He shook hands with Mr. Floyd, parting from him with that half-affectionate, half-reverent manner which he always displayed to Aurora's father. Mrs. Mellish stood for some moments silent and motionless, looking after her husband; while her father, watching her looks, tried to read their meaning.
How quiet are the tragedies of real life! That dreadful scene between the Moor and his Ancient takes place in the open street of Cyprus, according to modern usage. I can scarcely fancy Othello and Iago debating about poor Desdemona's honesty in St. Paul's Churchyard, or even in the market-place of a country town; but perhaps the Cyprus street was a dull one, a cul-de-sac, it may be, or at least a deserted thoroughfare, something like that in which Monsieur Melnotte falls upon the shoulder of General Damas and sobs out his lamentations. But our modern tragedies seem to occur indoors, and in places where we should least look for scenes of horror. Who can forget that tempestuous scene of jealous fury and mad violence which took place in a second floor in Northumberland Street, while the broad daylight was streaming in through the dusty windows, and the common London cries ascending from the pavement below?
Any chance traveller driving from Beckenham to West Wickham would have looked, perhaps enviously, at the Felden mansion, and sighed to be lord of that fair expanse of park and garden; yet I doubt if in the county of Kent there was any creature more disturbed in mind than Archibald Floyd the banker. Those few moments during which Aurora stood in thoughtful silence were as so many hours to his anxious mind. At last she spoke.
"Will you come to the study, papa?" she said; "this room is so big, and so dimly lighted. I always fancy there are listeners in the corners."
She did not wait for an answer; but led the way to a room upon the other side of the hall, – the room in which she and her father had been so long closeted together upon the night before her departure for Paris. The crayon portrait of Eliza Floyd looked down upon Archibald and his daughter. The face wore so bright and genial a smile that it was difficult to believe that it was the face of the dead.
The banker was the first to speak.
"My darling girl," he said, "what is it you want with me?"
"Money, papa. Two thousand pounds."
She checked his gesture of surprise, and resumed before he could interrupt her.
"The money you settled upon me on my marriage with John Mellish is invested in our own bank, I know. I know, too, that I can draw upon my account when and how I please; but I thought that if I wrote a cheque for two thousand pounds the unusual amount might attract attention, – and it might possibly fall into your hands. Had this occurred you would perhaps have been alarmed, at any rate astonished. I thought it best, therefore, to come to you myself and ask you for the money, especially as I must have it in notes."
Archibald Floyd grew very pale. He had been standing while Aurora spoke; but as she finished he dropped into a chair near his little office table, and resting his elbow upon an open desk leaned his head on his hand.
"What do you want money for, my dear?" he asked gravely.
"Never mind that, papa. It is my money, is it not; and I may spend it as I please?"
"Certainly, my dear, certainly," he answered, with some slight hesitation. "You shall spend whatever you please. I am rich enough to indulge any whim of yours, however foolish, however extravagant. But your marriage settlement was rather intended for the benefit of your children – than – than for – anything of this kind; and I scarcely know if you are justified in touching it without your husband's permission; especially as your pin-money is really large enough to enable you to gratify any reasonable wish."
The old man pushed his gray hair away from his forehead with a weary action and a tremulous hand. Heaven knows that even in that desperate moment Aurora took notice of the feeble hand and the whitening hair.
"Give me the money, then, papa," she said. "Give it me from your own purse. You are rich enough to do that."
"Rich enough! Yes, if it were twenty times the sum," answered the banker slowly. Then, with a sudden burst of passion, he exclaimed, "O Aurora, Aurora! why do you treat me so badly? Have I been so cruel a father that you can't confide in me? Aurora, why do you want this money?"
She clasped her hands tightly together, and stood looking at him for a few moments irresolutely.
