The Monk

And Men will rarely take an hint
Of love, from two grey eyes that squint.
Take then my counsels; Lay aside
Your paint and patches, lust and pride,
And on the Poor those sums bestow,
Which now are spent on useless show.
Think on your Maker, not a Suitor;
Think on your past faults, not on future;
And think Time's Scythe will quickly mow
The few red hairs, which deck your brow.

The audience rang with laughter during the Gypsy's address; and—'fifty one,'—'squinting eyes,' 'red hair,'—'paint and patches,' &c. were bandied from mouth to mouth. Leonella was almost choaked with passion, and loaded her malicious Adviser with the bitterest reproaches. The swarthy Prophetess for some time listened to her with a contemptuous smile: at length She made her a short answer, and then turned to Antonia.

THE GYPSY

'Peace, Lady! What I said was true;
And now, my lovely Maid, to you;
Give me your hand, and let me see
Your future doom, and heaven's decree.'

In imitation of Leonella, Antonia drew off her glove, and presented her white hand to the Gypsy, who having gazed upon it for some time with a mingled expression of pity and astonishment, pronounced her Oracle in the following words.

THE GYPSY

'Jesus! what a palm is there!
Chaste, and gentle, young and fair,
Perfect mind and form possessing,
You would be some good Man's blessing:
But Alas! This line discovers,
That destruction o'er you hovers;
Lustful Man and crafty Devil
Will combine to work your evil;
And from earth by sorrows driven,
Soon your Soul must speed to heaven.
Yet your sufferings to delay,
Well remember what I say.
When you One more virtuous see
Than belongs to Man to be,
One, whose self no crimes assailing,
Pities not his Neighbour's Failing,
Call the Gypsy's words to mind:
Though He seem so good and kind,
Fair Exteriors oft will hide
Hearts, that swell with lust and pride!
Lovely Maid, with tears I leave you!
Let not my prediction grieve you;
Rather with submission bending
Calmly wait distress impending,
And expect eternal bliss
In a better world than this.

Having said this, the Gypsy again whirled herself round thrice, and then hastened out of the Street with frantic gesture. The Crowd followed her; and Elvira's door being now unembarrassed Leonella entered the House out of honour with the Gypsy, with her Niece, and with the People; In short with every body, but herself and her charming Cavalier. The Gypsy's predictions had also considerably affected Antonia; But the impression soon wore off, and in a few hours She had forgotten the adventure as totally as had it never taken place.

CHAPTER II

Forse se tu gustassi una sol volta
La millesima parte delle gioje,
Che gusta un cor amato riamando,
Diresti ripentita sospirando,
Perduto e tutto il tempo
Che in amar non si sponde.

                 Tasso.
Hadst Thou but tasted once the thousandth part
Of joys, which bless the loved and loving heart,
Your words repentant and your sighs would prove,
Lost is the time which is not past in love.

The monks having attended their Abbot to the door of his Cell, He dismissed them with an air of conscious superiority in which Humility's semblance combated with the reality of pride.

He was no sooner alone, than He gave free loose to the indulgence of his vanity. When He remembered the Enthusiasm which his discourse had excited, his heart swelled with rapture, and his imagination presented him with splendid visions of aggrandizement. He looked round him with exultation, and Pride told him loudly that He was superior to the rest of his fellow-Creatures.

'Who,' thought He; 'Who but myself has passed the ordeal of Youth, yet sees no single stain upon his conscience? Who else has subdued the violence of strong passions and an impetuous temperament, and submitted even from the dawn of life to voluntary retirement? I seek for such a Man in vain. I see no one but myself possessed of such resolution. Religion cannot boast Ambrosio's equal! How powerful an effect did my discourse produce upon its Auditors! How they crowded round me! How they loaded me with benedictions, and pronounced me the sole uncorrupted Pillar of the Church! What then now is left for me to do? Nothing, but to watch as carefully over the conduct of my Brothers as I have hitherto watched over my own. Yet hold! May I not be tempted from those paths which till now I have pursued without one moment's wandering? Am I not a Man, whose nature is frail, and prone to error? I must now abandon the solitude of my retreat; The fairest and noblest Dames of Madrid continually present themselves at the Abbey, and will use no other Confessor.

I must accustom my eyes to Objects of temptation, and expose myself to the seduction of luxury and desire. Should I meet in that world which I am constrained to enter some lovely Female, lovely … as you, Madona....!'

