"No, Captain Arundel. The law would allow me to do so; but I decline to touch one farthing of the revenue which this estate yields, or to commit one act of ownership, until the mystery of Mary Marchmont's disappearance, or of her death, is cleared up."
"The mystery of her death?" said Edward Arundel; "you believe, then, that she is dead?"
"I anticipate nothing; I think nothing," answered the artist; "I only wait. The mysteries of life are so many and so incomprehensible, – the stories, which are every day to be read by any man who takes the trouble to look through a newspaper, are so strange, and savour so much of the improbabilities of a novel-writer's first wild fiction, – that I am ready to believe everything and anything. Mary Marchmont struck me, from the first moment in which I saw her, as sadly deficient in mental power. Nothing she could do would astonish me. She may be hiding herself away from us, prompted only by some eccentric fancy of her own. She may have fallen into the power of designing people. She may have purposely placed her slipper by the water-side, in order to give the idea of an accident or a suicide; or she may have dropped it there by chance, and walked barefoot to the nearest railway-station. She acted unreasonably before when she ran away from Marchmont Towers; she may have acted unreasonably again."
"You do not think, then, that she is dead?"
"I hesitate to form any opinion; I positively decline to express one."
Edward Arundel gnawed savagely at the ends of his moustache. This man's cool imperturbability, which had none of the studied smoothness of hypocrisy, but which seemed rather the plain candour of a thorough man of the world, who had no wish to pretend to any sentiment he did not feel, baffled and infuriated the passionate young soldier. Was it possible that this man, who met him with such cool self-assertion, who in no manner avoided any discussion of Mary Marchmont's disappearance, – was it possible that he could have had any treacherous and guilty part in that calamity? Olivia's manner looked like guilt; but Paul Marchmont's seemed the personification of innocence. Not angry innocence, indignant that its purity should have been suspected; but the matter-of-fact, commonplace innocence of a man of the world, who is a great deal too clever to play any hazardous and villanous game.
"You can perhaps answer me this question, Mr. Marchmont," said Edward Arundel. "Why was my wife doubted when she told the story of her marriage?"
The artist smiled, and rising from his seat upon the stone step, took a pocket-book from one of the pockets of the coat that he had been wearing.
"I can answer that question," he said, selecting a paper from amongst others in the pocket-book. "This will answer it."
He handed Edward Arundel the paper, which was a letter folded lengthways, and indorsed, "From Mrs. Arundel, August 31st." Within this letter was another paper, indorsed, "Copy of letter to Mrs. Arundel, August 28th."
"You had better read the copy first," Mr. Marchmont said, as Edward looked doubtfully at the inner paper.
The copy was very brief, and ran thus:
"Marchmont Towers, August 28, 1848.
"MADAM, – I have been given to understand that your son, Captain Arundel, within a fortnight of his sad accident, contracted a secret marriage with a young lady, whose name I, for several reasons, prefer to withhold. If you can oblige me by informing me whether there is any foundation for this statement, you will confer a very great favour upon "Your obedient servant,
"PAUL MARCHMONT."
The answer to this letter, in the hand of Edward Arundel's mother, was equally brief:
"Dangerfield Park, August 31, 1848.
"SIR, – In reply to your inquiry, I beg to state that there can be no foundation whatever for the report to which you allude. My son is too honourable to contract a secret marriage; and although his present unhappy state renders it impossible for me to receive the assurance from his own lips, my confidence in his high principles justifies me in contradicting any such report as that which forms the subject of your letter.
"I am, sir, "Yours obediently,
"LETITIA ARUNDEL."
The soldier stood, mute and confounded, with his mother's letter in his hand. It seemed as if every creature had been against the helpless girl whom he had made his wife. Every hand had been lifted to drive her from the house that was her own; to drive her out upon the world, of which she was ignorant, a wanderer and an outcast; perhaps to drive her to a cruel death.
"You can scarcely wonder if the receipt of that letter confirmed me in my previous belief that Mary Marchmont's story of a marriage arose out of the weakness of a brain, never too strong, and at that time very much enfeebled by the effect of a fever."
Edward Arundel was silent. He crushed his mother's letter in his hand. Even his mother – even his mother – that tender and compassionate woman, whose protection he had so freely promised, ten years before, in the lobby of Drury Lane, to John Marchmont's motherless child, – even she, by some hideous fatality, had helped to bring grief and shame upon the lonely girl. All this story of his young wife's disappearance seemed enveloped in a wretched obscurity, through whose thick darkness he could not penetrate. He felt himself encompassed by a web of mystery, athwart which it was impossible to cut his way to the truth. He asked question after question, and received answers which seemed freely given; but the story remained as dark as ever. What did it all mean? What was the clue to the mystery? Was this man, Paul Marchmont, – busy amongst his unfinished pictures, and bearing in his every action, in his every word, the stamp of an easy-going, free-spoken soldier of fortune, – likely to have been guilty of any dark and subtle villany against the missing girl? He had disbelieved in the marriage; but he had had some reason for his doubt of a fact that could not very well be welcome to him.
The young man rose from his chair, and stood irresolute, brooding over these things.
"Come, Captain Arundel," cried Paul Marchmont, heartily, "believe me, though I have not much superfluous sentimentality left in my composition after a pretty long encounter with the world, still I can truly sympathise with your regret for this poor silly child. I hope, for your sake, that she still lives, and is foolishly hiding herself from us all. Perhaps, now you are able to act in the business, there may be a better chance of finding her. I am old enough to be your father, and am ready to give you the help of any knowledge of the world which I may have gathered in the experience of a lifetime. Will you accept my help?"
