Our Old Home: A Series of English Sketches

The English sketches which I have been offering to the public comprise a few of the more external and therefore more readily manageable things that I took note of, in many escapes from the imprisonment of my consular servitude. Liverpool, though not very delightful as a place of residence, is a most convenient and admirable point to get away from. London is only five hours off by the fast train. Chester, the most curious town in England, with its encompassing wall, its ancient rows, and its venerable cathedral, is close at hand. North Wales, with all its hills and ponds, its noble sea-scenery, its multitude of gray castles and strange old villages, may be glanced at in a summer day or two. The lakes and mountains of Cumberland and Westmoreland may be reached before dinner-time. The haunted and legendary Isle of Man, a little kingdom by itself, lies within the scope of an afternoon's voyage. Edinburgh or Glasgow are attainable over night, and Loch Lomond betimes in the morning. Visiting these famous localities, and a great many others, I hope that I do not compromise my American patriotism by acknowledging that I was often conscious of a fervent hereditary attachment to the native soil of our forefathers, and felt it to be our own Old Home.

LEAMINGTON SPA

In the course of several visits and stays of considerable length we acquired a homelike feeling towards Leamington, and came back thither again and again, chiefly because we had been there before. Wandering and wayside people, such as we had long since become, retain a few of the instincts that belong to a more settled way of life, and often prefer familiar and commonplace objects (for the very reason that they are so) to the dreary strangeness of scenes that might be thought much better worth the seeing. There is a small nest of a place in Leamington – at No. 10, Lansdowne Circus – upon which, to this day, my reminiscences are apt to settle as one of the coziest nooks in England or in the world; not that it had any special charm of its own, but only that we stayed long enough to know it well, and even to grow a little tired of it. In my opinion, the very tediousness of home and friends makes a part of what we love them for; if it be not mixed in sufficiently with the other elements of life, there may be mad enjoyment, but no happiness.

The modest abode to which I have alluded forms one of a circular range of pretty, moderate-sized, two-story houses, all built on nearly the same plan, and each provided with its little grass-plot, its flowers, its tufts of box trimmed into globes and other fantastic shapes, and its verdant hedges shutting the house in from the common drive and dividing it from its equally cosey neighbors. Coming out of the door, and taking a turn round the circle of sister-dwellings, it is difficult to find your way back by any distinguishing individuality of your own habitation. In the centre of the Circus is a space fenced in with iron railing, a small play-place and sylvan retreat for the children of the precinct, permeated by brief paths through the fresh English grass, and shadowed by various shrubbery; amid which, if you like, you may fancy yourself in a deep seclusion, though probably the mark of eye-shot from the windows of all the surrounding houses. But, in truth, with regard to the rest of the town and the world at large, all abode here is a genuine seclusion; for the ordinary stream of life does not run through this little, quiet pool, and few or none of the inhabitants seem to be troubled with any business or outside activities. I used to set them down as half-pay officers, dowagers of narrow income, elderly maiden ladies, and other people of respectability, but small account, such as hang on the world's skirts rather than actually belong to it. The quiet of the place was seldom disturbed, except by the grocer and butcher, who came to receive orders, or by the cabs, hackney-coaches, and Bath-chairs, in which the ladies took an infrequent airing, or the livery-steed which the retired captain sometimes bestrode for a morning ride, or by the red-coated postman who went his rounds twice a day to deliver letters, and again in the evening, ringing a hand-bell, to take letters for the mail. In merely mentioning these slight interruptions of its sluggish stillness, I seem to myself to disturb too much the atmosphere of quiet that brooded over the spot; whereas its impression upon me was, that the world had never found the way hither, or had forgotten it, and that the fortunate inhabitants were the only ones who possessed the spell-word of admittance. Nothing could have suited me better, at the time; for I had been holding a position of public servitude, which imposed upon me (among a great many lighter duties) the ponderous necessity of being universally civil and sociable.

Nevertheless, if a man were seeking the bustle of society, he might find it more readily in Leamington than in most other English towns. It is a permanent watering-place, a sort of institution to which I do not know any close parallel in American life: for such places as Saratoga bloom only for the summer-season, and offer a thousand dissimilitudes even then; while Leamington seems to be always in flower, and serves as a home to the homeless all the year round. Its original nucleus, the plausible excuse for the town's coming into prosperous existence, lies in the fiction of a chalybeate well, which, indeed, is so far a reality that out of its magical depths have gushed streets, groves, gardens, mansions, shops, and churches, and spread themselves along the banks of the little river Leam. This miracle accomplished, the beneficent fountain has retired beneath a pump-room, and appears to have given up all pretensions to the remedial virtues formerly attributed to it. I know not whether its waters are ever tasted nowadays; but not the less does Leamington – in pleasant Warwickshire, at the very midmost point of England, in a good hunting neighborhood, and surrounded by country-seats and castles – continue to be a resort of transient visitors, and the more permanent abode of a class of genteel, unoccupied, well-to-do, but not very wealthy people, such as are hardly known among ourselves. Persons who have no country-houses, and whose fortunes are inadequate to a London expenditure, find here, I suppose, a sort of town and country life in one.

In its present aspect the town is of no great age. In contrast with the antiquity of many places in its neighborhood, it has a bright, new face, and seems almost to smile even amid the sombreness of an English autumn. Nevertheless, it is hundreds upon hundreds of years old, if we reckon up that sleepy lapse of time during which it existed as a small village of thatched houses, clustered round a priory; and it would still have been precisely such a rural village, but for a certain Dr. Jephson, who lived within the memory of man, and who found out the magic well, and foresaw what fairy wealth might be made to flow from it. A public garden has been laid out along the margin of the Leam, and called the Jephson Garden, in honor of him who created the prosperity of his native spot. A little way within the garden-gate there is a circular temple of Grecian architecture, beneath the dome of which stands a marble statue of the good Doctor, very well executed, and representing him with a face of fussy activity and benevolence: just the kind of man, if luck favored him, to build up the fortunes of those about him, or, quite as probably, to blight his whole neighborhood by some disastrous speculation.

