Black As He’s Painted

They passed through the grandiloquent hall and the picturesque guard at the entrance.

‘Again,’ Alleyn ventured, ‘purely ceremonial?’

‘Of course,’ said the ADC.

They were armed, Alleyn noticed, if not to the teeth, at least to the hips, with a useful-looking issue of sophisticated weapons. ‘Very smartly turned out,’ he said politely.

‘The President will be pleased to know you think so,’ said the ADC and they walked into a standing bath of heat and dazzlement.

The Presidential Rolls heavily garnished with the Ng’ombwanan arms and flying, incorrectly since he was not using it, the Presidential standard, waited at the foot of the steps. Alleyn was ushered into the back seat while the ADC sat in front. The car was air-conditioned and the windows shut and, thought Alleyn, ‘If ever I rode in a bullet-proof job – and today wouldn’t be the first time – this is it.’ He wondered if, somewhere in Ng’ombwana security circles there was an influence a great deal more potent than that engendered by the industrious evocation of Davidson’s.

They drove under the escort of two ultra-smart, lavishly accoutred motor-cyclists. ‘Skinheads, bikies, traffic cops, armed escorts,’ he speculated, ‘wherever they belch and rev and bound, what gives the species its peculiar air of menacing vulgarity?’

The car swept through crowded, mercilessly glaring streets. Alleyn found something to say about huge white monstrosities – a Palace of Culture, a Palace of Justice, a Hall of Civic Authority, a Free Library. The ADC received his civilities with perfect complacency.

‘Yes,’ he agreed. ‘They are very fine. All new. All since The Presidency. It is very remarkable.’

The traffic was heavy but it was noticeable that it opened before their escort as the Red Sea before Moses. They were stared at, but from a distance. Once, as they made a right hand turn and were momentarily checked by an oncoming car, their chauffeur, without turning his head, said something to the driver that made him wince.

When Alleyn, who was married to a painter, looked at the current scene, wherever it might be, he did so with double vision. As a stringently trained policeman he watched, automatically, for idiosyncrasies. As a man very sensitively tuned to his wife’s way of seeing, he searched for consonancies. Now, when confronted by a concourse of round, black heads that bobbed, shifted, clustered and dispersed against that inexorable glare, he saw this scene as his wife might like to paint it. He noticed that, in common with many of the older buildings, one in particular was in process of being newly painted. The ghost of a former legend showed faintly through the mask – SANS RIT IMPO T NG TR DI G CO. He saw a shifting, colourful group on the steps of this building and thought how, with simplification, re-arrangement and selection Troy would endow them with rhythmic significance. She would find, he thought, a focal point, some figure to which the others were subservient, a figure of the first importance.

And then, even as this notion visited him, the arrangement occurred. The figures reformed like fragments in a kaleidoscope and there was the focal point, a solitary man, inescapable because quite still, a grotesquely fat man, with long blond hair, wearing white clothes. A white man.

The white man stared into the car. He was at least fifty yards away but for Alleyn it might have been so many feet. They looked into each other’s faces and the policeman said to himself: ‘That chap’s worth watching. That chap’s a villain.’

Click, went the kaleidoscope. The fragments slid apart and together. A stream of figures erupted from the interior, poured down the steps and dispersed. When the gap was uncovered the white man had gone.

IV

‘It’s like this, sir,’ Chubb had said rapidly. ‘Seeing that No. 1 isn’t a full-time place being there’s two of us, we been in the habit of helping out on a part-time basis elsewhere in the vicinity. Like, Mrs Chubb does an hour every other day for Mr Sheridan in the basement and I go to the Colonel’s – that’s Colonel and Mrs Cockburn-Montfort in the Place – for two hours of a Friday afternoon, and every other Sunday evening we baby-sit at 17 The Walk. And –’

‘Yes. I see,’ said Mr Whipplestone, stemming the tide.

‘You won’t find anything scamped or overlooked, sir,’ Mrs Chubb intervened. ‘We give satisfaction, sir, in all quarters, really we do. It’s just An Arrangement, like.’

‘And naturally, sir, the wages are adjusted. We wouldn’t expect anything else, sir, would we?’

