Wife 22

Zoe snorts.

“Zoe, sweetheart, will you please look up from that thing? I need your honest opinion.” I spread my arms wide. “Is it really that bad?”

Zoe cocks her head. “That depends. How dark is it going to be?”

I sigh. Just a year ago Zoe and I were so close. Now she treats me like she does her brother—as a family member who must be tolerated. I act like I don’t notice, but invariably overcompensate, trying to be nice for both of us, and then I end up sounding like a cross between Mary Poppins and Miss Truly Scrumptious from ChittyChittyBangBang.

“There’s a pizza in the freezer, and please make sure Peter is in bed by ten. We should be home soon after that,” I say.

Zoe continues to text. “Dad’s waiting for you in the car.”

I scurry around the kitchen looking for my purse. “Have a great time. And don’t watch Idol without me!”

“Already Googled the results. Should I tell you who gets the axe?”

“No!” I shout, running out the door.

“Alice Buckle. It’s been entirely too long. And what a breath of fresh air you are! Why doesn’t William drag you to these events more often? But I suppose he’s doing you a favor, isn’t he? Another night, another vodka launch. Ho-hum, am I right?”

Frank Potter, chief creative officer of KKM Advertising, looks discreetly over my head. “You look wonderful,” he says, his eyes darting around. He waves to someone at the back of the room. “That’s a lovely suit.”

I take a big gulp of wine. “Thanks.”

As I look around the room, at all the sheer blouses, strappy sandals, and skinny jeans most of the other women are wearing, I realize that “business dressy” really means “business sexy.” At least with this crowd. Everybody looks great. So of the moment. I wrap one arm around my waist and hold the wine glass so it hovers near my chin, a poor attempt at camouflaging my jacket.

“Thank you, Frank,” I say, as a bead of sweat trickles down the back of my neck.

Sweating is my default response when I feel out of place. My other default response is repeating myself.

“Thank you,” I say once more. Oh, God, Alice. A trifecta of thanks?

He pats me on the arm. “So how are things at home? Tell me. Is everything okay? The kids?”

“Everybody’s fine.”

“You’re sure?” he asks, his face screwed up with concern.

“Well, yes, yes, everybody’s good.”

“Wonderful,” he says. “Glad to hear it. And what are you doing these days? Still teaching? What subject was it?”

“Drama.”

“Drama. That’s right. That must be so—rewarding. But I imagine quite stressful.” He lowers his voice. “You are a saint, Alice Buckle. I certainly wouldn’t have the patience.”

“I’m sure you would if you saw what these kids are capable of. They’re so eager. You know, just the other day one of my students—”

Frank Potter looks over my head once again, raises his eyebrows, and nods.

“Alice, forgive me, but I’m afraid I’m being summoned.”

“Oh, of course. I’m sorry. I didn’t mean to keep you. I’m sure you have other—”

He moves toward me and I lean in, thinking he’s going to kiss me on the cheek, but instead he pulls back, takes my hand firmly, and shakes it. “Goodbye, Alice.”

I look out into the room, at everyone breezily drinking their lychee FiGtinis. I chuckle softly as if I’m thinking of something funny, trying to look breezy myself. Where is my husband?

“Frank Potter is an ass,” a voice whispers in my ear.

Thank God, a friendly face. It’s Kelly Cho, a longtime member of William’s creative team—long in advertising anyway, where turnover is incredibly fast. She’s wearing a suit, not all that different from mine (better lapels), but on her it looks edgy. She’s paired it with over-the-knee boots.

“Wow, Kelly, you look fabulous,” I say.

Kelly waves my compliment away. “So how come we don’t see you more often?”

“Oh, you know. Coming over the bridge is such a hassle. Traffic. And I still don’t feel all that comfortable leaving the kids home alone at night. Peter’s just twelve, and Zoe’s a typical distracted teenager.”

“How’s work?”

“Great. Other than being up to my neck in details: costumes, wrangling parents, soothing spiders and pigs that haven’t learned their lines yet. The third grade is doing Charlotte’s Web this year.”

Kelly smiles. “I love that book! Your job sounds so idyllic.”

“It does?”

“Oh, yeah. I would love to get out of the rat race. Every night there’s something going on. I know it seems glamorous—the client dinners, box seats for the Giants, passes to concerts—but it’s exhausting after a while. Well, you know how it is. You’re an advertising widow from way back.”

Advertisingwidow? I didn’t know there was name for it. For me. But Kelly’s right. Between William’s traveling and entertaining clients, I’m basically a single mother. We’re lucky if we manage to have a family dinner a few times a week.

I look across the room and catch William’s eye. He heads toward us. He’s a tall, well-built man, his dark hair graying at just the temples, in that defiant way some men gray (as if to say to hell with the fact that I’m forty-seven—I’m still sexy as hell and the gray makes me look even sexier). I feel a rush of pride as he crosses the room in his charcoal suit and gingham shirt.

“Where did you get your boots?” I ask Kelly.

William joins us.

“Bloomie’s. So, William, your wife isn’t familiar with the term advertisingwidow. How is that possible when you’ve made her into one?” asks Kelly, winking at me.

William frowns. “I’ve been looking all over for you. Where have you been, Alice?”

“She’s been right here, suffering Frank Potter, in fact,” says Kelly.

“You were talking to Frank Potter?” William asks, alarmed. “Did he approach you or did you approach him?”

“He approached me,” I say.

“Did he mention me? The campaign?”

“We didn’t talk about you,” I say. “We didn’t speak for long, actually.”