The Open Door, and the Portrait

“A deal too busy, sir, if you take my opinion,” he said.

This startled me much, and I asked hurriedly, “What do you mean?” without reflecting that to ask for private information from a servant about my father’s habits was as bad as investigating into a stranger’s affairs. It did not strike me in the same light.

“Mr. Philip,” said Morphew, “a thing ’as ’appened as ’appens more often than it ought to. Master has got awful keen about money in his old age.”

“That’s a new thing for him,” I said.

“No, sir, begging your pardon, it ain’t a new thing. He was once broke of it, and that wasn’t easy done; but it’s come back, if you’ll excuse me saying so. And I don’t know as he’ll ever be broke of it again at his age.”

I felt more disposed to be angry than disturbed by this. “You must be making some ridiculous mistake,” I said. “And if you were not so old a friend as you are, Morphew, I should not have allowed my father to be so spoken of to me.”

The old man gave me a half-astonished, half-contemptuous look. “He’s been my master a deal longer than he’s been your father,” he said, turning on his heel. The assumption was so comical that my anger could not stand in face of it. I went out, having been on my way to the door when this conversation occurred, and took my usual lounge about, which was not a satisfactory sort of amusement. Its vanity and emptiness appeared to be more evident than usual to-day. I met half-a-dozen people I knew, and had as many pieces of news confided to me. I went up and down the length of the High Street. I made a small purchase or two. And then I turned homeward, despising myself, yet finding no alternative within my reach. Would a long country walk have been more virtuous? It would at least have been more wholesome; but that was all that could be said. My mind did not dwell on Morphew’s communication. It seemed without sense or meaning to me; and after the excellent joke about his superior interest in his master to mine in my father, was dismissed lightly enough from my mind. I tried to invent some way of telling this to my father without letting him perceive that Morphew had been finding faults in him, or I listening; for it seemed a pity to lose so good a joke. However, as I returned home, something happened which put the joke entirely out of my head. It is curious when a new subject of trouble or anxiety has been suggested to the mind in an unexpected way, how often a second advertisement follows immediately after the first, and gives to that a potency which in itself it had not possessed.

I was approaching our own door, wondering whether my father had gone, and whether, on my return, I should find him at leisure,—for I had several little things to say to him,—when I noticed a poor woman lingering about the closed gates. She had a baby sleeping in her arms. It was a spring night, the stars shining in the twilight, and everything soft and dim; and the woman’s figure was like a shadow, flitting about, now here, now there, on one side or another of the gate. She stopped when she saw me approaching, and hesitated for a moment, then seemed to take a sudden resolution. I watched her without knowing, with a prevision that she was going to address me, though with no sort of idea as to the subject of her address. She came up to me doubtfully, it seemed, yet certainly, as I felt, and when she was close to me, dropped a sort of hesitating curtsey, and said, “It’s Mr. Philip?” in a low voice.

“What do you want with me?” I said.

Then she poured forth suddenly, without warning or preparation, her long speech,—a flood of words which must have been all ready and waiting at the doors of her lips for utterance. “Oh, sir, I want to speak to you! I can’t believe you’ll be so hard, for you’re young; and I can’t believe he’ll be so hard if so be as his own son, as I’ve always heard he had but one, ’ll speak up for us. Oh, gentleman, it is easy for the likes of you, that, if you ain’t comfortable in one room, can just walk into another; but if one room is all you have, and every bit of furniture you have taken out of it, and nothing but the four walls left,—not so much as the cradle for the child, or a chair for your man to sit down upon when he comes from his work, or a saucepan to cook him his supper—”

“My good woman,” I said, “who can have taken all that from you? Surely nobody can be so cruel?”

“You say it’s cruel!” she cried with a sort of triumph. “Oh, I knowed you would, or any true gentleman that don’t hold with screwing poor folks. Just go and say that to him inside there for the love of God. Tell him to think what he’s doing, driving poor creatures to despair. Summer’s coming, the Lord be praised, but yet it’s bitter cold at night with your counterpane gone; and when you’ve been working hard all day, and nothing but four bare walls to come home to, and all your poor little sticks of furniture that you’ve saved up for, and got together one by one, all gone, and you no better than when you started, or rather worse, for then you was young. Oh, sir!” the woman’s voice rose into a sort of passionate wail. And then she added, beseechingly, recovering herself, “Oh, speak for us; he’ll not refuse his own son—”

“To whom am I to speak? Who is it that has done this to you?” I said.