They had stood side by side with round anxious faces, wide-open eyes and gabbling mouths. Mr Whipplestone had listened with his built-in air of attentive detachment and had finally agreed to the proposal that the Chubbs were all his for six mornings, breakfast, luncheon and dinner: that provided the house was well kept up they might attend upon Mr Sheridan or anybody else at their own and his convenience, that on Fridays Mr Whipplestone would lunch and dine at his club or elsewhere and that, as the Chubbs put it, the wages ‘was adjusted accordingly’.

‘Most of the residents,’ explained Chubb when they had completed these arrangements and got down to details, ‘has accounts at the Napoli, sir. You may prefer to deal elsewhere.’

‘And for the butchery,’ said Mrs Chubb, ‘there’s –’

They expounded upon the amenities in the Capricorns.

Mr Whipplestone said: ‘That all sounds quite satisfactory. Do you know, I think I’ll make a tour of inspection.’ And he did so.

The Napoli is one of the four little shops in Capricorn Mews. It is ‘shop’ reduced to its absolute minimum; a slit of a place where the customers stand in single file and then only eight at a squeeze. The proprietors are an Italian couple, he dark and anxious, she dark and buxom and jolly. Their assistant is a large and facetious cockney.

It is a nice shop. They cure their own bacon and hams. Mr Pirelli makes his own pâté and a particularly good terrine. The cheeses are excellent. Bottles of dry Orvieto are slung overhead and other Italian wines crowd together inside the door. There are numerous exotics in line on the shelves. The Capricornians like to tell each other that the Napoli is ‘a pocket Fortnum’s’. Dogs are not allowed but a row of hooks has been thoughtfully provided in the outside wall and on most mornings there is a convocation of mixed dogs attached to them.

Mr Whipplestone skirted the dogs, entered the shop and bought a promising piece of Camembert. The empurpled army man, always immaculately dressed and gloved, whom he had seen in the street was in the shop and was addressed by Mr Pirelli as ‘Colonel’. (Montfort? wondered Mr Whipplestone.) The Colonel’s lady was with him. An alarming lady, the fastidious Mr Whipplestone thought, with the face of a dissolute clown and wildly overdressed. They both wore an air of overdone circumspection that Mr Whipplestone associated with the hazards of a formidable hangover. The lady stood stock still and bolt-upright behind her husband but as Mr Whipplestone approached the counter, she side-stepped and barged into him, driving her pin heel into his instep.

‘I beg your pardon,’ he cried in pain and lifted his hat.

‘Not a bit,’ she said thickly and gave him what could only be described as a half-awakened leer.

Her husband turned and seemed to sense a need for conversation. ‘Not much room for manoeuvrin’,’ he shouted. ‘What?’

‘Quite,’ said Mr Whipplestone.

He opened an account, left the shop and continued his explorations.

He arrived at the scene of his encounter with the little black cat. A large van was backing into the garage. Out of the tail of his eye he thought he saw briefly a darting shadow and when the van stopped he could have fancied, almost, that he heard a faint, plaintive cry. But there was nothing to support these impressions and he hurried on, oddly perturbed.

At the far end of the Mews, by the entrance to the passageway is a strange little cavern, once a stable, which has been converted into a shop. Here, at this period, a baleful fat lady made images of pigs either as doorstops or with roses and daises on their sides and a hole in their backs for cream or flowers as the fancy might take you. They varied in size but never in design. The kiln was at the back of the cavern and as Mr Whipplestone looked in the fat lady stared at him out of her shadows. Above the entrance was a notice: ‘X. & K. Sanskrit. Pigs.’

‘Commercial candour!’ thought Mr Whipplestone, cracking a little joke for himself. To what nationality he wondered could someone called Sanskrit possibly belong? Indian, he supposed, And ‘X’? Xavier perhaps. ‘To make a living,’ he wondered, ‘out of the endless reduplication of pottery pigs? And why on earth does this extraordinary name seem to ring a bell?’

Conscious that the fat lady in the shadows still looked at him, he moved on into Capricorn Place and made his way to a rosy brick wall at the far end. Through an opening in this wall one leaves the Capricorns and arrives at a narrow lane passing behind the Basilica precincts and an alleyway ending in the full grandeur of Palace Park Gardens. Here the Ng’ombwana Embassy rears its important front.