The Jephson Garden is very beautiful, like most other English pleasure-grounds; for, aided by their moist climate and not too fervid sun, the landscape-gardeners excel in converting flat or tame surfaces into attractive scenery, chiefly through the skilful arrangement of trees and shrubbery. An Englishman aims at this effect even in the little patches under the windows of a suburban villa, and achieves it on a larger scale in a tract of many acres. The Garden is shadowed with trees of a fine growth, standing alone, or in dusky groves and dense entanglements, pervaded by woodland paths; and emerging from these pleasant glooms, we come upon a breadth of sunshine, where the greensward – so vividly green that it has a kind of lustre in it – is spotted with beds of gemlike flowers. Rustic chairs and benches are scattered about, some of them ponderously fashioned out of the stumps of obtruncated trees, and others more artfully made with intertwining branches, or perhaps an imitation of such frail handiwork in iron. In a central part of the Garden is an archery-ground, where laughing maidens practise at the butts, generally missing their ostensible mark, but, by the mere grace of their action, sending an unseen shaft into some young man's heart. There is space, moreover, within these precincts, for an artificial lake, with a little green island in the midst of it; both lake and island being the haunt of swans, whose aspect and movement in the water are most beautiful and stately, – most infirm, disjointed, and decrepit, when, unadvisedly, they see fit to emerge, and try to walk upon dry land. In the latter case, they look like a breed of uncommonly ill-contrived geese; and I record the matter here for the sake of the moral, – that we should never pass judgment on the merits of any person or thing, unless we behold them in the sphere and circumstances to which they are specially adapted. In still another part of the Garden there is a labyrinthine maze, formed of an intricacy of hedge-bordered walks, involving himself in which, a man might wander for hours inextricably within a circuit of only a few yards. It seemed to me a sad emblem of the mental and moral perplexities in which we sometimes go astray, petty in scope, yet large enough to entangle a lifetime, and bewilder us with a weary movement, but no genuine progress.

The Leam, – the "high complectioned Leam," as Drayton calls it, – after drowsing across the principal street of the town beneath a handsome bridge, skirts along the margin of the Garden without any perceptible flow. Heretofore I had fancied the Concord the laziest river in the world, but now assign that amiable distinction to the little English stream. Its water is by no means transparent, but has a greenish, goose-puddly hue, which, however, accords well with the other coloring and characteristics of the scene, and is disagreeable neither to sight nor smell. Certainly, this river is a perfect feature of that gentle picturesqueness in which England is so rich, sleeping, as it does, beneath a margin of willows that droop into its bosom, and other trees, of deeper verdure than our own country can boast, inclining lovingly over it. On the Garden-side it is bordered by a shadowy, secluded grove, with winding paths among its boskiness, affording many a peep at the river's imperceptible lapse and tranquil gleam; and on the opposite shore stands the priory-church, with its churchyard full of shrubbery and tombstones.

The business portion of the town clusters about the banks of the Leam, and is naturally densest around the well to which the modern settlement owes its existence. Here are the commercial inns, the post-office, the furniture-dealers, the iron-mongers, and all the heavy and homely establishments that connect themselves even with the airiest modes of human life; while upward from the river, by a long and gentle ascent, rises the principal street, which is very bright and cheerful in its physiognomy, and adorned with shop-fronts almost as splendid as those of London, though on a diminutive scale. There are likewise side-streets and cross-streets, many of which are bordered with the beautiful Warwickshire elm, a most unusual kind of adornment for an English town; and spacious avenues, wide enough to afford room for stately groves, with foot-paths running beneath the lofty shade, and rooks cawing and chattering so high in the tree-tops that their voices get musical before reaching the earth. The houses are mostly built in blocks and ranges, in which every separate tenement is a repetition of its fellow, though the architecture of the different ranges is sufficiently various. Some of them are almost palatial in size and sumptuousness of arrangement. Then, on the outskirts of the town, there are detached villas, enclosed within that separate domain of high stone fence and embowered shrubbery which an Englishman so loves to build and plant around his abode, presenting to the public only an iron gate, with a gravelled carriage-drive winding away towards the half-hidden mansion. Whether in street or suburb, Leamington may fairly be called beautiful, and, at some points, magnificent; but by and by you become doubtfully suspicious of a somewhat unreal finery: it is pretentious, though not glaringly so; it has been built with malice aforethought, as a place of gentility and enjoyment. Moreover, splendid as the houses look, and comfortable as they often are, there is a nameless something about them, betokening that they have not grown out of human hearts, but are the creations of a skilfully applied human intellect: no man has reared any one of them, whether stately or humble, to be his lifelong residence, wherein to bring up his children, who are to inherit it as a home. They are nicely contrived lodging-houses, one and all, – the best as well as the shabbiest of them, – and therefore inevitably lack some nameless property that a home should have. This was the case with our own little snuggery in Lansdowne Circus, as with all the rest; it had not grown out of anybody's individual need, but was built to let or sell, and was therefore like a ready-made garment, – a tolerable fit, but only tolerable.

All these blocks, ranges, and detached villas are adorned with the finest and most aristocratic manes that I have found anywhere in England, except, perhaps, in Bath, which is the great metropolis of that second-class gentility with which watering-places are chiefly populated. Lansdowne Crescent, Lansdowne Circus, Lansdowne Terrace, Regent Street, Warwick Street, Clarendon Street, the Upper and Lower Parade: such are a few of the designations. Parade, indeed, is a well-chosen name for the principal street, along which the population of the idle town draws itself out for daily review and display. I only wish that my descriptive powers would enable me to throw off a picture of the scene at a sunny noontide, individualizing each character with a touch the great people alighting from their carriages at the principal shop-doors; the elderly ladies and infirm Indian officers drawn along in Bath-chairs; the comely, rather than pretty, English girls, with their deep, healthy bloom, which an American taste is apt to deem fitter for a milkmaid than for a lady; the mustached gentlemen with frogged surtouts and a military air; the nursemaids and chubby children, but no chubbier than our own, and scampering on slenderer legs; the sturdy figure of John Bull in all varieties and of all ages, but ever with the stamp of authenticity somewhere about him.

To say the truth, I have been holding the pen over my paper, purposing to write a descriptive paragraph or two about the throng on the principal Parade of Leamington, so arranging it as to present a sketch of the British out-of-door aspect on a morning walk of gentility; but I find no personages quite sufficiently distinct and individual in my memory to supply the materials of such a panorama.

Oddly enough, the only figure that comes fairly forth to my mind's eye is that of a dowager, one of hundreds whom I used to marvel at, all over England, but who have scarcely a representative among our own ladies of autumnal life, so thin, careworn, and frail, as age usually makes the latter.