The woman hesitated again, looking keenly in my face, then repeated with a slight faltering, “It’s Mr. Philip?” as if that made everything right.

“Yes; I am Philip Canning,” I said; “but what have I to do with this? and to whom am I to speak?”

She began to whimper, crying and stopping herself. “Oh, please, sir! it’s Mr. Canning as owns all the house property about; it’s him that our court and the lane and everything belongs to. And he’s taken the bed from under us, and the baby’s cradle, although it’s said in the Bible as you’re not to take poor folks’ bed.”

“My father!” I cried in spite of myself; “then it must be some agent, some one else in his name. You may be sure he knows nothing of it. Of course I shall speak to him at once.”

“Oh, God bless you, sir,” said the woman. But then she added, in a lower tone, “It’s no agent. It’s one as never knows trouble. It’s him that lives in that grand house.” But this was said under her breath, evidently not for me to hear.

Morphew’s words flashed through my mind as she spoke. What was this? Did it afford an explanation of the much-occupied hours, the big books, the strange visitors? I took the poor woman’s name, and gave her something to procure a few comforts for the night, and went indoors disturbed and troubled. It was impossible to believe that my father himself would have acted thus; but he was not a man to brook interference, and I did not see how to introduce the subject, what to say. I could but hope that, at the moment of broaching it, words would be put into my mouth, which often happens in moments of necessity, one knows not how, even when one’s theme is not so all-important as that for which such help has been promised. As usual, I did not see my father till dinner. I have said that our dinners were very good, luxurious in a simple way, everything excellent in its kind, well cooked, well served,—the perfection of comfort without show,—which is a combination very dear to the English heart. I said nothing till Morphew, with his solemn attention to everything that was going, had retired; and then it was with some strain of courage that I began.

“I was stopped outside the gate to-day by a curious sort of petitioner,—a poor woman, who seems to be one of your tenants, sir, but whom your agent must have been rather too hard upon.”

“My agent? Who is that?” said my father quietly.

“I don’t know his name, and I doubt his competence. The poor creature seems to have had everything taken from her,—her bed, her child’s cradle.”

“No doubt she was behind with her rent.”

“Very likely, sir. She seemed very poor,” said I.

“You take it coolly,” said my father, with an upward glance, half-amused, not in the least shocked by my statement. “But when a man, or a woman either, takes a house, I suppose you will allow that they ought to pay rent for it.”

“Certainly, sir,” I replied, “when they have got anything to pay.”

“I don’t allow the reservation,” he said. But he was not angry, which I had feared he would be.

“I think,” I continued, “that your agent must be too severe. And this emboldens me to say something which has been in my mind for some time”—(these were the words, no doubt, which I had hoped would be put into my month; they were the suggestion of the moment, and yet as I said them it was with the most complete conviction of their truth)—“and that is this: I am doing nothing; my time hangs heavy on my hands. Make me your agent. I will see for myself, and save you from such mistakes; and it will be an occupation—”

“Mistakes? What warrant have you for saying these are mistakes?” he said testily; then after a moment: “This is a strange proposal from you, Phil. Do you know what it is you are offering?—to be a collector of rents, going about from door to door, from week to week; to look after wretched little bits of repairs, drains, etc.; to get paid, which, after all, is the chief thing, and not to be taken in by tales of poverty.”

“Not to let you be taken in by men without pity,” I said.

He gave me a strange glance, which I did not very well understand, and said abruptly, a thing which, so far as I remember, he had never in my life said before, “You’ve become a little like your mother, Phil—”

“My mother!” the reference was so unusual—nay, so unprecedented—that I was greatly startled. It seemed to me like the sudden introduction of a quite new element in the stagnant atmosphere, as well as a new party to our conversation. My father looked across the table, as if with some astonishment at my tone of surprise.

“Is that so very extraordinary?” he said.

“No; of course it is not extraordinary that I should resemble my mother. Only—I have heard very little of her—almost nothing.”

“That is true.” He got up and placed himself before the fire, which was very low, as the night was not cold—had not been cold heretofore at least; but it seemed to me now that a little chill came into the dim and faded room. Perhaps it looked more dull from the suggestion of a something brighter, warmer, that might have been. “Talking of mistakes,” he said, “perhaps that was one: to sever you entirely from her side of the house. But I did not care for the connection. You will understand how it is that I speak of it now when I tell you—” He stopped here, however, said nothing more for a minute or so, and then rang the bell. Morphew came, as he always did, very deliberately, so that some time elapsed in silence, during which my surprise grew. When the old man appeared at the door—“Have you put the lights in the drawing-room, as I told you?” my father said.

