Biographical Stories

About this period friend West received a visit from Mr. Pennington, a merchant of Philadelphia, who was likewise a member of the Society of Friends. The visitor, on entering the parlor, was surprised to see it ornamented with drawings of Indian chiefs, and of birds with beautiful plumage, and of the wild flowers of the forest. Nothing of the kind was ever seen before in the habitation of a Quaker farmer.

“Why, Friend West,” exclaimed the Philadelphia merchant, “what has possessed thee to cover thy walls with all these pictures? Where on earth didst then get them?”

Then Friend West explained that all these pictures were painted by little Ben, with no better materials than red and yellow ochre and a piece of indigo, and with brushes made of the black cat’s fur.

“Verily,” said Mr. Pennington, “the boy hath a wonderful faculty. Some of our friends might look upon these matters as vanity; but little Benjamin appears to have been born a painter; and Providence is wiser than we are.”

The good merchant patted Benjamin on the head, and evidently considered him a wonderful boy. When his parents saw how much their son’s performances were admired, they, no doubt, remembered the prophecy of the old Quaker preacher respecting Ben’s future eminence. Yet they could not understand how he was ever to become a very great and useful man merely by making pictures.

One evening, shortly after Mr. Pennington’s return to Philadelphia, a package arrived at Springfield, directed to our little friend Ben.

“What can it possibly be?” thought Ben, when it was put into his hands. “Who can have sent me such a great square package as this?”

On taking off the thick brown paper which enveloped it, behold! there was a paint-box, with a great many cakes of paint, and brushes of various sizes. It was the gift of good Mr. Pennington. There were likewise several squares of canvas such as artists use for painting pictures upon, and, in addition to all these treasures, some beautiful engravings of landscapes. These were the first pictures that Ben had ever seen, except those of his own drawing.

What a joyful evening was this for the little artist! At bedtime he put the paint-box under his pillow, and got hardly a wink of sleep; for, all night long, his fancy was painting pictures in the darkness. In the morning he hurried to the garret, and was seen no more till the dinner-hour; nor did he give himself time to eat more than a mouthful or two of food before he hurried back to the garret again. The next day, and the next, he was just as busy as ever; until at last his mother thought it time to ascertain what he was about. She accordingly followed him to the garret.

On opening the door, the first object that presented itself to her eyes was our friend Benjamin, giving the last touches to a beautiful picture. He had copied portions of two of the engravings, and made one picture out of both, with such admirable skill that it was far more beautiful than the originals. The grass, the trees, the water, the sky, and the houses were all painted in their proper colors. There, too, where the sunshine and the shadow, looking as natural as life.

“My dear child, thou hast done wonders!” cried his mother.

The good lady was in an ecstasy of delight. And well might she be proud of her boy; for there were touches in this picture which old artists, who had spent a lifetime in the business, need not have been ashamed of. Many a year afterwards, this wonderful production was exhibited at the Royal Academy in London.

When Benjamin was quite a large lad he was sent to school at Philadelphia. Not long after his arrival he had a slight attack of fever, which confined him to his bed. The light, which would otherwise have disturbed him, was excluded from his chamber by means of closed wooden shutters. At first it appeared so totally dark that Ben could not distinguish any object in the room. By degrees, however, his eyes became accustomed to the scanty light.

He was lying on his back, looking up towards the ceiling, when suddenly he beheld the dim apparition of a white cow moving slowly over his head! Ben started, and rubbed his eyes in the greatest amazement.

“What can this mean?” thought he.

The white cow disappeared; and next came several pigs, which trotted along the ceiling and vanished into the darkness of the chamber. So lifelike did these grunters look that Ben almost seemed to hear them squeak.

“Well, this is very strange!” said Ben to himself.

When the people of the house came to see him, Benjamin told them of the marvellous circumstance which had occurred. But they would not believe him.

“Benjamin, thou art surely out of thy senses!” cried they. “How is it possible that a white cow and a litter of pigs should be visible on the ceiling of a dark chamber?”

Ben, however, had great confidence in his own eyesight, and was determined to search the mystery to the bottom. For this purpose, when he was again left alone, he got out of bed and examined the window-shutters. He soon perceived a small chink in one of them, through which a ray of light found its passage and rested upon the ceiling. Now, the science of optics will inform us that the pictures of the white cow and the pigs, and of other objects out of doors, came into the dark chamber through this narrow chink, and were painted over Benjamin’s head. It is greatly to his credit that he discovered the scientific principle of this phenomenon, and by means of it constructed a camera-obscura, or magic-lantern, out of a hollow box. This was of great advantage to him in drawing landscapes.

Well, time went on, and Benjamin continued to draw and paint pictures until he had now reached the age when it was proper that he should choose a business for life. His father and mother were in considerable perplexity about him. According to the ideas of the Quakers, it is not right for people to spend their lives in occupations that are of no real and sensible advantage to the world. Now, what advantage could the world expect from Benjamin’s pictures? This was a difficult question; and, in order to set their minds at rest, his parents determined to consult the preachers and wise men of their society. Accordingly, they all assembled in the meeting-house, and discussed the matter from beginning to end.