I have heard a good deal of the tenacity with which English ladies retain their personal beauty to a late period of life; but (not to suggest that an American eye needs use and cultivation before it can quite appreciate the charm of English beauty at any age) it strikes me that an English lady of fifty is apt to become a creature less refined and delicate, so far as her physique goes, than anything that we Western people class under the name of woman. She has an awful ponderosity of frame, not pulpy, like the looser development of our few fat women, but massive with solid beef and streaky tallow; so that (though struggling manfully against the idea) you inevitably think of her as made up of steaks and sirloins. When she walks, her advance is elephantine. When she sits down, it is on a great round space of her Maker's footstool, where she looks as if nothing could ever move her. She imposes awe and respect by the muchness of her personality, to such a degree that you probably credit her with far greater moral and intellectual force than she can fairly claim. Her visage is usually grim and stern, seldom positively forbidding, yet calmly terrible, not merely by its breadth and weight of feature, but because it seems to express so much well-founded self-reliance, such acquaintance with the world, its toils, troubles, and dangers, and such sturdy capacity for trampling down a foe. Without anything positively salient, or actively offensive, or, indeed, unjustly formidable to her neighbors, she has the effect of a seventy-four gun-ship in time of peace; for, while you assure yourself that there is no real danger, you cannot help thinking how tremendous would be her onset, if pugnaciously inclined, and how futile the effort to inflict any counter-injury. She certainly looks tenfold – nay, a hundred-fold – better able to take care of herself than our slender-framed and haggard womankind; but I have not found reason to suppose that the English dowager of fifty has actually greater courage, fortitude, and strength of character than our women of similar age, or even a tougher physical endurance than they. Morally, she is strong, I suspect, only in society, and in the common routine of social affairs, and would be found powerless and timid in any exceptional strait that might call for energy outside of the conventionalities amid which she has grown up.

You can meet this figure in the street, and live, and even smile at the recollection. But conceive of her in a ball-room, with the bare, brawny arms that she invariably displays there, and all the other corresponding development, such as is beautiful in the maiden blossom, but a spectacle to howl at in such an over-blown cabbage-rose as this.

Yet, somewhere in this enormous bulk there must be hidden the modest, slender, violet-nature of a girl, whom an alien mass of earthliness has unkindly overgrown; for an English maiden in her teens, though very seldom so pretty as our own damsels, possesses, to say the truth, a certain charm of half-blossom, and delicately folded leaves, and tender womanhood shielded by maidenly reserves, with which, somehow or other, our American girls often fail to adorn themselves during an appreciable moment. It is a pity that the English violet should grow into such an outrageously developed peony as I have attempted to describe. I wonder whether a middle-aged husband ought to be considered as legally married to all the accretions that have overgrown the slenderness of his bride, since he led her to the altar, and which make her so much more than he ever bargained for! Is it not a sounder view of the case, that the matrimonial bond cannot be held to include the three fourths of the wife that had no existence when the ceremony was performed? And as a matter of conscience and good morals, ought not an English married pair to insist upon the celebration of a silver-wedding at the end of twenty-five years, in order to legalize and mutually appropriate that corporeal growth of which both parties have individually come into possession since they were pronounced one flesh?

The chief enjoyment of my several visits to Leamington lay in rural walks about the neighborhood, and in jaunts to places of note and interest, which are particularly abundant in that region. The high-roads are made pleasant to the traveller by a border of trees, and often afford him the hospitality of a wayside bench beneath a comfortable shade. But a fresher delight is to be found in the foot-paths, which go wandering away from stile to stile, along hedges, and across broad fields, and through wooded parks, leading you to little hamlets of thatched cottages, ancient, solitary farm-houses, picturesque old mills, streamlets, pools, and all those quiet, secret, unexpected, yet strangely familiar features of English scenery that Tennyson shows us in his idyls and eclogues. These by-paths admit the wayfarer into the very heart of rural life, and yet do not burden him with a sense of intrusiveness. He has a right to go whithersoever they lead him; for, with all their shaded privacy, they are as much the property of the public as the dusty high-road itself, and even by an older tenure. Their antiquity probably exceeds that of the Roman ways; the footsteps of the aboriginal Britons first wore away the grass, and the natural flow of intercourse between village and village has kept the track bare ever since. An American farmer would plough across any such path, and obliterate it with his hills of potatoes and Indian corn; but here it is protected by law, and still more by the sacredness that inevitably springs up, in this soil, along the well-defined footprints of centuries. Old associations are sure to be fragrant herbs in English nostrils; we pull them up as weeds.

I remember such a path, the access to which is from Lovers' Grove, a range of tall old oaks and elms on a high hill-top, whence there is a view of Warwick Castle, and a wide extent of landscape, beautiful, though bedimmed with English mist. This particular foot-path, however, is not a remarkably good specimen of its kind, since it leads into no hollows and seclusions, and soon terminates in a high-road. It connects Leamington by a short cut with the small neighboring village of Lillington, a place which impresses an American observer with its many points of contrast to the rural aspects of his own country. The village consists chiefly of one row of contiguous dwellings, separated only by party-walls, but ill-matched among themselves, being of different heights, and apparently of various ages, though all are of an antiquity which we should call venerable. Some of the windows are leaden-framed lattices, opening on hinges. These houses are mostly built of gray stone; but others, in the same range, are of brick, and one or two are in a very old fashion, – Elizabethan, or still older, – having a ponderous framework of oak, painted black, and filled in with plastered stone or bricks. Judging by the patches of repair, the oak seems to be the more durable part of the structure. Some of the roofs are covered with earthen tiles; others (more decayed and poverty-stricken) with thatch, out of which sprouts a luxurious vegetation of grass, house-leeks, and yellow flowers. What especially strikes an American is the lack of that insulated space, the intervening gardens, grass-plots, orchards, broad-spreading shade-trees, which occur between our own village-houses. These English dwellings have no such separate surroundings; they all grow together, like the cells of a honeycomb.

Beyond the first row of houses, and hidden from it by a turn of the road, there was another row (or block, as we should call it) of small old cottages, stuck one against another, with their thatched roofs forming a single contiguity. These, I presume, were the habitations of the poorest order of rustic laborers; and the narrow precincts of each cottage, as well as the close neighborhood of the whole, gave the impression of a stifled, unhealthy atmosphere among the occupants. It seemed impossible that there should be a cleanly reserve, a proper self-respect among individuals, or a wholesome unfamiliarity between families where human life was crowded and massed into such intimate communities as these. Nevertheless, not to look beyond the outside, I never saw a prettier rural scene than was presented by this range of contiguous huts. For in front of the whole row was a luxuriant and well-trimmed hawthorn hedge, and belonging to each cottage was a little square of garden-ground, separated from its neighbors by a line of the same verdant fence. The gardens were chockfull, not of esculent vegetables, but of flowers, familiar ones, but very bright-colored, and shrubs of box, some of which were trimmed into artistic shapes; and I remember, before one door, a representation of Warwick Castle, made of oyster-shells. The cottagers evidently loved the little nests in which they dwelt, and did their best to make them beautiful, and succeeded more than tolerably well, – so kindly did nature help their humble efforts with its verdure, flowers, moss, lichens, and the green things that grew out of the thatch. Through some of the open doorways we saw plump children rolling about on the stone floors, and their mothers, by no means very pretty, but as happy-looking as mothers generally are; and while we gazed at these domestic matters, an old woman rushed wildly out of one of the gates, upholding a shovel, on which she clanged and clattered with a key. At first we fancied that she intended an onslaught against ourselves, but soon discovered that a more dangerous enemy was abroad; for the old lady's bees had swarmed, and the air was full of them, whizzing by our heads like bullets.

