Mistress to the Marquis

‘You will not ruin it. You are the very height of discretion.’

‘I try.’ She laughed. ‘Well, only where you’re concerned, if I’m honest.’

‘I am glad you are keeping your spirits up.’ Venetia smiled.

‘Why wouldn’t I? Razeby’s in the past. Ahead there’s only the future. And the future looks good for me.’ She smiled again. ‘I’m planning to throw myself into the theatre life. Make a real go of it. You have to get on with life, don’t you?’ Another of her mother’s teachings. Very easy to say, not so easy to do. But Alice would do it. She was very determined of that.

‘You do,’ Venetia agreed. Then she lifted the document Alice had set before her and slipped off the red ribbon that bound it.

A small companionable silence opened up as they sipped their coffee and Venetia read the wording of the theatre contract.

‘Is it all in order?’

‘It seems to be. You are in a strong position, Alice. Your return to the stage full time will fill the theatre. You could push Kemble to pay you more.’

But Alice shook her head. ‘I’m happy with what he’s offered me. I just want to get on with it. Get started.’

‘If you are sure?’

‘I am. Although I must confess to being a little nervous at playing so many leading roles.’

‘You will be fine upon that stage, Alice. More than fine. You will be great. I know you will.’

‘I hope so.’ Alice bit at her lip and her cheeks turned pink at the compliment.

‘Kemble has told you the plays that are scheduled?’

‘Right up to the summer. There’s nothing new, nothing I haven’t done before, thank the Lord.’

Venetia met her gaze. ‘If something new does come up… any new part to be read, come to me.’

Alice gave a nod. ‘I will.’

The two women looked at one another, bound by more than this secret that they shared. By sensitivity and friendship and past histories that were too much alike.

Alice took a deep breath. ‘Go ahead, sign it,’ she said.

Venetia gave a nod and then, moving the tray aside, she lifted the plain black pen, another one of the house’s possessions, from its holder and dipped the tip into the ink well. Very carefully she signed at the end of the contract, Alice Sweetly, then sprinkled some fine sand upon the still-wet ink of the signature.

‘It is done, Alice,’ she said.

They both knew that it was more than the signing of the contract Venetia was referring to. This commitment to going back to the theatre full time was the drawing of a line under all that had gone before with Razeby. It marked the end of that chapter in Alice’s life and the beginning of a new one. She was fortunate to have such an option, and more fortunate still to have such a friend as Venetia who had helped her. Alice knew that, so she smiled and held her head up. ‘It is,’ she agreed. ‘Thank you, Venetia.’

‘I will come and see you in your first performance.’

‘You do that. I’ll be looking out for you.’ Alice smiled.

They walked towards the front door.

The thought was pounding in Alice’s mind, and the words whispering in her ear, and Alice tried not to say them. But once Venetia walked out that door it would be too late and Alice had to be sure.

Just as Venetia was about to leave, Alice placed her hand on her friend’s arm and said quietly, ‘If Razeby should enquire, which I’m sure he won’t, you won’t tell him the direction of my new rooms, will you?’

There was the tiniest of hesitations in which Venetia looked into her eyes in a way that made Alice regret speaking the words.

‘Rest assured I will tell him nothing, Alice.’

There were no accusations. No denials or admissions. Just a hug of understanding. And a farewell.

Chapter Five

Within the study of Razeby’s town house in Leicester Square, Collins answered the question he had just been asked. ‘Two maidservants, no menservants. Apart from that, no one.’

‘Thank you, Mr Collins.’ Razeby slid a neat pile of folded bank notes across the gleam of the mahogany desk top.

The wiry, sharp-eyed man pocketed the money without counting it. It was not first time the Bow Street Runner had undertaken a little work on the side for Razeby. Although it was in all probability the last, thought Razeby with a macabre sense of humour.

‘All in a day’s work, Lord Razeby.’ Collins made no comment as to the information he had just given Razeby, although he could not have been unaware of its significance. The Bow Street Runner was too smart for that. It was why Razeby had used him. ‘I will bid you good day, my lord.’ Collins gave a small bow and left, closing the study door silently behind him.

