The Infidel: A Story of the Great Revival

Patty set the kettle on the fire and washed out the little china teapot, while she talked to her ancient admirer. He liked to watch her kitten-like movements, her trim sprightly ways, to take a cup of weak tea from her hand, and to tell her his news of the town, which was mostly wrong, but which she always believed. She thought him a foolish old person, but the pink of fashion. His talk was a diluted edition of the news we read in Walpole's letters – talk of St. James's and Leicester House, of the old king and his grandson, newly created Prince of Wales, of the widowed princess and Lord Bute, of a score of patrician belles whose histories were more or less scandalous, and of those two young women from Dublin, the penniless Gunnings, whose beauty had set the town in a blaze – sisters so equal in perfection that no two people were of a mind as to which was the handsomer.

Tonia had met the General often, and knew his capacity for being interesting. She rose and bade her friend good-bye.

"Nay, child, 'tis ill manners to leave me directly I have company. The General and I have no secrets."

"My Minette is a cautious puss, and will never confess to the singing-birds she has killed," said the dodderer.

Tonia protested that her father would be at home and wanting her. She saluted the soldier with her stateliest curtsey, and departed with the resolute aplomb of a duchess.

"Your friend's grand manners go ill with her shabby gown," said the General. "With her fine figure she should do well on the stage."

"There is too much of her, General. She is too tall by a head for an actress. 'Tis delicate little women look best behind the lamps."

Thornton was fond of his daughter, and had never said an unkind word to her; but he had no scruples about letting her work for him, having a fixed idea that youth has an inexhaustible fund of health and strength upon which age can never overdraw. He was proud of her mental powers, and believed that to help a hack-scribbler with his multifarious contributions to magazines and newspapers was the finest education possible for her. If they went to the playhouse together 'twas she who wrote a critique on the players next morning, while her father slept. Dramatic criticism in those days was but scurvily treated by the Press, and Tonia was apt to expatiate beyond the limits allowed by an editor, and was mortified to see her opinions reduced to the baldest comment.

She talked to her father of Mrs. Mandalay's dancing-rooms. He knew there was such a place, but doubted whether 'twas a reputable resort. He promised to make inquiries, and thus delayed matters, without the unkindness of a refusal. Tonia was helping him with a comedy for Drury Lane – indeed, was writing the whole play, his part of the work consisting chiefly in running his pen across Tonia's scenes, and bidding her write them again in accord with his suggestions, which she did with equal meekness and facility. He grew a little lazier every day as he discovered his daughter's talent, and encouraged her to labour for him. He praised himself for having taught her Spanish, so that she had the best comedies in the world, as he thought, at her fingers' ends.

It was for the sake of the comedy Tonia urged her desire to see the beau monde.

"'Tis dreadful to write about people of fashion when one has never seen any," she said.

"Nay, child, there's no society in Europe will provide you better models than you'll find in yonder duodecimos," her father would say, pointing to Congreve and Farquhar. "Mrs. Millamant is a finer lady than any duchess in London."

"Mrs. Millamant is half a century old, and says things that would make people hate her if she was alive now."

"Faith, we are getting vastly genteel; and I suppose by-and-by we shall have plays as decently dull as Sam Richardson's novels, without a joke or an oath from start to finish," protested Thornton.

It was more than a month after Tonia's first appeal that her father came home to dinner one afternoon in high spirits, and clapped a couple of tickets on the tablecloth by his daughter's plate.

"Look there, slut!" he cried. "I seized my first chance of obliging you. There is a masked ball at Mrs. Mandalay's to-night, and I waited upon my old friend Lord Kilrush on purpose to ask him for tickets; and now you have only to run to the costumier's and borrow a domino and a mask, and see that there are no holes in your stockings."

"I always mend my stockings before the holes come," Antonia said reproachfully.

"You are an indefatigable wench! Come, there's a guinea for you; perhaps you can squeeze a pair of court shoes out of it, as well as the hire of the domino."

"You are a dear, dear, dearest dad! I'll ask Patty to go to the costumier's with me. She will get me a good pennyworth."

CHAPTER III.

