Historical Mysteries

Douglas set forth, disguised as an intellectual British tourist, in the summer of 1755, and it is Captain Buchan Telfer's view that d'Éon joined him, also as a political agent, in female apparel, on the road, and that, while Douglas failed and left Russia by October 1755, d'Éon remained at St. Petersburg, attired as a girl, Douglas's niece, and acting as the lectrice of the Empress, whom he converted to the French alliance! This is the traditional theory, but is almost certainly erroneous. Sometimes, in his vast MSS., d'Éon declares that he went to Russia disguised in 1755. But he represents himself as then aged twenty, whereas he was really twenty-seven, and this he does in 1773, before he made up his mind to pose for life as a woman. He had a running claim against the French government for the expenses of his first journey to Russia. This voyage, in 1776, he dates in 1755, but in 1763, in an official letter, he dates his journey to Russia, of which the expenses were not repaid, in 1756. That is the true chronology. Nobody denies that he did visit Russia in 1756 attired as a male diplomatist, but few now believe that in 1755 he accompanied Douglas as that gentleman's pleasing young niece.

MM. Homberg and Jousselin, in their recent work,[42 - Le Chevalier d'Éon, p. 18.] declare that among d'Éon's papers, which lay for a century in the back shop of a London bookseller, they find letters to him, from June 1756, written by Tercier, who managed the secret of Louis XV. There are no known proofs of d'Éon's earlier presence in Russia, and in petticoats, in 1755.

He did talk later of a private letter of Louis XV., of October 4, 1763, in which the King wrote that he 'had served him usefully in the guise of a female, and must now resume it,' and that letter is published, but all the evidence, to which we shall return, tends to prove that this paper is an ingenious deceptive 'interpolation.' If the King did write it, then he was deceiving the manager of his secret policy – Tercier – for, in the note, he bids d'Éon remain in England, while he was at the same time telling Tercier that he was uneasy as to what d'Éon might do in France, when he obeyed his public orders to return.[43 - Broglie, Secret du Roi, ii. 51, note.] If, then, the royal letter of October 4, 1763, testifying to d'Éon's feminine disguise in Russia, be genuine, Louis XV. had three strings to his bow. He had his public orders to ministers, he had his private conspiracy worked through Tercier, and he had his secret intrigue with d'Éon, of which Tercier was allowed to know nothing. This hypothesis is difficult, if not impossible, and the result is that d'Éon was not current in Russia as Douglas's pretty French niece and as reader to the Empress Elizabeth in 1755.

In 1756, in his own character as a man and a secretary, he did work under Douglas, then on his second visit, public and successful, to gain Russia to the French alliance; for, dismissed in October 1755, Douglas came back and publicly represented France at the Russian Court in July 1756. This was, to the highest degree of probability, d'Éon's first entrance into diplomacy, and he triumphed in his mission. He certainly made the acquaintance of the Princess Dashkoff, and she, as certainly, in 1769-1771, when on a visit to England, gave out that d'Éon was received by Elizabeth in a manner more appropriate to a woman than a man. It is not easy to ascertain precisely what the tattle of the Princess really amounted to, but d'Éon represents it so as to corroborate his tale about his residence at Elizabeth's Court, as lectrice, in 1755. The evidence is of no value, being a biassed third-hand report of the Russian lady's gossip. There is a mezzotint, published in 1788, from what professes to be a copy, by Angelica Kauffmann, of a portrait of d'Éon in female costume, at the age of twenty-five. If these attributions are correct, d'Éon was masquerading as a girl three years before he went to Russia, and, if the portrait is exact, was wearing the order of St. Louis ten years before it was conferred on him. The evidence as to this copy of an alleged portrait of d'Éon is full of confusions and anachronisms, and does not even prove that he thus travestied his sex in early life.

In Russia, when he joined Douglas there in the summer of 1756, d'Éon was a busy secretary of legation. In April 1757, he went back to Versailles bearing rich diplomatic sheaves with him, and one of those huge presents of money in gold, to Voltaire, which no longer come in the way of men of letters. While he was at Vienna, on his way back to St. Petersburg, tidings came of the battle of Prague; d'Éon hurried to Versailles with the news, and, though he broke his leg in a carriage accident, he beat the messenger whom Count Kaunitz officially despatched, by thirty-six hours. This unladylike proof of energy and endurance procured for d'Éon a gold snuff-box (Elizabeth only gave him a trumpery snuff-box in tortoiseshell), with the King's miniature, a good deal of money, and a commission in the dragoons, for the little man's heart was really set on a military rather than a diplomatic career. However, as diplomat he ferreted out an important secret of Russian internal treachery, and rejected a bribe of a diamond of great value. The money's worth of the diamond was to be paid to him by his own Government, but he no more got that than he got the 10,000 livres for his travelling expenses.

