The Athelings

The ribbons accordingly were lifted away, and placed in a heap upon a much-used work-table which stood in the window. The kettle sang by the fire. The tea was made. Into two small chairs of wickerwork, raised upon high stilts to reach the table, were hoisted Bell and Beau. The talk of these small interlocutors had all this time been incessant, but untranslatable. It was the unanimous opinion of the family Atheling that you could “make out every word” spoken by these little personages, and that they were quite remarkable in their intelligibility; yet there were difficulties in the way, and everybody had not leisure for the close study of this peculiar language, nor the abstract attention necessary for a proper comprehension of all its happy sayings. So Bell and Beau, to the general public, were but a merry little chorus to the family drama, interrupting nothing, and being interrupted by nobody. Like crickets and singing-birds, and all musical creatures, their happy din grew louder as the conversation rose; but there was not one member of this loving circle who objected to have his voice drowned in the jubilant uproar of those sweet small voices, the unceasing music of this happy house.

After tea, it was Marian’s “turn,” as it appeared, to put the little orchestra to bed. It was well for the little cheeks that they were made of a more elastic material than those saintly shrines and reliquaries which pious pilgrims wore away with kissing; and Charlie, mounting one upon each shoulder, carried the small couple up-stairs. It was touching to see the universal submission to these infants: the house had been very sad before they came, and these twin blossoms had ushered into a second summer the bereaved and heavy household life.

When Bell and Beau were satisfactorily asleep and disposed of, Mrs Atheling sat down to her sewing, as is the wont of exemplary mothers. Papa found his occupation in a newspaper, from which now and then he read a scrap of news aloud. Charlie, busy about some solitary study, built himself round with books at a side-table. Agnes and Marian, with great zeal and some excitement, laid their heads together over the trimming of their bonnets. The ribbon was very pretty, though it was unprofitable; perhaps in their secret hearts these girls liked it the better for its unthrifty delicacy, but they were too “well brought up” to own to any such perverse feeling. At any rate, they were very much concerned about their pretty occupation, and tried a hundred different fashions before they decided upon the plainest and oldest fashion of all. They had taste enough to make their plain little straw-bonnets very pretty to look at, but were no more skilled in millinery than in paperhanging, and timid of venturing upon anything new. The night flew on to all of them in these quiet businesses; and Time went more heavily through many a festive and courtly place than he did through this little parlour, where there was no attempt at pleasure-making. When the bonnets were finished, it had grown late. Mr Foggo had not come this night for any sensible conversation; neither had Agnes been tempted to join Charlie at the side-table, where lay a miscellaneous collection of papers, packed within an overflowing blotting-book, her indisputable property. Agnes had other ambition than concerned the trimming of bonnets, and had spoiled more paper in her day than the paper of this parlour wall; but we pause till the morning to exhibit the gift of Agnes Atheling, how it was regarded, and what it was.

CHAPTER III.

