The House of Whispers

"I utter no threats, my dear child," replied Flockart. "I have never in my life threatened you. I merely venture to point out certain difficulties which you might have in substantiating any allegation which you might make against me. For that reason, if for none other, is it not better for us to be friends?"

"I am not the friend of my father's enemy!" she declared.

"You are quite heroic," he declared with a covert sneer. "If you really are bent upon providing the halfpenny newspapers with a fresh sensation, pray let me know in plenty of time, won't you?"

"I've had sufficient of your taunts," cried the girl, bursting into a flood of hot tears. "Leave me. I—I'll say no further word to you."

"Except to forgive me," He added.

"Why should I?" she asked through her tears.

"Because, for your own sake—for the sake of your future—it will surely be best," he pointed out. "You, no doubt, in ignorance of legal procedure, believed that what you alleged would be accepted in a court of justice. But reflect fully before you again threaten me. Dry your eyes, or your aunt may suspect something wrong."

She did not reply. What he said impressed her, and he did not fail to recognise that fact. He smiled within himself when he saw that he had triumphed. Yet he had not gained his point.

She had dashed away her tears with the little wisp of lace, annoyed with herself at betraying her indignation in that womanly way. She knew him, alas! too well. She mistrusted him, for she was well aware of how cleverly he had once conspired with Lady Heyburn, and with what ingenuity she herself had been drawn into the disgraceful and amazing affair.

True it was that her story, if told in a criminal court, would prove so extraordinary that it would not be believed; true also that he would, of course, deny it, and that his denial would be borne out by the woman who, though her father's wife, was his worst enemy.

The man placed his hand on her shoulder, saying, "May we not be friends, Gabrielle?"

She shook him off roughly, responding in the negative.

"But we are not enemies—I mean we will not be enemies as we have been, shall we?" he urged.

To this she made no reply. She only quickened her pace, for the twilight was fast deepening, and she wished to be back again at her aunt's house.

Why had that man followed her? Why, indeed, had he troubled to come there? She could not discern his motive.

They walked together in silence. He was watching her face, reading it like a book.

Then, when they neared the first thatched cottage at the entrance to the village, he halted, asking, "May we not now become friends, Gabrielle? Will you not listen, and take my advice? Or will you still remain buried here?"

"I have nothing further to say, Mr. Flockart, than what I have already said," was her defiant response. "I shall act as I think best."

"And you will dare to speak, and place yourself in a ridiculous position, you mean?"

"I shall use my own judgment in defending my father from his enemies," was her cold response as, with a slight shrug of her shoulders, she turned and left him, hurrying forward in the darkening twilight along the village street to her aunt's home.

He, on his part, turned upon his heel with a muttered remark and set out again to walk towards Nassington Station, whence, after nearly an hour's wait in the village inn, he took train to Peterborough.

The girl had once again defied him.

CHAPTER XXVIII

THE WHISPERS AGAIN

Was it really true what Flockart had told her? Did Walter actually wish to see her again? At one moment she believed in her lover's strong, passionate devotion to her, for had she not seen it displayed in a hundred different ways? But the next she recollected how that man Flockart had taken advantage of her youth and inexperience in the past, how he had often lied so circumstantially that she had believed his words to be the truth. Once, indeed, he had openly declared to her that one of his maxims was never to tell the truth unless obliged. After dinner, a simple meal served in the poky little dining-room, she made an excuse to go to her room, and there sat for a long time, deeply reflecting. Should she write to Walter? Would it be judicious to explain Flockart's visit, and how he had urged their reconciliation? If she wrote, would it lower her dignity in her lover's eyes? That was the great problem which now troubled her. She sat staring before her undecided. She recalled all that Flockart had told her. He was the emissary of Lady Heyburn without a doubt. The girl had told him openly of her decision to speak the truth and expose him, but he had only laughed at her. Alas! she knew his true character, unscrupulous and pitiless. But she placed him aside.

Recollection of Walter—the man who had held her so often in his arms and pressed his hot lips to hers, the man who was her father's firm friend and whose uprightness and honesty of purpose she had ever admired—crowded upon her. Should she write to him? Rigid and staring, she sat in her chair, her little white hands clenched, as she tried to summon courage. It had been she who had written declaring that their secret engagement must be broken, she who had condemned herself. Therefore, had she not a right to satisfy that longing she had had through months, the longing to write to him once again. The thought decided her; and, going to the table whereon the lamp was burning, she sat down, and after some reflection, penned a letter as follows:—

"MY SWEETHEART, MY DARLING, MY OWN, MY SOUL—MINE—ONLY MINE,—I am wondering how and where you are! True, I wrote you a cruel letter; but it was imperative, and under the force of circumstance. I am full of regrets, and I only wish with all my heart that I might kiss you once again, and press you in my arms as I used to do.

"But how are you? I have had you before my eyes to-night, and I feel quite sure that at this very moment you are thinking of me. You must know that I love you dearly. You gave me your heart, and it shall not belong to any other. I have tried to be brave and courageous; but, alas! I have failed. I love you, my darling, and I must see you soon—very soon.

"Mr. Flockart came to see me to-day and says that you expressed to him a desire to meet me again. Gratify that desire when you will, and you will find your Gabrielle just the same—longing ever to see you, living with only the memories of your dear face.

