An Artist in Crime

At half past eight o'clock he stood before the apartment-house in East Thirtieth Street. The janitor was sweeping from the pavement a light snow which had fallen in the early hours of the morning.

Mr. Barnes without speaking to the man walked into the vestibule and scanned the names over the letter-boxes. None of them contained the one which he sought, but there was no card in No. 5. Recalling that in Wilson's report a light had disappeared from a window on the fifth floor, he knew that it could not be unoccupied. To get in, he resorted to a trick often practised by sneak thieves. He rang the bell of No. 1, and when the door silently swung open he walked in, apologizing to the servant on the first landing for having "rung the wrong bell," and proceeded up to the fifth floor. Here he rang the bell of the private hall belonging to that special apartment. He could have rung the lower bell of this apartment at the outset, but he wished to make it impossible for anyone to leave after his signal announced visitors. He stood several minutes and heard no sound from within. A second pull at the bell produced no better results. Taking a firm hold of the door-knob, he slowly turned it, making not the slightest noise. To his surprise the door yielded when he pressed, and in a moment he had passed in and closed it behind him. His first idea was, that after all he had entered an empty apartment, but a glance into the room at the farther end of the hall, showed him that it was a furnished parlor. He hesitated a moment, then walked stealthily towards that room and looking in saw no one. He tip-toed back to the hall-door, turned the key, took it from the lock and dropped it into his pocket. Again he passed forward to the parlor, this time entering it. It was elegantly and tastily furnished. The windows opened on the street. Between them stood a cabinet writing-desk, open, as though recently used. Beside it was an enamel piano-lamp, possibly the same which had furnished the light which Wilson had suddenly missed several hours before. Opposite the windows a pair of folding glass doors communicated with an apartment beyond. These were closed. Peeping through a part of the pattern cut in the glass, Mr. Barnes could just distinguish the form of a woman in bed, her long hair hanging down from the pillow. This sight made him uncertain as to the next move. This was possibly Mrs. Rose Mitchel, as she had announced herself. She was asleep, and he had entered her apartment without any warrant for doing so. True he looked upon her with some suspicion, but the most innocent frequently suffer in this way, and without better reason than he had, he knew that he could not account legally for what he was doing. As he stood by the glass doors cogitating, he chanced to look down. Instantly his eye was attracted by that which made him shiver, as accustomed as he was to strange sights. It was a tiny red stream, which had managed to pass under the door and had then run along the edge of the carpet for the space of a few inches. Instantly he stooped, dipped his finger into it, and then ejaculated under his breath:

"Blood, and clotted."

Standing upright, he once more peered into the room. The figure in bed had not moved. Without further hesitation he slowly slid the doors apart. One glance within, and murmuring the single word "Murder," Mr. Barnes was no longer slow in his actions. Stepping across a big pool of blood which stained the carpet, he stood at the side of the bed. He recognized the features of the woman who had claimed that she had been robbed of her diamonds. She seemed sleeping, save that there was an expression of pain on the features, a contraction of the skin between the eyebrows, and one corner of the mouth drawn aside, the whole kept in this position by the rigidity of death. The manner of her death was as simple as it was cruel. Her throat had been cut as she slept. This seemed indicated by the fact that she was clad in her night-dress. One thing that puzzled Mr. Barnes at once, was the pool of blood near the door. It was fully six feet from the head of the bed, and whilst there was another just by the bedstead, formed by blood which had trickled from the wound, running down the sheets and so dropping to the floor, the two pools did not communicate.

"Well," thought Mr. Barnes, "I am first on the scene this time, and no busybodies shall tumble things about till I have studied their significance."

This room had not been designed for a sleeping apartment but rather as a dining-room, which, upon occasion, could be opened into the parlor, converting the two into one. There was one window upon an air-shaft, and in an angle was a handsome carved oak mantel with fireplace below. Mr. Barnes raised the curtain over the window, letting in more light. Looking around he noticed almost immediately two things: first, that a basin stood on a washstand half filled with water, the color of which plainly indicated that the murderer had washed off tell-tale marks before taking his departure. Second, that in the fireplace was a pile of ashes.

"The scoundrel has burned evidence against him, and deliberately washed the blood from his person before going away. Let me see, what was it that Mitchel said: 'I should have stopped to wash the stain from the carpet whilst fresh, and also from the dog's mouth.' That is what he told his friend he would do if bitten whilst committing a crime. In this instance the 'stain on the carpet' was too much for him, but he washed it from himself. Can it be that a man lives who, contemplating a deed of this character, would make a wager that he would not be detected. Bah. It is impossible." Thus thought Mr. Barnes as he studied the evidence before him. He next turned to the woman's clothing which lay on a chair. He rummaged through the pocket, but found nothing. In handling the petticoat he noticed that a piece had been cut from the band. Examining the other garments he soon saw that the same had been done to them all. Like a flash an idea struck him. Going over to the bed he searched for some mark on the garments which were on the corpse. He could find none until he lifted the body up and turned it over, when he found that a piece had been cut from the night-dress.