AGNES

Dearest friend! most courteous reader! suspend your judgment. It was not her fault. This poor child had no more blame in the matter than Marian had for her beauty, which was equally involuntary. Agnes Atheling was not wise; she had no particular gift for conversation, and none whatever for logic; no accomplishments, and not a very great deal of information. To tell the truth, while it was easy enough to discover what she had not, it was somewhat difficult to make out precisely what she had to distinguish her from other people. She was a good girl, but by no means a model one; full of impatiences, resentments, and despairs now and then, as well as of hopes, jubilant and glorious, and a vague but grand ambition. She herself knew herself quite as little as anybody else did; for consciousness of power and prescience of fame, if these are signs of genius, did not belong to Agnes. Yet genius, in some kind and degree, certainly did belong to her, for the girl had that strange faculty of expression which is as independent of education, knowledge, or culture as any wandering angel. When she had anything to say (upon paper), she said it with so much grace and beauty of language, that Mr Atheling’s old correspondents puzzled and shook their grey heads over it, charmed and astonished without knowing why, and afterwards declared to each other that Atheling must be a clever fellow, though they had never discovered it before; and a clever fellow he must have been indeed, could he have clothed these plain sober sentiments of his in such a radiant investiture of fancy and youth. For Agnes was the letter-writer of the household, and in her young sincerity, and with her visionary delight in all things beautiful, was not content to make a dutiful inquiry, on her mother’s part, for an old ailing country aunt, or to convey a bit of city gossip to some clerkish contemporary of her father’s, without induing the humdrum subject with such a glow and glory of expression that the original proprietors of the sentiment scarcely knew it in its dazzling gear. She had been letting her pearls and her diamonds drop from her lips after this fashion, with the prodigality of a young spendthrift—only astonishing the respectable people who were on letter-writing terms with Mr and Mrs Atheling—for two or three years past. But time only strengthened the natural bent of this young creature, to whom Providence had given, almost her sole dower, that gift of speech which is so often withheld from those who have the fullest and highest opportunity for its exercise. Agnes, poor girl! young, inexperienced, and uninstructed, had not much wisdom to communicate to the world—not much of anything, indeed, save the vague and splendid dreams—the variable, impossible, and inconsistent speculations of youth; but she had the gift, and with the gift she had the sweet spontaneous impulse which made it a delight. They were proud of her at home. Mr and Mrs Atheling, with the tenderest exultation, rejoiced over Marian, who was pretty, and Agnes, who was clever; yet, loving these two still more than they admired them, they by no means realised the fact that the one had beauty and the other genius of a rare and unusual kind. We are even obliged to confess that at times their mother had compunctions, and doubted whether Agnes, a poor man’s daughter, and like to be a poor man’s wife, ought to be permitted so much time over that overflowing blotting-book. Mrs Atheling, when her own ambition and pride in her child did not move her otherwise, pondered much whether it would not be wiser to teach the girls dress-making or some other practical occupation, “for they may not marry; and if anything should happen to William or me!—as of course we are growing old, and will not live for ever,” she said to herself in her tender and anxious heart. But the girls had not yet learned dress-making, in spite of Mrs Atheling’s fears; and though Marian could “cut out” as well as her mother, and Agnes, more humble, worked with her needle to the universal admiration, no speculations as to “setting them up in business” had entered the parental brain. So Agnes continued at the side-table, sometimes writing very rapidly and badly, sometimes copying out with the most elaborate care and delicacy—copying out even a second time, if by accident or misfortune a single blot came upon the well-beloved page. This occupation alternated with all manner of domestic occupations. The young writer was as far from being an abstracted personage as it is possible to conceive; and from the momentous matter of the household finances to the dressing of the doll, and the childish play of Bell and Beau, nothing came amiss to the incipient author. With this sweet stream of common life around her, you may be sure her genius did her very little harm.

And when all the domestic affairs were over—when Mr Atheling had finished his newspaper, and Mrs Atheling put aside her work-basket, and Mr Foggo was out of the way—then Papa was wont to look over his shoulder to his eldest child. “You may read some of your nonsense, if you like, Agnes,” said the household head; and it was Agnes’s custom upon this invitation, though not without a due degree of coyness, to gather up her papers, draw her chair into the corner, and read what she had written. Before Agnes began, Mrs Atheling invariably stretched out her hand for her work-basket, and was invariably rebuked by her husband; but Marian’s white hands rustled on unreproved, and Charlie sat still at his grammar. It was popularly reported in the family that Charlie kept on steadily learning his verbs even while he listened to Agnes’s story. He said so himself, who was the best authority; but we by no means pledge ourselves to the truth of the statement.

And so the young romance was read: there was some criticism, but more approval; and in reality none of them knew what to think of it, any more than the youthful author did. They were too closely concerned to be cool judges, and, full of interest and admiration as they were, could not quite overcome the oddness and novelty of the idea that “our Agnes” might possibly one day be famous, and write for the world. Mr Atheling himself, who was most inclined to be critical, had the strangest confusion of feelings upon this subject, marvelling much within himself whether “the child” really had this singular endowment, or if it was only their own partial judgment which magnified her powers. The family father could come to no satisfactory conclusion upon the subject, but still smiled at himself, and wondered, when his daughter’s story brought tears to his eyes, or sympathy or indignation to his heart. It moved him without dispute,—it moved Mamma there, hastily rubbing out the moisture from the corner of her eyes. Even Charlie was disturbed over his grammar. “Yes,” said Mr Atheling, “but then you see she belongs to us; and though all this certainly never could have come into my head, yet it is natural I should sympathise with it; but it is a very different thing when you think of the world.”

So it was, as different a thing as possible; for the world had no anxious love to sharpen its criticism—did not care a straw whether the young writer was eloquent or nonsensical; and just in proportion to its indifference was like to be the leniency of its judgment. These good people did not think of that; they made wonderful account of their own partiality, but never reckoned upon that hypercritical eye of love which will not be content with a questionable excellence; and so they pondered and marvelled with an excitement half amusing and half solemn. What would other people think?—what would be the judgment of the world?

As for Agnes, she was as much amused as the rest at the thought of being “an author,” and laughed, with her bright eyes running over, at this grand anticipation; for she was too young and too inexperienced to see more than a delightful novelty and unusualness in her possible fame. In the mean time she was more interested in what she was about than in the result of it, and pleased herself with the turn of her pretty sentences, and the admirable orderliness of her manuscript; for she was only a girl.

CHAPTER IV.

