Trailin'!

"After you come home you don't usually change your clothes merely for the pleasure of sitting with me here."

"Nothing escapes you, does it?" muttered Anthony.

"In your set, Anthony, that's what they'd call an improper question."

"I could ask you any number of questions, sir, for that matter."

"Well?"

"That room over there, for instance, which you always keep locked. Am I never to have a look at it?"

He indicated a door which opened from the library.

"I hope not."

"You say that with a good deal of feeling. But there's one thing more that I have a right to hear about. My mother! Why do you never tell me of her?"

The big man stirred and the chair groaned beneath him.

"Because it tortures me to speak of her, Anthony," said the husky voice.

"Tortures me, lad!"

"I let the locked room go," said Anthony firmly, "but my mother—she is different. Why, sir, I don't even know how she looked! Dad, it's my right!"

"Is it? By God, you have a right to know exactly what I choose to tell you—no more!"

He rose, strode across the room with ponderous steps, drew aside the curtains which covered the view of the garden below, and stared for a time into the night. When he turned he found that Anthony had risen—a slender, erect figure. His voice was as quiet as his anger, but an inward quality made it as thrilling as the hoarse boom of his father.

"On that point I stick. I must know something about her."

"Must?"

"In spite of your anger. That locked room is yours; this house and everything in it is yours; but my mother—she was as much mine as yours, and I'll hear more about her—who she was, what she looked like, where she lived—"

The sharply indrawn breath of John Woodbury cut him short.

"She died in giving birth to you, Anthony."

"Dear God! She died for me?"

And in the silence which came over the two men it seemed as if another presence were in the room. John Woodbury stood at the fire-place with bowed head, and Anthony shaded his eyes and stared at the floor until he caught a glimpse of the other and went gently to him.

He said: "I'm sorrier than a lot of words could tell you. Will you sit down, sir, and let me tell you how I came to press home the question?"

"If you want to have it that way."

They resumed their chairs.

CHAPTER V

ANTHONY IS LEFT IN THE DARK

"It will explain why I changed my clothes after I came home. You see, toward the end of the show a lot of the cowboys rode in. The ringmaster was announcing that they could ride anything that walked on four feet and wore a skin, when up jumped an oldish fellow in a box opposite mine and shouted that he had a horse which none of them could mount. He offered five hundred dollars to the man who could back him; and made it good by going out of the building and coming back inside of five minutes with two men leading a great stallion, the ugliest piece of horseflesh I've ever seen.

"As they worked the brute down the arena, it caught sight of my white shirt, I suppose, for it made a dive at me, reared up, and smashed its forehoofs against the barrier. By Jove, a regular maneater! Brought my heart into my mouth to see the big devil raging, and I began to yearn to get astride him and to—well, just fight to see which of us would come out on top. You know?"

The big man moistened his lips; he was strangely excited.

"So you climbed into the arena and rode the horse?"

"Exactly! I knew you'd understand! After I'd ridden the horse to a standstill and climbed off, a good many people gathered around me. One of them was a big man, about your size. In fact, now that I look back at it, he was a good deal like you in more ways than one; looked as if time had hardened him without making him brittle. He came to me and said: 'Excuse me, son, but you look sort of familiar to me. Mind telling me who your mother was?' What could I answer to a—"

A shadow fell across Anthony from the rising height of his father. As he looked up he saw John Woodbury glance sharply, first toward the French windows and then at the door of the secret room.

"Was that all, Anthony?"

"Yes, about all."

"I want to be alone."

The habit of automatic obedience made Anthony rise in spite of the questions which were storming at his lips.

"Good-night, sir."

"Good-night, my boy."

At the door the harsh voice of his father overtook him.

"Before you leave the house again, see me, Anthony."

"Yes, sir."

He closed the door softly, as one deep in thought, and stood for a time without moving. Because a man had asked him who his mother was, he was under orders not to leave the house. While he stood, he heard a faint click of a snapping lock within the library and knew that John Woodbury had entered the secret room.

In his own bedroom he undressed slowly and afterward stood for a long time under the shower, rubbing himself down with the care of an athlete, thumbing the soreness of the wild ride out of the lean, sinewy muscles, for his was a made strength built up in the gymnasium and used on the wrestling mat, the cinder path, and the football field. Drying himself with a rough towel that whipped the pink into his skin, he looked down over his corded, slender limbs, remembered the thick arms and Herculean torso of John Woodbury, and wondered.

He sat on the edge of his bed, wrapped in a bathrobe, and pondered. Stroke by stroke he built the picture of that dead mother, like a painter who jots down the first sketch of a large composition. John Woodbury, vast, blond, grey-eyed, had given him few of his physical traits. But then he had often heard that the son usually resembled the mother. She must have been dark, slender, a frail wife for such a giant; but perhaps she had a strength of spirit which made her his mate.

As the picture drew out more clearly in the mind of Anthony, he turned from the lighted room, threw open a window, and leaned out to breathe the calm, damp air of night.

It was infinitely cool, infinitely fresh. To his left a row of young trees darted their slender tops at the sky like shadowy spearheads. The smell of wet leaves and the wet grass beneath rose up to him. To the right, for his own room stood in a wing of the mansion, the house shouldered its way into the gloom, a solemn, grey shadow, netted in a black tracery of climbing vine. In all the stretch of wall only two windows were lighted, and those yellow squares, he knew, belonged to his father. He had left the secret room, therefore.

As he watched, a shadow brushed slowly across one of the drawn shades, swept the second, and returned at once in the opposite direction. Back and forth, back and forth, that shadow moved, and as his eye grew accustomed to watching, he caught quite clearly the curve of the shoulders and the forward droop of the head.

It was not until then that the first alarm came to Anthony, for he knew that the footsteps of the big grey man were dogged by fear. He could no more conceive it than he could imagine noon and midnight in conjunction, and feeling as guilty as if he had played the part of an eavesdropper he turned away, snapped off the lights, and slipped into bed.

The pleasant warmth of sleep would not come. In its place the images of the day filed past him like the dance of figures on a motion picture screen, and always, like the repeated entrance of the hero, the other images grew small and dim. He saw again the burly stranger wading through the crowd in the arena, shaking off the packed mob as the prow of a stately ship shakes off the water, to either side.