Thus early was he accommodated with a grievance, and because d'Éon had not the wisdom to see that a man with grievances is a ruined man, he overthrew, later, a promising career, in the violence of his attempts to obtain redress. This was d'Éon's bane, and the cause of the ruinous eccentricities for which he is remembered. In 1759 he ably seconded the egregious Louis XV. in upsetting the policy which de Choiseul was carrying on by the King's orders. De Choiseul's duty was to make the Empress mediate for peace in the Seven Years' War. The duty of d'Éon was to secure the failure of de Choiseul, without the knowledge of the French ambassador, the Marquis de l'Hospital, of whom he was the secretary. Possessed of this pretty secret, d'Éon was a man whom Louis could not safely offend and snub, and d'Éon must therefore have thought that there could scarcely be a limit to his success in life. But he disliked Russia, and left it for good in August 1760.

He received a life pension of 2,000 livres, and was appointed aide-de-camp to the Maréchal de Broglie, commanding on the Upper Rhine. He distinguished himself, in August 1761, by a very gallant piece of service in which, he says, truly or not, he incurred the ill-will of the Comte de Guerchy. The pair were destined to ruin each other a few years later. D'Éon also declares that he led a force which 'dislodged the Highland mountaineers in a gorge of the mountain at Einbeck.' I know not what Highland regiment is intended, but D'Éon's orders bear that he was to withdraw troops opposed to the Highlanders, and a certificate in his favour from the Duc and the Comte de Broglie does not allude to the circumstance that, instead of retreating before the plaids, he drove them back to the English camp. It may therefore be surmised that, though D'Éon often distinguished himself, and was wounded in the thigh at Ultrop, his claim of a victory over a Highland regiment is – 'an interpolation.' De Broglie writes, 'we purpose retreating. I send M. d'Éon to withdraw the Swiss and Grenadiers of Champagne, who are holding in check the Scottish Highlanders lining the wood on the crest of the mountain, whence they have caused us much annoyance.' The English outposts were driven in; but, after that was done, the French advance was checked by the plaided Gael: d'Éon did not

quell the mountaineer
As their tinchel quells the game.

Not a word is said about his triumph even in the certificate of the two de Broglies which d'Éon published in 1764.

In 1762, France and England, weary of war, began the preliminaries of peace, and d'Éon was attached as secretary of legation to the French negotiator in London, the Duc de Nivernais, who was on terms so intimate with Madame de Pompadour that she addressed him, in writing, as petit époux. In the language of the affections as employed by the black natives of Australia, this would have meant that de Nivernais was the recognised rival of Louis XV. in the favour of the lady; but the inference must not be carried to that length. There are different versions of a trick which d'Éon, as secretary, played on Mr. Robert Wood, author of an interesting work on Homer, and with the Jacobite savant, Jemmy Dawkins, the explorer of Palmyra. The story as given by Nivernais is the most intelligible account. Mr. Wood, as under secretary of state, brought to Nivernais, and read to him, a diplomatic document, but gave him no copy. D'Éon, however, opened Wood's portfolio, while he dined with Nivernais, and had the paper transcribed. To this d'Éon himself adds that he had given Wood more than his 'whack,' during dinner, of a heady wine grown in the vineyards of his native Tonnerre.

In short, the little man was so serviceable that, in the autumn of 1762, de Nivernais proposed to leave him in England, as interim Minister, after the Duc's own return to France. 'Little d'Éon is very active, very discreet, never curious or officious, neither distrustful nor a cause of distrust in others.' De Nivernais was so pleased with him, and so anxious for his promotion, that he induced the British Ministers, contrary to all precedent, to send d'Éon, instead of a British subject, to Paris with the treaty, for ratification. He then received from Louis XV. the order of St. Louis, and, as de Nivernais was weary of England, where he had an eternal cold, and resigned, d'Éon was made minister plenipotentiary in London till the arrival of the new ambassador, de Guerchy.