"That accounts for the blood by the door," thought Mr. Barnes. "He took her out of the bed to get her nearer to the light, so that he could find the initials marked on the clothing. Whilst she lay by the door the blood flowed and accumulated. Then he put her back in bed so that he would not need to step over her in walking about the room. What a calculating villain. There is one significant fact here. Her name cannot have been Rose Mitchel, or there would have been no reason for destroying these marks, since she had given that name to several."

Mr. Barnes next brushed the charred ashes from the grate upon a newspaper, and carried them to the window in the front room. His examination satisfied him of two things; the murderer had burned the bits of cloth cut from the various garments, and also a number of letters. That the fellow was studiously careful was plain from the fact that the burning had been thoroughly done; nothing had escaped the flame save two buttons with a bit of cloth attached, and various corners of envelopes. With disgust Mr. Barnes threw the ashes back where he had found them.

Next he paid his attention to the cabinet desk which stood open. He pulled out all the drawers, and peered into every nook and cranny, but his search was fruitless. He found nothing but blank paper and envelopes, and these of common kind.

Once more returning to the room where the corpse lay, he noticed a trunk from which protruded a part of a garment. Raising the lid he found everything within in a promiscuous pile. Evidently it had been hastily searched and carelessly repacked. Mr. Barnes took each article out and examined it closely. Everything upon which a name might have been written showed a place where a piece had been cut out. "There must be some good reason for hiding this woman's identity, or the scoundrel would not have been so thorough in his work," thought Mr. Barnes. Just then in replacing the clothing he heard a crinkling sound which indicated that a bit of paper was in the pocket of the garment. Hastily he withdrew it, and was delighted to observe writing. "A clue at last," he murmured, hurrying to the front-room window to read it. For what he found see p. 44.

This was all, no name being signed. Mr. Barnes regretted this last fact, but felt that he held a most important paper in his hand, since it seemed to be corroborative of the woman's statement that she had lost a lot of unset jewels. It was of great value to have so minute a description of the stolen gems. Folding the paper carefully, he placed it in his wallet, and then returned to the vicinity of the corpse. Looking closely at the cut in the neck, the detective determined that the assassin had used an ordinary pocket-knife, for the wound was neither deep nor long. It severed the jugular vein, which seemed to have been the aim of the murderer. It was from this circumstance that the detective decided that the woman had been attacked as she slept. This aroused the question "Did the murderer have the means of entering the house without attracting attention? Either he must have had a night-key, or else some one must have admitted him." Mr. Barnes started as the thought recurred to him that Wilson had seen Mr. Mitchel enter the house some time before the scream was heard, and depart some time after. Was this the woman who had accompanied him to the theatre? If so, how could she have retired and fallen to sleep so quickly? Evidently further light must be thrown upon this aspect of the case.

Whilst meditating, the detective's eye roamed about the room, and finally rested upon a shining object which lay on the floor near the trunk. A ray of light from the front window just reached it and made it glitter. Mr. Barnes looked at it for some moments mechanically, stooping presently to pick it up, with little thought of what he did. He had scarcely examined it, however, before a gleam of triumph glistened in his eye. He held in his hand a button, which was a cut cameo upon which was carved the profile head of a woman, beneath which appeared the name "Juliet."

CHAPTER IV.

DIAMOND CUT DIAMOND

Mr. Barnes, after discovering the cameo button, immediately left the apartment. With little loss of time he reached the Fifth Avenue Hotel. He found Wilson sitting in the lobby, and learned from him that Mr. Mitchel had not yet come down-stairs. He made his subordinate happy, by complimenting him upon his work, and exonerating him from blame because of his having lost his man for a few hours the day before. With the button in his pocket, Mr. Barnes found it easy to be good-natured. If the truth were known, he was chuckling to himself. The thought which proved such a fund of merriment was the idea that his man up-stairs had proven himself just as human as ordinary criminals, since he had left behind him the very tell-tale mark which he had boasted would not be found after he had committed his crime. Externally, however, there was no sign to show that Mr. Barnes was in any way excited. He calmly asked at the desk for Mr. Mitchel, and sent up his card just as any ordinary visitor might have done. In a few moments the hall-boy returned with the curt message, "Come up."

Mr. Barnes was shown up one flight of stairs into a suite of two rooms and a bath, overlooking Twenty-third Street. The room which he passed into from the hall was fitted up like a bachelor's parlor. Comfortable stuffed chairs and two sofas, a folding reading-chair, an upright piano in mahogany case with handsome piano-lamp beside it, a carved centre-table on which stood a reading-lamp, cigar case in bronze, photo-albums, handsome pictures on the walls in gold frames, elegant vases on the mantel, an onyx clock, a full-sized figure of a Moor carved in wood serving as a card-receiver, – in fact everything about the place was significant of wealth, luxury, and refinement. Could this be the den of a murderer? It seemed not, unless there might be some powerful hidden motive, which would make a man who was evidently a gentleman, stoop to such a crime. According to Mr. Barnes's experience such a motive must involve a woman. As yet there was no woman in this case, save the corpse which he had just left. All this flashed through the detective's mind as he noted his surroundings in a few swift glances. Then he heard a voice from the next room say:

"Come in, Mr. Barnes: we must not stand upon ceremony with one another."