Edward Arundel paused for a moment, with his head still bent, and his eyes fixed upon the ground. Then suddenly lifting his head, he looked full in the artist's face as he answered him.
"No!" he cried. "Your offer may be made in all good faith, and if so, I thank you for it; but no one loves this missing girl as I love her; no one has so good a right as I have to protect and shelter her. I will look for my wife, alone, unaided; except by such help as I pray that God may give me."
CHAPTER IX.
IN THE DARK
Edward Arundel walked slowly back to the Towers, shaken in body, perplexed in mind, baffled, disappointed, and most miserable; the young husband, whose married life had been shut within the compass of a brief honeymoon, went back to that dark and gloomy mansion within whose encircling walls Mary had pined and despaired.
"Why did she stop here?" he thought; "why didn't she come to me? I thought her first impulse would have brought her to me. I thought my poor childish love would have set out on foot to seek her husband, if need were."
He groped his way feebly and wearily amidst the leafless wood, and through the rotting vegetation decaying in oozy slime beneath the black shelter of the naked trees. He groped his way towards the dismal eastern front of the great stone dwelling-house, his face always turned towards the blank windows, that stared down at him from the discoloured walls.
"Oh, if they could speak!" he exclaimed, almost beside himself in his perplexity and desperation; "if they could speak! If those cruel walls could find a voice, and tell me what my darling suffered within their shadow! If they could tell me why she despaired, and ran away to hide herself from her husband and protector! If they could speak!"
He ground his teeth in a passion of sorrowful rage.
"I should gain as much by questioning yonder stone wall as by talking to my cousin, Olivia Marchmont," he thought, presently. "Why is that woman so venomous a creature in her hatred of my innocent wife? Why is it that, whether I threaten, or whether I appeal, I can gain nothing from her – nothing? She baffles me as completely by her measured answers, which seem to reply to my questions, and which yet tell me nothing, as if she were a brazen image set up by the dark ignorance of a heathen people, and dumb in the absence of an impostor-priest. She baffles me, question her how I will. And Paul Marchmont, again, – what have I learned from him? Am I a fool, that people can prevaricate and lie to me like this? Has my brain no sense, and my arm no strength, that I cannot wring the truth from the false throats of these wretches?"
The young man gnashed his teeth again in the violence of his rage.
Yes, it was like a dream; it was like nothing but a dream. In dreams he had often felt this terrible sense of impotence wrestling with a mad desire to achieve something or other. But never before in his waking hours had the young soldier experienced such a sensation.
He stopped, irresolute, almost bewildered, looking back at the boat-house, a black spot far away down by the sedgy brink of the slow river, and then again turning his face towards the monotonous lines of windows in the eastern frontage of Marchmont Towers.
"I let that man play with me to-day," he thought; "but our reckoning is to come. We have not done with each other yet."
He walked on towards the low archway leading into the quadrangle.
The room which had been John Marchmont's study, and which his widow had been wont to occupy since his death, looked into this quadrangle. Edward Arundel saw his cousin's dark head bending over a book, or a desk perhaps, behind the window.
"Let her beware of me, if she has done any wrong to my wife!" he thought. "To which of these people am I to look for an account of my poor lost girl? To which of these two am I to look! Heaven guide me to find the guilty one; and Heaven have mercy upon that wretched creature when the hour of reckoning comes; for I will have none."
Olivia Marchmont, looking through the window, saw her kinsman's face while this thought was in his mind. The expression which she saw there was so terrible, so merciless, so sublime in its grand and vengeful beauty, that her own face blanched even to a paler hue than that which had lately become habitual to it.
"Am I afraid of him?" she thought, as she pressed her forehead against the cold glass, and by a physical effort restrained the convulsive trembling that had suddenly shaken her frame. "Am I afraid of him? No; what injury can he inflict upon me worse than that which he has done me from the very first? If he could drag me to a scaffold, and deliver me with his own hands into the grasp of the hangman, he would do me no deeper wrong than he has done me from the hour of my earliest remembrance of him. He could inflict no new pangs, no sharper tortures, than I have been accustomed to suffer at his hands. He does not love me. He has never loved me. He never will love me. That is my wrong; and it is for that I take my revenge!"
She lifted her head, which had rested in a sullen attitude against the glass, and looked at the soldier's figure slowly advancing towards the western side of the house.
Then, with a smile, – the same horrible smile which Edward Arundel had seen light up her face on the previous night, – she muttered between her set teeth: —
"Shall I be sorry because this vengeance has fallen across my pathway? Shall I repent, and try to undo what I have done? Shall I thrust myself between others and Mr. Edward Arundel? Shall I make myself the ally and champion of this gallant soldier, who seldom speaks to me except to insult and upbraid me? Shall I take justice into my hands, and interfere for my kinsman's benefit? No; he has chosen to threaten me; he has chosen to believe vile things of me. From the first his indifference has been next kin to insolence. Let him take care of himself."
Edward Arundel took no heed of the grey eyes that watched him with such a vengeful light in their fixed gaze. He was still thinking of his missing wife, still feeling, to a degree that was intolerably painful, that miserable dream-like sense of helplessness and prostration.
"What am I to do?" he thought. "Shall I be for ever going backwards and forwards between my Cousin Olivia and Paul Marchmont; for ever questioning them, first one and then the other, and never getting any nearer to the truth?"
He asked himself this question, because the extreme anguish, the intense anxiety, which he had endured, seemed to have magnified the smallest events, and to have multiplied a hundred-fold the lapse of time. It seemed as if he had already spent half a lifetime in his search after John Marchmont's lost daughter.