SCHOOL
"Mamma, mamma, I am so glad it has come at last!" said little Osman, early one bright spring morning.
"Yes, yes, my darling," answered his mother. "It is a good time; I am glad, too."
What made Osman wake up sooner than usual this morning? What caused his eyes to look so bright? Why was the nurse taking such pains with his hair and dress?
He was going to school for the first time in his life. His sixth birthday had come and gone, and his father had said:
"It is time for my little boy to do something besides play. He must learn to read our good books, and understand the use of numbers."
The important day was set and the teacher was told about the new pupil. Word was also sent to the priest.
Osman's father spent some time in choosing a pony on which his boy should first ride to school. At last he decided on one of an iron-gray colour and very handsome.
"What beautiful trappings!" exclaimed Osman, when the pony arrived at the door. "Oh, you dear, kind father to get them!"
Any boy would be pleased to ride on a pony decked out in such a gay manner.
The pony had no sooner arrived than the whole school appeared at the door. The children were dressed in their best clothes to do honour to the new pupil.
The priest took his place in front of the young company. They instantly bent low while he made a short prayer. After this, Osman was lifted to the back of the pony, the other children formed in double line, and the procession started out for the school.
But it did not move quietly. Hymn after hymn was sung by the little ones in strong, clear voices as they went along.
The grown-ups whom they passed smiled and said to themselves, "A child is on his way to school for the first time. It is a glad day. May he grow wise and be happy."
What an odd-looking schoolroom it was that Osman soon entered; neither seats nor desks could be seen. Three divans, as the big, soft Turkish couches are called, stood along the wall. The children squatted cross-legged on these, side by side.
After they had taken their places, the teacher sat down in front of his little class and began to hear their lessons.
Each child had by this time opened his book and begun to recite. Not one of them at a time. Oh, no, indeed! They spoke together in high, sharp voices. How could the schoolmaster understand what they said?
He did not seem to have any trouble, however, and kept the children busy. They read from the Koran, which is the sacred book of their people, they recited numbers, and they wrote.
You remember they had no desks. The poor little things had to hold their copy-books in their laps, and it was tiresome work. Their pens were made of reeds, and sponges took the place of ink-wells.
Before the children were dismissed, the master told them a story which interested Osman very much.
"I will repeat it to my mother," he said to himself. "The story teaches us not to seem surprised, no matter what may happen. My father has spoken of this very thing. It is not polite to be astonished. That is what he has often said."
As the little boy rode homeward, he saw a man sitting cross-legged at the street corner. Two veiled women stood in front of him. They were eagerly watching the man as he wrote. From time to time he stopped as one of the women told him something more she wished him to put into the letter.
"He is a street scribe," thought Osman. "They will pay him for that letter. They do not know how to write. That is why they get him to do it. How quickly he makes the letters, and how easily he holds his pen. I hope it won't be long before I can write as well as he does."
Such a scribe is often seen in the streets of Constantinople, the city where Osman lives. There are many people there who can neither read nor write. Fine ladies are not ashamed to stop at a scribe's little stand and ask him to write letters for them, as these people were doing.
Osman's school was only a short distance from home, and he was soon at his own gate. The moment he arrived, the door was opened by an old black slave, who had been watching for the darling of the house.
"I'd like to stop and tell you what I've been doing this morning, but I can't now," said Osman. "I must tell mother first."
The little boy ran up the stairs to his mother's rooms. In another moment he was seated on a divan beside her and talking faster than one often hears among the quiet people of his country.
Lunch was soon brought, and, you may be sure, the little boy was ready for it. There was a dish of pilaf, of course. It was made of nicely cooked rice and butter, and was delicious. Then there was a juicy melon, and fresh figs, besides cakes sweetened with honey, candy, and many other nice things.
Osman's mother is as fond of sweet things as her little boy, and she is ready to eat them at any time. The lunch was served at an odd little table. Indeed, it could hardly be called a table, – it was a small, low stand, about eight inches above the floor. The dishes were brought in one at a time, and placed on the stand.
