“Clara,” my father bleats, an attempt at an apology, but I hold my hand up to him—I don’t want to hear it. This news, this information wasn’t his to share. It was mine.
It’s my father’s fault that Maisie is clinging to my legs and crying.
“Look, Mommy,” Maisie says then, drawing slowly away from my legs. She slips a sticky little hand inside my shaking one and draws me to her dresser, a long white bureau with a mirror. There are things on top of the dresser, many things that Maisie points to at random: a pair of princess underpants, a doll, the stethoscope from a toy doctor kit, a used tissue. There are photographs slipped into the frame of the mirror: Maisie and Nick; Maisie and me; Maisie forced to stand beside my mother, two and a half feet out of reach because she is scared of my mother, as I would be, too, if I were four; Maisie and her boppy, my father, who watches on now not saying a thing.
I step forward and follow the route of Maisie’s finger with my eyes. She points to a jar, one of my old mason jars with holes punctured in the top of the metal lid. I move closer, not knowing why the jar is here or how it’s come to be here.
Inside the jar is a twig, shorn from a tree. It’s a thin twig, a copper brown. There are leaves inside the jar—green leaves, a scrunched-up handful of leaves as if Maisie grabbed on to a tree and tugged—and sheaths of grass covering the bottom of the jar, a deathbed upon which lies a lightning bug spread out on its back, all six inert legs up in the air, its tail no longer sparkling. It doesn’t move.
“We forgot,” Maisie voices to me pathetically, the tears streaming down her eyes. “He’s dead.”
My eyes move to my father’s in silent apology. How this lightning bug has come to live and die in a mason jar inside Maisie’s bedroom, I don’t know, but this is what I know: my father has done nothing wrong.
“How did a lightning bug get inside your room?” I ask, but Maisie’s eyes become shrouded with guilt; her face flames red, and she shakes her head. She doesn’t say and I don’t pry. It seems trivial now, how this bug has come to be here. She still doesn’t know a thing about Nick. For all intents and purposes, Nick is fine. That’s all that matters.
“These things happen,” I say mechanically. “Everything will be okay.”
“When will Daddy be home?” Maisie pleads, wanting someone who can console her better than I can, and I turn away from Maisie’s beseeching eyes and say, “Soon.”
* * *
We bury the lightning bug. We dig a hole two inches by two inches in the ground with the end of a stick and lay the insect inside. Harriet stands in the yard behind us, keeping watch. My father has gone for the day with the promise that he’ll be back tomorrow. “Why, Mommy, why?” Maisie asks over and over again as I dig the hole and lay the bug inside. The bug has a name, or so it seems: Otis. I don’t ask how it’s come to have a name; truth be told, I don’t care. I sprinkle a handful of dirt over the lightning bug’s corpse, grateful that Maisie doesn’t make the easy connection between this grave and Nick’s. “Why are you doing that, Mommy?” Maisie asks as I drizzle the dirt and pat it gently back into the earth with my fingertips. I suggest she find a rock to serve as a marker for Otis’s grave, and again Maisie asks, “Why?” but she scampers off in search of a rock without waiting for my reply, Harriet following closely behind.
* * *
In the evening a knock comes at the door. It’s dark outside, far too late for Maisie to still be awake. And yet she is, sprawled on the couch in front of the TV, watching preschool cartoons because I haven’t the energy to put her to bed. I’m on my laptop in the kitchen, trying to pull up the Chase website in an attempt to access my father’s accounts. I’m thinking of the unpaid bill to the office of Dr. Barros, and wondering if my parents are in some sort of financial distress about which I should know. I try hard to call to mind my father’s password, an odd mix of letters and numbers that’s near impossible to memorize. I try only twice and then give up, worried that after too many unsuccessful attempts, the account will be locked and my father notified. I don’t want to ask him about it for fear of making him feel bad, and yet I have my concerns. What if my father has less money than I think? What if my father has less money than me?
At hearing the knock, I go to the door and unfasten the lock. I pull the door open a crack, peering outside, and there find Connor standing on my front stoop in a black T and vintage wash jeans. In his hands are a helmet and gloves; a motorcycle is parked in the drive. Connor isn’t a tall man, standing just a couple inches above my own five-eight height, with brown hair and eyes, the kind that make women swoon. His smile is sympathetic, a contorted smile that’s meant to be both a smile and a frown. His heart is heavy, as is mine, but the half smile proves that he’s trying.
