The Temptress

“Still love you? Yes; my heart and soul are yours. I care for no other woman save yourself.”

“Was it to be near me that you came here? Are you certain it was for no other reason?”

“No,” he replied, puzzled at her question. “Why do you ask?”

“Out of curiosity,” she stammered evasively. “I – I thought other business might, perhaps, have brought you here.”

Glancing round the apartment, and recognising the elegance with which it was furnished, he complimented her upon her taste.

“Yes,” she answered languidly. “This place suits me admirably. It is my home, and although I’m of a wandering disposition, and travel a good deal, I return here now and then to enjoy rest and obtain those comforts that are appreciable after hotel life. I am, perhaps, too cosmopolitan. Well, it is my failing. Since I was a girl, I have been accustomed to travel for pleasure, and I do so now in order to get life and variety, without which I don’t really believe I could exist.”

“Not if you were married?”

“Ah! possibly that would be different,” she said, with a rippling laugh. “I could then take some pleasure in my home, and my husband would be my companion, whereas at present I have only Nanette, my maid. You have little idea, Hugh, of the wearying monotony of the life of women who are alone in the world. We are utterly defenceless, and must either be prudes, and lead the existence of nuns, of, if we dare go about and enjoy ourselves, we are stigmatised as fast, and looked upon as undesirable and contaminating companions. I am unconventional; I care not a jot for the opinion of the world, good or bad; and, as a natural sequence, women – many of them notorious, though married – revile me unjustly.”

She uttered the words in all seriousness, and he felt compassion for her, as he knew well what she said was the truth.

“I can quite understand that your position is somewhat unenviable, Valérie; nevertheless, I have come here to-day to repeat the promise I made some time ago.”

“Your promise! Why – ”

“I love you dearly and will marry you, providing you will consent,” he added, interrupting her.

Her head sank upon his shoulder, and she burst into tears of joy, while he kissed her fair face, and smoothed her hair tenderly.

“I promise you,” he murmured, “if you become my wife you shall never regret. It is true, some say harsh things of you. I have heard gossip, but I’ve shut my ears to the lies of those who envy your good looks. In future, however, those who defame you shall answer to me.”

She lifted her face, wet with tears, to his, and their lips met in an ardent caress.

“Yes, I love you dearly, Hugh,” she declared, trying to subdue her emotion. “This day is one of the happiest of my life. If we are married, I swear I will be a true wife to you, notwithstanding the calumnies you have heard.”

Thus, after months of estrangement, Hugh Trethowen again fell an easy prey to her fatal power of fascination; and he, blind and headstrong, saw her only as a beautiful woman, who was unhappy, and who loved him. Yet it has been the same through ages. Men, under the spell of a daughter of Eve, a temptress who is more than passing fair, become weak and impressionable as children, and are ruled absolutely by the woman they worship, be she good or evil.

Until the sunset streamed into the pretty room, and the silver bells of the dainty ormolu clock chimed six, they sat together undisturbed. Many were the pledges of undying affection they exchanged; then he left, promising to call next day.

When he had gone, Valérie reseated herself, and gave herself up to one of those debauches of melancholy in which she sometimes indulged; for, after all, she was not entirely devoid of sentiment.

Could Hugh have overheard the conversation between Victor and the woman who was his affianced wife an hour later, he would, however, scarcely have congratulated himself upon the result of the interview.

Victor Bérard and Valérie were together in a hired brougham on their way to the Theatre Molière, where they had previously secured a box.

“So you are friends again, eh?” Victor was saying, laughing. “Well, I must congratulate you upon your wonderful tact and diplomacy. The manner in which you have acted in leaving him to follow you here has allayed suspicion, and as long as you can exercise your power over him, we have nothing to fear as to the ultimate success of our plan.”

“It was as good as a comedy,” declared she, laughing heartily. “I told him how lonely I was, and did the emotional dodge – squeezed a tear or two, just to add to the realism – and it brought him to the point at once. You should have been there; you would have been highly amused, for he’s such a believing idiot, that I can do just as I like with him.”

“You’re a clever girl, Valérie. With all your airs and graces, I believe you’d deceive the Evil One himself, if it was to your own interest to do so.”

“I don’t know whether to regard that as a compliment or not,” she remarked merrily, as she drew her opera cloak more closely around her shoulders, and leaned back in the carriage listlessly. “I suppose, however, from our point of view, the amount of deceit and craftiness I display in dealing with him will secure the more or less successful issue of our scheme.”

