Sam started to say something, but then he stopped himself. He nodded and tried to shrug an apology instead, but then he realised that it was pointless.
‘They're decent people,’ he said. ‘They're worried about their daughter.’
‘And someone is dead,’ I replied harshly. ‘His family will be decent people too.’ Sam looked down, so I continued, ‘They need someone to help them find her, but they can't afford a private investigator and they thought I would come cheap. About right?’
‘But it would be a good story if you could find her.’
‘I wish it was like that, Sam, because I need the money – Laura's lawyers are taking most of what we have – but you don't understand journalism. I deal in court titbits, pub talk.’ Sam looked confused, so I said, ‘My point made. Papers want the pub tales: Man Bites Dog, that type ofthing. This is feature stuff, an in-depth analysis, and I can't afford to take the gamble of someone being interested. And anyway, if I find her, I'm the story, and that's not how I want it right now.’
Sam nodded in apology. ‘I'm sorry, Jack. They came to me for help. They're desperate people, and they're good people. You were the only avenue I could think of.’
I sighed. ‘So what's your interest?’
Sam looked sheepish at that. ‘We're struggling, Jack,’ he said. ‘We've got the work coming in, but it's all small stuff. Shoplifts, car breaks, Saturday night bust-ups. It's turnover work, but the bills come in faster than the clients.’
‘You need a murder to put you in the big league,’ I said, acknowledging his admission, and then nodded back towards the room I had just been in. ‘And so you need their daughter in a cell.’
Sam looked ashamed, but he added, ‘This is my living. I didn't kill that man, and someone has to represent her. Why not me?’
I thought about Mr and Mrs Goode and the look they both had – confused, helpless, wanting help. ‘I think they want a bit more,’ I said, and headed for the exit. ‘Thanks for the tip, Sam, but I can't see a story in it.’
Sam didn't answer, and so I was back on the street, heading towards the Magistrates Court, ready for another day of routine crime stories.
Chapter Five (#ulink_a2f705f0-475b-5910-a458-ccf1a7d034b1)
As Rod Lucas pushed open the door to Abigail's cottage, the smell hit him first. It was strong, sort of smoky. Incense-burners, he guessed. His eldest daughter had gone through a phase of burning them in her room. It helped her sleep, or so she claimed at the time. It was to cover up the smell of cigarettes, he learned later. She was away at university now, and her twenty-a-day habit was one of a list of concerns.
But he remembered the cloying smell, the way it made him cough and wrinkle his nose. He could understand an experimental teenager burning them, but why a pensioner living in a remote cottage?
He looked around. Rod had expected chintz: patterned sofas, high-backed chairs, china ornaments everywhere and pictures of grandchildren, but the cottage wasn't like that. The walls were painted black, with thick red cloth covering the windows and tall mirrors on the walls, ornate and Gothic. There were candles everywhere – on the mantelpiece, the sideboards, the windowsills – everything from deeply scented ones in small jars to large black altar candles.
He saw a rug pushed up against the wall, revealing the stone floor, large slabs worn smooth over the years. His eyes widened when he saw why it had been moved, and what was in its place, the thing that dominated the space.
White lines criss-crossed the room, jagged and uneven, made up of something sprinkled onto the floor, like small white grains. There was a table and chair set in the middle of it all, as if the old lady sat in it when she was alone. Lucas stooped down to dab his finger into the lines. He tasted it. Salt.
The lines made a shape. It wasn't perfect, as if it had been done in a rush, but he could make it out: a five-pointed star, with things placed at each point. A small posy of flowers; a large red candle; a sea-shell.
Rod thought back to the explosive device. Why would anyone target this woman? Was her lifestyle the reason? This was the third explosion like this, but no one had reported anything strange in the other houses. Or maybe they just hadn't looked hard enough.
He would go to the hospital next. Maybe Abigail could provide the answers.
I shuffled on the bench at the side of the Magistrates Court in Blackley as I tried to get comfortable. It was still before ten and the court hadn't started yet, although I could hear the corridor getting busier. I looked up to the ceiling, at the flaking paint, and wondered how I had got to this point. I used to write crime features for the nationals when I was a freelancer in London, had always had the dream of writing a book, maybe ghostwriting a gangster memoir. Now, I churned out the small stories: incidents of local shame, drunken fights, domestic violence, sexual misbehaviour. The local paper paid me for each story rather than a salary, so if the crime scene went quiet, or if the police started another new initiative to keep people away from courts, then I didn't get paid. I worked my own hours, though, and it still left me to peddle the better stories to the nationals, but I used to do so much more.
