Baled Hay. A Drier Book than Walt Whitman's «Leaves o' Grass»

IN justice to ourself we desire to state that the Cheyenne Sun has villified us and placed us in a false position before the public. It has stated that while at Rock Creek station, in the early part of the week, we were taken for a peanutter, and otherwise ill-treated at the railroad eating corral and omelette emporium, and that in consequence of such treatment we shed great scalding tears as large as watermelons. This is not true. We did shed the tears as above set forth, but not because of ill-treatment on the part of the eating-house proprietor.

It was the presence of death that broke our heart and opened the fountains of our great deep, so to speak. When we poured the glucose syrup on our pancakes, the stiff and cold remains of a large beetle and two cunning little twin cockroaches fell out into our plate, and lay there hushed in an eternal repose.

Death to us is all powerful. The King of Terrors is to us the mighty sovereign before whom we must all bow, from the mighty emperor down to the meanest slave, from the railroad superintendent, riding in his special car, down to the humblest humorist, all alike must some day curl up and die. This saddens us at all times, but more peculiarly so when Death, with his relentless lawn mower, has gathered in the young and innocent. This was the case where two little twin cockroaches, whose lives had been unspotted, and whose years had been unclouded by wrong and selfishness, were called upon to meet death together. In the stillness of the night, when others slept, these affectionate little twins crept into the glucose syrup and died.

We hope no one will misrepresent this matter. We did weep, and we are not ashamed to own it. We sat there and sobbed until the tablecloth was wet for four feet, and the venerable ham was floating around in tears. It was not for ourself, however, that we wept. No unkindness on the part of an eating-house ever provoked such a tornado of woe. We just weep when we see death and are brought in close contact with it. And we were not the only one that shed tears. Dickinson and Warren wept, strong men as they were. Even the butter wept. Strong as it was it could not control its emotions.

We don't very often answer a newspaper attack, but when we are accused of weeping till people have to take off their boots and wring out their socks, we want the public to know what it is for.

ANOTHER SUGGESTION

WE were surprised and grieved to see, on Monday evening, a man in the dress circle at the performance of Hazel Kirke at Blackburn's Grand Opera House, who had communed with the maddening bowl till he was considerably elated. When Pitticus made a good hit, or Hazel struck a moist lead, and everybody wept softly on the carpet, this man furnished a war-whoop that not only annoyed the audience, but seemed also to break up the actors a little. Later, he got more quiet, and at last went to sleep and slid out of his chair on the floor. It is such little episodes as these that make strangers dissatisfied with the glorious west. When you go to see something touchful on the stage, you do not care to have your finer feelings ruffled by the yells of a man who has got a corner on delirium tremens.

It is also humiliating to our citizens to be pulled up off the floor by the coat-collar and steered out the door by a policeman.

We hope that as progress is more plainly visible in Wyoming, and as we get more and more refined, such things will be of less and less frequent occurrence, till a man can go to see a theatrical performance with just as much comfort as he would in New York and other eastern towns.

Another point while we are discussing the performance of Hazel Kirke. There were some present on Monday night, sitting hack in the third balcony, who need a theatrical guide to aid them in discovering which are the places to weep and which to gurgle.

It was a little embarrassing to Miss Ellsler to make a grand dramatic hit that was supposed to yank loose a freshet of woe, to be greeted with a snort of demoniac laughter from the rear of the grand opera house.

It seemed to unnerve her and surprise her, but she kept her balance and her head. When death and ruin, and shame and dishonor, were pictured in their tragic horror, the wild, unfettered humorist of a crude civilization fairly yelled with delight. He thought that the tomb and such things were intended to be synonymous with the minstrel show and the circus. He thought that old Dunstan Kirke was there with his sightless eyes to give Laramie the grandest, riproaringest tempest of mirth that she had ever experienced. That is why we say that we will never have a successful performance in the theatrical line, till some of this class are provided with laugh-and-cry guide books.

PISCATORIAL AND EDITORIAL

A CORRESPONDENT of the New York Post says that the codfish frequents "the table lands of the sea." The codfish, no doubt, does this to secure as nearly as possible a dry, bracing atmosphere. This pure air of the submarine table lands gives to the codfish that breadth of chest and depth of lungs which we have always noticed.

The glad, free smile of the codfish is largely attributed to the exhilaration of this oceanic altitoodleum.

The correspondent further says, that "the cod subsists largely on the sea cherry." Those who have not had the pleasure of seeing the codfish climb the sea cherry tree in search of food, or clubbing the fruit from the heavily-laden branches with chunks of coral, have missed a very fine sight.

The codfish, when at home rambling through the submarine forests, does not wear his vest unbuttoned, as he does while loafing around the grocery stores of the United States.

ANOTHER FEATHERED SONGSTER

A FORT STEELE taxidermist has presented this office with a stuffed bird of prey about nine feet high, which we have put up in The Boomerang office, and hereby return thanks for. It is a kind of a cross between a dodo and a meander-up-the-creek. Its neck is long, like the right of way to a railway, and its legs need some sawdust to make them look healthy. Those who subscribe for the paper, can look at this great work of art free.