“Yes, sir; and opened the box, sir; and it’s a—it’s a speaking likeness—”

This the old man got out in a great hurry, as if afraid that his master would stop him. My father did so with a wave of his hand.

“That’s enough. I asked no information. You can go now.”

The door closed upon us, and there was again a pause. My subject had floated away altogether like a mist, though I had been so concerned about it. I tried to resume, but could not. Something seemed to arrest my very breathing; and yet in this dull, respectable house of ours, where everything breathed good character and integrity, it was certain that there could be no shameful mystery to reveal. It was some time before my father spoke, not from any purpose that I could see, but apparently because his mind was busy with probably unaccustomed thoughts.

“You scarcely know the drawing-room, Phil,” he said at last.

“Very little. I have never seen it used. I have a little awe of it, to tell the truth.”

“That should not be. There is no reason for that. But a man by himself, as I have been for the greater part of my life, has no occasion for a drawing-room. I always, as a matter of preference, sat among my books; however, I ought to have thought of the impression on you.”

“Oh, it is not important,” I said; “the awe was childish. I have not thought of it since I came home.”

“It never was anything very splendid at the best,” said he. He lifted the lamp from the table with a sort of abstraction, not remarking even my offer to take it from him, and led the way. He was on the verge of seventy, and looked his age; but it was a vigorous age, with no symptom of giving way. The circle of light from the lamp lit up his white hair and keen blue eyes and clear complexion; his forehead was like old ivory, his cheek warmly colored; an old man, yet a man in full strength. He was taller than I was, and still almost as strong. As he stood for a moment with the lamp in his hand, he looked like a tower in his great height and bulk. I reflected as I looked at him that I knew him intimately, more intimately than any other creature in the world,—I was familiar with every detail of his outward life; could it be that in reality I did not know him at all?

The drawing-room was already lighted with a flickering array of candles upon the mantelpiece and along the walls, producing the pretty, starry effect which candles give without very much light. As I had not the smallest idea what I was about to see, for Morphew’s “speaking likeness” was very hurriedly said, and only half comprehensible in the bewilderment of my faculties, my first glance was at this very unusual illumination, for which I could assign no reason. The next showed me a large full-length portrait, still in the box in which apparently it had travelled, placed upright, supported against a table in the centre of the room. My father walked straight up to it, motioned to me to place a smaller table close to the picture on the left side, and put his lamp upon that. Then he waved his hand towards it, and stood aside that I might see.

It was a full-length portrait of a very young woman—I might say a girl scarcely twenty—in a white dress, made in a very simple old fashion, though I was too little accustomed to female costume to be able to fix the date. It might have been a hundred years old, or twenty, for aught I knew. The face had an expression of youth, candor, and simplicity more than any face I had ever seen,—or so, at least in my surprise, I thought. The eyes were a little wistful, with something which was almost anxiety which at least was not content—in them; a faint, almost imperceptible, curve in the lids. The complexion was of a dazzling fairness, the hair light, but the eyes dark, which gave individuality to the face. It would have been as lovely had the eyes been blue,—probably more so,—but their darkness gave a touch of character, a slight discord, which made the harmony finer. It was not, perhaps, beautiful in the highest sense of the word. The girl must have been too young, too slight, too little developed for actual beauty; but a face which so invited love and confidence I never saw. One smiled at it with instinctive affection. “What a sweet face!” I said. “What a lovely girl! Who is she? Is this one of the relations you were speaking of on the other side?”

My father made me no reply. He stood aside, looking at it as if he knew it too well to require to look,—as if the picture was already in his eyes. “Yes,” he said, after an interval, with a long-drawn breath, “she was a lovely girl, as you say.”

“Was?—then she is dead. What a pity!” I said; “what a pity! so young and so sweet!”

We stood gazing at her thus, in her beautiful stillness and calm,—two men, the younger of us full-grown and conscious of many experiences, the other an old man,—before this impersonation of tender youth. At length he said, with a slight tremulousness in his voice, “Does nothing suggest to you who she is, Phil?”

I turned round to look at him with profound astonishment, but he turned away from my look. A sort of quiver passed over his face. “That is your mother,” he said, and walked suddenly away, leaving me there.