"Can you doubt of my great, great love for you? You never wrote in reply to my letter, though I have waited for months. I know my letter was a cruel one, and to you quite unwarranted; but I had a reason for writing it, and the reason was because I felt that I ought not to deceive you any longer.

"You see, darling, I am frank and open. Yes, I have deceived you. I am terribly ashamed and downhearted. I have tried to conceal my grief, even from you; but it is impossible. I love you as much as I ever loved you, and I swear to you that I have never once wavered.

"Grim circumstance forced me to write to you as I did. Forgive me, I beg of you. If it is true what Mr. Flockart says, then send me a telegram, and come here to see me. If it be false, then I shall know by your silence.

"I love you, my own, my well-beloved! Au revoir, my dearest heart. I look at your photograph which to-night smiles at me. Yes, you love me!

"With many fond and sweet kisses like those I gave you in the well-remembered days of our happiness.

"My love—My king!"

She read the letter carefully through, placed it in an envelope, and, marking it private, addressed it to Walter's chambers in the Temple, whence she knew it must be forwarded if he were away. Then, putting on her tam o' shanter, she went out to the village grocer's, where she posted it, so that it left by the early morning mail. When would his welcome telegram arrive? She calculated that he would get the letter by mid-day, and by one o'clock she could receive his reply—his reassurance of love.

So she went to her bed, with its white dimity hangings, more calm and composed than for months before. For a long time she lay awake, thinking of him, listening hour by hour to the chiming bells of the old Norman church. They marked the passing of the night. Then she dropped off to sleep, to be awakened by the sun streaming into the room.

That same morning, away up in the Highlands at Glencardine, Sir Henry had groped his way across the library to his accustomed chair, and Hill had placed before him one of the shallow drawers of the cabinet of seal-impressions.

There were fully half a dozen which had been sent to him by the curator of the museum at Norwich, sulphur-casts of seals recently acquired by that institution.

The blind man had put aside that morning to examine them, and settled himself to his task with the keen and pleasurable anticipation of the expert.

They were very fine specimens. The blind man, sitting alone, selected one, and, fingering it very carefully for a long time, at last made out its design and the inscription upon it.

"The seal of Abbot Simon de Luton, of the early thirteenth century," he said slowly to himself. "The wolf guards the head of St. Edmund as it does in the seal of the Benedictine Abbey of Bury St. Edmunds, while the Virgin with the Child is over the canopy. And the verse is indeed curious for its quaintness:"

+ VIRGO . DEUM . FERT . DUX . CAPUD . AUFERT . QUOD . LUPUS . HIC . FERT +

Then he again retraced the letters with his sensitive fingers to reassure himself that he had made no mistake.

The next he drew towards him proved to be the seal of the Vice-Warden of the Grey Friars of Cambridge, a pointed one used about the year 1244, which to himself he declared, in heraldic language, to bear the device of "a cross raguly debruised by a spear, and a crown of thorns in bend dexter, and a sponge on a staff in bend sinister, between two threefold flagella in base"—surely a formidable array of the instruments used in the Passion.

Deeply interested, and speaking to himself aloud, as was his habit when alone, he examined them one after the other. Among the collection were the seals of Berengar de Brolis, Plebanus of Pacina (in Syracuse), and those of the Commune of Beauvais (1228); Mathilde (or Mahaut), daughter of Henri Duke of Brabant (1265); the town of Oudenbourg in West Flanders, and of the Vicar-Provincial of the Carmelite Order at Palermo (1350); Jacobus de Gnapet, Bishop of Rennes (1480); and of Bondi Marquis of Sasolini of Bologna (1323).

He had almost concluded when Goslin, the grey-bearded Frenchman, having breakfasted alone in the dining-room, entered. "Ah, mon cher Sir Henry!" he exclaimed, "at work so early! The study of seals must be very fascinating to you, though I confess that, for myself, I could never see in them very much to interest one."

"No. To the ordinary person, my dear Goslin, it appears no doubt, a most dryasdust study, but to a man afflicted like myself it is the only study that he can pursue, for with his finger tips he can learn the devices and decipher the inscriptions," the blind Baronet declared. "Take, for instance, only this little collection of a dozen or so impressions which they have so kindly sent to me from Norwich. Each one of them tells me something. Its device, its general character, its heraldry, its inscription, are all highly instructive. For the collector there are opportunities for the study of the historical allusions, the emblematology and imagery, the hagiology, the biographical and topographical episodes, and the other peculiarities and idiosyncrasies in all the seals he possesses."

Goslin, like most other people, had been many times bored by the old man's technical discourses upon his hobby. But he never showed it. He, just the same as other people, made pretence of being interested. "Yes," he remarked, "they must be most instructive to the student. I recollect seeing a great quantity in the Bargello at Florence."

"Ah, a very fine collection—part of the Medici collection, and contains some of the finest Italian and Spanish specimens," remarked the blind connoisseur. "Birch of the British Museum is quite right in declaring that the seal, portable and abounding in detail, not difficult of acquisition nor hard to read if we set about deciphering the story it has to tell, takes us back as we look upon it to the very time of its making, and sets us, as it were, face to face with the actual owners of the relic."