This bird is noted for its brief and horizontal alimentary canal. It has no devious digestive arrangements, but contents itself with an economical and unostentatious trunk-line of digestion so simple that any child can understand it. He (or she, as the case may be) in his (or her) stocking feet can easily look over into next fall, and when standing in our office, peers down at us from over the stove-pipe in a reproachful way that fills us with remorse.

We have labeled it "The Democrat Wading Up Salt Creek" and filed it away near the skull of an Indian that we killed years ago when we got mad and wiped out a whole tribe. The geological name of this bird we do not at this moment recall, but it is one of those sorrowful-looking fowls that stick their legs out behind when they fly, and are not good for food.

Parties wishing to see the bird, and subscribe for the Home Journal can obtain an audience by kicking three times on the last hall door on the left and throwing two dollars through the transom.

ABOUT THE OSTRICH

T HERE is some prospect of ostrich farming developing into quite an industry in the southwest, and it will sometime be a cold day when the simple-minded rustic of that region will not have ostrich on toast if he wants it. Ostrich farming, however, will always have its drawbacks. The hen ostrich is not a good layer as a rule, only laying two eggs per annum, which, being about the size of a porcelain wash bowl, make her so proud that she takes the balance of the year for the purpose of convalescing.

The ostrich is chiefly valuable for the plumage which he wears, and which, when introduced into the world of commerce, makes the husband almost wish that he were dead.

Probably the ostrich will not come into general use as an article of food, few people caring for it, as the meat is coarse, and the gizzard full of old hardware, and relics of wrecked trains and old irons left where there has been a fire.

Carving the ostrich is not so difficult as carving the quail, because the joints are larger and one can find them with less trouble. Still, the bird takes up a great deal of room at the table, and the best circles are not using them.

The ostrich does not set She don't have time. She does not squat down over something and insist on hatching it out if it takes all summer, but she just lays a couple of porcelain cuspidors in the hot sand when she feels like it, and then goes away to the seaside to quiet her shattered nerves.

TOO MUCH GOD AND NO FLOUR

OLD CHIEF POCOTELLO, now at the Fort Hall agency, in answer to an inquiry relative to the true Christian character of a former Indian agent at that place, gave in very terse language the most accurate description of a hypocrite that was ever given to the public. "Ugh! Too much God and no flour."

WE ARE GETTING CYNICAL

IT begins to look now as though Major F. G. Wilson, who stopped here a short time last week and week before, might be a gentleman in disguise. He has done several things since he left here, that look to a man up a tree like something irregular and peculiar. The major has not only prevaricated, but he has done so in such a way as to beat his friends and to make them yearn for his person in order that they may kick him over into the inky night of space. He has represented himself as confidential adviser and literary tourist of several prominent New York, Chicago, Omaha and Tie Siding dailies, and had such good documents to show in proof of his identity in that capacity that he has received many courtesies which, as an ordinary American dead-beat, he might have experienced great difficulty in securing. We simply state this in order to put our esteemed contemporaries on their guard, so that they will not let him spit in their overshoes and enjoy himself as he did here. He wears a white hat on his head and a crooked tooth in the piazza of his mouth. This pearly fang he uses to masticate and reduce little delicate irregular fragments of plug tobacco, which he borrows of people who have time to listen to the silvery tinkle of his bazoo.

When last seen he was headed west, and will probably strike Eureka, Nevada, in a week or two. His mission seems to be mainly to make people feel a goneness in their exchequer, and to distribute tobacco dados over the office stoves of our great land. He is a man who writes long letters to the New York Herald that are never printed. His freshly blown nose is red, but his newspaper articles are not. He claims to represent the Mutual Reserve Fund Life Association lately, too. The company represents the Insurance and he attends to the Mutual Reserve Fund. He has mutually reserved all the funds he could get hold of since he struck the west, besides mutually reserving enough strong drink to eat a hole through the Ames monument.

Such men as Major Wilson make us suspicious of humanity, and very likely the next man who comes along here and represents that he is a great man, and wants five dollars on his well-rounded figure and fair fame will have to be identified. We have helped forty or fifty such men to make a bridal tour of Wyoming and now we are going to saw off and quit. When a great journalist comes into this office again with an internal revenue tax on his breath and nineteen dollars back on his baggage, we will probably pick up a fifty pound chunk of North Park quartz and spread his intellectual faculties around this building till it looks like the Custer massacre.

ASK US SOMETHING DIFFICULT

WHAT becomes of our bodies?" asks a soft eyed scientist, and we answer in stentorian tones, that they get inside of a red flannel undershirt as the maple turns to crimson and the sassafras to gold. Ask us something difficult, ethereal being, if you want to see us get up and claw for our library of public documents.

A MINING EXPERIMENT

A MILD-EYED youth, wearing a dessert-spoon hat and polka-dot socks, went into Middle Park the other day and claimed to be a mining expert. The boys inveigled him into driving a stick of giant powder into a drill-hole at the bottom of a shaft with an old axe, and now they are trying to get him out of the ground with ammonia and a tooth-brush.

