blessed to her in a renewal of strength and a reconquest of her ancient preëminence among the peoples of the earth.

The most significant expression of "new Spain" that I encountered in Madrid was a mass meeting – a rare and novel feature in Spanish public life. I blundered upon it as foolishly as one well could. The second day of July was the first anniversary of the founding of a daring Madrid weekly, the Vida Nueva, to which, attracted by its literary values, as well as its political courage, I had subscribed. The sheet is usually issued Sunday, but as I was on the point of going out one Saturday afternoon my Vida Nueva arrived, accompanied by two non-committal tickets. They gave entrance to the Frontón Central, "only that and nothing more." I called one of the pretty señoritas of the household into council, and she sagely decided that these were tickets to pelota, the Basque ball game, played in one or another of the various Madrid halls almost every summer afternoon. It seemed a little too considerate in the Vida Nueva to provide for the recreation of its subscribers, but I was growing accustomed to surprises of Spanish courtesy, and tucked the tickets away in a safe corner. The folded newspaper rustled and whispered, and finally fluttered to my feet, but I was eager to be off, and, after the blind fashion of mortals, put it by.

It was my privilege to dine that day with two compatriots, and one of these, who knows and loves Spain better than many Spaniards do, began at once to tell me of that most unusual occurrence, a Madrid mass meeting, to take place this very evening. Of course we resolved to go, although my friend's husband was not in the city, and no other escort would countenance so harebrained an expedition. For the street to which this valiant lady led the way was choked with a flood of men surging toward an open door. The hall for the "meeting," a word which the Spanish language has fully adopted, was the Frontón Central, and admission was by ticket. Light dawned on my dim wits, and, while my two companions, with dignified and tranquil mien, stood themselves up against the outer wall, I besought a leisurely cabman, who insisted on waiting to pick up a little ragamuffin clamoring for a ride, to drive me in hot haste to my domicile. Here I searched out the tickets, put away only too carefully, and took a fleeting glance at the Vida Nueva, which urged all "men of heart" to celebrate the eve of its anniversary by their presence at this mass meeting.

I had not realized that there were so many men of heart in Madrid. The street on my return was worse than before. The cabman objected strenuously to leaving us in these tempestuous surroundings, and, since there were only two tickets, we two elders of the trio agreed that the American girl was all too young for such an escapade, and forthwith despatched her, under his fatherly care, to the hotel. Then came the tug of war. We saw men fighting fiercely about the door, we heard the loud bandying of angry words, we were warned again and again that we could never get through the jam, we were told that, tickets or no tickets, ladies would not, could not, and should not be admitted; it was darkly hinted that, before the evening was over, there would be wild and bloody work within those walls. But we noticed a few other women in the throng, and decided, from moment to moment, to wait a little longer, and see what happened next. Meanwhile, we were almost unjostled in the midst of that excited, struggling crowd, often catching the words: "Stand back there! Don't press on the ladies! Leave room!" And when it came to the final dash we had well-nigh a clear passage. Our tickets gave access only to the floor of a big, oblong hall, closely packed with a standing mass of some ten thousand men; but a debonair personage in authority conducted us, with more chivalry than justice, to the reserved boxes in the gallery, where we occupied perfect seats, – for which other people probably held tickets, – in the front row, overlooking all the house.

So much for Spanish indulgence to audacious womenfolk. But as to the meeting itself, what was it all about? In Spain one word suffices for an answer. Montjuich has become a Liberal rallying cry, although the movement is not bound in by party lines. It is the Dreyfus affaire in a Spanish edition. The Castello de Montjuich is a strong fortress, with large magazines and quarters for ten thousand soldiers. It is built on a commanding height, the old Mountain of the Jews, just outside Barcelona, and has again and again suffered bombardment and storm. But in this latest assault on Montjuich the weapons are words that burn and pens keener than swords. It was on the seventh of June, 1896, that the famous bomb was exploded in Barcelona. It was taken for an Anarchist outrage, and over two hundred men, including teachers, writers, and labor leaders, were arrested on suspicion. Nearly two months passed, and, despite the offer of tempting rewards, no trace of the culprits had been found. In the Fortress of Montjuich the guards deputed to watch the prisoners, acting more or less under superior authority, which itself may have been influenced by Jesuit suggestion, began on the fourth of August to inflict tortures upon the accused for the purpose of extracting evidence. The trials were by military procedure, power sat in the seat of justice, and innocent men, it is believed, were condemned on the strength of those forced confessions – mere assents, wrung from them by bodily agony, to whatever their guards might dictate. But many persisted in denial, and in course of time a number were released, maimed, in certain cases, for life. Others were shot, and a score still lay in prison. The fortress dungeons are deep and dark, but little by little the cries and groans of the "martyrs of Montjuich" penetrated the dull stone and sounded throughout Spain.