MARIAN

Marian Atheling had as little choice in respect to her particular endowment as her sister had; less, indeed, for it cost her nothing—not an hour’s thought or a moment’s exertion. She could not help shining forth so fair and sweet upon the sober background of this family life; she could not help charming every stranger who looked into her sweet eyes. She was of no particular “style” of beauty, so far as we are aware; she was even of no distinct complexion of loveliness, but wavered with the sweetest shade of uncertainty between dark and fair, tall and little. For hers was not the beauty of genius—it was not exalted and heroical expression—it was not tragic force or eloquence of features; it was something less distinct and more subtle even than these. Hair that caught the sunshine, and brightened under its glow; eyes which laughed a sweet response of light before the fair eyelids fell over them in that sweet inconsistent mingling of frankness and shyness which is the very charm of girlhood; cheeks as soft and bloomy and fragrant as any flower,—these seemed but the appropriate language in which alone this innocent, radiant, beautiful youth could find fit expression. For beauty of expression belonged to Marian as well as more obvious beauties; there was an entire sweet harmony between the language and the sentiment of nature upon this occasion. The face would have been beautiful still, had its possessor been a fool or discontented; as it was, being only the lovely exponent of a heart as pure, happy, and serene as heart could be, the face was perfect. Criticism had nothing to do with an effect so sudden and magical: this young face shone and brightened like a sunbeam, touching the hearts of those it beamed upon. Mere admiration was scarcely the sentiment with which people looked at her; it was pure tenderness, pleasure, unexpected delight, which made the chance passengers in the street smile as they passed her by. Their hearts warmed to this fair thing of God’s making—they “blessed her unaware.” Eighteen years old, and possessed of this rare gift, Marian still did not know what rude admiration was, though she went out day by day alone and undefended, and would not have faltered at going anywhere, if her mother bade or necessity called. She knew nothing of those stares and impertinent annoyances which fastidious ladies sometimes complained of, and of which she had read in books. Marian asserted roundly, and with unhesitating confidence, that “it was complete nonsense”—“it was not true;” and went upon her mother’s errands through all the Islingtonian streets as safely as any heroine ever went through ambuscades and prisons. She believed in lovers and knights of romance vaguely, but fervently,—believed even, we confess, in the melodramatic men who carry off fair ladies, and also in disguised princes and Lords of Burleigh; but knew nothing whatever, in her own most innocent and limited experience, of any love but the love of home. And Marian had heard of bad men and bad women,—nay, knew, in Agnes’s story, the most impossible and short-sighted of villains—a true rascal of romance, whose snares were made on purpose for discovery,—but had no more fear of such than she had of lions or tigers, the Gunpowder Plot, or the Spanish Inquisition. Safe as among her lawful vassals, this young girl went and came—safe as in a citadel, dwelt in her father’s house, untempted, untroubled, in the most complete and thorough security. So far as she had come upon the sunny and flowery way of her young life, her beauty had been no gift of peril to Marian, and she had no fear of what was to come.

And no one is to suppose that Mrs Atheling’s small means were strained to do honour to, or “set off,” her pretty daughter. These good people, though they loved much to see their children happy and well esteemed, had no idea of any such unnecessary efforts; and Marian shone out of her brown merino frock, and her little pink rosebuds, as sweetly as ever shone a princess in the purple and pall of her high estate. Mrs Atheling thought Marian “would look well in anything,” in the pride of her heart, as she pinched the bit of white lace round Marian’s neck when Mr Foggo and Miss Willsie were coming to tea. It was indeed the general opinion of the household, and that other people shared it was sufficiently proved by the fact that Miss Willsie herself begged for a pattern of that very little collar, which was so becoming. Marian gave the pattern with the greatest alacrity, yet protested that Miss Willsie had many collars a great deal prettier—which indeed was very true.

And Marian was her mother’s zealous assistant in all household occupations—not more willing, but with more execution and practical power than Agnes, who, by dint of a hasty anxiety for perfection, made an intolerable amount of blunders. Marian was more matter-of-fact, and knew better what she could do; she was constantly busy, morning and night, keeping always in hand some morsel of fancy-work, with which to occupy herself at irregular times after the ordinary work was over. Agnes also had bits of fancy-work in hand; but the difference herein between the two sisters was this, that Marian finished her pretty things, while Agnes’s uncompleted enterprises were always turning up in some old drawer or work-table, and were never brought to a conclusion. Marian made collars for her mother, frills for Bell and Beau, and a very fine purse for Charlie; which Charlie, having nothing to put in the same, rejected disdainfully: but it was a very rare thing indeed for Agnes to come to an end of any such labour. With Marian, too, lay the honour of far superior accuracy and precision in the important particular of “cutting out.” These differences furthered the appropriate division of labour, and the household work made happy progress under their united hands.