AT MRS. MANDALAY'S ROOMS

Mrs. Mandalay's rooms were crowded, for Mrs. Mandalay's patrons included all the varieties of London society – the noble, the rich, the clever, the dull, the openly vicious, the moderately virtuous, the audaciously disreputable, masked and unmasked; the outsiders who came from curiosity; the initiated who came from habit; dissolute youth, frivolous old age, men and boys who came because they thought this, and only this, was life: to rub shoulders with a motley mob, to move in an atmosphere of ribald jokes and foolish laughter, air charged with the electricity of potential bloodshed, since at any moment the ribald jest might lead to the insensate challenge; to drink deep of adulterated wines, fired with the alcohol that inspires evil passions and kills thought. These were the diversions that men and women sought at Mrs. Mandalay's; and it was into this witch's cauldron that William Thornton plunged his daughter, reckless of whom she met or what she saw and heard, for it was an axiom in his blighting philosophy that the more a young woman knew of the world she lived in, the more likely she was to steer a safe course between its shoals and quicksands.

Antonia looked with amazement upon the tawdry spectacle – dominos, diamonds, splendour, and shabbiness, impudent faces plastered with white and red, beauty still fresh and young, boys still at the University, old men fitter for the hospital than for the drawing-room. Was this the dazzling scene she had longed for sometimes in the toilsome evenings, when her tired hand sank on the foolscap page, and in the pause of the squeaking quill she heard the clock ticking on the stairs and the cinders crumbling in the grate? She had longed for lighted rooms and joyous company, for the concerts, and dances, and dinners, and suppers she read about in the Daily Journal; but the scenes her imagination had conjured up were as different from this as paradise from pandemonium.

Dancing was difficult in such a crowd, but there was a country dance going on to the music of an orchestra of fiddles and French horns, stationed in a gallery over one end of the room. The music was a pot-pourri of favourite melodies in the "Beggar's Opera," and the strongly marked tunes beat upon Antonia's brain as she and her father stood against the wall near the entrance doors, watching the crowd.

A master of the ceremonies came to ask her if she would dance. Her father answered for her, somewhat curtly. No, the young lady had only looked in to see what Mrs. Mandalay's rooms were like.

"Mrs. Mandalay's rooms are too good to be made a show for country cousins," the man answered impudently, after a flying glance at Thornton's threadbare suit; "and Miss has too pretty a figure under her domino to shirk a dance."

"Be good enough to leave us to ourselves, sir. Our tickets have been paid for; and we have a right to consume this polluted atmosphere without having to suffer impertinence."

"Oh, if you come to that, sir, I carry a sword, and will swallow no insult from a beggarly parson; and there are plenty of handsome women pining for partners."

He edged off as he spoke, and was safe amongst the crowd before he finished his sentence.

"Let's go home, sir," said Antonia. "I never could have pictured such an odious place."

"'Tis one of the most fashionable assemblies in London, child."

"Then I wonder at the taste of Londoners. Pray, sir, let's go home. I should never have teased you to bring me here had I known 'twas like this; but you have at least cured me of the desire to come again – or to visit any place that resembles this."

"You are pettish and over-fastidious. I came here for your amusement, and you may stay here for mine. I can't waste coach hire because you are capricious. I must have something for my money. Do you stay here quietly, while I circulate and find a friend or two."

"Oh, father, don't leave me among this rabble! I shall die of disgust if any one speaks to me – like that vulgar wretch just now."

"Tush, Tonia, there are no women-eaters here; and you have brains enough to know how to answer any impudent jackanapes in London."

He was gone before she could say anything more. She had hated to be there even with her father at her side. It was agony to stand there alone, fanning herself with the trumpery Spanish fan that had been sent her with the domino. She was not shy as other women are on their first appearance in an assembly. She had been trained to despise her fellow-creatures, and had an inborn pride that would have supported her anywhere. But the scene gave her a feeling of loathing that she had never known before. The people seemed to her of an unknown race. Their features, their air exhaled wickedness. "The sons of Belial, flown with insolence and wine." She hated herself for being there, hated her father for bringing her there.

They had come very late, when the assembly was at its worst, or at its best, according to one's point of view. The modish people, who vowed they detested the rooms, and only looked in to see who was there, were elbowing their way among fat citizens and their wives from Dowgate, and rich merchants from Clapham Common; while the more striking figures in the crowd belonged obviously to the purlieus of Covent Garden and the paved courts near Long Acre.