Not far from these two rows of houses and cottages, a green lane, overshadowed with trees, turned aside from the main road, and tended towards a square, gray tower, the battlements of which were just high enough to be visible above the foliage. Wending our way thitherward, we found the very picture and ideal of a country church and churchyard. The tower seemed to be of Norman architecture, low, massive, and crowned with battlements. The body of the church was of very modest dimensions, and the eaves so low that I could touch them with my walking-stick. We looked into the windows and beheld the dim and quiet interior, a narrow space, but venerable with the consecration of many centuries, and keeping its sanctity as entire and inviolate as that of a vast cathedral. The nave was divided from the side aisles of the church by pointed arches resting on very sturdy pillars: it was good to see how solemnly they held themselves to their age-long task of supporting that lowly roof. There was a small organ, suited in size to the vaulted hollow, which it weekly filled with religious sound. On the opposite wall of the church, between two windows, was a mural tablet of white marble, with an inscription in black letters, – the only such memorial that I could discern, although many dead people doubtless lay beneath the floor, and had paved it with their ancient tombstones, as is customary in old English churches. There were no modern painted windows, flaring with raw colors, nor other gorgeous adornments, such as the present taste for mediaeval restoration often patches upon the decorous simplicity of the gray village-church. It is probably the worshipping-place of no more distinguished a congregation than the farmers and peasantry who inhabit the houses and cottages which I have just described. Had the lord of the manor been one of the parishioners, there would have been an eminent pew near the chancel, walled high about, curtained, and softly cushioned, warmed by a fireplace of its own, and distinguished by hereditary tablets and escutcheons on the enclosed stone pillar.

A well-trodden path led across the churchyard, and the gate being on the latch, we entered, and walked round among the graves and monuments. The latter were chiefly head-stones, none of which were very old, so far as was discoverable by the dates; some, indeed, in so ancient a cemetery, were disagreeably new, with inscriptions glittering like sunshine in gold letters. The ground must have been dug over and over again, innumerable times, until the soil is made up of what was once human clay, out of which have sprung successive crops of gravestones, that flourish their allotted time, and disappear, like the weeds and flowers in their briefer period. The English climate is very unfavorable to the endurance of memorials in the open air. Twenty years of it suffice to give as much antiquity of aspect, whether to tombstone or edifice, as a hundred years of our own drier atmosphere, – so soon do the drizzly rains and constant moisture corrode the surface of marble or freestone. Sculptured edges loose their sharpness in a year or two; yellow lichens overspread a beloved name, and obliterate it while it is yet fresh upon some survivor's heart. Time gnaws an English gravestone with wonderful appetite; and when the inscription is quite illegible, the sexton takes the useless slab away, and perhaps makes a hearthstone of it, and digs up the unripe bones which it ineffectually tried to memorialize, and gives the bed to another sleeper. In the Charter Street burial-ground at Salem, and in the old graveyard on the hill at Ipswich, I have seen more ancient gravestones, with legible inscriptions on them, than in any English churchyard.

And yet this same ungenial climate, hostile as it generally is to the long remembrance of departed people, has sometimes a lovely way of dealing with the records on certain monuments that lie horizontally in the open air. The rain falls into the deep incisions of the letters, and has scarcely time to be dried away before another shower sprinkles the flat stone again, and replenishes those little reservoirs. The unseen, mysterious seeds of mosses find their way into the lettered furrows, and are made to germinate by the continual moisture and watery sunshine of the English sky; and by and by, in a year, or two years, or many years, behold the complete inscription —

Here Lieth the body,

and all the rest of the tender falsehood – beautifully embossed in raised letters of living green, a bas-relief of velvet moss on the marble slab! It becomes more legible, under the skyey influences, after the world has forgotten the deceased, than when it was fresh from the stone-cutter's hands. It outlives the grief of friends. I first saw an example of this in Bebbington churchyard, in Cheshire, and thought that Nature must needs have had a special tenderness for the person (no noted man, however, in the world's history) so long ago laid beneath that stone, since she took such wonderful pains to "keep his memory green." Perhaps the proverbial phrase just quoted may have had its origin in the natural phenomenon here described.

While we rested ourselves on a horizontal monument, which was elevated just high enough to be a convenient seat, I observed that one of the gravestones lay very close to the church, – so close that the droppings of the eaves would fall upon it. It seemed as if the inmate of that grave had desired to creep under the church-wall. On closer inspection, we found an almost illegible epitaph on the stone, and with difficulty made out this forlorn verse: —

"Poorly lived,
And poorly died,
Poorly buried,
And no one cried."

It would be hard to compress the story of a cold and luckless life, death, and burial into fewer words, or more impressive ones; at least, we found them impressive, perhaps because we had to re-create the inscription by scraping away the lichens from the faintly traced letters. The grave was on the shady and damp side of the church, endwise towards it, the head-stone being within about three feet of the foundation-wall; so that, unless the poor man was a dwarf, he must have been doubled up to fit him into his final resting-place. No wonder that his epitaph murmured against so poor a burial as this! His name, as well as I could make it out, was Treeo, – John Treeo, I think, – and he died in 1810, at the age of seventy-four. The gravestone is so overgrown with grass and weeds, so covered with unsightly lichens, and so crumbly with time and foul weather, that it is questionable whether anybody will ever be at the trouble of deciphering it again. But there is a quaint and sad kind of enjoyment in defeating (to such slight degree as my pen may do it) the probabilities of oblivion for poor John Treeo, and asking a little sympathy for him, half a century after his death, and making him better and more widely known, at least, than any other slumberer in Lillington churchyard: he having been, as appearances go, the outcast of them all.

You find similar old churches and villages in all the neighboring country, at the distance of every two or three miles; and I describe them, not as being rare, but because they are so common and characteristic. The village of Whitnash, within twenty minutes' walk of Leamington, looks as secluded, as rural, and as little disturbed by the fashions of to-day, as if Dr. Jephson had never developed all those Parades and Crescents out of his magic well. I used to wonder whether the inhabitants had ever yet heard of railways, or, at their slow rate of progress, had even reached the epoch of stage-coaches. As you approach the village, while it is yet unseen, you observe a tall, overshadowing canopy of elm-tree tops, beneath which you almost hesitate to follow the public road, on account of the remoteness that seems to exist between the precincts of this old-world community and the thronged modern street out of which you have so recently emerged. Venturing onward, however, you soon find yourself in the heart of Whitnash, and see an irregular ring of ancient rustic dwellings surrounding the village-green, on one side of which stands the church, with its square Norman tower and battlements, while close adjoining is the vicarage, made picturesque by peaks and gables. At first glimpse, none of the houses appear to be less than two or three centuries old, and they are of the ancient, wooden-framed fashion, with thatched roofs, which give them the air of birds' nests, thereby assimilating them closely to the simplicity of nature.