To this we have only to add, that Marian Atheling was merry without being witty, and intelligent without being clever. She, too, was a good girl; but she also had her faults: she was sometimes saucy, very often self-willed, yet had fortunately thus far shown a sensible perception of cases which were beyond her own power of settling. She had the greatest interest in Agnes’s story-telling, but was extremely impatient to know the end before the beginning, which the hapless young author was not always in circumstances to tell; and Marian made countless suggestions, interfering arbitrarily and vexatiously with the providence of fiction, and desiring all sorts of impossible rewards and punishments. But Marian’s was no quiet or superficial criticism: how she burned with indignation at that poor unbelievable villain!—how she triumphed when all the good people put him down!—with what entire and fervid interest she entered into everybody’s fortune! It was worth while being present at one of these family readings, if only to see the flutter and tumult of sympathies which greeted the tale.

And we will not deny that Marian had possibly a far-off idea that she was pretty—an idea just so indistinct and distant as to cause a momentary blush and sparkle—a momentary flutter, half of pleasure and half of shame, when it chanced to glide across her young unburdened heart; but of her beauty and its influence this innocent girl had honestly no conception. Everybody smiled upon her everywhere. Even Mr Foggo’s grave and saturnine countenance slowly brightened when her sweet face shone upon him. Marian did not suppose that these smiles had anything to do with her; she went upon her way with a joyous young belief in the goodness of everybody, except the aforesaid impossible people, who were unspeakably black, beyond anything that ever was painted, to the simple imagination of Marian. She had no great principle of abstract benevolence to make her charitable; she was strongly in favour of the instant and overwhelming punishment of all these imaginary criminals; but for the rest of the world, Marian looked them all in the face, frank and shy and sweet, with her beautiful eyes. She was content to offer that small right hand of kindliest fellowship, guileless and unsuspecting, to them all.

CHAPTER V.

CHARLIE

This big boy was about as far from being handsome as any ordinary imagination could conceive: his large loose limbs, his big features, his swarthy complexion, though they were rather uglier in their present development than they were likely to be when their possessor was full-grown and a man, could never, by any chance, gain him the moderate credit of good looks. He was not handsome emphatically, and yet there never was a more expressive face: that great furrowed brow of his went up in ripples and waves of laughter when the young gentleman was so minded, and descended in rolls of cloud when there was occasion for such a change. His mouth was not a pretty mouth: the soft curve of Cupid’s bow, the proud Napoleonic curl, were as different as you could suppose from the indomitable and graceless upper-lip of Charlie Atheling. Yet when that obstinate feature came down in fixed and steady impenetrability, a more emphatic expression never sat on the haughtiest curve of Greece. He was a tolerably good boy, but he had his foible. Charlie, we are grieved to say, was obstinate—marvellously obstinate, unpersuadable, and beyond the reach of reasoning. If anything could have made this propensity justifiable—as nothing could possibly make it more provoking—it was, that the big boy was very often in the right. Time after time, by force of circumstances, everybody else was driven to give in to him: whether it really was by means of astute and secret calculation of all the chances of the question, nobody could tell; but every one knew how often Charlie’s opinion was confirmed by the course of events, and how very seldom his odd penetration was deceived. This, as a natural consequence, made everybody very hot and very resentful who happened to disagree with Charlie, and caused a great amount of jubilation and triumph in the house on those occasions, unfrequent as they were, when his boyish infallibility was proved in the wrong.

Yet Charlie was not clever. The household could come to no satisfactory conclusion upon this subject. He did not get on with his moderate studies either quicker or better than any ordinary boy of his years. He had no special turn for literature either, though he did not disdain Peter Simple and Midshipman Easy. These renowned productions of genius held the highest place at present in that remote corner of Charlie’s interest which was reserved for the fine arts; but we are obliged to confess that this big boy had wonderfully bad taste in general, and could not at all appreciate the higher excellences of art. Besides all this, no inducement whatever could tempt Charlie to the writing of the briefest letter, or to any exercise of his powers of composition, if any such powers belonged to him. No, he could not be clever—and yet–

They did not quite like to give up the question, the mother and sisters. They indulged in the loftiest flights of ambition for him, as heaven-aspiring, and built on as slender a foundation, as any bean-stalk of romance. They endeavoured greatly, with much anxiety and care, to make him clever, and to make him ambitious, after their own model; but this obstinate and self-willed individual was not to be coerced. So far as this matter went, Charlie had a certain affectionate contempt for them all, with their feminine fancies and imaginations. He said only “Stuff!” when he listened to the grand projects of the girls, and to Agnes’s flush of enthusiastic confidence touching that whole unconquered world which was open to “a man!” Charlie hitched his great shoulders, frowned down upon her with all the furrows of his brow, laughed aloud, and went off to his grammar. This same grammar he worked at with his usual obstinate steadiness. He had not a morsel of liking for “his studies;” but he “went in” at them doggedly, just as he might have broken stones or hewed wood, had that been a needful process. Nobody ever does know the secret of anybody else’s character till life and time have evolved the same; so it is not wonderful that these good people were a little puzzled about Charlie, and did not quite know how to dispose of their obstinate big boy.