"I cannot tell you," she said, with grave determination. "If I were to tell you – what – what I think of doing, you might thwart me in my purpose. Father! father!" she cried, with a sudden change in her voice and manner, "I am hemmed in on every side by difficulty and danger; and there is only one way of escape – except death. Unless I take that one way, I must die. I am very young, – too young and happy, perhaps, to die willingly. Give me the means of escape."
"You mean this sum of money?"
"Yes."
"You have been pestered by some connection – some old associate of – his?"
"No!"
"What then?"
"I cannot tell you."
They were silent for some moments. Archibald Floyd looked imploringly at his child, but she did not answer that earnest gaze. She stood before him with a proudly downcast look: the eyelids drooping over the dark eyes, not in shame, not in humiliation; only in the stern determination to avoid being subdued by the sight of her father's distress.
"Aurora," he said at last, "why not take the wisest and the safest step? Why not tell John Mellish the truth? The danger would disappear; the difficulty would be overcome. If you are persecuted by this low rabble, who so fit as he to act for you? Tell him, Aurora – tell him all!"
"No, no, no!"
She lifted her hands and clasped them upon her pale face.
"No, no; not for all this wide world!" she cried.
"Aurora," said Archibald Floyd, with a gathering sternness upon his face, which overspread the old man's benevolent countenance like some dark cloud, – "Aurora, – God forgive me for saying such words to my own child, – but I must insist upon your telling me that this is no new infatuation, no new madness, which leads you to – " He was unable to finish his sentence.
Mrs. Mellish dropped her hands from before her face, and looked at him with her eyes flashing fire, and her cheeks in a crimson blaze.
"Father," she cried, "how dare you ask me such a question? New infatuation! New madness! Have I suffered so little, do you think, from the folly of my youth? Have I paid so small a price for the mistake of my girlhood, that you should have cause to say these words to me to-night? Do I come of so bad a race," she said, pointing indignantly to her mother's portrait, "that you should think so vilely of me? Do I – "
Her tragical appeal was rising to its climax, when she dropped suddenly at her father's feet, and burst into a tempest of sobs.
"Papa, papa, pity me!" she cried; "pity me!"
He raised her in his arms, and drew her to him, and comforted her, as he had comforted her for the loss of a Scotch terrier-pup twelve years before, when she was small enough to sit on his knee, and nestle her head in his waistcoat.
"Pity you, my dear!" he said. "What is there I would not do for you to save you one moment's sorrow? If my worthless life could help you; if – "
"You will give me the money, papa?" she asked, looking up at him half coaxingly through her tears.
"Yes, my darling; to-morrow morning."
"In bank-notes?"
"In any manner you please. But, Aurora, why see these people? Why listen to their disgraceful demands? Why not tell the truth?"
"Ah, why, indeed!" she said thoughtfully. "Ask me no questions, dear papa; but let me have the money to-morrow, and I promise you that this shall be the very last you hear of my old troubles."
She made this promise with such perfect confidence that her father was inspired with a faint ray of hope.
"Come, darling papa," she said; "your room is near mine; let us go up-stairs together."
She entwined her arm in his, and led him up the broad staircase; only parting from him at the door of his room.
Mr. Floyd summoned his daughter into the study early the next morning, while Talbot Bulstrode was opening his letters, and Lucy strolling up and down the terrace with John Mellish.
"I have telegraphed for the money, my darling," the banker said. "One of the clerks will be here with it by the time we have finished breakfast."
Mr. Floyd was right. A card inscribed with the name of a Mr. George Martin was brought to him during breakfast.
"Mr. Martin will be good enough to wait in my study," he said.
Aurora and her father found the clerk seated at the open window, looking admiringly through festoons of foliage, which clustered round the frame of the lattice, into the richly-cultivated garden. Felden Woods was a sacred spot in the eyes of the junior clerks in Lombard Street, and a drive to Beckenham in a Hansom cab on a fine summer's morning, to say nothing of such chance refreshment as pound-cake and old Madeira, or cold fowl and Scotch ale, was considered no small treat.