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Jeanie picked up something that resembled an obscenely elongated garter and proffered it to Gillian. Gillian took hold of the scrap.

‘What’s this?’

‘G-string.’

‘My God, girls wear these in Dave Lee Roth videos.’

‘Who’s that?’ Jeanie asked, sucking in her cheeks, insouciant.

‘They aren’t practical,’ Gillian said.

Jeanie’s eyes narrowed. ‘These are truly modern knickers,’ she said. ‘These are what everyone wears now. And I’ll tell you for why. No visible pantie line!’

Gillian didn’t dare inform her that material was the whole point of a pantie. Wasn’t it?

Oh hell, Gillian thought, shifting on Mr Kip’s Aston Martin’s leather seats, maybe I should’ve worn it in for a few days first. It felt like her G-string was making headway from between her buttocks up into her throat. She felt like a leg of lamb, trussed up with cheese wire. Now she knew how a horse felt when offered a new bit and bridle for the first time.

‘Wearing hairspray?’ Mr Kip asked, out of the blue.

‘What?’

‘If you are,’ he said, ever careful, ‘then don’t lean your head back on to the seat. It’s real leather and you may leave a stain.’

Gillian bit her lip and stopped wriggling.

‘Hope it doesn’t rain,’ Mr Kip added, keeping his hand on the gearstick in a very male way, ‘the wipers aren’t quite one hundred per cent.’

Oh, the G-string was a modern thing, but it looked so horrid! Gillian wanted to be a modern girl but when she espied her rear-end engulfing the slither of string like a piece of dental floss entering the gap between two great white molars, her heart sank down into her strappy sandals. It tormented her. Like the pain of an old bunion, it quite took off her social edge.

When Mr Kip didn’t remark favourably on her new dress; when, in fact, he drew a comparison between Gillian and the cone-shaped upstanding white napkins on the fancily made-up Rotary tables, she almost didn’t try to smile. He drank claret. He smoked a cigar and tipped ash on her. He didn’t introduce her to any of his Rotary friends. Normally, Gillian might have grimaced on through. But tonight she was a modern girl in torment and this kind of behaviour quite simply would not do.

Of course she didn’t actually say anything. Mr Kip finally noticed Gillian’s distress during liqueurs.

‘What’s got into you?’

‘Headache,’ Gillian grumbled, fighting to keep her hands on her lap.

Two hours later, Mr Kip deigned to drive them home. It was raining. Gillian fastened her seatbelt. Mr Kip switched on the windscreen wipers. They drove in silence. Then all of a sudden, wheeeuwoing! One of the wipers flew off the windscreen and into a ditch. Mr Kip stopped the car. He reversed. He clambered out to look for the wiper, but because he wore glasses, drops of rain impaired his vision.

It was a quiet road. What the hell. Mr Kip told Gillian to get out and look for it.

‘In my white dress?’ Gillian asked, quite taken aback.

Fifteen minutes later, damp, mussed, muddy, Gillian finally located the wiper. Mr Kip fixed it back on, but when he turned the relevant switch on the dash, neither of the wipers moved. He cursed like crazy.

‘Well, that’s that,’ he said, and glared at Gillian like it was her fault completely. They sat and sat. It kept right on raining.

Finally Gillian couldn’t stand it a minute longer. ‘Give me your tie,’ she ordered. Mr Kip grumbled but did as she’d asked. Gillian clambered out of the car and attached the tie to one of the wipers.

‘OK,’ she said, trailing the rest of the tie in through Mr Kip’s window. ‘Now we need something else. Are you wearing a belt?’

Mr Kip shook his head.

‘Something long and thin,’ Gillian said, ‘like a rope.’

Mr Kip couldn’t think of anything.

‘Shut your eyes,’ Gillian said. Mr Kip shut his eyes, but after a moment, naturally, he peeped.

And what a sight! Gillian laboriously freeing herself from some panties which looked as bare and sparse and confoundedly stringy as a pirate’s eye patch.

‘Good gracious!’ Mr Kip exclaimed. ‘You could at least have worn some French knickers or cami-knickers or something proper. Those are preposterous!’

Gillian turned on him. ‘I’ve really had it with you, Colin,’ she snarled, ‘with your silly, affected, old-fashioned car and clothes and everything.’

From her bag Gillian drew out her Swiss Army Knife and applied it with gusto to the plentiful elastic on her G-string. Then she tied one end to the second wiper and pulled the rest around and through her window. ‘Right,’ she said, ‘start up the engine.’

Colin Kip did as he was told. Gillian manipulated the wipers manually; left, right, left, right. All superior and rhythmical and practical and dour-faced.

Mr Kip was very impressed. He couldn’t help himself. After several minutes of driving in silence he took his hand off the gearstick and slid it on to Gillian’s lap.

‘Watch it,’ Gillian said harshly. ‘Don’t you dare provoke me, Colin. I haven’t put my Swiss Army Knife away yet.’

She felt the pressure of his hand leave her thigh. She was knickerless. She was victorious. She was a truly modern female.

The Three Button Trick

Jack had won Carrie’s heart with that old three button trick.

At the genesis of every winter, Jack would bring out his sturdy but ancient grey duffel coat and massage the toggles gently with the tips of his fingers. He’d pick off any fluff or threads from its rough fabric, brush it down vigorously with the flat of his hand and then gradually ease his way into it. One arm, two arms, shift it on to his shoulders, balance it right – the tips of the sleeves both perfectly level with each wrist – then straighten the collar.

Finally, the toggles. The most important part. He’d do them one-handed, pretending, even to himself, some kind of casualness, a studied – if fallacious – preoccupation, his eyes unfocused, imagining, for example, how it felt when he was a small boy learning to tell the time. His father had shown him: ten past, quarter past, see the little hand? See the big hand? But he hadn’t learned. It simply didn’t click.

So Jack’s mother took over instead. She had her own special approach. The way she saw it, any child would learn anything if they thought there was something in it for them: a kiss or a toy or a cookie.

Jack’s mother baked Jack a Clock Cake. Each five-minute interval on the cake’s perimeter was marked with a tangy, candied, lemon segment. The first slice was taken from the midday or midnight point at the very top of the cake and extended to the first lemon segment on the right, which, Jack learned, signified five minutes past the hour. ‘If the little hand is on the twelve,’ his mother told him, ‘then your slice takes the big hand to five minutes past twelve.’

Jack wrinkled up his nose. ‘How about if I have a ten past twelve slice?’ he suggested.

He got what he’d asked for.

Jack was born in Wisconsin but moved to London in his early twenties and got a job as a theatrical producer. He’d already worked extensively off-off Broadway. He met Carrie waiting for a bus on a Sunday afternoon outside the National Portrait Gallery. It was the winter of 1972. He was wearing his duffel coat.

Carrie was a blonde who wore her hair in big curls, had milk-pudding skin and breasts like a roomy verandah on the front of her body’s smart Georgian townhouse frame. Close up she smelled like a bowl of Multi-flavoured Cheerios.

Before Jack had even smelled her, though, he smiled at her. She smiled in return, glanced away – as girls are wont to do – and then glanced back again. Just as he’d hoped, her eyes finally settled on the toggles on his coat. She pointed. She grinned. ‘Your buttons . . .’

‘Huh?’