Charlie himself, however, we are glad to say, was sometimes moved to take his sisters into his confidence. They knew that some ambition did stir within that Titanic boyish frame. They were in the secret of the great discussion which was at present going on in the breast of Charlie, whose whole thoughts, to tell the truth, were employed about the momentous question—What he was to be? There was not a very wide choice in his power. He was not seduced by the red coat and the black coat, like the ass of the problem. The syrens of wealth and fame did not sing in his ears, to tempt him to one course or another. He had two homely possibilities before him—a this, and a that. He had a stout intention to be something, and no such ignoble sentiment as content found place in Charlie’s heart; wherefore long, animated, and doubtful was the self-controversy. Do not smile, good youth, at Charlie’s two chances—they are small in comparison of yours, but they were the only chances visible to him; the one was the merchant’s office over which Mr Atheling presided—head clerk, with his two hundred pounds a-year; the other was, grandiloquently—by the girls, not by Charlie—called the law; meaning thereby, however, only the solicitor’s office, the lawful empire and domain of Mr Foggo. Between these two legitimate and likely regions for making a fortune, the lad wavered with a most doubtful and inquiring mind. His introduction to each was equally good; for Mr Atheling was confidential and trusted, and Mr Foggo, as a mysterious rumour went, was not only most entirely trusted and confidential, but even in secret a partner in the concern. Wherefore long and painful were the ruminations of Charlie, and marvellous the balance which he made of precedent and example. Let nobody suppose, however, that this question was discussed in idleness. Charlie all this time was actually in the office of Messrs Cash, Ledger, and Co., his father’s employers. He was there on a probationary and experimental footing, but he was very far from making up his mind to remain. It was an extremely difficult argument, although carried on solely in the deep invisible caverns of the young aspirant’s mind.

The same question, however, was also current in the family, and remained undecided by the household parliament. With much less intense and personal earnestness, “everybody” went over the for and against, and contrasted the different chances. Charlie listened, but made no sign. When he had made up his own mind, the young gentleman proposed to himself to signify his decision publicly, and win over this committee of the whole house to his view of the question. In the mean time he reserved what he had to say; but so far, it is certain that Mr Foggo appeared more tempting than Mr Atheling. The family father had been twenty or thirty years at this business of his, and his income was two hundred pounds—“that would not do for me,” said Charlie; whereas Mr Foggo’s income, position, and circumstances were alike a mystery, and might be anything. This had considerable influence in the argument, but was not conclusive; for successful merchants were indisputably more numerous than successful lawyers, and Charlie was not aware how high a lawyer who was only an attorney could reach, and had his doubts upon the subject. In the mean time, however, pending the settlement of this momentous question, Charlie worked at two grammars instead of one, and put all his force to his study. Force was the only word which could express the characteristic power of this boy, if even that can give a sufficient idea of it. He had no love for his French or for his Latin, yet learned his verbs with a manful obstinacy worthy all honour; and it is not easy to define what was the special gift of Charlie. It was not a describable thing, separate from his character, like beauty or like genius—it was his character, intimate and not to be distinguished from himself.

CHAPTER VI.

PAPA AND MAMMA

The father of this family, as we have already said, was a clerk in a merchant’s office, with a salary of two hundred pounds a-year. He was a man of fifty, with very moderate abilities, but character unimpeachable—a perfect type of his class—steadily marching on in his common routine—doing all his duties without pretension—somewhat given to laying down the law in respect to business—and holding a very grand opinion of the importance of commerce in general, and of the marvellous undertakings of London in particular. Yet this good man was not entirely circumscribed by his “office.” He had that native spring of life and healthfulness in him which belongs to those who have been born in, and never have forgotten, the country. The country, most expressive of titles!—he had always kept in his recollection the fragrance of the ploughed soil, the rustle of the growing grass; so, though he lived in Islington, and had his office in the City, he was not a Cockney—a happy and most enviable distinction. His wife, too, was country born and country bred; and two ancestral houses, humble enough, yet standing always among the trees and fields, belonged to the imagination of their children. This was a great matter—for the roses on her grandmother’s cottage-wall bloomed perpetually in the fancy of Agnes; and Marian and Charlie knew the wood where Papa once went a-nutting, as well as—though with a more ideal perception than, Papa himself had known it. Even little Bell and Beau knew of a store of secret primroses blooming for ever on a fairy bank, where their mother long ago, in the days of her distant far-off childhood, had seen them blow, and taken them into her heart. Happy primroses, that never faded! for all the children of this house had dreamed and gathered them in handfuls, yet there they were for ever. It was strange how this link of connection with the far-off rural life refined the fancy of these children; it gave them a region of romance, into which they could escape at all times. They did not know its coarser features, and they found refuge in it from the native vulgarity of their own surroundings. Happy effect to all imaginative people, of some ideal and unknown land.

