She hit send, then pushed her cell deep into her pocket, hoping Maria would leave her alone.
“Romeo and Juliet,” Mr. Sparrow began, “was not an original story. Shakespeare actually based it on an ancient tale. Like all of Shakespeare’s plays, he found his sources in history. He recycled old stories and adapted them into his own language, in his own time. We like to think that he’s the greatest original writer of all time – but in truth, it would be more accurate to call him the greatest adapter of all time. If here were alive and writing today, he would not win the award for best Original Screenplay – he would win for best Adapted Screenplay. Because none of his stories – not one – were original. They had all been written before, some many times over many centuries.
“But that doesn’t necessarily detract from his great skill, from his ability as a writer. After all, it’s all about how you turn a phrase, isn’t it? The same plot told two ways can be boring in one instance and compelling in another, can’t it? Shakespeare’s great skill was his ability to take someone else’s story and re-write it in his own words, for his own time. And to write it with such beauty and poetry that he really brought it to life for the first time. He was a dramatist, yes. But ultimately, and most of all, he was a poet.”
Mr. Sparrow paused as he lifted the play.
“In the case of Romeo and Juliet, the story had already been around for centuries by the time Shakespeare got his hands on it. Does anyone know the original source?”
Mr. Sparrow looked around the class, and it was dead silent. He waited several seconds, then opened his mouth to speak – when suddenly, he stopped and looked right in Scarlet’s direction.
Scarlet’s heart pounded as she thought he was looking at her.
“Ah, the new boy,” Mr. Sparrow asked. “Please enlighten us.”
The entire class turned and looked in Scarlet’s direction, at Sage. She was relieved to realize he wasn’t calling on her.
She couldn’t help turning just a bit, too, looking behind her, at Sage. Instead of looking at the teacher, oddly, Sage looked at her as he spoke.
“Romeo and Juliet was based on a poem by Arthur Brooke: The Tragicall Historye of Romeus and Iuliet.”
“Very good!” Mr. Sparrow said, sounding impressed. “And for extra points, might you know the year it was written?”
Scarlet was amazed. How had Sage known that?
“1562,” Sage replied, without hesitating.
Mr. Jordan looked happily surprised.
“Amazing! I’ve never had any student get that. Bravo, Sage. Since you’re such a scholar, here’s one final question. I’ve never known anyone – even among my peers – to get this right, so don’t feel badly if you don’t. If you get it, I’ll start you off with an automatic 100 on your first test. Where and when was the play first performed?”
The entire class turned in their seats and looked at Sage, the tension running high. Scarlet looked, too, and saw Sage smile back at her.
“It is believed to have been first performed in 1593, at a small venue called The Theatre, on the opposite side of the Thames.”
Mr. Jordan shouted out in excitement.
“WOW! My Sage, you are good. Wow, I’m impressed.”
Sage cleared his throat, not finished.
“That is the common understanding,” Sage said, “but in truth, it was actually performed once before that. In 1592. In Elizabeth’s castle. In her courtyard, amidst her private orchard.”
Scarlet looked back at Sage, speechless. His eyes had a far-off look, almost as if he were remembering being there himself. She couldn’t understand.