Now de Guerchy, if we believe d'Éon, had shown the better part of valour in a dangerous military task, the removal of ammunition under fire, whereas d'Éon had certainly conducted the operation with courage and success. The two men were thus on terms of jealousy, if the story is true, while de Nivernais did not conceal from d'Éon that he was to be the brain of the embassy, and that de Guerchy was only a dull figure-head. D'Éon possessed letters of de Broglie and de Praslin, in which de Guerchy was spoken of with pitying contempt; in short, his despatch-boxes were magazines of dangerous diplomatic combustibles. He also succeeded in irritating de Praslin, the French minister, before returning to his new post in London, for d'Éon was a partisan of the two de Broglies, now in the disgrace of Madame de Pompadour and of Louis XV.; though the Comte de Broglie, 'disgraced' as he was, still managed the secret policy of the French King.

D'Éon's position was thus full of traps. He was at odds with the future ambassador, de Guerchy, and with the minister, de Praslin; and would not have been promoted at all, had it been known to the minister that he was in correspondence with, and was taking orders from, the disgraced Comte de Broglie. But, by the fatuous system of the King, d'Éon, in fact, was doing nothing else. De Broglie, exiled from Court, was d'Éon's real master, he did not serve de Guerchy and de Praslin, and Madame de Pompadour, who was not in the secret of her royal lover.

The King's secret now (1763) included a scheme for the invasion of England, which d'Éon and a military agent were to organise, at the very moment when peace had been concluded. There is fairly good evidence that Prince Charles visited London in this year, no doubt with an eye to mischief. In short, the new minister plenipotentiary to St. James's, unknown to the French Government, and to the future ambassador, de Guerchy, was to manage a scheme for the ruin of the country to which he was accredited. If ever this came out, the result would be, if not war with England, at least war between Louis XV., his minister, and Madame de Pompadour, a result which frightened Louis XV. more than any other disaster.

The importance of his position now turned d'Éon's head, in the opinion of Horace Walpole, who, of course, had not a guess at the true nature of the situation. D'Éon, in London, entertained French visitors of eminence, and the best English society, it appears, with the splendour of a full-blown ambassador, and at whose expense? Certainly not at his own, and neither the late ambassador, de Nivernais, nor the coming ambassador, de Guerchy, a man far from wealthy, had the faintest desire to pay the bills. Angry and tactless letters, therefore, passed between d'Éon in London and de Guerchy, de Nivernais, and de Praslin in Paris. De Guerchy was dull and clumsy; d'Éon used him as the whetstone of his wit, with a reckless abandonment which proves that he was, as they say, 'rather above himself,' like Napoleon before the march to Moscow. London, in short, was the Moscow of little d'Éon. When de Guerchy arrived, and d'Éon was reduced to secrétariser, and, indeed, was ordered to return to France, and not to show himself at Court, he lost all self-control. The recall came from the minister, de Praslin, but d'Éon, as we know, though de Praslin knew it not, was secretly representing the King himself. He declares that, at this juncture (October 11, 1763), Louis XV. sent him the extraordinary private autograph letter, speaking of his previous services in female attire, and bidding him remain with his papers in England disguised as a woman. The improbability of this action by the King has already been exposed. (Pp. 242 (#Page_242), 243 (#Page_243)supra.)

But when we consider the predicament of Louis, obliged to recall d'Éon publicly, while all his ruinous secrets remained in the hands of that disgraced and infuriated little man, it seems not quite impossible that he may have committed the folly of writing this letter. For the public recall says nothing about the secret papers of which d'Éon had quantities. What was to become of them, if he returned to France in disgrace? If they reached the hands of de Guerchy they meant an explosion between Louis XV. and his mistress, and his ministers. To parry the danger, then, according to d'Éon, Louis privately bade him flee disguised, with his cargo of papers, and hide in female costume. If Louis really did this (and d'Éon told the story to the father of Madame de Campan), he had three strings to his bow, as we have shown, and one string was concealed, a secret within a secret, even from Tercier. Yet what folly was so great as to be beyond the capacity of Louis?

Meanwhile d'Éon simply refused to obey the King's public orders, and denied their authenticity. They were only signed with a griffe, or stamp, not by the King's pen and hand. He would not leave London. He fought de Guerchy with every kind of arm, accused him of suborning an assassin, published private letters and his own version of the affair, fled from a charge of libel, could not be extradited (by virtue of what MM. Homberg and Jousselin call 'the law of Home Rule!'), fortified his house, and went armed. Probably there really were designs to kidnap him, just as a regular plot was laid for the kidnapping of de la Motte, at Newcastle, after the affair of the Diamond Necklace. In 1752 a Marquis de Fratteau was collared by a sham marshal court officer, put on board a boat at Gravesend, and carried to the Bastille!