But I knew that Laura was right. The stories were steady work and provided a stable home. Laura was doing the same, working regular hours, no shifts, so that we were home each evening, and there was nothing for the judge to criticise when the trial for Bobby's custody started.
I looked around the courtroom, empty apart from the prosecutor at the front, sorting out his pile of files, ready for the morning slog. The defence would arrive soon, wanting their papers for the overnight clients.
‘Anything decent for me?’ I asked.
The prosecutor looked up. ‘Uh-huh?’
He was one of the old guard; when the mood was right he was effective, but most days his job was just a plough through Blackley's grime.
‘Anything to report?’ I asked. ‘I'm not here because I like your suit.’
He smiled at that, just a glimmer. ‘Just the usual,’ he said. ‘We've got a drink-driving teacher, crashed his car leaving school, if that's any good.’
I raised my eyebrows. Another reputation ruined, but his shame was his problem. My mortgage was mine.
‘Don't get too excited, though,’ said the prosecutor. ‘Mick Boreman's defending. There'll be no guilty plea today.’
‘Too middle class to be guilty?’ I queried.
‘Something like that.’
I exhaled and sat back. I couldn't write the story properly until he was convicted. It was good for a paragraph reporting his name and profession, but not much else.
I thought about Mr and Mrs Goode as I waited for court to start. Was I right to turn down their request? Looking for Sarah would be a break from the mundane, and it might be a good feature to have written up and ready just in case she was caught and convicted. But then I thought about the bills that dropped onto the mat most mornings, how we needed the steady production line of small tales from the courtroom just to keep ahead of those, and if Geoff went all the way with his custody case then Laura's lawyers would soak up the rest, and quite a bit more.
The tapping of my pen got faster.
The family future was nearly resolved though. Anything I wrote now would be published later, long after the custody case had finished, and if the court was going to be quiet then it might be worth looking into Sarah's case, just to see if there was something to grab the headline. I could write the feature at night, after Laura had gone to bed.
I felt some guilt creep up on me as I thought of Laura, but I dismissed it, perhaps too quickly. I was a reporter; selling stories was what I did.
I put my notepad back in my pocket and rushed out of the courtroom.
Chapter Six (#ulink_619b622d-857a-570c-a5ca-679c88b283dd)
Sarah Goode panted as she looked around the room. Stone walls all the way round, with a door at one end, cell-like, just twenty-foot square with no windows, no view out, a dirt floor scratching her feet.
She looked up to the ceiling and then winced, shielding her eyes. The lights there were like car headlights, bright halogen on full beam, searing into her retinas.
She tried to stretch her legs, but they hurt, all cramped up. She knew she had to keep moving, had to get her muscles working again. She limped to the walls and thumped them, but the sound came back as a dead thud. They were solid, sound-proof, old Pennine stone.
Sarah felt her way round the length of the room, using the wall as support, looking for a weak spot, maybe a loose stone, until she got to the door, wooden and old, the edges uneven and dry. It was bolted on the other side; she had heard it slide back whenever he came into the room. She knew it was a man from his hacking coughs and his deep throaty laugh when he taunted her, when he had kept her in the box.
She looked over to the corner of the room. The box was still there, one end open, from where she had crawled not long before. She turned away from it swiftly and looked up at the lights again, shielding her eyes. Would they stay on all the time? She leapt at them, tried to break one just to reduce the glare, but they were too high. She hurt herself instead when she landed, the dirt cutting into the soles of her feet.
Sarah sat down and put her face in her hands, gripped her hair with her fingers. Why was she there? What had she done? Why her?
She started to pull at her hair, wanting to scream, but then she looked up, startled. She could hear the buzz of speakers. Sarah shielded her eyes to see past the lights, and then she saw them, dark shapes behind the brightness. She sat still, waiting for whatever was going to come out of them. Then the sound came out at high volume, so loud that she had to cover her ears. It was the sound of a heartbeat, fast and anxious, a relentless thump-thump, the noise pulsing around the walls.
Sarah clamped her hands tighter over her ears and screamed, tried to drown it out, but the sound still made it through, making her own heart race to keep up.
She looked back to the box. Maybe it would be quieter in there.
She turned away. She couldn't go back in there, she knew that. Her life had once been normal, but those days in the box meant that it would never be the same again.