Joona looks her square in the eye. “No, Evelyn. Josef is in the hospital. We haven’t arrested him. I don’t know that we can.”
She begins to tremble, and her eyes fill with tears.
“What is it, Evelyn?”
She wipes the tears from her cheeks with the heel of her hand. “Josef did come to the cottage once. He took a taxi and he brought a cake,” she says, her voice breaking.
“On your birthday?”
“He … it was his birthday.”
“When was that?”
“On 1
November.”
“Just over a month ago,” says Joona. “What happened?”
“Nothing,” she says. “It was a surprise.”
“He hadn’t told you he was coming?”
“We weren’t in touch.”
“Why not?”
“I need to be on my own.”
“Who knew you were staying there?”
“Nobody, apart from Sorab, my boyfriend … well, actually, he broke up with me, and we’re just friends, but he helps me, tells everybody I’m staying with him, answers when Mum calls.”
“Why?”
“I need to be left in peace.”
“So you’ve said. Did Josef go out there again?”
“No.”
“This is important, Evelyn.”
“He didn’t come again,” she replies.
“You’re certain?”
“Yes.”
“Why did you lie about this?”
“I don’t know,” she whispers.
“What else have you lied about?”
25
wednesday, december 9: afternoon
Erik is walking between the brightly lit display cases in the NK department store’s jewellery department. A sleek saleswoman dressed in black murmurs persuasively to a customer. She slides open a drawer and places a few pieces on a velvet-covered tray. Erik pauses to study a Georg Jensen necklace: heavy, softly polished triangles, linked together like petals to form a closed circle. The sterling silver has the rich lustre of platinum. Erik thinks how beautifully it would lie around Simone’s slender neck and decides to buy it for her for Christmas.
As the assistant is wrapping his purchase in dark-red shiny paper, the cell phone in Erik’s pocket begins to vibrate, resonating against the little wooden box with the parrot and the native. He answers without checking the number on the display.
“Erik Maria Bark.”
There’s a strange crackling noise, and he can hear the distant sound of Christmas carols. “Hello?” he says.
A very faint voice can be heard. “Is that Erik?”
“Yes,” he replies.
“I was wondering …”
Suddenly Erik thinks it sounds as if someone is giggling in the background. “Who is this?” he asks sharply.
“Hang on, doctor. I need your expert advice,” says the voice, dripping with contempt. Erik is about to end the call when the voice on the phone suddenly bellows, “Hypnotise me! I want to be—”
Erik snatches the phone away from his ear. He presses the button to end the conversation and tries to see who called, but it’s a withheld number. A beep tells him he has received a text message, also from a withheld number. He opens it and reads: CAN YOU HYPNOTISE A CORPSE?
Bewildered, Erik takes his purchase in its red and gold bag and leaves the jewellery department. In the lobby he catches the eye of a woman in a bulky, black coat. She is standing underneath a suspended Christmas tree, three storeys high, and she is staring at him with a hostile expression. He has never seen her before.
With one hand he flips open the lid of the wooden box in his coat pocket, tips a codeine capsule into his hand, puts it in his mouth, and swallows it.
He goes outside into the cold air. People are crowded before a shop window where Christmas elves are dancing around in a landscape made of sweets. A toffee with a big mouth sings a Christmas song. Nursery school children dressed in yellow vests over thick snowsuits gaze in open-mouthed silence at the scene.
The mobile phone rings again, but this time he checks the number before answering. It’s a Stockholm number.
“Erik Maria Bark,” he says cautiously.
“Hi, there. My name is Britt Sundström. I work for Amnesty International.”
“Hi,” Erik says, puzzled.
“I’d like to know whether your patient had the opportunity to say no to the hypnosis.”
“What did you say?” asks Erik, as a huge snail drags a sledge full of Christmas presents across the window display. His heart begins to pound, and a burning acidity surges up through his gut.
“The CIA handbook for torture that leaves no trace does actually mention hypnosis as one of the—”