Osman and his mother ate the pilaf with their fingers, from the same dish. But they did not hurry. The grains of rice were picked up so daintily with their finger-tips, they were hardly soiled by the touch of the food.
"We will wash now," Osman's mother said, as the lunch was finished. A queer basin was at once brought by a servant, and held in front of the lady. In the middle of the basin was a little stand holding a cake of soap, while underneath was a sort of well. This was to receive the water as it left the basin. As Osman's mother held out her hands, one servant slowly poured the water over them, while another held an embroidered towel ready for her use.
It was Osman's turn next. No matter how much he wished to hurry out to play, he must not rise from his cushion till his hands were bathed.
"Wash before eating and afterward," is a law of the Koran. Osman thinks it would be as wicked to break this rule as to tell a wrong story, or take anything belonging to another.
As soon as the hand-washing was over, the little boy started for the courtyard to watch his tame pigeons and play with his friend Selim.
Osman's house is divided into two parts. His father's rooms are down-stairs. A separate door leads into them from the street. No woman ever enters these rooms. Even the servants who take care of them are men. The boy's father receives his gentlemen friends in this part of the house. It is here that he talks over business with his visitors. Sometimes he holds dinner-parties in these rooms, but they are only for men. He even has a separate courtyard and garden. Osman may come here if he likes, but the real home of the family is up-stairs in his mother's rooms.
This part of the house is very beautiful. Rich curtains hang in the doorways. Soft and heavy rugs are placed here and there on the floors. Divans with soft cushions stretch along the sides of the walls, under the latticed windows.
Yes, every window is covered with lattice-work, so that no one passing along the street below can see the faces of the persons within these upper rooms.
This is the fashion of the country. Poor women of Turkey! They seem to us almost like prisoners, but they have been brought up to think of their life as the most natural and best in the world. They may go outdoors whenever they like, so long as a veil is worn over the face. But no man, unless he is a very near relative, must enter the part of the house where the women and children have their home.
CHAPTER III
THE FIRE
"Listen, listen, Osman. What is all the noise about?" exclaimed Selim. It was toward the end of the afternoon, and both boys were growing tired of play.
"It's a fire. Don't you see the police? They are hurrying along with pails of water on their heads. Then, look quickly down the street! Smoke is coming out of that building. Let's ask nurse to go with us."
In another moment Osman had run into the house and out again, with old black Fatima trotting after as fast as she could move. She hurriedly pulled her veil over her face. Then, taking each boy by the hand, she led them through the gate, and joined the crowd of people who were going in the direction of the fire.
Everybody looked gay and happy. Why shouldn't they have a good time? The fire did not happen through any fault of theirs. It would be a grand sight, and the onlookers might as well enjoy it.
There were no fire-engines in the city. The policemen brought pails of water, but these did little good.
And now, not only columns of smoke are bursting through the windows and doorways, but flames are leaping and dancing along the openings. See! Those who are still inside the burning house are throwing out cushions and mats, curtains and pillows, into the street. Such furnishings can be saved, even if the building is destroyed.
The watching crowd seize these articles and at once make themselves comfortable. A number of women sit down on a pile of soft rugs and prepare to enjoy the show, as if they were at the theatre. Not far off is a group of men, who stand chatting and smoking. The balconies of neighbouring houses are filled with gazing crowds.
The street peddlers soon begin to arrive. They bring trays of sweetmeats, sherbets, and other good things. As they elbow their way through the crowd, they act as though the fire had been started on purpose to give them a chance to sell their goods.
Still the fire rages; the timbers creak; the walls begin to totter; the roof gives way, and falls inward with a crash. In a few moments more, only a heap of charred wood is left in the place of a fine house.
It might have been saved if firemen could have been here with their engines. But they are unknown, as yet, in this great city of the Turks, where many buildings are destroyed by fire every year.