Friend Mac Donald

By pushing on two miles further we come to Granton. There we can take the boat which will carry us over the Firth of Forth, and set us down at Burntisland in Fifeshire; but instead of there taking the train to the north of Scotland, we will stop to see Rossend Castle.

Standing on a promontory, which dominates the Firth of Forth and the hills of Edinburgh, Rossend Castle is one of the most romantic places in Scotland.

Its old square tower contains the bedroom used by Mary Stuart when she travelled in Fifeshire, and stopped at the castle. The present owner, whose hospitality is proverbial in the neighbourhood, has religiously preserved the room intact. It is there just as it existed three hundred years ago, with its two little turret-rooms, oak wainscoting, and a thousand relics of its unhappy visitor.

The portrait of Mary Stuart at Rossend is the most striking that I saw in Scotland. Placed over the mantelpiece, it seems to fill the room with its dreamy melancholy gaze. It seems to follow you, and you cannot take your eyes off it. I occupied this room for four nights, a prey to the saddest thoughts. It was in the month of January, and the wind, which was blowing hard across the Firth, roared round the tower. With my feet before the fire, which burned in the immense fireplace, I let my fancy reconstruct the scene in which poor Chastelard lost his head, first figuratively, and then in reality.

As I mentioned in the preceding chapter, my young and handsome countryman Pierre de Boscosel de Chastelard had conceived a mad passion for the queen. He had dared to declare this love in the Holyrood Palace. His offence was forgiven.

Imagining, from the fact of his having been pardoned, that he had succeeded in inspiring affection in the heart of his royal mistress, the poor moth must needs flutter again around the flame, which was to be his destruction. The romantic troubadour secretly followed the queen from Edinburgh to Rossend Castle, and, on the night of the 14th of February, 1562, hid himself in her chamber, until she was almost undressed for the night, when he left his hiding-place, and, seizing the queen in his arms, so alarmed her, that she screamed for protection. This woman who, to avenge Rizzio's death, did not hesitate to have a barrel of powder placed under her husband's bed, felt herself insulted. Her cries attracted her attendants, and Murray was ordered by the indignant queen to stab the young madman dead then and there. But Murray preferred to wreak his wrath on Chastelard, whom he hated, by having him hanged. The poor secretary, who had been so favoured by his mistress that all the courtiers were jealous of him, who had so often beguiled her solitude by his poems and his music, went cheerfully to the scaffold. Like Cornelius de Witt, who, a century later, recited Horace's Justum et tenacem while the executioner of The Hague put him to the torture, Chastelard mounted the scaffold calm and smiling, reciting Rousard's Ode to Love.

"I die not without reproach, like my ancestor Bayard," said he; "but, like him, I die without fear."

And then, turning his eyes towards the castle inhabited by Mary Stuart, he cried:

"Adieu, thou cruel but beautiful one, who killest me, but whom I cannot cease to love!"

Rossend Castle is a veritable poem in stone. Do not visit Edinburgh without pushing to Burntisland. The châtelain is justly proud of his romantic home, and does the honours of it with a kind grace that charms the visitor.

CHAPTER XXIX

Aberdeen, the Granite City. – No sign of the Statue of "you know whom." – All Grey. – The Town and its Suburbs. – Character of the Aberdonian. – Why London could not give an Ovation to a Provost of Aberdeen. – Blue Hill. – Aberdeen Society. – A thoughtful Caretaker. – To this Aberdonian's Disappointment, I do not appear in Tights before the Aberdeen Public.

It does not enter into the plan of this book to give a detailed description of the principal towns and sites in Scotland. That can be found in any guide-book.

The aim of this little volume is to give an idea of the character and customs of the Scotch, from Souvenirs of several visits made by the author to the land of Burns and Scott.

But a few words must be said on the subject of the City of Granite.

Aberdeen is a large, clean-looking town, with more than a hundred thousand inhabitants; wide, regular streets, fine edifices, and many statues, among which we are happy, for a change, not to find that of you know whom.

If Glasgow and Dundee are the principal centres of commercial activity in Scotland, Edinburgh and Aberdeen are the two great centres of learning.

Union Street, the principal thoroughfare, is about half-a-mile long, and is built entirely of light grey granite, which gives it a rather monotonous aspect. Public buildings, churches, private houses, pavements, all are grey; the inhabitants are mostly dressed in grey, and look where you will, you seem to see nothing but grey.