The history of the family was a very common one. Two-and-twenty years ago, William Atheling and Mary Ellis had ventured to marry, having only a very small income, limited prospects, and all the indescribable hopes and chances of youth. Then had come the children, joy, toil, and lamentation—then the way of life had opened up upon them, step by step; and they had fainted, and found it weary, yet, helpless and patient, had toiled on. They never had a chance, these good people, of running away from their fate. If such a desperate thought ever came to them, it must have been dismissed at once, being hopeless; and they stood at their post under the heavy but needful compulsion of ordinary duties, living through many a heartbreak, bearing many a bereavement—voiceless souls, uttering no outcry except to the ear of God. Now they had lived through their day of visitation. God had removed the cloud from their heads and the terror from their heart: their own youth was over, but the youth of their children, full of hopes and possibilities still brighter than their own had been, rejoiced these patient hearts; and the warm little hands of the twin babies, children of their old age, led them along with delight and hopefulness upon their own unwearying way. Such was the family story; it was a story of life, very full, almost overflowing with the greatest and first emotions of humanity, but it was not what people call eventful. The private record, like the family register, brimmed over with those first makings and foundations of history, births and deaths; but few vicissitudes of fortune, little success and little calamity, fell upon the head of the good man whose highest prosperity was this two hundred pounds a-year. And so now they reckoned themselves in very comfortable circumstances, and were disturbed by nothing but hopes and doubts about the prospects of the children—hopes full of brightness present and visible, doubts that were almost as good as hope.

There was but one circumstance of romance in the simple chronicle. Long ago—the children did not exactly know when, or how, or in what manner—Mr Atheling did somebody an extraordinary and mysterious benefit. Papa was sometimes moved to tell them of it in a general way, sheltering himself under vague and wide descriptions. The story was of a young man, handsome, gay, and extravagant, of rank far superior to Mr Atheling’s—of how he fell into dissipation, and was tempted to crime—and how at the very crisis “I happened to be in the way, and got hold of him, and showed him the real state of the case; how I heard what he was going to do, and of course would betray him; and how, even if he could do it, it would be certain ruin, disgrace, and misery. That was the whole matter,” said Mr Atheling—and his affectionate audience listened with awe and a mysterious interest, very eager to know something more definite of the whole matter than this concise account of it, yet knowing that all interrogation was vain. It was popularly suspected that Mamma knew the full particulars of this bit of romance, but Mamma was as impervious to questions as the other head of the house. There was also a second fytte to this story, telling how Mr Atheling himself undertook the venture of revealing his hapless hero’s misfortunes to the said hero’s elder brother, a very grand and exalted personage; how the great man, shocked, and in terror for the family honour, immediately delivered the culprit, and sent him abroad. “Then he offered me money,” said Mr Atheling quietly. This was the climax of the tale, at which everybody was expected to be indignant; and very indignant, accordingly, everybody was.

Yet there was a wonderful excitement in the thought that this hero of Papa’s adventure was now, as Papa intimated, a man of note in the world—that they themselves unwittingly read his name in the papers sometimes, and that other people spoke of him to Mr Atheling as a public character, little dreaming of the early connection between them. How strange it was!—but no entreaty and no persecution could prevail upon Papa to disclose his name. “Suppose we should meet him some time!” exclaimed Agnes, whose imagination sometimes fired with the thought of reaching that delightful world of society where people always spoke of books, and genius was the highest nobility—a world often met with in novels. “If you did,” said Mr Atheling, “it will be all the better for you to know nothing about this,” and so the controversy always ended; for in this matter at least, firm as the most scrupulous old knight of romance, Papa stood on his honour.