The church-tower is mossy and much gnawed by time; it has narrow loopholes up and down its front and sides, and an arched window over the low portal, set with small panes of glass, cracked, dim, and irregular, through which a bygone age is peeping out into the daylight. Some of those old, grotesque faces, called gargoyles, are seen on the projections of the architecture. The churchyard is very small, and is encompassed by a gray stone fence that looks as ancient as the church itself. In front of the tower, on the village-green, is a yew-tree of incalculable age, with a vast circumference of trunk, but a very scanty head of foliage; though its boughs still keep some of the vitality which perhaps was in its early prime when the Saxon invaders founded Whitnash. A thousand years is no extraordinary antiquity in the lifetime of a yew. We were pleasantly startled, however, by discovering an exuberance of more youthful life than we had thought possible in so old a tree; for the faces of two children laughed at us out of an opening in the trunk, which had become hollow with long decay. On one side of the yew stood a framework of worm-eaten timber, the use and meaning of which puzzled me exceedingly, till I made it out to be the village-stocks; a public institution that, in its day, had doubtless hampered many a pair of shank-bones, now crumbling in the adjacent churchyard. It is not to be supposed, however, that this old-fashioned mode of punishment is still in vogue among the good people of Whitnash. The vicar of the parish has antiquarian propensities, and had probably dragged the stocks out of some dusty hiding-place, and set them up on their former site as a curiosity.

I disquiet myself in vain with the effort to hit upon some characteristic feature, or assemblage of features, that shall convey to the reader the influence of hoar antiquity lingering into the present daylight, as I so often felt it in these old English scenes. It is only an American who can feel it; and even he begins to find himself growing insensible to its effect, after a long residence in England. But while you are still new in the old country, it thrills you with strange emotion to think that this little church of Whitnash, humble as it seems, stood for ages under the Catholic faith, and has not materially changed since Wickcliffe's days, and that it looked as gray as now in Bloody Mary's time, and that Cromwell's troopers broke off the stone noses of those same gargoyles that are now grinning in your face. So, too, with the immemorial yew-tree: you see its great roots grasping hold of the earth like gigantic claws, clinging so sturdily that no effort of time can wrench them away; and there being life in the old tree, you feel all the more as if a contemporary witness were telling you of the things that have been. It has lived among men, and been a familiar object to them, and seen them brought to be christened and married and buried in the neighboring church and churchyard, through so many centuries, that it knows all about our race, so far as fifty generations of the Whitnash people can supply such knowledge.

And, after all, what a weary life it must have been for the old tree! Tedious beyond imagination! Such, I think, is the final impression on the mind of an American visitor, when his delight at finding something permanent begins to yield to his Western love of change, and he becomes sensible of the heavy air of a spot where the forefathers and foremothers have grown up together, intermarried, and died, through a long succession of lives, without any intermixture of new elements, till family features and character are all run in the same inevitable mould. Life is there fossilized in its greenest leaf. The man who died yesterday or ever so long ago walks the village-street to day, and chooses the same wife that he married a hundred years since, and must be buried again to-morrow under the same kindred dust that has already covered him half a score of times. The stone threshold of his cottage is worn away with his hobnailed footsteps, shuffling over it from the reign of the first Plantagenet to that of Victoria. Better than this is the lot of our restless countrymen, whose modern instinct bids them tend always towards "fresh woods and pastures new." Rather than such monotony of sluggish ages, loitering on a village-green, toiling in hereditary fields, listening to the parson's drone lengthened through centuries in the gray Norman church, let us welcome whatever change may come, – change of place, social customs, political institutions, modes of worship, – trusting, that, if all present things shall vanish, they will but make room for better systems, and for a higher type of man to clothe his life in them, and to fling them off in turn.

Nevertheless, while an American willingly accepts growth and change as the law of his own national and private existence, he has a singular tenderness for the stone-incrusted institutions of the mother-country. The reason may be (though I should prefer a more generous explanation) that he recognizes the tendency of these hardened forms to stiffen her joints and fetter her ankles, in the race and rivalry of improvement. I hated to see so much as a twig of ivy wrenched away from an old wall in England. Yet change is at work, even in such a village as Whitnash. At a subsequent visit, looking more critically at the irregular circle of dwellings that surround the yew-tree and confront the church, I perceived that some of the houses must have been built within no long time, although the thatch, the quaint gables, and the old oaken framework of the others diffused an air of antiquity over the whole assemblage. The church itself was undergoing repair and restoration, which is but another name for change. Masons were making patchwork on the front of the tower, and were sawing a slab of stone and piling up bricks to strengthen the side-wall, or possibly to enlarge the ancient edifice by an additional aisle. Moreover, they had dug an immense pit in the churchyard, long and broad, and fifteen feet deep, two thirds of which profundity were discolored by human decay, and mixed up with crumbly bones. What this excavation was intended for I could nowise imagine, unless it were the very pit in which Longfellow bids the "Dead Past bury its Dead," and Whitnash, of all places in the world, were going to avail itself of our poet's suggestion. If so, it must needs be confessed that many picturesque and delightful things would be thrown into the hole, and covered out of sight forever.

The article which I am writing has taken its own course, and occupied itself almost wholly with country churches; whereas I had purposed to attempt a description of some of the many old towns – Warwick, Coventry, Kenilworth, Stratford-on-Avon – which lie within an easy scope of Leamington. And still another church presents itself to my remembrance. It is that of Hatton, on which I stumbled in the course of a forenoon's ramble, and paused a little while to look at it for the sake of old Dr. Parr, who was once its vicar. Hatton, so far as I could discover, has no public-house, no shop, no contiguity of roofs (as in most English villages, however small), but is merely an ancient neighborhood of farm-houses, spacious, and standing wide apart, each within its own precincts, and offering a most comfortable aspect of orchards, harvest-fields, barns, stacks, and all manner of rural plenty. It seemed to be a community of old settlers, among whom everything had been going on prosperously since an epoch beyond the memory of man; and they kept a certain privacy among themselves, and dwelt on a cross-road, at the entrance of which was a barred gate, hospitably open, but still impressing me with a sense of scarcely warrantable intrusion. After all, in some shady nook of those gentle Warwickshire slopes there may have been a denser and more populous settlement, styled Hatton, which I never reached.

