Louisa May Alcott : Her Life, Letters, and Journals

AFTER such long and hard struggles, it is pleasant to find the diary for 1860 headed "A Year of Good Luck." The appointment of Mr. Alcott as Superintendent of Schools in Concord was a great happiness to the family. It was a recognition of his character and ability, and gave him congenial occupation and some small pecuniary compensation.

Louisa was writing for the "Atlantic," and receiving better pay for her work; Anna was happy; and May absorbed in her art.

In the summer Miss Alcott had an experience in caring for a young friend during a temporary fit of insanity, which she has partially reproduced in the touching picture of Helen in the story of "Work." It is a powerful lesson; but it is almost cruelly enforced, and is an artistic blemish in the book. While the great problem of heredity should be studied and its lessons enforced, it is yet a mystery, whose laws are not understood; and it is not wise to paint its possible effects in the lurid light of excited imagination, which may too often bring about the very evils which a wise and temperate caution might prevent. For the physician and teacher such investigations are important; but they are dangerous to the young and sensitive.

The following unusually long letter gives a pleasing picture of the family life at this time:–

To Mrs. Bond

    Apple Slump, Sept. 17, 1860.

Dear Auntie,–I consider this a practical illustration of one of Mother's naughty amended sayings, "Cast your bread upon the waters, and after many days it will return buttered;" and this "rule of three" don't "puzzle me," as the other did; for my venerable raiment went away with one if not two feet in the grave, and came back in the guise of three stout angels, having been resurrectionized by the spirit who lives on the other side of a Charles River Jordan. Thank you very much, and be sure the dreams I dream in them will be pleasant ones; for, whether you sewed them or not, I know they bring some of the Auntie influence in their strength, softness, and warmth; and, though a Vandal, I think any prayers I may say in them will be the better for the affectionate recollections that will clothe me with the putting on of these friendly gowns, while my belief in both heavenly and earthly providences will be amazingly strengthened by the knowledge of some lives here, whose beauty renders it impossible to doubt the existence of the life hereafter.

We were very glad to hear that the Papa was better; for when paternal "Richards" ain't "themselves," everybody knows the anxious state of the domestic realms.

I hope Georgie (last name disremembered) has recovered from the anguish of discontented teeth and berry-seeds, and that "the Mama" was as much benefited by the trip as the other parties were, barring the horse perhaps.

This amiable town is convulsed just now with a gymnastic fever, which shows itself with great violence in all the schools, and young societies generally. Dr. Lewis has "inoculated us for the disease," and it has "taken finely;" for every one has become a perambulating windmill, with all its four sails going as if a wind had set in; and the most virulent cases present the phenomena of black eyes and excoriation of the knobby parts of the frame, to say nothing of sprains and breakage of vessels looming in the future.

The City Fathers approve of it; and the city sons and daughters intend to show that Concord has as much muscle as brain, and be ready for another Concord fight, if Louis Napoleon sees fit to covet this famous land of Emerson, Hawthorne, Thoreau, Alcott, & Co. Abby and I are among the pioneers; and the delicate vegetable productions clash their cymbals in private, when the beef-eating young ladies faint away and become superfluous dumb belles.

Saturday we had J. G. Whittier, Charlotte Cushman, Miss Stebbins the sculptress, and Mr. Stuart, conductor of the underground railroad of this charming free country. So you see our humble place of abode is perking up; and when the "great authoress and artist" are fairly out of the shell, we shall be an honor to our country and terror to the foe,–provided good fortune don't addle or bad fortune smash us.

Father continues to stir up the schools like a mild pudding-stick, Mother to sing Hebron among her pots and pans, Anna and the Prince Consort to bill and coo in the little dove-cot, Oranthy Bluggage to launch chips on the Atlantic and make a gigantic blot of herself in working the vessel, Abby to teach the fine arts and play propriety for the family, and the old house to put its best foot foremost and hoot at the idea of ever returning to the chaos from which it came.

This is a condensed history of "the pathetic family," which is also a "happy family," owing to the prevalence of friends and lots of kindness in the original packages, "which are always arriving" when the "Widow Cruise's oil-bottle" begins to give out.

You know I never could do anything in a neat and proper manner; so you will receive this topsy-turvy note as you do its writer, and with love to all from all, believe her, dear auntie,

    Ever lovingly yours,
    L. M. A.

This characteristic letter not only shows Louisa's affectionate feelings and gives a picture of her life, but indicates that "The Pathetic Family," which was the foundation of "Little Women," was already shaping itself in her mind.

Mr. Alcott's career as Superintendent of Schools was a gratifying success, and is still remembered by friends of education in the town. The year closed with a school festival, for which Louisa wrote a poem, and in which she took hearty delight.

In 1861 war was declared with the South. The Alcotts were all alive with patriotic enthusiasm, and Louisa took an active part in fitting off the boys for the army. But she also found time for much reading. Mr. Alcott, in his sonnet, uses the expression about Louisa–

"Hast with grave studies vexed a lively brain."

