"Yes, darling; is there any objection?"
"Oh, I don't like it," I continued; "why should we put ourselves under an obligation to him?"
"I do not think, Westenra, you need be afraid; if I think it right to go you need have no scruples."
"Of course I understand that," I answered, "and if it were any one else I should not think twice about it. If the Duchess, for instance, asked us to dine with her, and if she took us afterwards to the theatre I should quite rejoice, but I am puzzled about Mr. Randolph."
"Prejudiced, you mean, dear; but never mind, you are young. As long as you have me with you, you need have no scruples. I have written a line to him to say that we will be pleased to dine with him. He is to meet us at the hotel, and is sending a carriage for us here. I own I shall be very glad once in a way to eat at a table where Mrs. Armstrong is not."
"I have always tried to keep Mrs. Armstrong out of your way, mother."
"Yes, darling; but she irritates me all the same. However, she is a good soul, and I must learn to put up with her. Now then, West, what will you wear to-night?"
"Something very quiet," I answered.
"One of your white dresses."
"I have only white silk, that is too much."
"You can make it simpler; you can take away ornaments and flowers. I want to see you in white again. I am perfectly tired of that black dress which you put on every evening."
I left mother soon afterwards, and the rest of the day proceeded in the usual routine. I would not confess even to myself that I was glad I was going to the Lyceum with Mr. Randolph and mother, but when I saw a new interest in her face and a brightness in her voice, I tried to be pleased on her account. After all, she was the one to be considered. If it gave her pleasure it was all as it should be.
When I went upstairs finally to dress for this occasion, which seemed in the eyes of Jane Mullins to be a very great occasion, she (Jane) followed me to my door. I heard her knock on the panels, and told her to come in with some impatience in my voice.
"Now that is right," she said; "I was hoping you would not put on that dismal black. Young things should be in white."
"Jane," I said, turning suddenly round and speaking with great abruptness, "what part of the cake do you suppose Mr. Randolph represents?"
Jane paused for a moment; there came a twinkle into her eyes.
"Well, now," she said, "I should like to ask you that question myself, say in a year's time."
"I have asked it of you now," I said; "answer, please."
"Let's call him the nutmeg," said Jane. "We put nutmeg into some kinds of rich cake. It strikes me that the cake of this establishment is becoming very rich and complicated now. It gives a rare flavour, does nutmeg, used judiciously."
"I know nothing about it," I answered with impatience. "What part of the cake is mother?"
"Oh, the ornamental icing," said Jane at once; "it gives tone to the whole."
"And I, Jane, I?"
"A dash of spirit, which we put in at the end to give the subtle flavour," was Jane's immediate response.
"Thank you, Jane, you are very complimentary."
"To return to your dress, dear, I am glad you are wearing white."
"I am putting on white to please mother," I replied, "otherwise I should not wear it. To tell the truth, I never felt less disposed for an evening's amusement in my life."
"Then that is extremely wrong of you, Westenra. They are all envying you downstairs. As to poor Miss Armstrong, she would give her eyes to go. They are every one of them in the drawing-room, and dressed in their showiest, and it has leaked out that you won't be there, nor Mrs. Wickham, nor – nor Mr. Randolph, and that I'll be the only one to keep the place in order to-night. I do trust those attic boarders won't get the better of me, for I have a spice of temper in me when I am roused, and those attics do rouse me sometimes almost beyond endurance. As I said before, we get too much of the attic element in the house, and if we don't look sharp the cake will be too heavy."
"That would never do," I replied. I was hurriedly fastening on my white dress as I spoke. It was of a creamy shade, and hung in graceful folds, and I felt something like the Westenra of old times as I gathered up my fan and white gloves, and wrapped my opera cloak round me. I was ready. My dress was simplicity itself, but it suited me. I noticed how slim and tall I looked, and then ran downstairs, determined to forget myself and to devote the whole evening to making mother as happy as woman could be.
Mother was seated in the drawing-room, looking stately, a little nervous, and very beautiful. The ladies of the establishment were fussing round her. They had already made her into a sort of queen, and she certainly looked regal to-night.
The servant came up and announced that the carriage was waiting. We went downstairs. It was a little brougham, dull chocolate in colour. A coachman in quiet livery sat on the box; a footman opened the door for us. The brougham was drawn by a pair of chestnuts.
"Most unsuitable," I murmured to myself. "What sort of man is Mr. Randolph?"
Mother, however, looked quite at home and happy in the little brougham. She got in, and we drove off. It was now the middle of November, and I am sure several faces were pressed against the glass of the drawing-room windows as we were whirled rapidly out of the Square.
CHAPTER XI
WHY DID HE DO IT?
Mr. Randolph had engaged a private room at the hotel. We sat down three to dinner. During the first pause I bent towards him and said in a semi-whisper —
"Why did you send that grand carriage for us?"
"Did it annoy you?" he asked, slightly raising his brows, and that quizzical and yet fascinating light coming into his eyes.
"Yes," I replied. "It was unsuitable."
"I do not agree with you, Westenra," said mother.
"It was unsuitable," I continued. "When we stepped into our present position we meant to stay in it. Mr. Randolph humiliates us when he sends unsuitable carriages for us."
"It happened to be my friend's carriage," he answered simply. "He lent it to me – the friend who has also given me tickets for the Lyceum. I am sorry. I won't transgress again in the same way."
His tone did not show a trace of annoyance, and he continued to speak in his usual tranquil fashion.
As to mother, she was leaning back in her chair and eating a little, a very little, of the many good things provided, and looking simply radiant. She was quite at home. I saw by the expression on her face that she had absolutely forgotten the boarding-house; the attics were as if they had never existed; the third floor and the second floor boarders had vanished completely from her memory. Even Jane Mullins was not. She and I were as we used to be; our old house in Sumner Place was still our home. We had our own carriage, we had our own friends. We belonged to Mayfair. Mother had forgotten Bloomsbury, and what I feared she considered its many trials. Mr. Randolph talked as pleasantly and cheerfully as man could talk, keeping clear of shoals, and conducting us into the smoothest and pleasantest waters.
When dinner was over he led us to the same unsuitable carriage and we drove to the Lyceum. We had a very nice box on the first tier, and saw the magnificent play to perfection. Mr. Randolph made me take one of the front chairs, and I saw many of my old friends. Lady Thesiger kissed her hand to me two or three times, and at the first curtain paid us both a brief visit.
"Ah," she said, "this is nice; your trial scheme is over, Westenra, and you are back again."
"Nothing of the kind," I answered, colouring with vexation.
"Introduce me to your friend, won't you?" she continued, looking at Mr. Randolph with a queer half amused gaze.
I introduced him. Lady Thesiger entered into conversation. Presently she beckoned me out of the box.
"Come and sit with me in my box during the next act," she said, "I have a great deal to say to you."
"But I don't want to leave mother," I replied.