D'Éon, under charge of libel, lived a fugitive and cloistered existence till the man who, he says, was to have assassinated him, de Vergy, sought his alliance, and accused de Guerchy of having suborned him to murder the little daredevil. A grand jury brought in a true bill against the French ambassador, and the ambassador's butler, accused of having drugged d'Éon, fled. But the English Government, by aid of what the Duc de Broglie calls a noli prosequi (nolle being usual), tided over a difficulty of the gravest kind. The granting of the nolle prosequi is denied.[44 - Political Register, Sept. 1767; Buchan Telfer, p. 181.] The ambassador was mobbed and took leave of absence, and Louis XV., through de Broglie, offered to d'Éon terms humiliating to a king. The Chevalier finally gave up the warrant for his secret mission in exchange for a pension of 12,000 livres, but he retained all other secret correspondence and plans of invasion. As for de Guerchy, he resigned (1767), and presently died of sheer annoyance, while his enemy, the Chevalier, stayed in England as London correspondent of Louis XV. He reported, in 1766, that Lord Bute was a Jacobite, and de Broglie actually took seriously the chance of restoring, by Bute's aid, Charles III., who had just succeeded, by the death of the Old Chevalier, to 'a kingdom not of this world.'

The death of Louis XV., in 1774, brought the folly of the secret policy to an end, but in the same year rumours about d'Éon's dubious sex appeared in the English newspapers on the occasion of his book, Les Loisirs du Chevalier d'Éon, published at Amsterdam. Bets on his sex were made, and d'Éon beat some bookmakers with his stick. But he persuaded Drouet, an envoy from France, that the current stories were true, and this can only be explained, if explained at all, by his perception of the fact that, his secret employment being gone, he felt the need of an advertisement. Overtures for the return of the secret papers were again made to d'Éon, but he insisted on the restoration of his diplomatic rank, and on receiving 14,000l. on account of expenses. He had aimed too high, however, and was glad to come to a compromise with the famous Beaumarchais. The extraordinary bargain was struck that d'Éon, for a consideration, should yield the secret papers, and, to avoid a duel with the son of de Guerchy, and the consequent scandal, should pretend to be a woman, and wear the dress of that sex. In his new capacity he might return to France and wear the cross of the Order of St. Louis.

Beaumarchais was as thoroughly taken in as any dupe in his own comedies. In d'Éon he 'saw a blushing spinster, a kind of Jeanne d'Arc of the eighteenth century, pining for the weapons and uniform of the martial sex, but yielding her secret, and forsaking her arms, in the interest of her King. On the other side the blushless captain of dragoons listened, with downcast eyes, to the sentimental compliments of Beaumarchais, and suffered himself, without a smile, to be compared to the Maid of Orleans,' says the Duc de Broglie. 'Our manners are obviously softened,' wrote Voltaire. 'D'Éon is a Pucelle d'Orléans who has not been burned.' To de Broglie, d'Éon described himself as 'the most unfortunate of unfortunate females!' D'Éon returned to France, where he found himself but a nine days' wonder. It was observed that this pucelle too obviously shaved; that in the matter of muscular development she was a little Hercules; that she ran upstairs taking four steps at a stride; that her hair, like that of Jeanne d'Arc, was coupé en rond, of a military shortness; and that she wore the shoes of men, with low heels, while she spoke like a grenadier! At first d'Éon had all the social advertisement which was now his one desire, but he became a nuisance, and, by his quarrels with Beaumarchais, a scandal. In drawing-room plays he acted his English adventures with the great play-writer, whose part was highly ridiculous. Now d'Éon pretended to desire to 'take the veil' as a nun, now to join the troops being sent to America. He was consigned to retreat in the Castle of Dijon (1779); he had become a weariness to official mankind. He withdrew (1781-85) to privacy at Tonnerre, and then returned to London in the semblance of a bediamonded old dame, who, after dinner, did not depart with the ladies. He took part in fencing matches with great success, and in 1791 his library was sold at Christie's, with his swords and jewels. The catalogue bears the motto, from Juvenal,

Quale decus rerum, si virginis auctio fiat,

no doubt selected by the learned little man. The snuff-box of the Empress Elizabeth, a gift to the diplomatist of 1756, fetched 2l. 13s. 6d.! The poor old boy was badly hurt at a fencing match in his sixty-eighth year, and henceforth lived retired from arms in the house of a Mrs. Cole, an object of charity. He might have risen to the highest places if discretion had been among his gifts, and his career proves the quantula sapientia of the French Government before the Revolution. In no other time or country could 'the King's Secret' have run a course far more incredible than even the story of the Chevalier d'Éon.