“Connor,” I say, and he steps inside, wrapping his arms around me and pulling me into a warm embrace, and it’s there, in his arms, that I close my eyes and press into him, allowing myself to believe for just one split second that I’m in Nick’s embrace, that it’s Nick’s arms that hold me tight.
“Clara,” he says.
I’ve known Connor for half a dozen years, Nick’s dental school friend turned employee. But Connor was never quite an employee to Nick but rather a partner, one he collaborated with about patient care as well as business expenditures and what to get the office ladies for the holidays. Before we had kids, Nick and I shared many double dates with Connor and whatever girl he was dating at the time, but after Maisie was born, that type of lifestyle—basement dance clubs and parties in rooftop bars—no longer fit the bill and Connor was left going stag. Connor doesn’t have children of his own; he doesn’t have a wife. He’s the perpetual bachelor, abounding with good looks and charm, but lacking in commitment. He was engaged to a college sweetheart once, a woman for whom he would have gone to the moon and back, as Nick has told me by way of Connor’s drunken admission. They planned the wedding, church, hall and all, and then she changed her mind, having met some other man the night of her bachelorette party, breaking Connor’s heart. Nick and I often reasoned that never again would he pop the question to anyone, no matter how in love he was. As the saying goes, once bitten, twice shy.
I draw away from him and watch as a handful of bugs let themselves in through the open front door, making a beeline for the chandelier that hangs above us, a Medusa type contraption with chrome light bulbs twisting out like the snakes of her hair. I close the door, and Connor follows me to the kitchen, ruffling the hair on Maisie’s head as we pass through the living room; she is so intent on her cartoons that she hardly notices, though from the corners of her sleepy mouth I detect a smile.
The lighting in the kitchen is dimmed. Dinner dishes remain in the kitchen sink, our uneaten meals evident as the food hardens and grows cold in the red glazed bowls, chicken soup warmed in the microwave from a can. It’s the best that I can do. Neither Maisie nor I could eat it.
“I should have come sooner,” Connor says, eyeing the leftover food, the guilt in his voice tangible as he leans against the kitchen sink, pressing his hands into the pockets of his jeans. But I shake my head and tell him no. The last thing I want is for Connor to feel any sort of guilt for not coming to see me sooner. He, too, has been grieving.
“It doesn’t matter,” I say, reaching into the refrigerator to snatch one of Nick’s old beers from the door, handing it to Connor though he never asks. I crave a glass of wine, just a few ounces of Chardonnay to help blur my sensibilities and make me indifferent and numb, but knowing the effects of alcohol on a breastfeeding infant, I make the decision to abstain.
“None for you?” Connor asks, but I shake my head and tell him no. He runs his hand through his hair, making the strands stand on end. He snaps open the beer with a bottle opener and drinks in a mouthful. “How have you been holding up?” he asks, though I don’t need to tell him. The bags beneath my eyes say enough, that and the swelling and redness, the fact that I haven’t slept for more than two hours at a time since before Felix was born, something that was only exacerbated by Nick’s death. I can no longer blame Felix for the lack of sleep. Now I blame Nick.
“I’ve been having trouble sleeping,” I confess, and Connor says, “Me, too,” and it’s only then that I see the dark circles beneath his eyes like mine. His skin looks sallow, jaundiced; he’s anxious and strung out. His eyes drift throughout the room from the stove top to the travertine tile, as if searching for Nick, finally settling on the beer in hand. He avoids my gaze.
“I remember the day I met Nick,” he says while picking at the wrapper on his beer, pulling it off in tatters, a pile of them gathering in his hand. His voice is quiet, subdued.
He goes on to tell me about the first time he and Nick met, crossing the campus to a shared class. It’s a story I’ve heard before, though only ever from Nick. They were in dental school, slowly chipping away on the many hours of labs, lectures and clinical practice before they’d be given a degree. They’d never spoken before, but the class was small, twenty students at best, and Connor had his eye on some girl, a brunette who also happened to be Nick’s lab partner. It was the reason for his introduction, the reason they became friends. Over some girl.