Emerging from the by-road, and entering upon one that crossed it at right angles and led to Warwick, I espied the church of Dr. Parr. Like the others which I have described, it had a low stone tower, square, and battlemented at its summit: for all these little churches seem to have been built on the same model, and nearly at the same measurement, and have even a greater family-likeness than the cathedrals. As I approached, the bell of the tower (a remarkably deep-toned bell, considering how small it was) flung its voice abroad, and told me that it was noon. The church stands among its graves, a little removed from the wayside, quite apart from any collection of houses, and with no signs of vicarage; it is a good deal shadowed by trees, and not wholly destitute of ivy. The body of the edifice, unfortunately (and it is an outrage which the English church-wardens are fond of perpetrating), has been newly covered with a yellowish plaster or wash, so as quite to destroy the aspect of antiquity, except upon the tower, which wears the dark gray hue of many centuries. The chancel-window is painted with a representation of Christ upon the Cross, and all the other windows are full of painted or stained glass, but none of it ancient, nor (if it be fair to judge from without of what ought to be seen within) possessing any of the tender glory that should be the inheritance of this branch of Art, revived from mediaeval times. I stepped over the graves, and peeped in at two or three of the windows, and saw the snug interior of the church glimmering through the many-colored panes, like a show of commonplace objects under the fantastic influence of a dream: for the floor was covered with modern pews, very like what we may see in a New England meeting-house, though, I think, a little more favorable than those would be to the quiet slumbers of the Hatton farmers and their families. Those who slept under Dr. Parr's preaching now prolong their nap, I suppose, in the churchyard round about, and can scarcely have drawn much spiritual benefit from any truths that he contrived to tell them in their lifetime. It struck me as a rare example (even where examples are numerous) of a man utterly misplaced, that this enormous scholar, great in the classic tongues, and inevitably converting his own simplest vernacular into a learned language, should have been set up in this homely pulpit, and ordained to preach salvation to a rustic audience, to whom it is difficult to imagine how he could ever have spoken one available word.

Almost always, in visiting such scenes as I have been attempting to describe, I had a singular sense of having been there before. The ivy-grown English churches (even that of Bebbington, the first that I beheld) were quite as familiar to me, when fresh from home, as the old wooden meeting-house in Salem, which used, on wintry Sabbaths, to be the frozen purgatory of my childhood. This was a bewildering, yet very delightful emotion fluttering about me like a faint summer wind, and filling my imagination with a thousand half-remembrances, which looked as vivid as sunshine, at a side-glance, but faded quite away whenever I attempted to grasp and define them. Of course, the explanation of the mystery was, that history, poetry, and fiction, books of travel, and the talk of tourists, had given me pretty accurate preconceptions of the common objects of English scenery, and these, being long ago vivified by a youthful fancy, had insensibly taken their places among the images of things actually seen. Yet the illusion was often so powerful, that I almost doubted whether such airy remembrances might not be a sort of innate idea, the print of a recollection in some ancestral mind, transmitted, with fainter and fainter impress through several descents, to my own. I felt, indeed, like the stalwart progenitor in person, returning to the hereditary haunts after more than two hundred years, and finding the church, the hall, the farm-house, the cottage, hardly changed during his long absence, – the same shady by-paths and hedge-lanes, the same veiled sky, and green lustre of the lawns and fields, – while his own affinities for these things, a little obscured by disuse, were reviving at every step.

An American is not very apt to love the English people, as a whole, on whatever length of acquaintance. I fancy that they would value our regard, and even reciprocate it in their ungracious way, if we could give it to them in spite of all rebuffs; but they are beset by a curious and inevitable infelicity, which compels them, as it were, to keep up what they seem to consider a wholesome bitterness of feeling between themselves and all other nationalities, especially that of America. They will never confess it; nevertheless, it is as essential a tonic to them as their bitter ale. Therefore, – and possibly, too, from a similar narrowness in his own character, – an American seldom feels quite as if he were at home among the English people. If he do so, he has ceased to be an American. But it requires no long residence to make him love their island, and appreciate it as thoroughly as they themselves do. For my part, I used to wish that we could annex it, transferring their thirty millions of inhabitants to some convenient wilderness in the great West, and putting half or a quarter as many of ourselves into their places. The change would be beneficial to both parties. We, in our dry atmosphere, are getting too nervous, haggard, dyspeptic, extenuated, unsubstantial, theoretic, and need to be made grosser. John Bull, on the other hand, has grown bulbous, long-bodied, short-legged, heavy-witted, material, and, in a word, too intensely English. In a few more centuries he will be the earthliest creature that ever the earth saw. Heretofore Providence has obviated such a result by timely intermixtures of alien races with the old English stock; so that each successive conquest of England has proved a victory by the revivification and improvement of its native manhood. Cannot America and England hit upon some scheme to secure even greater advantages to both nations?

ABOUT WARWICK

Between bright, new Leamington, the growth of the present century, and rusty Warwick, founded by King Cymbeline in the twilight ages, a thousand years before the mediaeval darkness, there are two roads, either of which may be measured by a sober-paced pedestrian in less than half an hour.

One of these avenues flows out of the midst of the smart parades and crescents of the former town, – along by hedges and beneath the shadow of great elms, past stuccoed Elizabethan villas and wayside alehouses, and through a hamlet of modern aspect, – and runs straight into the principal thoroughfare of Warwick. The battlemented turrets of the castle, embowered half-way up in foliage, and the tall, slender tower of St. Mary's Church, rising from among clustered roofs, have been visible almost from the commencement of the walk. Near the entrance of the town stands St. John's School-House, a picturesque old edifice of stone, with four peaked gables in a row, alternately plain and ornamented, and wide, projecting windows, and a spacious and venerable porch, all overgrown with moss and ivy, and shut in from the world by a high stone fence, not less mossy than the gabled front. There is an iron gate, through the rusty open-work of which you see a grassy lawn, and almost expect to meet the shy, curious eyes of the little boys of past generations, peeping forth from their infantile antiquity into the strangeness of our present life. I find a peculiar charm in these long-established English schools, where the school-boy of to-day sits side by side, as it were, with his great-grandsire, on the same old benches, and often, I believe, thumbs a later, but unimproved edition of the same old grammar or arithmetic. The newfangled notions of a Yankee school-committee would madden many a pedagogue, and shake down the roof of many a time-honored seat of learning, in the mother-country.