XII

SAINT-GERMAIN THE DEATHLESS

Among the best brief masterpieces of fiction are Lytton's The Haunters and the Haunted, and Thackeray's Notch on the Axe in Roundabout Papers. Both deal with a mysterious being who passes through the ages, rich, powerful, always behind the scenes, coming no man knows whence, and dying, or pretending to die, obscurely – you never find authentic evidence of his decease. In other later times, at other courts, such an one reappears and runs the same course of luxury, marvel, and hidden potency.

Lytton returned to and elaborated his idea in the Margrave of A Strange Story, who has no 'soul,' and prolongs his physical and intellectual life by means of an elixir. Margrave is not bad, but he is inferior to the hero, less elaborately designed, of The Haunters and the Haunted. Thackeray's tale is written in a tone of mock mysticism, but he confesses that he likes his own story, in which the strange hero, through all his many lives or reappearances, and through all the countless loves on which he fatuously plumes himself, retains a slight German-Jewish accent.

It appears to me that the historic original of these romantic characters is no other than the mysterious Comte de Saint-Germain – not, of course, the contemporary and normal French soldier and minister, of 1707-1778, who bore the same name. I have found the name, with dim allusions, in the unpublished letters and MSS. of Prince Charles Edward Stuart, and have not always been certain whether the reference was to the man of action or to the man of mystery. On the secret of the latter, the deathless one, I have no new light to throw, and only speak of him for a single reason. Aristotle assures us, in his Poetics, that the best known myths dramatised on the Athenian stage were known to very few of the Athenian audience. It is not impossible that the story of Saint-Germain, though it seems as familiar as the myth of Œdipus or Thyestes, may, after all, not be vividly present to the memory of every reader. The omniscient Larousse, of the Dictionnaire Universel, certainly did not know one very accessible fact about Saint-Germain, nor have I seen it mentioned in other versions of his legend. We read, in Larousse, 'Saint-Germain is not heard of in France before 1750, when he established himself in Paris. No adventure had called attention to his existence; it was only known that he had moved about Europe, lived in Italy, Holland, and in England, and had borne the names of Marquis de Montferrat and of Comte de Bellamye, which he used at Venice.'

Lascelles Wraxall, again, in Remarkable Adventures (1863), says: 'Whatever truth there may be in Saint-Germain's travels in England and the East Indies, it is indubitable that, for from 1745 to 1755, he was a man of high position in Vienna,' while in Paris he does not appear, according to Wraxall, till 1757, having been brought from Germany by the Maréchal de Belle-Isle, whose 'old boots,' says Macallester the spy, Prince Charles freely damned, 'because they were always stuffed with projects.' Now we hear of Saint-Germain, by that name, as resident, not in Vienna, but in London, at the very moment when Prince Charles, evading Cumberland, who lay with his army at Stone, in Staffordshire, marched to Derby. Horace Walpole writes to Mann in Florence (December 9, 1745):

'We begin to take up people … the other day they seized an odd man who goes by the name of Count Saint-Germain. He has been here these two years, and will not tell who he is, or whence, but professes that he does not go by his right name. He sings, plays on the violin wonderfully, composes, is mad, and not very sensible. He is called an Italian, a Spaniard, a Pole; a somebody that married a great fortune in Mexico, and ran away with her jewels to Constantinople; a priest, a fiddler, a vast nobleman. The Prince of Wales has had unsatiated curiosity about him, but in vain. However, nothing has been made out against him; he is released, and, what convinces me he is not a gentleman, stays here, and talks of his being taken up for a spy.'

Here is our earliest authentic note on Saint-Germain; a note omitted by his French students. He was in London from 1743 to 1745, under a name not his own, but that which he later bore at the Court of France. From the allusion to his jewels (those of a deserted Mexican bride?), it appears that he was already as rich in these treasures as he was afterwards, when his French acquaintances marvelled at them. As to his being 'mad,' Walpole may refer to Saint-Germain's way of talking as if he had lived in remote ages, and known famous people of the past.