A NEW INDUSTRY

THE want column of the Chicago News for October 10th has the following: "Twelve frightful examples' wanted, to travel with Scott Marble's new drama and appear in the realistic bar-room scene of the 'Drunkard's Daughter.' Arthur G. Cambridge, dramatic agent, 75 South Clark street."

This throws open a field of usefulness to a class of men who hitherto have seen no prospect whatever for the future. It brings within the reach of such men a business which, requiring no capital, still gives the actor much time to do as he chooses. Beauty often wins for itself a place in the great theatrical world, but it is rare that the tomato nose and the watery eye secure a salary for their proprietors. Business must be picking up when the wiggly legs and danger-signal nose will bring so much per week and railroad fare. Perhaps prohibition has got the "frightful example" business down to where it commands the notice of the world because of its seldom condition.

THE MIMIC STAGE

AT the performance of "The Phoenix" here, the other night, there was a very affecting place where the play is transferred very quickly from a street scene to the elegant apartments of Mr. Blackburn, the heavy villain. The street scene had to be raised out of the way, and the effect of the transition was somewhat marred by the reluctance of the scenery in rolling up out of the way. It got about half way up, and stopped there in an undecided manner, which annoyed the heavy villain a good deal. He started to make some blood-curdling remarks about Mr. Bludsoe, and had got pretty well warmed up when the scenery came down with a bang on the stage. The artist who pulls up the curtain and fills the hall lamps, then pulled the scene up so as to show the villain's feet for fifteen or twenty minutes, but he couldn't get it any farther. It seemed that the clothes line, by which the elaborate scenery is operated, got tangled up some way, and this caused the delay. After that another effort was made, and this time the street scene rolled up to about the third story of a brick hotel shown in the foreground, and stopped there, while the clarionet and first violin continued a kind of sad tremulo. Then a dark hand, with a wart on one finger and an oriental dollar store ring on another, came out from behind the wings and began to wind the clothes-line carefully around the pole at the foot of the scene. The villain then proceeded with his soliloquy, while the street scene hung by one corner in such a way as to make a large warehouse on the corner of the street stand at an angle of about forty-five degrees.

Laramie will never feel perfectly happy until these little hitches are dispensed with. Supposing that at some place in the play, where the heroine is speaking soft and low to her lover and the proper moment has arrived for her to pillow her sunny head upon his bosom, that street scene should fetch loose, and come down with such momentum as to knock the lovers over into the arms of the bass-viol player. Or suppose that in some death-bed act this same scene, loaded with a telegraph pole at the bottom, should settle down all at once in such a way as to leave the death-bed out on the corner of Monroe and Clark streets, in front of a candy store.

Modern stage mechanism has now reached such a degree of perfection that the stage carpenter does not go up on a step ladder, in the middle of a play, and nail the corner of a scene to a stick of 2x4 scantling, while a duel is going on near the step ladder. In all the larger theatres and opera houses, now, they are not doing that way.

Of course little incidents occur, however, even on the best stages, and where the whole thing works all right. For instance, the other day, a young actor, who was kneeling to a beautiful heiress down east, got a little too far front, and some scenery, which was to come together in the middle of the stage to pianissimo music, shut him outside and divided the tableau in two, leaving the young actor apparently kneeling at the foot of a street lamp, as though he might be hunting for a half a dollar that he had just dropped on the sidewalk.

There was a play in New York, not long ago, in which there was a kind of military parade introduced, and the leader of a file of soldiers had his instructions to march three times around the stage to martial music, and then file off at the left, the whole column, of course, following him. After marching once around, the stage manager was surprised to see the leader deliberately wheel, and walk off the stage, at the left, with the whole battalion following at his heels. The manager went to him and abused him shamefully for his haste, and told him he had a mind to discharge him; but the talented hack driver, who thus acted as the military leader, and who had over-played himself by marching off the stage ahead of time, said:

"Well, confound it, you can discharge me if you want to, but what was a man to do? Would you have me march around three times when my military pants were coming off, and I knew it? Military pride, pomp, parade, and circumstance, are all right; but it can be overdone. A military squadron, detachment, or whatever it is, can make more of a parade, under certain circumstances, than is advertised. I didn't want to give people more show than they paid for, and I ask you to put yourself in my place. When a man is paid three dollars a week to play a Roman soldier, would you have him play the Greek slave? No, sir; I guess I know what I'm hired to play, and I'm going to play it. When you want me to play Adam in the Garden of Eden, just give me my fig leaf and salary enough to make it interesting, and I will try and properly interpret the character for you, or refund the money at the door."

DECLINE OF AMERICAN HUMOR

DEAR, mellow-voiced, starry-eyed reader, did you ever see something about "the decline of American humor?" Well, we got a gob of American humor, yesterday, written by a yahoo with pale pink hair, which was entitled "Marriage in Mormondom on the Tontine Plan." Well, we declined it. Decline of American humor. Sabe?