Razeby sat where he was, staring at the panels of the door without seeing them. A man had his duty and his fate. And honour. None of which he could escape, no matter how much he willed it. That knowledge was ever present in his mind these days.

A few thousand pounds and his duty to Alice would be discharged, all monies owed paid. The severance between them finalised. And after that maybe then he would be able to stop thinking of her, maybe then he would be able to focus on the task in hand. Finding a bride. Breeding an heir.

His gaze lowered to the desk, to the scrap of paper that Collins had given him. He looked at it again, his eyes lingering on it even though the words written there were already imprinted on his memory. There could be no room in his life for sentimentality or faltering. Only getting the job done. He knew that, but he still folded the paper carefully and stowed it safely in the pocket of his waistcoat before ringing the bell for his valet and moving to ready himself for tonight’s dance.

In the days since Venetia’s visit Alice had done just as she had said and thrown herself into the theatre. She was working hard in preparation for her opening night at Covent Garden’s Theatre Royal. The enormity of the challenge before her left little time for that. She rose early and tumbled into bed late, exhausted. She loved the smell of the theatre, that dusty polished scent unique to the grand stage. The way it gave her a purpose on which to focus.

Every day brought new challenges, refreshing herself as to the plays and the roles, running through lines last heard a year past. She took home scripts at night and returned them the next morning, pretending she had read them, as if she could, but Alice had no need to read a single line. She only had to hear something once to remember it for ever. It was her special gift. And she was truly thankful for it.

All day, every day was spent at the theatre, with Mr Kemble and the other actors and actresses, rehearsing. Everything that she feared she might have forgotten of the art of playacting came back to her as easily as if she had last stepped upon a stage in a leading role only yesterday. Even the feeling of fear but also of excitement, like walking a knife edge. It made her concentrate, made her focus. It took away the luxury of time during which she might dwell upon Razeby.

Alice was about to leave for rehearsals one morning when the maid brought her a letter.

‘A footman has just delivered this, ma’am.’

She lifted the letter from the maid’s small silver salver, wondering who had written. So far, only Kemble and Venetia knew the address of her new rooms. Kemble she saw in person each day and Venetia knew better than to write. But as soon as she turned the letter over in her hands she knew without opening it, without needing to be able to read a single word of it, the identity of the sender.

‘Have him wait, Meg,’ she instructed.

The thick red-wax seal impressed upon the back was a crest she recognised too well. One that made her pulse thrum uncomfortably hard and her heart beat too fast with anger and too many other emotions she would rather not name. She swallowed, torn between not wanting to open it and the need to know what lay beneath that seal. Wetting her lips, she swallowed again and cracked the wax. The letter unfolded. Inside was a cheque with Razeby’s name signed against a sum she could not read. The letter itself was blank other than signed with his name. That familiar bold black scrawl—Razeby.

It was her severance pay, a common enough negotiation between mistresses and the men in whose keeping they had been. A lump sum to tide them over until they found their next protector. Or to keep them for life. But for Alice there would be no new protector. And she would keep herself, earn her own money. Venetia had been right in that. Too late she realised just what her friend had been warning her against.

She stared at the cheque. She might not know the figure written there, but she knew it was high. Common sense and practicality told her she should accept it. Take it to the bank this very day. You had to be careful with money. Save it. Look after it. The future was never certain and life without money could be very hard indeed. Who better than Alice knew that? But when she looked at the cheque, Razeby’s money, and all that it meant, she could not bring herself to do it.

Folding the cheque within the letter just as it had been, she heated a blob of rich red wax and let it drip to cover and melt away Razeby’s crest. Within a few moments it had cooled and the letter was sealed once more, the wax disc smooth and even.

She took it out to the footman who waited in the hallway. A footman she recognised from Razeby’s town house in Leicester Square. He recognised her, too, although he said nothing. If he knew the contents of the letter, he gave no sign.