As for the good and tender mother of this house, she had no story to tell. The girls, it is true, knew about her girlish companions very nearly as well as if these, now most sober and middle-aged personages, had been playmates of their own; they knew the names of the pigeons in the old dovecote, the history of the old dog, the number of the apples on the great apple-tree; also they had a kindly recollection of one old lover of Mamma’s, concerning whom they were shy to ask further than she was pleased to reveal. But all Mrs Atheling’s history was since her marriage: she had been but a young girl with an untouched heart before that grand event, which introduced her, in her own person, to the unquiet ways of life; and her recollections chiefly turned upon the times “when we lived in– Street,”—“when we took that new house in the terrace,”—“when we came to Bellevue.” This Bellevue residence was a great point in the eyes of Mrs Atheling. She herself had always kept her original weakness for gentility, and to live in a street where there was no straight line of commonplace houses, but only villas, detached and semi-detached, and where every house had a name to itself, was no small step in advance—particularly as the house was really cheap, really large, as such houses go, and had only the slight disadvantage of being out of repair. Mrs Atheling lamed her most serviceable finger with attempts at carpentry, and knocked her own knuckles with misdirected hammering, yet succeeded in various shifts that answered very well, and produced that grand chef-d’œuvre of paperhanging which made more amusement than any professional decoration ever made, and was just as comfortable. So the good mother was extremely well pleased with her house. She was not above the ambition of calling it either Atheling Lodge, or Hawthorn Cottage, but it was very hard to make a family decision upon the prettiest name; so the house of the Athelings, with its eccentric garden, its active occupants, and its cheery parlour-window, was still only Number Ten, Bellevue.

And there in the summer sunshine, and in the wintry dawning, at eight o’clock, Mr Atheling took his seat at the table, said grace, and breakfasted; from thence at nine to a moment, well brushed and buttoned, the good man went upon his daily warfare to the City. There all the day long the pretty twins played, the mother exercised her careful housewifery, the sweet face of Marian shone like a sunbeam, and the fancies of Agnes wove themselves into separate and real life. All the day long the sun shone in at the parlour window upon a thrifty and well-worn carpet, which all his efforts could not spoil, and dazzled the eyes of Bell and Beau, and troubled the heart of Mamma finding out spots of dust, and suspicions of cobwebs which had escaped her own detection. And when the day was done, and richer people were thinking of dinner, once more, punctual to a moment, came the well-known step on the gravel, and the well-known summons at the door; for at six o’clock Mr Atheling came home to his cheerful tea-table, as contented and respectable a householder, as happy a father, as was in England. And after tea came the newspaper and Mr Foggo; and after Mr Foggo came the readings of Agnes; and so the family said good-night, and slept and rested, to rise again on the next morning to just such another day. Nothing interrupted this happy uniformity; nothing broke in upon the calm and kindly usage of these familiar hours. Mrs Atheling had a mighty deal of thinking to do, by reason of her small income; now and then the girls were obliged to consent to be disappointed of some favourite project of their own—and sometimes even Papa, in a wilful fit of self-denial, refused himself for a few nights his favourite newspaper; but these were but passing shadows upon the general content. Through all these long winter evenings, the one lighted window of this family room brightened the gloomy gentility of Bellevue, and imparted something of heart and kindness to the dull and mossy suburban street. They “kept no company,” as the neighbours said. That was not so much the fault of the Athelings, as the simple fact that there was little company to keep; but they warmed the old heart of old Mr Foggo, and kept that singular personage on speaking terms with humanity; and day by day, and night by night, lived their frank life before their little world, a family life of love, activity, and cheerfulness, as bright to look at as their happy open parlour-window among the closed-up retirements of this genteel little street.

CHAPTER VII.

THE FIRST WORK

“Now,” said Agnes, throwing down her pen with a cry of triumph—“now, look here, everybody—it is done at last.”

And, indeed, there it was upon the fair and legible page, in Agnes’s best and clearest handwriting, “The End.” She had written it with girlish delight, and importance worthy the occasion; and with admiring eyes Mamma and Marian looked upon the momentous words—The End! So now it was no longer in progress, to be smiled and wondered over, but an actual thing, accomplished and complete, out of anybody’s power to check or to alter. The three came together to look at it with a little awe. It was actually finished—out of hand—an entire and single production. The last chapter was to be read in the family committee to-night—and then? They held their breath in sudden excitement. What was to be done with the Book, which could be smiled at no longer? That momentous question would have to be settled to-night.

So they piled it up solemnly, sheet by sheet, upon the side-table. Such a manuscript! Happy the printer into whose fortunate hands fell this unparalleled copy! And we are grieved to confess that, for the whole afternoon thereafter, Agnes Atheling was about as idle as it is possible even for a happy girl to be. No one but a girl could have attained to such a delightful eminence of doing nothing! She was somewhat unsettled, we admit, and quite uncontrollable,—dancing about everywhere, making her presence known by involuntary outbursts of singing and sweet laughter; but sterner lips than Mamma’s would have hesitated to rebuke that fresh and spontaneous delight. It was not so much that she was glad to be done, or was relieved by the conclusion of her self-appointed labour. She did not, indeed, quite know what made her so happy. Like all primal gladness, it was involuntary and unexplainable; and the event of the day, vaguely exciting and exhilarating on its own account, was novel enough to supply that fresh breeze of excitement and change which is so pleasant always to the free heart of youth.

