The Kalliakis Crown: Talos Claims His Virgin

CHAPTER THREE (#ulink_c93d9926-fb9f-541d-bfb0-fd026c54d1ea)

WHEN TALOS PUNCHED his finger to the bell of Amalie’s front door he knew she must have been waiting for him. She pulled the door open before his hand was back by his side.

She stared at him impassively, as if what had occurred between them earlier had never happened. As if she hadn’t lost her calm veneer.

Without a word being exchanged, he followed her into the kitchen.

On the table lay a tray of pastries and two plates. A pot of coffee had just finished percolating. Amalie was dressed for her part, having donned a pair of black jeans that hugged her slender frame and a silver scoop-necked top. Her straight dark hair had been brushed back into a loose bun at the nape of her slender neck. She wore no make-up, and the freckles across her nose were vivid in the harsh light beaming from above them.

It was clear to him that she had seen reason. And why on earth would she not? She was a professional musician. He shouldn’t have to resort to blackmail.

Time was running out. For the gala. For his grandfather. The chemotherapy he was undergoing had weakened him badly. There were days when he couldn’t leave his bed—barely had the strength to retch into a bucket. Other days Talos found him in good spirits, happy to sit outside and enjoy the Agon sunshine in the sprawling palace gardens.

Talos remembered again that he had planned to return home after the auditions on Saturday and spend the rest of the weekend with his grandfather. Instead he’d been compelled to force through—and quickly—the purchase of that awful Parisian building. And for what? Because the only professional violinist he’d found capable of doing justice to his grandmother’s final composition was playing hardball.

No one played hardball with Talos Kalliakis. No one. To find this slender thing standing up to him...

But she had seen reason. That was all that mattered now.

He allowed himself a smile at his victory, and sat in the chair he’d vacated only six hours before.

Defeat had never crossed his mind. It was regrettable that he’d had to resort to blackmail to get his own way but time was of the essence. The Jubilee was only a month away. There was still time for her to learn the piece to performance standard and for her orchestra to learn the accompanying music. He wanted them note-perfect before they took to the palace stage.

Amalie’s arm brushed against his as she placed a mug in front of him. He found his attention caught by her fingers, as it had been earlier, when he’d had them trapped in his hand. It was the nails at the end of those long, elegant fingers that had really struck him. The nails of her left hand were short and blunt. The nails of her right hand were much longer and shapely. He’d puzzled over those nails all day...over what they reminded him of.

He’d also puzzled over the reaction that had swept through him when he’d pinned her to his lap after her anger had rushed to the surface.

Talos was a man who enjoyed the company of beautiful women. And beautiful women liked him. Women he didn’t know would catch his eye and hold it for a beat too long. When they learned who he was their gazes would stay fixed, suggestion and invitation ringing from them.

Never had he met a woman who so obviously disliked him. Never had he met anyone—man or woman—outside his immediate family who would deny him anything he wanted.

Amalie Cartwright was a pretty woman in her own unique way. The defiant attitude she’d displayed towards him infuriated and intrigued him in equal measure.

What, he wondered, would it be like to light the fire he’d glimpsed that morning in a more intimate setting?

What would it take to twist that fire and anger into passion?

He had felt the shift in her when her whole body had stilled and her breath had shortened and then stopped. The same time his own breath had stopped. One moment he’d been staring at her fingers with bemusement, the next his body had been filled with an awareness so strong it had knocked the air out of him.

He’d never experienced a reaction like it.

And now, watching her take the same seat as she had that morning, he could feel that awareness stirring within him again.

The following month held infinite possibilities...

‘Monsieur,’ she said once she had settled herself down and placed her green gaze on him, ‘earlier you appealed to my better nature—’

‘Which you disregarded,’ he interjected.

She bowed her head in acknowledgement. ‘I had my reasons, which I am going to share with you in the hope of appealing to your better nature.’

He regarded her carefully but kept silent, waiting for her to speak her mind. Surely she wasn’t trying another angle to turn the solo down?

‘I’m sorry but I lied to you—I do not have a prior engagement on the gala weekend.’ She gnawed on her bottom lip before continuing. ‘I suffer from stage fright.’

The idea was so ludicrous Talos shook his head in disbelief and laughed.

‘You?’ he said, not bothering to hide his incredulity. ‘You—the daughter of Colette Barthez and Julian Cartwright—suffer from stage fright?’

‘You know who I am?’

‘I know exactly who you are.’ He folded his arms, his brief, incredulous mirth evaporating. ‘I made it my business to know.’

He caught a flash of truculence in those green eyes, the first sign that the calm façade she wore was nothing but a front.

‘Your French mother is the most successful mezzo-soprano in the world. I admit I hadn’t heard of your father before today, but I understand he is a famous English violinist. I also learned that your father once played at Carnegie Hall with my grandmother, when he was first establishing himself.’

He leaned forward to rest his chin on his hands.

‘You were a noted child prodigy until the age of twelve, when your parents removed you from the spotlight so you could concentrate on your education. You became a professional musician at the age of twenty, when you joined the ranks of the Orchestre National de Paris as a second violin—a position you still hold five years on.’

She shrugged, but her face remained taut. ‘What you have described is something any person with access to the internet could find out in thirty seconds. My parents didn’t remove me from the spotlight because of my education—that is what my mother told the press, because she couldn’t bear the shame of having a daughter unable to perform in public.’

‘If you are “unable to perform in public”, how do you explain the fact that you perform in public at least once a week with your orchestra?’

‘I’m a second violin. I sit at the back of the orchestra. We have an average of eighty musicians playing at any given performance. The audience’s eyes are not on me but on the collective orchestra. It’s two different things. If I play at your grandfather’s gala everyone’s eyes will be on me and I will freeze. It will bring humiliation to me, to my mother—and to your grandfather. Is that what you want? To have the world’s eyes witness your star performer frozen on stage, unable to play a note?’

The only person who wouldn’t be ashamed of her was her father. She might have referred to it as a joint decision by her parents, but in truth it had been her father who’d gone against her mother’s wishes and pulled her out of the spotlight. He’d been the one to assure her that it was okay to play just for the love of the music, even if it was only in the privacy of her own bedroom.

Talos’s eyes narrowed, a shrewd expression emanating from them. ‘How do I know you aren’t lying to me right now?’

‘I...’

‘By your own admission you lied about being busy on the gala weekend.’

‘It was a lie of necessity.’

‘No lie is necessary. If you can’t handle eyes on you when you play, how were you able to join the orchestra in the first place?’

‘It was a blind audition. Everyone who applied had to play behind a screen so there could be no bias. And, before you ask, of course I practise and rehearse amongst my colleagues, But that is a world away from standing up on a stage and feeling hundreds of eyes staring at you.’

He shook his head slowly, his light brown eyes unreadable. ‘I am in two minds here. Either you are speaking the truth or you are telling another lie.’

‘I am speaking the truth. You need to find another soloist.’

‘I think not. Nerves and stage fright are things that can be overcome, but finding another soloist who can do justice to my grandmother’s final composition is a different matter.’

Never mind that time had almost run out. He could spend the rest of his life searching and not find anyone whose playing touched him the way Amalie’s had in those few minutes he had listened to her.