Having caught this daylight glimpse of Saint-Germain in Walpole, having learned that in December 1745 he was arrested and examined as a possible Jacobite agent, we naturally expect to find contemporary official documents about his examination by the Government. Scores of such records exist, containing the questions put to, and the answers given by, suspected persons. But we vainly hunt through the Newcastle MSS. and the State Papers, Domestic, in the Record Office, for a trace of the examination of Saint-Germain. I am not aware that he has anywhere left his trail in official documents; he lives in more or less legendary memoirs, alone.

At what precise date Saint-Germain became an intimate of Louis XV., the Duc de Choiseul, Madame de Pompadour, and the Maréchal de Belle-Isle, one cannot ascertain. The writers of memoirs are the vaguest of mortals about dates; only one discerns that Saint-Germain was much about the French Court, and high in the favour of the King, having rooms at Chambord, during the Seven Years' War, and just before the time of the peace negotiations of 1762-1763. The art of compiling false or forged memoirs of that period was widely practised; but the memoirs of Madame du Hausset, who speaks of Saint-Germain, are authentic. She was the widow of a poor man of noble family, and was one of two femmes de chambre of Madame de Pompadour. Her manuscript was written, she explains, by aid of a brief diary which she kept during her term of service. One day M. Senac de Meilhan found Madame de Pompadour's brother, M. de Marigny, about to burn a packet of papers. 'It is the journal,' he said, 'of a femme de chambre of my sister, a good kind woman.' De Meilhan asked for the manuscript, which he later gave to Mr. Crawford, one of the Kilwinning family, in Ayrshire, who later helped in the escape of Louis XVI. and Marie Antoinette to Varennes, where they were captured. With the journal of Madame du Hausset were several letters to Marigny on points of historical anecdote.[45 - One of these gives Madame de Vieux-Maison as the author of a roman à clef, Secret Memoirs of the Court of Persia, which contains an early reference to the Man in the Iron Mask (died 1703). The letter-writer avers that D'Argenson, the famous minister of Louis XV., said that the Man in the Iron Mask was really a person fort peu de chose, 'of very little account,' and that the Regent d'Orléans was of the same opinion. This corroborates my theory, that the Mask was merely the valet of a Huguenot conspirator, Roux de Marsilly, captured in England, and imprisoned because he was supposed to know some terrible secret – which he knew nothing about. See The Valet's Tragedy, Longmans, 1903.]

Crawford published the manuscript of Madame du Hausset, which he was given by de Meilhan, and the memoirs are thus from an authentic source. The author says that Louis XV. was always kind to her, but spoke little to her, whereas Madame de Pompadour remarked, 'The King and I trust you so much that we treat you like a cat or a dog, and talk freely before you.'

As to Saint-Germain, Madame du Hausset writes: 'A man who was as amazing as a witch came often to see Madame de Pompadour. This was the Comte de Saint-Germain, who wished to make people believe that he had lived for several centuries. One day Madame said to him, while at her toilet, "What sort of man was Francis I., a king whom I could have loved?" "A good sort of fellow," said Saint-Germain; "too fiery – I could have given him a useful piece of advice, but he would not have listened." He then described, in very general terms, the beauty of Mary Stuart and La Reine Margot. "You seem to have seen them all," said Madame de Pompadour, laughing. "Sometimes," said Saint-Germain, "I amuse myself, not by making people believe, but by letting them believe, that I have lived from time immemorial." "But you do not tell us your age, and you give yourself out as very old. Madame de Gergy, who was wife of the French ambassador at Venice fifty years ago, I think, says that she knew you there, and that you are not changed in the least." "It is true, madame, that I knew Madame de Gergy long ago." "But according to her story you must now be over a century old." "It may be so, but I admit that even more possibly the respected lady is in her dotage."'

At this time Saint-Germain, says Madame du Hausset, looked about fifty, was neither thin nor stout, seemed clever, and dressed simply, as a rule, but in good taste. Say that the date was 1760, Saint-Germain looked fifty; but he had looked the same age, according to Madame de Gergy, at Venice, fifty years earlier, in 1710. We see how pleasantly he left Madame de Pompadour in doubt on that point.

He pretended to have the secret of removing flaws from diamonds. The King showed him a stone valued at 6,000 francs – without a flaw it would have been worth 10,000. Saint-Germain said that he could remove the flaw in a month, and in a month he brought back the diamond – flawless. The King sent it, without any comment, to his jeweller, who gave 9,600 francs for the stone, but the King returned the money, and kept the gem as a curiosity. Probably it was not the original stone, but another cut in the same fashion, Saint-Germain sacrificing 3,000 or 4,000 francs to his practical joke. He also said that he could increase the size of pearls, which he could have proved very easily – in the same manner. He would not oblige Madame de Pompadour by giving the King an elixir of life: 'I should be mad if I gave the King a drug.' There seems to be a reference to this desire of Madame de Pompadour in an unlikely place, a letter of Pickle the Spy to Mr. Vaughn (1754)! This conversation Madame du Hausset wrote down on the day of its occurrence.