“If he knew everything, our position would not be a very enviable one, would it?”

“Scarcely. But, you see, my dear Victor, he doesn’t know all, and will not, unless Egerton peaches, which he dare not do on account of his own neck. Therefore, we are quite safe, and can negotiate the little affair without interruption.”

“I believe that you really care for the fellow a little – just a little,” her companion said, with a sarcastic laugh.

“And supposing that I did? I am my own mistress and can act as I please,” returned she, a trifle annoyed.

“Bien! you know best how to manage him, for you’ve had experience. I only urge you to be careful, and avoid any sentimental humbug.”

“Bah! I want none of your advice,” was all she replied, and a long silence ensued, which was not broken until the carriage drew up at the door of the theatre.

Chapter Sixteen

Dolly’s Indiscretion

In London, evening was gradually creeping on. The mellow light that had penetrated into the studio in Fitzroy Square was fast fading, still Jack Egerton worked on in silence, glancing constantly across at the woman who sat motionless before him, straining her eyes over a novel she held in her hand.

Frequently he paused, and, stepping back a few paces, examined the effect of his work with a critical eye, comparing it with the original. Then he returned and retouched the picture again and again, until at last, after much perseverance, he apparently obtained the exact effect he desired. The picture was certainly attractive, and, although incomplete, yet fully sustained the artist’s reputation for faithful delineation of the female form. It was a representation of Dolly Vivian reclining on a silken divan, attired in the flimsy gauzes, with rows of sequins across her forehead, heavy bangles upon her wrists and ankles, and her light brown hair, unbound, falling negligently about her shoulders. One tiny crimson slipper had fallen off, revealing a well-shaped naked foot, the other being bent under her as she lay with one bare arm flung over her head.

Her attitude of languor and repose among her cushions added to the Oriental character of the picture, and the richness of the silk with which the couch was covered, enhanced her beauty.

He had christened the picture, “The Sultan’s Favourite.”

While he worked she always preserved perfect silence. It was their rule. For hours she would sit scarcely moving a muscle, her attention engaged by a newspaper, a novel, or some fancy needlework, unless, perhaps, he addressed her, asking an opinion or advice. Then she would usually reply briefly and to the point, and resume her reading without disturbing her pose in the smallest degree.

Beside her, on a little inlaid pearl table, stood the cup of tea Mrs O’Shea had brought her an hour before, but which had been left almost untasted, so absorbed was she in her book. She did not notice that the artist had laid aside his palette, and was cleaning his brushes, until he exclaimed, —

“That will do for to-day, Dolly. You must be awfully tired and cramped, for we’ve had an unusually long spell.”

His voice recalled her to consciousness. Stretching both arms above her head, she gave a stifled yawn, and slowly rose from her couch with a languid grace. Slipping her foot into the shoe, she stepped down to where he was standing.

“Why, what’s the time?” she asked, noticing it was growing dusk.

“Half-past six,” he replied. “I’ve an engagement to dine at the Vagabond Club at the Holborn at seven, therefore I haven’t much time to lose. By Jove!” he added admiringly, “you look absolutely bewitching, my little houri. If Hugh could only see you now, ’pon my honour he’d go down on his knees and propose straight away.”

“You think so, do you?” she asked artlessly, laughing and glancing down at her gauzy dress, a fair, bright-eyed odalisque. Then she grew serious, and examined the picture. “You’ve certainly made very good progress this afternoon with everything except the hand. The high light is scarcely perfect,” she added, fixing her gaze upon the canvas, and moving across the studio to study the effect from the opposite direction.

“I must finish that to-morrow,” the artist said, as he carefully wiped a small brush, and placed it aside. “The light has not been good for the last hour or more.”

“The fingers, too, want retouching. They look just a trifle too stiff,” she continued, with the air of a critic.

“Yes, I have noticed that. But I must now go and make myself presentable, for I haven’t a moment to lose. Run and dress yourself, there’s a good girl.”

Already she was plaiting her hair, and coiling it deftly upon her head.

“Very well,” she said, and tripped lightly away; but, losing a slipper in her walk, she was compelled to stop and recover it.

Then she disappeared into the small room adjacent, sacred to her use for purposes of dressing, and sometimes of resting after the fatigue of posing for prolonged periods.