After graduation, Connor got a job working under an experienced dentist in town while Nick went into private practice. For a couple years it went on this way, until Connor’s ever-increasing dissatisfaction with his job got the best of him, and he quit to come work for Nick.
“I haven’t even begun to think how I’m going to support myself,” I admit to Connor. Since Nick’s death, I haven’t yet sorted through the mail, too terrified to see what awaits me there. The envelopes I pull every few days from the mailbox get tossed to a pile on the floor just inside the front door. Bereavement cards, mostly, those bearing their With heartfelt sympathy and May you find peace and solace sentiments, but also bills. Estimates of Benefits from the insurance company already telling me which of Nick’s hospital expenses they will and will not pay. A notice from the library of fourteen picture books that are a week overdue, each costing me five cents a day so that every day I tally up another seventy cents for the library, and still I can’t get myself to return the books. I haven’t the energy for it. Bills, bills and more bills. Catalogs for items I can no longer buy.
I had a savings account once, nothing extravagant, but an adequate savings account, money set aside for a rainy day, but we ended up putting each and every penny into Nick’s practice. We’d see the money back, he said, and promised me it was worth it. Had I told my father this he would have said no, but I took Nick’s word and invested every cent. The practice was Nick’s dream. Who could refuse a man his dream? Not I, said the fly. And so I said okay, and handed over all my money so that Nick could fulfill his dream while I set mine aside. My own photography studio. That was my dream.
Even our home is a money pit, constantly in need of repairs or renovation. The only thing left I have of value is the dental practice.
“I don’t know what I’m going to do,” I confess to Connor, “about the bills. The mortgage. The hospital payments. Car payments. Saving for college, Maisie’s wedding. How will I afford health insurance?” I ask, thinking of Felix and his well-baby checks every two months, all running over with pricey vaccines. Without waiting for an answer, I say to him, “I can look for a job, but if I work, who will watch Maisie and Felix? How will I ever afford child care?” knowing my father is out of the question. He’s too busy caring for my mom, and an in-home nanny or a day care would cost me nearly five hundred dollars a week. “The dental practice,” I say to Connor, “it’s the only thing I have left.” But a dental practice is nothing without a dentist. Without Nick here, the practice is meaningless.
A look of confusion crosses Connor’s face. “You don’t know?” he asks, and I implore, “Know what?”
But he doesn’t answer right away. He drinks his beer, three long, slow swigs while I wait for him to reply. “Know what?” I ask again as he sets his finished beer on the countertop, and I reach into the refrigerator for another one.
“There have been some layoffs,” he says in a tight-lipped way, as if he doesn’t want to say the words aloud, as if he wants to sugarcoat them like he’s speaking to a child. “Nick had to let some people go.”
But I shake my head and tell him that I didn’t know. “Who?” I ask and, “When? Why?”
“A month ago, maybe more,” he says and my heart sinks. It slides from my chest and plummets somewhere down to my stomach, where for a single moment I think that I will be sick. I grip the countertop, my knuckles turning white. Why didn’t Nick tell me about the layoffs? I imagine the ladies who work at the front desk, Nancy, with her predilection for hot cocoa with mini marshmallows, and Stacy, a math wiz, matter-of-fact and thorough; she’s a crackerjack with the bills. Are they gone? Have they been fired? And what about the hygienist, Jan?
“Financial trouble,” he tells me, and I sharply inhale, my fears overwhelming me as I wonder desperately about all the things I don’t know. Nick paid the bills; he handled the finances. I handed them over willingly and without question when we were married and turned a blind eye to all fiscal matters. I could barely compute simple math; I wasn’t good with numbers. The last thing we needed was me paying the bills.
“Why wouldn’t Nick tell me?” I wonder aloud, and Connor shrugs his shoulders and says that he doesn’t know. He thought for sure Nick would have told me. And now, standing in the weak glow of the kitchen’s dimmed recessed lighting, I wonder: If Nick could keep this secret from me—if he could go weeks without alluding to financial trouble, if he could lay off employees and not mention it to me—then what else wasn’t he telling me?
What else don’t I know?
* * *
That night Maisie asks to sleep with me. She treads lightly into my bedroom as I tuck Felix into the bassinet, seven and a half minutes after tucking Maisie into her own chambray sheets and pulling the quilt up clear to her neck that way that Daddy does it. Snug as a bug in a rug.