Finally they came to a very wise decision. It seemed so evident that Providence had created Benjamin to be a painter, and had given him abilities which would be thrown away in any other business, that the Quakers resolved not to oppose his inclination. They even acknowledged that the sight of a beautiful picture might convey instruction to the mind and might benefit the heart as much as a good book or a wise discourse. They therefore committed the youth to the direction of God, being well assured that he best knew what was his proper sphere of usefulness. The old men laid their hands upon Benjamin’s head and gave him their blessing, and the women kissed him affectionately. All consented that he should go forth into the world and learn to be a painter by studying the best pictures of ancient and modern times.

So our friend Benjamin left the dwelling of his parents, and his native woods and streams, and the good Quakers of Springfield, and the Indians who had given him his first colors; he left all the places and persons whom he had hitherto known, and returned to them no more. He went first to Philadelphia, and afterwards to Europe. Here he was noticed by many great people, but retained all the sobriety and simplicity which he had learned among the Quakers. It is related of him, that, when he was presented at the court of the Prince of Parma, he kept his hat upon his head even while kissing the Prince’s hand.

When he was twenty-five years old he went to London and established himself there as all artist. In due course of time he acquired great fame by his pictures, and was made chief painter to King George III. and president of the Royal Academy of Arts. When the Quakers of Pennsylvania heard of his success, they felt that the prophecy of the old preacher as to little Ben’s future eminence was now accomplished. It is true, they shook their heads at his pictures of battle and bloodshed, such as the Death of Wolfe, thinking that these terrible scene, should not be held up to the admiration of the world.

But they approved of the great paintings in which he represented the miracles and sufferings of the Redeemer of mankind. King George employed him to adorn a large and beautiful chapel at Windsor Castle with pictures of these sacred subjects. He likewise painted a magnificent picture of Christ Healing the Sick, which he gave to the hospital at Philadelphia. It was exhibited to the public, and produced so much profit that the hospital was enlarged so as to accommodate thirty more patients. If Benjamin West had done no other good deed than this, yet it would have been enough to entitle him to an honorable remembrance forever. At this very day there are thirty poor people in the hospital who owe all their comforts to that same picture..

We shall mention only a single incident more. The picture of Christ Healing the Sick was exhibited at the Royal Academy in London, where it covered a vast space and displayed a multitude of figures as large as life. On the wall, close beside this admirable picture, hung a small and faded landscape. It was the same that little Ben had painted in his father’s garret, after receiving the paint-box and engravings from good Mr. Pennington.

He lived many years in peace and honor, and died in 1820, at the age of eighty-two. The story of his life is almost as wonderful as a fairy tale; for there are few stranger transformations than that of a little unknown Quaker boy, in the wilds of America, into the most distinguished English painter of his day. Let us each make the best use of our natural abilities as Benjamin West did; and, with the blessing of Providence, we shall arrive at some good end. As for fame, it is but little matter whether we acquire it or not.

“Thank you for the story, my dear father,” said Edward, when it was finished. “Do you know that it seems as if I could see things without the help of my eyes? While you were speaking I have seen little Bert, and the baby in its cradle, and the Indians, and the white cow, and the pigs, and kind Mr. Pennington, and all the good old Quakers, almost as plainly as if they were in this very room.”

“It is because your attention was not disturbed by outward objects,” replied Mr. Temple. “People, when deprived of sight, often have more vivid ideas than those who possess the perfect use of their eyes. I will venture to say that George has not attended to the story quite so closely.”

“No, indeed,” said George; “but it was a very pretty story for all that. How I should have laughed to see Ben making a paint-brush out of the black cat’s tail! I intend to try the experiment with Emily’s kitten.”

“O no, no, George!” cried Emily, earnestly. “My kitten cannot spare her tail.”

Edward being an invalid, it was now time for him to retire to bed. When the family bade him good night he turned his face towards them, looking very loath to part.

“I shall not know when morning comes,” said he, sorrowfully. “And besides, I want to hear your voices all the time; for, when nobody is speaking, it seems as if I were alone in a dark world.”

“You must have faith, my dear child,” replied his mother. “Faith is the soul’s eyesight; and when we possess it the world is never dark nor lonely.”

CHAPTER III

The next day Edward began to get accustomed to his new condition of life. Once, indeed, when his parents were out of the way and only Emily was left to take care of him, he could not resist the temptation to thrust aside the bandage and peep at the anxious face of his little nurse. But, in spite of the dimness of the chamber, the experiment caused him so much pain that he felt no inclination to take another look. So, with a deep sigh, here signed himself to his fate.

“Emily, pray talk to me!” said he, somewhat impatiently.

Now, Emily was a remarkably silent little girl, and did not possess that liveliness of disposition which renders some children such excellent companions. She seldom laughed, and had not the faculty of making many words about small matters. But the love and earnestness of her heart taught her how to amuse poor Edward in his darkness. She put her knitting-work into his hands.

“You must learn how to knit,” said she.

“What! without using my eyes?” cried Edward.

“I can knit with my eyes shut,” replied Emily.

Then with her own little hands she guided Edward’s fingers while he set about this new occupation. So awkward were his first attempts that any other little girl would have laughed heartily. But Emily preserved her gravity, and showed the utmost patience in taking up the innumerable stitches which he let down. In the course of an hour or two his progress was quite encouraging.

When evening came, Edward acknowledged that the day had been far less wearisome than he anticipated. But he was glad, nevertheless, when his father and mother, and George and Emily, all took their seats around his chair. He put out his hand to grasp each of their hands, and smiled with a very bright expression upon his lips.

“Now I can see you all with my mind’s eye,” said he. “And now, father, pray tell us another story.”