At this point, however, we will turn back, in order to follow up the other road from Leamington, which was the one that I loved best to take. It pursues a straight and level course, bordered by wide gravel-walks and overhung by the frequent elm, with here a cottage and there a villa, on one side a wooded plantation, and on the other a rich field of grass or grain, until, turning at right angles, it brings you to an arched bridge over the Avon. Its parapet is a balustrade carved out of freestone, into the soft substance of which a multitude of persons have engraved their names or initials, many of them now illegible, while others, more deeply cut, are illuminated with fresh green moss. These tokens indicate a famous spot; and casting our eyes along the smooth gleam and shadow of the quiet stream, through a vista of willows that droop on either side into the water, we behold the gray magnificence of Warwick Castle, uplifting itself among stately trees, and rearing its turrets high above their loftiest branches. We can scarcely think the scene real, so completely do those machicolated towers, the long line of battlements, the massive buttresses, the high-windowed walls, shape out our indistinct ideas of the antique time. It might rather seem as if the sleepy river (being Shakespeare's Avon, and often, no doubt, the mirror of his gorgeous visions) were dreaming now of a lordly residence that stood here many centuries ago; and this fantasy is strengthened, when you observe that the image in the tranquil water has all the distinctness of the actual structure. Either might be the reflection of the other. Wherever Time has gnawed one of the stones, you see the mark of his tooth just as plainly in the sunken reflection. Each is so perfect, that the upper vision seems a castle in the air, and the lower one an old stronghold of feudalism, miraculously kept from decay in an enchanted river.

A ruinous and ivy-grown bridge, that projects from the bank a little on the hither side of the castle, has the effect of making the scene appear more entirely apart from the every-day world, for it ends abruptly in the middle of the stream, – so that, if a cavalcade of the knights and ladies of romance should issue from the old walls, they could never tread on earthly ground, any more than we, approaching from the side of modern realism, can overleap the gulf between our domain and theirs. Yet, if we seek to disenchant ourselves, it may readily be done. Crossing the bridge on which we stand, and passing a little farther on, we come to the entrance of the castle, abutting on the highway, and hospitably open at certain hours to all curious pilgrims who choose to disburse half a crown or so toward the support of the earl's domestics. The sight of that long series of historic rooms, full of such splendors and rarities as a great English family necessarily gathers about itself, in its hereditary abode, and in the lapse of ages, is well worth the money, or ten times as much, if indeed the value of the spectacle could be reckoned in money's-worth. But after the attendant has hurried you from end to end of the edifice, repeating a guide-book by rote, and exorcising each successive hall of its poetic glamour and witchcraft by the mere tone in which he talks about it, you will make the doleful discovery that Warwick Castle has ceased to be a dream. It is better, methinks, to linger on the bridge, gazing at Caesar's Tower and Guy's Tower in the dim English sunshine above, and in the placid Avon below, and still keep them as thoughts in your own mind, than climb to their summits, or touch even a stone of their actual substance. They will have all the more reality for you, as stalwart relics of immemorial time, if you are reverent enough to leave them in the intangible sanctity of a poetic vision.

From the bridge over the Avon, the road passes in front of the castle-gate, and soon enters the principal street of Warwick, a little beyond St. John's School-House, already described. Chester itself, most antique of English towns, can hardly show quainter architectural shapes than many of the buildings that border this street. They are mostly of the timber-and-plaster kind, with bowed and decrepit ridge-poles, and a whole chronology of various patchwork in their walls; their low-browed doorways open upon a sunken floor; their projecting stories peep, as it were, over one another's shoulders, and rise into a multiplicity of peaked gables; they have curious windows, breaking out irregularly all over the house, some even in the roof, set in their own little peaks, opening lattice-wise, and furnished with twenty small panes of lozenge-shaped glass. The architecture of these edifices (a visible oaken framework, showing the whole skeleton of the house, – as if a man's bones should be arranged on his outside, and his flesh seen through the interstices) is often imitated by modern builders, and with sufficiently picturesque effect. The objection is, that such houses, like all imitations of bygone styles, have an air of affectation; they do not seem to be built in earnest; they are no better than playthings, or overgrown baby-houses, in which nobody should be expected to encounter the serious realities of either birth or death. Besides, originating nothing, we leave no fashions for another age to copy, when we ourselves shall have grown antique.

Old as it looks, all this portion of Warwick has overbrimmed, as it were, from the original settlement, being outside of the ancient wall. The street soon runs under an arched gateway, with a church or some other venerable structure above it, and admits us into the heart of the town. At one of my first visits, I witnessed a military display. A regiment of Warwickshire militia, probably commanded by the Earl, was going through its drill in the market-place; and on the collar of one of the officers was embroidered the Bear and Ragged Staff, which has been the cognizance of the Warwick earldom from time immemorial. The soldiers were sturdy young men, with the simple, stolid, yet kindly faces of English rustics, looking exceedingly well in a body, but slouching into a yeoman-like carriage and appearance the moment they were dismissed from drill. Squads of them were distributed everywhere about the streets, and sentinels were posted at various points; and I saw a sergeant, with a great key in his hand (big enough to have been the key of the castle's main entrance when the gate was thickest and heaviest), apparently setting a guard. Thus, centuries after feudal times are past, we find warriors still gathering under the old castle-walls, and commanded by a feudal lord, just as in the days of the King-Maker, who, no doubt, often mustered his retainers in the same market-place where I beheld this modern regiment.

The interior of the town wears a less old-fashioned aspect than the suburbs through which we approach it; and the High Street has shops with modern plate-glass, and buildings with stuccoed fronts, exhibiting as few projections to hang a thought or sentiment upon as if an architect of to-day had planned them. And, indeed, so far as their surface goes, they are perhaps new enough to stand unabashed in an American street; but behind these renovated faces, with their monotonous lack of expression, there is probably the substance of the same old town that wore a Gothic exterior in the Middle Ages. The street is an emblem of England itself. What seems new in it is chiefly a skilful and fortunate adaptation of what such a people as ourselves would destroy. The new things are based and supported on sturdy old things, and derive a massive strength from their deep and immemorial foundations, though with such limitations and impediments as only an Englishman could endure. But he likes to feel the weight of all the past upon his back; and, moreover, the antiquity that overburdens him has taken root in his being, and has grown to be rather a hump than a pack, so that there is no getting rid of it without tearing his whole structure to pieces. In my judgment, as he appears to be sufficiently comfortable under the mouldy accretion, he had better stumble on with it as long as he can. He presents a spectacle which is by no means without its charm for a disinterested and unencumbered observer.

When the old edifice, or the antiquated custom or institution, appears in its pristine form, without any attempt at intermarrying it with modern fashions, an American cannot but admire the picturesque effect produced by the sudden cropping up of an apparently dead-and-buried state of society into the actual present, of which he is himself a part. We need not go far in Warwick without encountering an instance of the kind. Proceeding westward through the town, we find ourselves confronted by a huge mass of natural rock, hewn into something like architectural shape, and penetrated by a vaulted passage, which may well have been one of King Cymbeline's original gateways; and on the top of the rock, over the archway, sits a small old church, communicating with an ancient edifice, or assemblage of edifices, that look down from a similar elevation on the side of the street. A range of trees half hides the latter establishment from the sun. It presents a curious and venerable specimen of the timber-and-plaster style of building, in which some of the finest old houses in England are constructed; the front projects into porticos and vestibules, and rises into many gables, some in a row, and others crowning semi-detached portions of the structure; the windows mostly open on hinges, but show a delightful irregularity of shape and position; a multiplicity of chimneys break through the roof at their own will, or, at least, without any settled purpose of the architect. The whole affair looks very old, – so old indeed that the front bulges forth, as if the timber framework were a little weary, at last, of standing erect so long; but the state of repair is so perfect, and there is such an indescribable aspect of continuous vitality within the system of this aged house, that you feel confident that there may be safe shelter yet, and perhaps for centuries to come, under its time-honored roof. And on a bench, sluggishly enjoying the sunshine, and looking into the street of Warwick as from a life apart, a few old men are generally to be seen, wrapped in long cloaks, on which you may detect the glistening of a silver badge representing the Bear and Ragged Staff. These decorated worthies are some of the twelve brethren of Leicester's Hospital, – a community which subsists to-day under the identical modes that were established for it in the reign of Queen Elizabeth, and of course retains many features of a social life that has vanished almost everywhere else.