Mr. Barnes in answer to the invitation crossed into the adjoining room and noticed at once that the sleeping apartment was as luxurious as the parlor. Mr. Mitchel was standing in front of a mirror shaving himself, being robed in a silk morning wrapper.

"Pardon this intrusion," began Mr. Barnes. "But you told me I might call at any time, and – "

"No excuses necessary, except from me. But I must finish shaving, you know. A man can't talk with lather on one side of his face."

"Certainly not. Don't hurry, I can wait."

"Thank you. Take a seat. You will find that armchair by the bed comfortable. This is an odd hour to be making one's toilet but the fact is I was out late last night."

"At the club, I suppose," said Mr. Barnes, wishing to see if Mr. Mitchel would lie to him. In this he was disappointed, for the reply was:

"No, I went to the Casino. Lillian Russell you know has returned. I had promised a friend to go, so we went."

"A gentleman?"

"Are you not getting inquisitive? No, not a gentleman, but a lady. In fact, that is her picture on that easel."

Mr. Barnes looked, and saw an oil painting representing a marvellously beautiful female head. A brunette of strong emotions and great will power if her portrait were truthful. Here was a significant fact. Mr. Mitchel said that he had been to the Casino with this woman. Wilson claimed that they had gone to the house where the murdered woman lay. It would seem that Mr. Mitchel's friend must live there, and thus he had gained access the night before. Did he know that the other also lived there, and did he go into her apartment after leaving his companion? As this passed through Mr. Barnes's mind his eyes wandered across the bed. He saw a waistcoat upon which he observed two buttons similar to the one which he had secreted in his pocket. Stealthily he reached his hand towards the bed, but his fingers had scarcely touched the waistcoat, when Mr. Mitchel said, without turning from his shaving:

"There is no money in that waistcoat, Mr. Barnes."

"What do you mean to insinuate," said Mr. Barnes angrily, withdrawing his hand quickly. Mr. Mitchel paused a moment before replying, deliberately made one or two more sweeps with his razor, then turned and faced the detective.

"I mean, Mr. Barnes, that you forgot that I was looking into a mirror."

"Your remark indicated that I meant to steal."

"Did it? I am sorry. But really you should not adopt a thief's stealthy methods if you are so sensitive. When I invite a gentleman into my private room, I do not expect to have him fingering my clothing whilst my back is turned."

"Take care, Mr. Mitchel, you are speaking to a detective. If I did stretch my hand towards your clothing it was with no wrong intent and you know it."

"Certainly I do, and what is more I know just what you were wishing to do. You must not get angered so easily. I should not have used the words which I did, but to tell you the truth I was piqued."

"I don't understand."

"It hurt my feelings to have you treat me just like an ordinary criminal. That you should think I would let you come in here and make whatever examinations you have in your mind, right before my very eyes, wounded my pride. I never should have turned my back upon you except that I faced a mirror. I told you I know what you wished to do. It was to examine the buttons on my vest, was it not?"

Mr. Barnes was staggered but did not show it. Calmly he said:

"As you know, I overheard your conversation on the train. You spoke of having a set of five curious buttons and – "

"Pardon me, I said six, not five." Once more Mr. Barnes had failed to trap the man. He suggested five, hoping that Mr. Mitchel might claim that to have been the original number, thus eliminating the lost one.

"Of course, you did say six, now I remember," he continued, "and I think you will admit it was not unnatural curiosity which led me to wish to see them, that – that – well that I might recognize them again."

"A very laudable intent. But my dear Mr. Barnes, I have told you that you may call upon me at any time, and ask me any questions you please. Why did you not frankly ask me to show you the buttons?"

"I should have done so. I do so now."

"They are in the vest. You may examine them if you desire it."

Mr. Barnes took up the vest, and was puzzled to find six buttons, three of Juliet and three of Romeo. Still he was satisfied, for they were identical with the one in his pocket. It occurred to him that this man who was so careful in his precautions, might have lied as to the number in the set, and have said six when in reality there were seven. A few questions about the buttons seemed opportune.

"These are very beautiful, Mr. Mitchel, and unique too. I have never heard of cameo buttons before. I think you said they were made expressly for you."

Mr. Mitchel dropped into a cushioned rocker before he replied:

"These buttons were made for me, and they are exquisite specimens of the graver's art. Cameo buttons, however, are not so uncommon as you suppose, though they are more usually worn by women, and, in fact, it was a woman's idea to have these cut. I should not have – "

"By Jove!" said Mr. Barnes, "the Romeo buttons are copies from your likeness, and good portraits too."

"Ah! You have noticed that, have you?"