He may possibly have referred to this period, though she could never properly be called a student. She was a rapid, intelligent reader, and her taste was severe and keen. From her childhood she had browsed in her father's library, full of the works of ancient philosophers and quaint English poets, and had imbibed from them great thoughts and noble sentiments; but her reading, like all her education, was immethodical. Occasionally she would lay out courses of reading, which she pursued for a time; but in general she followed the cravings of a healthy appetite for knowledge, reading what came in her way. Later in life she often read light literature in abundance, to drown the sensations of pain, and to pass away the hours of invalidism.

She read French easily, and learned to speak it when abroad; she also studied German, but did not acquire equal facility in that tongue. Of ancient languages she had no knowledge. History could not fail to interest such a student of life, and she loved Nature too well not to enjoy the revelations of science when brought to her notice; but she had never time to give to a thorough study of either.

In her journal at this time she speaks of her religious feelings, which the experiences of grief and despair and reviving hope had deepened. Louisa Alcott's was a truly religious soul; she always lived in the consciousness of a Higher Power sustaining and blessing her, whose presence was revealed to her through Nature, through the inspired words of great thinkers and the deep experiences of her own heart. She never held her life as an isolated possession which she was free to use for her own enjoyment or glory. Her father truly called her "Duty's faithful child," and her life was consecrated to the duty she recognized as specially hers. But for outward forms and rites of religion she cared little; her home was sacred to her, and she found her best life there. She loved Theodore Parker, and found great strength and help from his preaching, and afterward liked to listen to Dr. Bartol; but she never joined any church. The Bible was not her favorite reading, though her father had read it much to her in her childhood, with his own peculiar charm of interpretation. Pilgrim's Progress was one of the few religious books which became dear to her in the same way.

Her sister Anna was married in May; this was of course a great event in the family. While fully rejoicing in her sister's happiness, Louisa felt her loss as a constant companion and confidant. The journal gives a sufficient description of the event. Her strong affection for her brother-in-law appears in "Little Women" and in "Jo's Boys." About this time her farce was brought out at the Howard Athenæum.

The story-writing continued, as it helped to pay the expenses of the family; but the continuous, hurried work had begun to affect her health, and she occasionally suffered from illness.

In the summer of 1861 Miss Alcott began to write her first novel, entitled "Moods;" this proved to be the least successful of her books, and yet like many an unfortunate child, it was the dearest to the mother's heart. It was not written for money, but for its own sake, and she was possessed by the plot and the characters. Warwick represented her ideal of a hero, while her sister preferred the type of the amiable Moor; yet there is far less of her outward self revealed in this than in her other stories. It is full of her thoughts and fancies, but not of her life. The wilful, moody, charming Sylvia does not affect us like the stormy Jo, who is a real presence to us, and whom we take to our hearts in spite of her faults. The men are such as she found in books, but had never known herself, and, carefully as she has drawn them, have not the individuality of Laurie and Professor Bhaer. The action takes place in an unreal world; and though there are many pretty scenes, they have not the real flavor of New England life. The principal incident, of a young girl going up the river on a picnic-voyage for some days with her brother and two other young men, was so contrary to common ideas of decorum, that the motive hardly seems sufficient for the staid sister's consent; but in the simple, innocent life which the Alcotts lived in Concord such scruples were little felt.

Miss Alcott did not lay stress upon the marriage question as the principal feature of the book; she cared more to describe the wilful moods of a young girl, full of good feelings, and longing for a rich and noble life, but not established in convictions and principles. She meant to represent much of her own nature in Sylvia, for she was always a creature of moods, which her family learned to recognize and respect. But how unlike was the discipline of family work and love, which saved Louisa from fatal caprices and fitful gusts of fancy called passion, to the lot of the wealthy and admired Sylvia. Miss Alcott says that the incidents of the marriage, although not drawn from life, were so close to an actual case that the wife asked her how she had known her secret; but such realism is a poor justification in art. It is that which becomes true to the imagination and heart through its vivid personation of character which is accepted, not the bare facts. The great question of the transcendental period was truth to the inward life instead of the outward law. But in "Moods" the marriage question is not stated strongly; it does not reach down to this central principle. It is only in tragedy that such a double relation could be endured, when the situation is compelled by fate,–the fate of character and overpowering circumstances,–and when there is no happy solution possible. But Sylvia's position is made only by her own weakness, and the love which stands in opposition to outward duty has no right of existence. If her love for Warwick could be overcome, there was no question of her duty; and when she accepts Faith's criticism of him, it is clear that it is a much lighter spell than love which has fascinated her. We do not accept the catastrophe which sacrifices a splendid life to make a comfortable solution of the practical difficulty, and to allow Sylvia to accept a happy home without a thorough regeneration of heart and mind. But these were the natural mistakes of youth and inexperience; Louisa had known but little of such struggles. Love and marriage were rather uninteresting themes to her, and she had not yet found her true power.