Then came all the usual routine of the evening—everything in its appointed time—from Susan, who brought the tea-tray, to Mr Foggo. And Mr Foggo stayed long, and was somewhat prosy. Agnes and Marian, for this one night, were sadly tired of the old gentleman, and bade him a very hasty and abrupt good-night when at last he took his departure. Even then, with a perverse inclination, Papa clung to his newspaper. The chances were much in favour of Agnes’s dignified and stately withdrawal from an audience which showed so little eagerness for what she had to bestow upon them; but Marian, who was as much excited as Agnes, interposed. “Papa, Agnes is done—finished—done with her story—do you hear me, papa?” cried Marian in his ear, shaking him by the shoulder to give emphasis to her words—“she is going to read the last chapter, if you would lay down that stupid paper—do you hear, papa?”

Papa heard, but kept his finger at his place, and read steadily in spite of this interposition. “Be quiet, child,” said the good Mr Atheling; but the child was not in the humour to be quiet. So after a few minutes, fairly persecuted out of his paper, Papa gave in, and threw it down; and the household circle closed round the fireside, and Agnes lifted her last chapter; but what that last chapter was, we are unable to tell, without infringing upon the privacy of Number Ten, Bellevue.

It was satisfactory—that was the great matter: everybody was satisfied with the annihilation of the impossible villain and the triumph of all the good people—and everybody concurred in thinking that the winding-up was as nearly perfect as it was in the nature of mortal winding-up to be. The MS. accordingly was laid aside, crowned with applauses and laurels;—then there was a pause of solemn consideration—the wise heads of the house held their peace and pondered. Marian, who was not wise, but only excited and impatient, broke the silence with her own eager, sincere, and unsolicited opinion; and this was the advice of Marian to the family committee of the whole house: “Mamma, I will tell you what ought to be done. It ought to be taken to somebody to-morrow, and published every month, like Dickens and Thackeray. It is quite as good! Everybody would read it, and Agnes would be a great author. I am quite sure that is the way.”

At which speech Charlie whistled a very long “whew!” in a very low under-tone; for Mamma had very particular notions on the subject of “good-breeding,” and kept careful watch over the “manners” even of this big boy.

“Like Dickens and Thackeray! Marian!” cried Agnes in horror; and then everybody laughed—partly because it was the grandest and most magnificent nonsense to place the young author upon this astonishing level, partly because it was so very funny to think of “our Agnes” sharing in ever so small a degree the fame of names like these.

“Not quite that,” said Papa, slowly and doubtfully, “yet I think somebody might publish it. The question is, whom we should take it to. I think I ought to consult Foggo.”

“Mr Foggo is not a literary man, papa,” said Agnes, somewhat resentfully. She did not quite choose to receive this old gentleman, who thought her a child, into her confidence.

“Foggo knows a little of everything,—he has a wonderful head for business,” said Mr Atheling. “As for a literary man, we do not know such a person, Agnes; and I can’t see what better we should be if we did. Depend upon it, business is everything. If they think they can make money by this story of yours, they will take it, but not otherwise; for, of course, people trade in books as they trade in cotton, and are not a bit more generous in one than another, take my word for that.”

“Very well, my dear,” said Mamma, roused to assert her dignity, “but we do not wish any one to be generous to Agnes—of course not!—that would be out of the question; and nobody, you know, could look at that book without feeling sure of everybody else liking it. Why, William, it is so natural! You may speak of Thackeray and Dickens as you like; I know they are very clever—but I am sure I never read anything of theirs like that scene—that last scene with Helen and her mother. I feel as if I had been present there my own self.”

Which was not so very wonderful after all, seeing that the mother in Agnes’s book was but a delicate, shy, half-conscious sketch of this dearest mother of her own.

“I think it ought to be taken to somebody to-morrow,” repeated Marian stoutly, “and published every month with pictures. How strange it would be to read in the newspapers how everybody wondered about the new book, and who wrote it!—such fun!—for nobody but us would know.”

Agnes all this time remained very silent, receiving everybody’s opinion—and Charlie also locked up his wisdom in his own breast. There was a pause, for Papa, feeling that his supreme opinion was urgently called for, took time to ponder upon it, and was rather afraid of giving a deliverance. The silence, however, was broken by the abrupt intervention, when nobody expected it, of the big boy.

“Make it up into a parcel,” said Master Charlie with business-like distinctness, “and look in the papers what name you’ll send it to, and I’ll take it to-morrow.”