As He said this, He fixed his eyes upon a picture of the Virgin, which was suspended opposite to him: This for two years had been the Object of his increasing wonder and adoration. He paused, and gazed upon it with delight.

'What Beauty in that countenance!' He continued after a silence of some minutes; 'How graceful is the turn of that head! What sweetness, yet what majesty in her divine eyes! How softly her cheek reclines upon her hand! Can the Rose vie with the blush of that cheek? Can the Lily rival the whiteness of that hand? Oh! if such a Creature existed, and existed but for me! Were I permitted to twine round my fingers those golden ringlets, and press with my lips the treasures of that snowy bosom! Gracious God, should I then resist the temptation? Should I not barter for a single embrace the reward of my sufferings for thirty years? Should I not abandon.... Fool that I am! Whither do I suffer my admiration of this picture to hurry me? Away, impure ideas! Let me remember that Woman is for ever lost to me. Never was Mortal formed so perfect as this picture. But even did such exist, the trial might be too mighty for a common virtue, but Ambrosio's is proof against temptation. Temptation, did I say? To me it would be none. What charms me, when ideal and considered as a superior Being, would disgust me, become Woman and tainted with all the failings of Mortality. It is not the Woman's beauty that fills me with such enthusiasm; It is the Painter's skill that I admire, it is the Divinity that I adore! Are not the passions dead in my bosom? Have I not freed myself from the frailty of Mankind? Fear not, Ambrosio! Take confidence in the strength of your virtue. Enter boldly into a world to whose failings you are superior; Reflect that you are now exempted from Humanity's defects, and defy all the arts of the Spirits of Darkness. They shall know you for what you are!'

Here his Reverie was interrupted by three soft knocks at the door of his Cell. With difficulty did the Abbot awake from his delirium. The knocking was repeated.

'Who is there?' said Ambrosio at length.

'It is only Rosario,' replied a gentle voice.

'Enter! Enter, my Son!'

The Door was immediately opened, and Rosario appeared with a small basket in his hand.

Rosario was a young Novice belonging to the Monastery, who in three Months intended to make his profession. A sort of mystery enveloped this Youth which rendered him at once an object of interest and curiosity. His hatred of society, his profound melancholy, his rigid observation of the duties of his order, and his voluntary seclusion from the world at his age so unusual, attracted the notice of the whole fraternity. He seemed fearful of being recognised, and no one had ever seen his face. His head was continually muffled up in his Cowl; Yet such of his features as accident discovered, appeared the most beautiful and noble. Rosario was the only name by which He was known in the Monastery.

No one knew from whence He came, and when questioned in the subject He preserved a profound silence. A Stranger, whose rich habit and magnificent equipage declared him to be of distinguished rank, had engaged the Monks to receive a Novice, and had deposited the necessary sums. The next day He returned with Rosario, and from that time no more had been heard of him.

The Youth had carefully avoided the company of the Monks: He answered their civilities with sweetness, but reserve, and evidently showed that his inclination led him to solitude. To this general rule the Superior was the only exception. To him He looked up with a respect approaching idolatry: He sought his company with the most attentive assiduity, and eagerly seized every means to ingratiate himself in his favour. In the Abbot's society his Heart seemed to be at ease, and an air of gaiety pervaded his whole manners and discourse. Ambrosio on his side did not feel less attracted towards the Youth; With him alone did He lay aside his habitual severity. When He spoke to him, He insensibly assumed a tone milder than was usual to him; and no voice sounded so sweet to him as did Rosario's. He repayed the Youth's attentions by instructing him in various sciences; The Novice received his lessons with docility; Ambrosio was every day more charmed with the vivacity of his Genius, the simplicity of his manners, and the rectitude of his heart: In short He loved him with all the affection of a Father. He could not help sometimes indulging a desire secretly to see the face of his Pupil; But his rule of self-denial extended even to curiosity, and prevented him from communicating his wishes to the Youth.

'Pardon my intrusion, Father,' said Rosario, while He placed his basket upon the Table; 'I come to you a Suppliant. Hearing that a dear Friend is dangerously ill, I entreat your prayers for his recovery. If supplications can prevail upon heaven to spare him, surely yours must be efficacious.'

'Whatever depends upon me, my Son, you know that you may command.