Mr Whipplestone contemplated the pink flag with its insignia of green spear and sun and mentally apostrophized it. ‘Yes,’ he thought, ‘there you are and for my part, long may you stay there.’ And he remembered that at some as yet unspecified time but, unless something awful intervened, in the near future, the Ambassador and all his minions would be in no end of a tig getting ready for the state visit of their dynamic President and spotting assassins behind every plane tree. The Special Branch would be raising their punctual plaint and at the FO, he thought, they’ll be dusting down their imperturbability. ‘I’m out of it all and (I’d better make up my mind to it) delighted to be so. I suppose,’ he added. Conscious of a slight pang, he made his way home.

CHAPTER 2 (#ulink_c81e4175-20ee-53e7-ba07-da22936b1d6b)

Lucy Lockett (#ulink_c81e4175-20ee-53e7-ba07-da22936b1d6b)

Mr Whipplestone had been in residence for over a month. He was thoroughly settled, comfortable and contented and yet by no means lethargically so. On the contrary, he had been stimulated by his change of scene and felt lively. Already he was tuned in to life in the Capricorns. ‘Really,’ he wrote in his diary, ‘it’s like a little village set down in the middle of London. One runs repeatedly into the same people in the shops. On warm evenings the inhabitants stroll about the streets. One may drop in at the Sun in Splendour where one finds, I’m happy to say, a very respectable, nay, quite a distinguished, white port.’

He had been in the habit of keeping a diary for some years. Until now it had confined itself to the dry relation of facts with occasionally a touch of the irony for which he had been slightly famous at the FO. Now, under the stimulus of his new environment, the journal expanded and became, at times, almost skittish.

The evening was very warm. His window was open and the curtains, too. An afterglow had suffused the plane trees and kindled the dome of the Basilica but now was faded. There was a smell of freshly-watered gardens in the air and the pleasant sound of footfalls mingling with quiet voices drifted in at the open window. The muted roar of Baronsgate seemed distant, a mere background to quietude.

After a time he laid down his pen, let fall his eyeglass and looked with pleasure at his room. Everything had fitted to a miracle. Under the care of the Chubbs his nice old bits and pieces positively sparkled. The crimson goblet glowed in the window and his Agatha Troy seemed to generate a light of its own.

‘How nice everything is,’ thought Mr Whipplestone.

It was very quiet in his house. The Chubbs, he fancied, were out for the evening but they were habitually so unobtrusive in their comings and goings that one was unaware of them. While he was writing, Mr Whipplestone had been aware of visitors descending the iron steps into the area. Mr Sheridan was at home and receiving in the basement flat.

He switched off his desk lamp, got up to stretch his legs and moved over to the bow window. The only people who were about were a man and a woman coming towards him in the darkening Square. They moved into a pool of light from the open doorway of the Sun in Splendour and momentarily he got a clearer look at them. They were both fat and there was something about the woman that was familiar.

They came on towards him into and out from the shadow of the plane trees. On a ridiculous impulse, as if he had been caught spying, Mr Whipplestone backed away from his window. The woman seemed to stare into his eyes: an absurd notion since she couldn’t possibly see him.

Now he knew who she was: Mrs or Miss X. Sanskrit. And her companion? Brother or spouse? Brother, almost certainly. The pig-potters.

Now they were out of the shadow and crossed the Walk in full light straight at him. And he saw they were truly awful.

It wasn’t that they were lard-fat, both of them, so fat that they might have sat to each other as models for their wares, or that they were outrageously got up. No clothes, it might be argued in these permissive days, could achieve outrageousness. It wasn’t that the man wore a bracelet and an anklet and a necklace and earrings or that what hair he had fell like pond-weed from an embroidered headband. It wasn’t even that she (fifty if a day, thought Mr Whipplestone) wore vast black leather hotpants, a black fringed tunic and black boots. Monstrous though these grotesqueries undoubtedly were, they were as nothing compared with the eyes and mouths of the Sanskrits which were, Mr Whipplestone now saw with something like panic, equally heavily made-up.