Just as it is in London, Edinburgh, and Glasgow, the fashionable quarter is the west, and the poor live in the east.

Is this due to chance?

The most conspicuous edifice of the town is the Municipal Building, forming a town hall and a court of justice. The most interesting is Marischal College, the home of the Faculty and School of Medicine, which now form part of the University of Aberdeen, after having had a separate existence for two hundred and sixty-six years. The college is a very fine building, but is unfortunately hemmed in by a number of other buildings which hide its façade.

A mile from the town stands the college of the university (King's College), built in 1495 on the model of the Paris university. Most of the Scotch buildings, which date from the fifteenth and sixteenth centuries, have a very pronounced French character.

I would advise tourists, who go as far north as Aberdeen, not to miss making the ascension of the Blue Hill, which is about four miles from the town. From the summit of this hill, they will see a delightful panorama of Aberdeen, a stretch of fifty or sixty miles of coast, the ruins of the celebrated castle of Dunnottar, and all the valley of the Dee framed in hills. It is a grand sight; unfortunately, to thoroughly bring out its beauties, a clear sky is essential, and there comes the rub.

The county of Aberdeen is not only one of the great intellectual centres of Scotland, it is the home of Caledonian shrewdness and pawkiness. Aberdeenshire alone furnished more than half the anecdotes collected by Dean Ramsay.

The Aberdonians are the chosen people, the elect of God.

Every Scot is proud of his nationality, but an Aberdonian will tell you: "Not only am I a Scotchman, but I was born in Aberdeen."

And true enough, "tak' awa' Aberdeen, and twal' miles round, and faar are ye?"

It is related that a provost of Aberdeen, having come to London with his wife, someone recommended the lady to be sure and go to Covent Garden to see the opera.

"No," she replied, "we have come to London to be quiet and not to receive ovations. We shall not show ourselves in public during our stay in the capital."

Her resolution was adhered to, and London saw them not.

For the future life, the Aberdonian has no fears, and if he will only recommend you to Saint Peter, you will not have to wait long at the gates of Paradise.

Society in Aberdeen is of the choicest. Its aristocracy is an aristocracy of talent. In Aberdeen, as in Edinburgh, the local lions are the professors of the university, literary people, doctors, barristers, and artists. To cut a figure there, you need not jingle your guineas, but only show your brains and good manners. In Glasgow, show your savoir-faire; but, in Edinburgh and Aberdeen, your savoir-vivre.

I cannot quit the subject of Aberdeen without relating a little incident which exceedingly diverted me.

A few hours before delivering a lecture at the Albert Hall, I paid a visit to the place to see if my reading-desk had been properly arranged. Great was my surprise, on entering the hall, to see near the platform an elegant improvised green-room, curtained off. I asked the caretaker if there was not a retiring-room, in which I could await the moment for beginning my lecture, to which he replied:

"Yes, sir; we have an anteroom over there, but I have set apart this little green-room, because I thought it would be more comfortable for you to go and change your dresses in during the performance."

The worthy fellow evidently imagined that I was going to appear in tights before the lairds of Aberdeen.

The learned professor, who had kindly come to introduce me to my audience, laughed heartily with me over the joke.

CHAPTER XXX

The Thistle. – "Nemo me impune lacessit." – "Honi soit qui Mollet pince." – Political Aspirations of the Scotch. – Signification of Liberalism in Scotland. – Self-Government in the near Future. – Coercive Pills. – The Disunited Kingdom. – The United Empire.

The emblem of Scotland is the thistle, the device Nemo me impune lacessit.

The great Order of Scotland is that of the Thistle, or Saint Andrew, the patron saint of the country, and was instituted by James V. in 1534 – that is to say, about two hundred years after Edward III. of England had founded the Order of the Garter.

A propos of this Garter, what fables and anecdotes have been written! Historians even are not agreed as to the origin of the famous device: Honi soit qui mal y pense.

The explanation which seems to be the most plausible is this:

The Countess of Salisbury, King Edward III.'s mistress, dropped her garter at a ball. The king picked it up; but, as the worthy descendant of a bashful race, he did not attempt to replace it, but turning towards his courtiers, said:

"My lords, honi soit qui mollet pince."

Then he advanced towards the countess and gave her her garter.

The king's expression became corrupted into:

Honi soit qui mal y pense.

This is the correct version, you may depend on it.

The Scots are a nation of hardy, valiant men, whom the English never would have succeeded in conquering by force of arms.