“I can’t sleep,” she tells me, crossing the room where I’ve recently swept the broken picture frame glass, and I ask, “Did you try?” to which she nods her little head so vigorously that hair falls in her eyes. She clutches the teddy bear by a single leg, the deplorable thing hanging upside down. He’s nearly gone blind thanks to Maisie’s unending chewing, the plastic brown eyes about to fall from their place, hanging on now by a single brown thread. I pull back the sheets and welcome her in, grateful that someone is here and I don’t have to spend the night alone. Maisie happily obliges, rushing to the bed and hopping inside, right where Nick should be. She sets her head on his pillow, her body failing to fill the space where his body once lay, his warm arms wrapping me in a cocoon while I slept, a leg tossed across mine, growing heavier in time. The air is imbued with the fresh scent of Johnson & Johnson Baby Wash and the sweltering summer air that eases itself uninvited into the open window and again makes us sweat.
It’s the middle of the night when Maisie wakes up screaming.
“The bad man!” she yowls in a piercing voice, and then, straight on the heels of the first desperate declaration, “The bad man is after us!” she shrieks as my heart begins to dash. She’s crying beside me, sitting upright in bed, clutching the bed pillow as if she believes it is Nick. The tears fall from her eyes like the rushing water of Niagara Falls, urgent, the kind that can’t be slowed down.
I lay a shaking hand upon Maisie’s clammy one, and say to her, “Shhh,” but she pushes me away with so much might that I all but tumble from my side, latching on to Felix’s bassinet for support as it lurches precariously on its stand. Felix, rattled from sleep by the sudden shove, begins to cry, a cry that easily trumps Maisie’s and my own cries. Felix’s cry quickly escalates into a caterwaul as Maisie hides her head under the pillow to try to smother the noise or to hide from the bad man who trails her. I don’t know why it is that she hides, though I can imagine because I, too, want to climb under a pillow and hide.
“What bad man?” I ask loudly, over the sound of Felix, as I slip from bed and slide my hands under the weight of him, lifting him from the bassinet. “Shhh. Shhh,” I croon to Felix now, standing beside his bassinet and trying to sway him back to sleep. “What bad man, Maisie?”
“The bad man,” screams Maisie redundantly, her voice muffled by the pillow. As my eyes adjust to the darkness of night, I begin to see Maisie’s legs kicking persistently at the bed before she pulls them into herself and throws the sheets up over her tiny body. I scrabble around inside Felix’s bassinet for his abandoned pacifier, for something, anything, to silence the insistent sound. He’s upset, scared, maybe even a bit pissed off that Maisie and I woke him from sleep.
“What bad man, Maisie? What man? Tell me about the man,” I beg frenetically as I slide my arm from the spaghetti strap of a tank top and place Felix against my chest. It is not quite time for him to eat. By my count, Felix shouldn’t eat for another hour, and yet the pacifier is nowhere; there’s no other way to stop his screaming than to let him suck on me. As his gums latch down, my breasts begin to protest. The nipples are cracked, the skin dry, riddled with a bloody discharge; my breasts are hard and sore and unimaginably clogged. Like water held back by a beaver dam, the milk refuses to flow at the same pace Felix would like—a trickle rather than a surge, and so he slurps and slurps to little avail, making my chest crack and bleed. How has the nursing been going? Dr. Paul had asked in the exam room, and I’d lied, Just fine, before telling her the truth: the pain, the broken skin, the low milk supply. What I expected was a haranguing on breastfeeding, but what I was given instead was a way out. There are other ways, she told me before listing them for me: infant formula, a breast pump, donor milk.
Maisie won’t tell me about the man, and I want to tell her that she’s wrong, because I’ve spoken to the police and I’ve read the newspaper articles. I’ve been at the scene. They all seem to corroborate the same truth, that Nick’s speeding was the cause of the crash.
“Tell me about the man,” I say again, and when she won’t, I ask Maisie to tell me about the car. She’s told me already that the man was in a car, and I picture him racing after Nick on Harvey Road. “Was it a red car?” I suggest when Maisie says nothing. She shakes her head negligibly; it was not a red car. “Was it blue?” I ask, to which she replies with another shake of the head. “Was it a black car, Maisie?” I ask this time. “Was the car black?”