Both Louis XV. and Madame de Pompadour treated Saint-Germain as a person of consequence. 'He is a quack, for he says he has an elixir,' said Dr. Quesnay, with medical scepticism. 'Moreover, our master, the King, is obstinate; he sometimes speaks of Saint-Germain as a person of illustrious birth.'

The age was sceptical, unscientific, and, by reaction, credulous. The philosophes, Hume, Voltaire, and others, were exposing, like an ingenious American gentleman, 'the mistakes of Moses.' The Earl Marischal told Hume that life had been chemically produced in a laboratory, so what becomes of Creation? Prince Charles, hidden in a convent, was being tutored by Mlle. Luci in the sensational philosophy of Locke, 'nothing in the intellect which does not come through the senses' – a queer theme for a man of the sword to study. But, thirty years earlier, the Regent d'Orléans had made crystal-gazing fashionable, and stories of ghosts and second-sight in the highest circles were popular. Mesmer had not yet appeared, to give a fresh start to the old savage practice of hypnotism; Cagliostro was not yet on the scene with his free-masonry of the ancient Egyptian school. But people were already in extremes of doubt and of belief; there might be something in the elixir of life and in the philosopher's stone; it might be possible to make precious stones chemically, and Saint-Germain, who seemed to be over a century old at least, might have all these secrets.

Whence came his wealth in precious stones, people asked, unless from some mysterious knowledge, or some equally mysterious and illustrious birth?

He showed Madame de Pompadour a little box full of rubies, topazes, and diamonds. Madame de Pompadour called Madame du Hausset to look at them; she was dazzled, but sceptical, and made a sign to show that she thought them paste. The Count then exhibited a superb ruby, tossing aside contemptuously a cross covered with gems. 'That is not so contemptible,' said Madame du Hausset, hanging it round her neck. The Count begged her to keep the jewel; she refused, and Madame de Pompadour backed her refusal. But Saint-Germain insisted, and Madame de Pompadour, thinking that the cross might be worth forty louis, made a sign to Madame du Hausset that she should accept. She did, and the jewel was valued at 1,500 francs – which hardly proves that the other large jewels were genuine, though Von Gleichen believed that they were, and thought the Count's cabinet of old masters very valuable.

The fingers, the watch, the snuff-box, the shoe buckles, the garter studs, the solitaires of the Count, on high days, all burned with diamonds and rubies, which were estimated, one day, at 200,000 francs. His wealth did not come from cards or swindling – no such charges are ever hinted at; he did not sell elixirs, nor prophecies, nor initiations. His habits do not seem to have been extravagant. One might regard him as a clever eccentric person, the unacknowledged child, perhaps, of some noble, who had put his capital mainly into precious stones. But Louis XV. treated him as a serious personage, and probably knew, or thought he knew, the secret of his birth. People held that he was a bastard of a king of Portugal, says Madame du Hausset. Perhaps the most ingenious and plausible theory of the birth of Saint-Germain makes him the natural son, not of a king of Portugal, but of a queen of Spain. The evidence is not evidence, but a series of surmises. Saint-Germain, on this theory, 'wrop his buth up in a mistry' (like that of Charles James Fitzjames de la Pluche), out of regard for the character of his royal mamma. I believe this about as much as I believe that a certain Rev. Mr. Douglas, an obstreperous Covenanting minister, was a descendant of the captive Mary Stuart. However, Saint-Germain is said, like Kaspar Hauser, to have murmured of dim memories of his infancy, of diversions on magnificent terraces, and of palaces glowing beneath an azure sky. This is reported by Von Gleichen, who knew him very well, but thought him rather a quack. Possibly he meant to convey the idea that he was Moses, and that he had dwelt in the palaces of the Ramessids. The grave of the prophet was never known, and Saint-Germain may have insinuated that he began a new avatar in a cleft of Mount Pisgah; he was capable of it.