Still the book has great literary merit. It is well written, in a more finished style than any of her other work, except "Modern Mephistopheles," and the dialogue is vigorous and sprightly. In spite of her careful revision and pruning, there is something left of youthful gush in it, and this perhaps touched the heart of young girls, who found in Sylvia's troubles with herself a reflection of their own.

The "golden wedding" scenes have some of her usual freedom and vivacity. She is at home with a troop of mothers and babies and noisy boys. But the "golden wedding" was a new importation from Germany, and not at home in the New England farmhouse. Why might it not have been a true wedding or a harvest feast?

Louisa never lost her interest in this early work, though it was the most unlucky of books, and subjected to severe handling. It was sent to and fro from publisher to author, each one suggesting some change. Redpath sent it back as being too long. Ticknor found it very interesting, but could not use it then. Loring liked it, but wanted it shorter. She condensed and altered until her author's spirit rebelled, and she declared she would change it no more.

After her other books had made her famous, "Moods" was again brought forward and republished as it was originally written. It met with warmer welcome than before, and a cheap edition was published in England to supply the popular demand.

Miss Alcott learned the first painful lesson of over-work on this book. She was possessed by it, and for three weeks labored so constantly that she felt the physical effects keenly. Fortunately new household tasks (for the daughters of John Brown came to board with them), and the enthusiasm of the time, changed the current of her thoughts.

Journal

February, 1860.–Mr. – won't have "M. L.," as it is antislavery, and the dear South must not be offended. Got a carpet with my $50, and wild Louisa's head kept the feet of the family warm.

March.– Wrote "A Modern Cinderella," with Nan for the heroine and John for the hero.

Made my first ball dress for May, and she was the finest girl at the party. My tall, blond, graceful girl! I was proud of her.

Wrote a song for the school festival, and heard it sung by four hundred happy children. Father got up the affair, and such a pretty affair was never seen in Concord before. He said, "We spend much on our cattle and flower shows; let us each spring have a show of our children, and begrudge nothing for their culture." All liked it but the old fogies who want things as they were in the ark.

April.– Made two riding habits, and May and I had some fine rides. Both needed exercise, and this was good for us. So one of our dreams came true, and we really did "dash away on horseback."

Sanborn was nearly kidnapped for being a friend of John Brown; but his sister and A. W. rescued him when he was handcuffed, and the scamps drove off. Great ferment in town. A meeting and general flurry.

Had a funny lover who met me in the cars, and said he lost his heart at once. Handsome man of forty. A Southerner, and very demonstrative and gushing, called and wished to pay his addresses; and being told I didn't wish to see him, retired, to write letters and haunt the road with his hat off, while the girls laughed and had great fun over Jo's lover. He went at last, and peace reigned. My adorers are all queer.

Sent "Cinderella" to the "Atlantic," and it was accepted. Began "By the River," and thought that this was certainly to be a lucky year; for after ten years hard climbing I had reached a good perch on the ladder, and could look more hopefully into the future, while my paper boats sailed gaily over the Atlantic.

May.– Meg's wedding.

My farce was acted, and I went to see it. Not very well done; but I sat in a box, and the good Doctor handed up a bouquet to the author, and made as much as he could of a small affair.

Saw Anna's honeymoon home at Chelsea,–a little cottage in a blooming apple-orchard. Pretty place, simple and sweet. God bless it!

The dear girl was married on the 23d, the same day as Mother's wedding. A lovely day; the house full of sunshine, flowers, friends, and happiness. Uncle S. J. May married them, with no fuss, but much love; and we all stood round her. She in her silver-gray silk, with lilies of the valley (John's flower) in her bosom and hair. We in gray thin stuff and roses,–sackcloth, I called it, and ashes of roses; for I mourn the loss of my Nan, and am not comforted. We have had a little feast, sent by good Mrs. Judge Shaw; then the old folks danced round the bridal pair on the lawn in the German fashion, making a pretty picture to remember, under our Revolutionary elm.

Then, with tears and kisses, our dear girl, in her little white bonnet, went happily away with her good John; and we ended our first wedding. Mr. Emerson kissed her; and I thought that honor would make even matrimony endurable, for he is the god of my idolatry, and has been for years.

June.– To Boston to the memorial meeting for Mr. Parker, which was very beautiful, and proved how much he was beloved. Music Hall was full of flowers and sunshine, and hundreds of faces, both sad and proud, as the various speakers told the life of love and labor which makes Theodore Parker's memory so rich a legacy to Boston. I was very glad to have known so good a man, and been called "friend" by him.

Saw Nan in her nest, where she and her mate live like a pair of turtle doves. Very sweet and pretty, but I'd rather be a free spinster and paddle my own canoe.

August.– "Moods." Genius burned so fiercely that for four weeks I wrote all day and planned nearly all night, being quite possessed by my work. I was perfectly happy, and seemed to have no wants. Finished the book, or a rough draught of it, and put it away to settle. Mr. Emerson offered to read it when Mother told him it was "Moods" and had one of his sayings for motto.