Men's bikes. A play for 5-8 people. Comedy

Claudia (carefully, carefully). Do you still love me?

Vasily (relieved). My God, yes of course – I love. Well, what are you doing?

Claudia (exhaling heavily). Okay… Whatever it is, I don't want to know. Love is already something, we'll see about the rest, we'll observe. Go, wash, change clothes… (nervously, disgustedly) Take it all off, and come to the kitchen, we'll have dinner. I'll go back to the table to think about something.

Claudia nervously, restrainedly freaking out, goes back to the kitchen, Vasily picks up the scrambled eggs with his hands from the floor, and also leaves.

ZTM.

Scene 3. Somewhere on the street

A lyrical composition sounds.

The light turns on smoothly. Danil and Valeria are quite naturally kissing, and, apparently, for a long time. Everything is fine with them, everything is enviably fine with them.

The music fades and stops.

The couple reluctantly stop their long kiss, gently and lovingly look at each other.

Danil (gently). Valeria, you're just a goddess, you're just… I don't know what else to call you. I'm flying with you, I'm not myself, I'm not myself at all, I'm just all in you. I'm living with you, you understand that in general, I… I… I just adore you. Like a fool. Like crazy. How… how…

Valeria (smiling, gently interrupting). … And I love you even more!

Again, the couple connects in a passionate kiss.

But Valeria seems to be trying to gradually gently gently move away.

Danil interrupts the kiss.

Danil (gently). What is it? Is something wrong?

Valeria (smiling guiltily, tenderly). Danya, darling, I'm sorry, I'm sorry, I'm sorry. Time is running out, I already have to run. You know, my husband called fifteen minutes ago, I already had to run. Now if I'm still idle at the bus stop, then there will be a scandal. It seems to me that he has already begun to suspect something. Then he tries to peek into my phone when I type you a message, then he calls ten times a day. I notice some suspicious looks from him. We should probably be a little more careful for now. Let's at least take a break for a couple of weeks, and then we'll catch up, okay?

Danil makes a sad, pathetic, pitiful face, like the one the cat did in Shrek.

Valeria (smiling guiltily, tenderly). Well, miiiiiii, well, you know. I love you madly, but if unnecessary turmoil starts in my family there now, then it will only make it worse for you and me. Let's not take any chances. Let everything with you and me be as it was before. But this requires a short break. Well, don't be offended, well, please …

Danil (gently, sadly, almost in tears). And how am I going to live without you these two weeks, honey? Am I going to die without you?

Valeria (smiling guiltily, tenderly). It will be very hard for me myself… Well, I'll… I'll try to sort it out quickly, okay? I'll try to arrange a meeting with you… at the end of next week. But.. I won't promise, but I'll try, okay?

Danil (gently, sadly, almost in tears). Uh-huh…

Valeria pitifully sulks, once again quickly kisses Danil on the lips and runs away.

Danil waits until Valeria disappears, after that his sadness and longing immediately disappears from his face, he busily licks his lips, savoring the remnants of a kiss on his lips. Carefully examines himself, takes off Valeria's hair, wipes her cheeks, neck, takes a mirror out of her pocket, looks around for traces of a kiss. After that, he goes somewhere to the side, takes out a large travel bag with another jacket, takes it out, takes off his own, folds it neatly, puts it in the bag, and puts on the one he took out. After that, he takes his cologne out of the bag from there, sprinkles it, removes the cologne. He takes the phone out of his pocket, puts it on the sound (the audience should hear the addition of sound with the side button of the smartphone). After that, he dials the phone number, puts the smartphone to his ear.

Danil (in a businesslike tone into the phone). Hello, dear? Well, I'm done for today, I'm going home. Should I stop by the store to get something? Don't? Well, all right, then I'll go straight home. That's it… Wait, I'll be there in about forty minutes.

A musical theme sounds.

Danil throws off the call. Busily puts the smartphone in his pocket, throws his bag over his shoulder and walks home with a cheerful

, relaxed step.

The music keeps playing.

Scene 4. Danil's House

The music keeps playing.

The light turns on smoothly. The apartment has a cozy home environment. Danil enters. He doesn't have a bag in his hands, but he turns the car keys in his hands along with the keychain. He looks around the house in a masterly, calm way, puts the car keys somewhere on the shelf, or where a place will be provided for this. Passes, sits on the sofa, simultaneously calls his wife.

The music stops and ends.

Danil (as if nothing had happened). Honey, I'm home.

There is no response.

Danil turns around warily, looking for his wife.

Danil (warily). Zinaida, my doll, where are you?

The lights go out. A lyrical composition sounds. A smiling Zinaida slowly enters the room, carrying a small cake in front of her, on which eight candles are burning.

Danil is surprised, jumps off the sofa, enthusiastically meets his wife.

The music fades and ends, the light turns on smoothly.

Danil (admiringly). Damn me… every day my wife met me at home from work like this. Ay, thank you, dear, ay, I have served.

Blow out the candles on the cake together for a couple.

Danil kisses his wife on the cheek, accepts the cake, but Zinaida is in no hurry to let it out of her hands. Danil tries several times to carefully pull the cake out of his wife's hands, but she holds it tightly, smiles, is silent and does not let the cake out of her hands.

Danil takes a step back, puts his hands on his hips and looks questioningly at his smiling wife.

Danil (questioningly, with interest and misunderstanding). So! Even I'm not that… What is this?

Zinaida (playfully, cautiously hinting). Danil…, well, what are you… well, did you forget that? Well, count how many candles are on the cake, well?