However, a less wild surmise avers that, in 1763 the secrets of his birth and the source of his opulence were known in Holland. The authority is the 'Memoirs' of Grosley (1813). Grosley was an archæologist of Troyes; he had travelled in Italy, and written an account of his travels; he also visited Holland and England,[46 - Voyage en Angleterre, 1770.] and later, from a Dutchman, he picked up his information about Saint-Germain. Grosley was a Fellow of our Royal Society, and I greatly revere the authority of a F.R.S. His later years were occupied in the compilation of his Memoirs, including an account of what he did and heard in Holland, and he died in 1785. According to Grosley's account of what the Dutchman knew, Saint-Germain was the son of a princess who fled (obviously from Spain) to Bayonne, and of a Portuguese Jew dwelling in Bordeaux.

What fairy and fugitive princess can this be, whom not in vain the ardent Hebrew wooed? She was, she must have been, as Grosley saw, the heroine of Victor Hugo's Ruy Blas. The unhappy Charles II. of Spain, a kind of 'mammet' (as the English called the Richard II. who appeared up in Islay, having escaped from Pomfret Castle), had for his first wife a daughter of Henrietta, the favourite sister of our Charles II. This childless bride, after some ghostly years of matrimony, after being exorcised in disgusting circumstances, died in February 1689. In May 1690 a new bride, Marie de Neubourg, was brought to the grisly side of the crowned mammet of Spain. She, too, failed to prevent the wars of the Spanish Succession by giving an heir to the Crown of Spain. Scandalous chronicles aver that Marie was chosen as Queen of Spain for the levity of her character, and that the Crown was expected, as in the Pictish monarchy, to descend on the female side; the father of the prince might be anybody. What was needed was simply a son of the Queen of Spain. She had, while Queen, no son, as far as is ascertained, but she had a favourite, a Count Andanero, whom she made minister of finance. 'He was not a born Count,' he was a financier, this favourite of the Queen of Spain. That lady did go to live in Bayonne in 1706, six years after the death of Charles II., her husband. The hypothesis is, then, that Saint-Germain was the son of this ex-Queen of Spain, and of the financial Count, Andanero, a man, 'not born in the sphere of Counts,' and easily transformed by tradition into a Jewish banker of Bordeaux. The Duc de Choiseul, who disliked the intimacy of Louis XV. and of the Court with Saint-Germain, said that the Count was 'the son of a Portuguese Jew, who deceives the Court. It is strange that the King is so often allowed to be almost alone with this man, though, when he goes out, he is surrounded by guards, as if he feared assassins everywhere.' This anecdote is from the 'Memoirs' of Gleichen, who had seen a great deal of the world. He died in 1807.

It seems a fair inference that the Duc de Choiseul knew what the Dutch bankers knew, the story of the Count's being a child of a princess retired to Bayonne – namely, the ex-Queen of Spain – and of a Portuguese-Hebrew financier. De Choiseul was ready to accept the Jewish father, but thought that, in the matter of the royal mother, Saint-Germain 'deceived the Court.'

A queen of Spain might have carried off any quantity of the diamonds of Brazil. The presents of diamonds from her almost idiotic lord must have been among the few comforts of her situation in a Court overridden by etiquette. The reader of Madame d'Aulnoy's contemporary account of the Court of Spain knows what a dreadful dungeon it was. Again, if born at Bayonne about 1706, the Count would naturally seem to be about fifty in 1760. The purity with which he spoke German, and his familiarity with German princely Courts – where I do not remember that Barry Lyndon ever met him – are easily accounted for if he had a royal German to his mother. But, alas! if he was the son of a Hebrew financier, Portuguese or Alsatian (as some said), he was likely, whoever his mother may have been, to know German, and to be fond of precious stones. That Oriental taste notoriously abides in the hearts of the Chosen People.

Nay, never shague your gory locks at me,
Dou canst not say I did it.

quotes Pinto, the hero of Thackeray's Notch on the Axe. 'He pronounced it, by the way, I dit it, by which I know that Pinto was a German,' says Thackeray. I make little doubt but that Saint-Germain, too, was a German, whether by the mother's side, and of princely blood, or quite the reverse.

Grosley mixes Saint-Germain up with a lady as mysterious as himself, who also lived in Holland, on wealth of an unknown source, and Grosley inclines to think that the Count found his way into a French prison, where he was treated with extraordinary respect.

Von Gleichen, on the other hand, shows the Count making love to a daughter of Madame Lambert, and lodging in the house of the mother. Here Von Gleichen met the man of mystery and became rather intimate with him. Von Gleichen deemed him very much older than he looked, but did not believe in his elixir.