The edifice itself dates from a much older period than the charitable institution of which it is now the home. It was the seat of a religious fraternity far back in the Middle Ages, and continued so till Henry VIII. turned all the priesthood of England out of doors, and put the most unscrupulous of his favorites into their vacant abodes. In many instances, the old monks had chosen the sites of their domiciles so well, and built them on such a broad system of beauty and convenience, that their lay-occupants found it easy to convert them into stately and comfortable homes; and as such they still exist, with something of the antique reverence lingering about them. The structure now before us seems to have been first granted to Sir Nicholas Lestrange, who perhaps intended, like other men, to establish his household gods in the niches whence he had thrown down the images of saints, and to lay his hearth where an altar had stood. But there was probably a natural reluctance in those days (when Catholicism, so lately repudiated, must needs have retained an influence over all but the most obdurate characters) to bring one's hopes of domestic prosperity and a fortunate lineage into direct hostility with the awful claims of the ancient religion. At all events, there is still a superstitious idea, betwixt a fantasy and a belief, that the possession of former Church-property has drawn a curse along with it, not only among the posterity of those to whom it was originally granted, but wherever it has subsequently been transferred, even if honestly bought and paid for. There are families, now inhabiting some of the beautiful old abbeys, who appear to indulge a species of pride in recording the strange deaths and ugly shapes of misfortune that have occurred among their predecessors, and may be supposed likely to dog their own pathway down the ages of futurity. Whether Sir Nicholas Lestrange, in the beef-eating days of Old Harry and Elizabeth, was a nervous man, and subject to apprehensions of this kind, I cannot tell; but it is certain that he speedily rid himself of the spoils of the Church, and that, within twenty years afterwards, the edifice became the property of the famous Dudley, Earl of Leicester, brother of the Earl of Warwick. He devoted the ancient religious precinct to a charitable use, endowing it with an ample revenue, and making it the perpetual home of twelve poor, honest, and war-broken soldiers, mostly his own retainers, and natives either of Warwickshire or Gloucestershire. These veterans, or others wonderfully like them, still occupy their monkish dormitories and haunt the time-darkened corridors and galleries of the hospital, leading a life of old-fashioned comfort, wearing the old-fashioned cloaks, and burnishing the identical silver badges which the Earl of Leicester gave to the original twelve. He is said to have been a bad man in his day; but he has succeeded in prolonging one good deed into what was to him a distant future.

On the projecting story, over the arched entrance, there is the date, 1571, and several coats-of-arms, either the Earl's or those of his kindred, and immediately above the doorway a stone sculpture of the Bear and Ragged Staff.

Passing through the arch, we find ourselves in a quadrangle, or enclosed court, such as always formed the central part of a great family residence in Queen Elizabeth's time, and earlier. There can hardly be a more perfect specimen of such an establishment than Leicester's Hospital. The quadrangle is a sort of sky-roofed hall, to which there is convenient access from all parts of the house. The four inner fronts, with their high, steep roofs and sharp gables, look into it from antique windows, and through open corridors and galleries along the sides; and there seems to be a richer display of architectural devices and ornaments, quainter carvings in oak, and more fantastic shapes of the timber framework, than on the side toward the street. On the wall opposite the arched entrance are the following inscriptions, comprising such moral rules, I presume, as were deemed most essential for the daily observance of the community: "Honor all Men" – "Fear God" – "Honor the King" – "Love the Brotherhood"; and again, as if this latter injunction needed emphasis and repetition among a household of aged people soured with the hard fortune of their previous lives, – "Be kindly affectioned one to another." One sentence, over a door communicating with the Master's side of the house, is addressed to that dignitary, – "He that ruleth over men must be just." All these are charactered in old English letters, and form part of the elaborate ornamentation of the house. Everywhere – on the walls, over windows and doors, and at all points where there is room to place them – appear escutcheons of arms, cognizances, and crests, emblazoned in their proper colors, and illuminating the ancient quadrangle with their splendor. One of these devices is a large image of a porcupine on an heraldic wreath, being the crest of the Lords de Lisle. But especially is the cognizance of the Bear and Ragged Staff repeated over and over, and over again and again, in a great variety of attitudes, at full-length, and half-length, in paint and in oaken sculpture, in bas-relief and rounded image. The founder of the hospital was certainly disposed to reckon his own beneficence as among the hereditary glories of his race; and had he lived and died a half-century earlier, he would have kept up an old Catholic custom by enjoining the twelve bedesmen to pray for the welfare of his soul.

At my first visit, some of the brethren were seated on the bench outside of the edifice, looking down into the street; but they did not vouchsafe me a word, and seemed so estranged from modern life, so enveloped in antique customs and old-fashioned cloaks, that to converse with them would have been like shouting across the gulf between our age and Queen Elizabeth's. So I passed into the quadrangle, and found it quite solitary, except that a plain and neat old woman happened to be crossing it, with an aspect of business and carefulness that bespoke her a woman of this world, and not merely a shadow of the past. Asking her if I could come in, she answered very readily and civilly that I might, and said that I was free to look about me, hinting a hope, however, that I would not open the private doors of the brotherhood, as some visitors were in the habit of doing. Under her guidance, I went into what was formerly the great hall of the establishment, where King James I. had once been feasted by an Earl of Warwick, as is commemorated by an inscription on the cobwebbed and dingy wall. It is a very spacious and barn-like apartment, with a brick floor, and a vaulted roof, the rafters of which are oaken beams, wonderfully carved, but hardly visible in the duskiness that broods aloft. The hall may have made a splendid appearance, when it was decorated with rich tapestry, and illuminated with chandeliers, cressets, and torches glistening upon silver dishes, where King James sat at supper among his brilliantly dressed nobles; but it has come to base uses in these latter days, – being improved, in Yankee phrase, as a brewery and wash-room, and as a cellar for the brethren's separate allotments of coal.