Tonia watched them till, in spite of her aversion, she began to grow interested in the masks and the faces. The faces told their own story; but the masks had a more piquant attraction, suggesting mystery. She began to notice couples who were obviously lovers, and to imagine a romance here and there. Her eyes passed over the disreputable painted faces, and fixed on the young and beautiful, secure in pride of birth, the assurance of superiority. She caught furtive glances, the lingering clasp of hands, the smile that promised, the whisper that pleaded. Romance and mystery enough here to fill more volumes than Richardson had published. And then among the people who came in late, talked loud, and did not dance, there were such satins and brocades, velvet and lace, feathers and jewels, as neither the theatres nor her dreams had ever shown her. She was woman enough to look at these with pleasure, in spite of her masculine education.

She had forgotten how long she had been standing there when her father came back, smelling of brandy, and accompanied by a man whom she had been watching some minutes before, one of the late arrivals, who looked young at a distance, but old, or at best middle-aged, when he came near her. She had seen him surrounded by a bevy of women, who hung about him with an eager appreciation which would have been an excuse for vanity in a Solomon.

The new-comer's suit of mouse-coloured velvet was plainer than anybody else's, but his air and figure would have given distinction to a beggar's rags, and there needed not the star and ribbon half hidden under the lapel of his coat to tell her that he was a personage.

"My friend and patron, Lord Kilrush, desires to make your acquaintance, Antonia," her father said with his grand air.

She had heard of Lord Kilrush, an Irish peer, with an immense territory on the Shannon and on the Atlantic which he never visited; a man of supreme distinction in a world where the cut of a coat and the pedigree of a horse count for more than any moral attributes. While he had all the dignity of a large landowner, the bulk of his fortune was derived from his mother, who was the only child of an East Indian factor, "rich with the spoil of plundered provinces."

Antonia had been watching the modish women's manoeuvres long enough to be able to sink to the exact depth and rise with the assured grace of a fashionable curtsey. The perfect lips under the light lace of her mask relaxed in a grave smile, parting just enough to show the glitter of pearly teeth between two lines of carmine. Her flashing eyes and lovely mouth gave Kilrush assurance of beauty. It would have taken the nose of a Socrates, or a complexion pitted with the smallpox, to mar the effect of such eyes and such lips.

"Pray allow me to escort you through the rooms, and to get you a cup of chocolate, madam," he said, offering his arm. "Your father tells me that 'tis your first visit to this notorious scene. Mrs. Mandalay's chocolate is as famous as her company, and of a better quality – for it is innocent of base mixtures."

"Go with his lordship, Tonia," said her father, answering her questioning look; "you must be sick to death of standing here."

"Oh, I have amused myself somehow," she said. "It is like a comedy at the theatres – I can read stories in the people's faces."

She took Kilrush's arm with an easy air that astonished him.

"Then you like the Mandalay room?" he said, as he made a path through the crowd, people giving way to him almost as if to a royal personage.

He was known here as he was known in all pleasure places for a leader and a master spirit. It suited him to live in a country where he had no political influence. He had never been known to interest himself about any serious question in life. Early in his career, when his wife ran away with his bosom friend, his only comment was that she always came to the breakfast-table with a slovenly head, and it was best for both that they should part. He ran his rapier through his friend's left lung early one morning in the fields behind Montague House; but he told his intimates that it was not because he hated the scoundrel who had relieved him of an incubus, but because it would have been ungenteel to let him live.

He conducted Antonia through the suite of rooms that comprised "Mrs. Mandalay's." There were two or three little side-rooms where people sat in corners and talked confidentially, as they do in such places to this day. The confidences may have been a shade more audacious then, an incipient intrigue more daringly conducted, but it was the same and the same – a married woman who despised her husband; a married man who detested his wife; a young lady of fashion playing high stakes for a coronet, and baulked or ruined at the game. Antonia glanced from one group to the other as if she knew all about them. To be a student of Voltaire is not to think too well of one's fellow-creatures. She had read Fielding too, and knew that women were fools and men reprobates. She had wept over Richardson's Clarissa, and knew that there had once been a virtuous woman, or that a dry-as-dust printer's elderly imagination had conceived such a creature.